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  1. Aesthetic technologies of modernity, subjectivity, and nature
    opera, orchestra, phonograph, film
    Published: 2016
    Publisher:  University of California Press, Oakland, California

    "The book addresses how music (especially opera), the phonograph, and film served as cultural agents facilitating the many extraordinary social, artistic, and cultural shifts that characterized the nascent twentieth century and much of what followed... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan

     

    "The book addresses how music (especially opera), the phonograph, and film served as cultural agents facilitating the many extraordinary social, artistic, and cultural shifts that characterized the nascent twentieth century and much of what followed long thereafter, even to the present. Three tropes are central: the tensions and traumas...-cultural, social, and personal...-associated with modernity; changes in human subjectivity and its engagement and representation in music and film; and the more general societal impact of modern media, sound recording (the development of the phonograph in particular), and the critical role played by early-century opera recording. A principal focus of the book is the conflicted relationship in Western modernity to nature, particularly as nature is perceived in opposition to culture and articulated through music, film, and sound as agents of fundamental, sometimes shocking transformation. The book considers the sound/vision world of modernity filtered through the lens of aesthetic modernism and rapid technological change, and the impact of both, experienced with the prescient sense that there could be no turning back"...Provided by publisher

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0520287371; 9780520287372
    RVK Categories: LR 56827 ; LR 57737
    Subjects: Film; Geschichte; Gesellschaft; Musik; Music; Modernism (Music); Opera; Motion pictures; Sound recordings; Nature in music; Nature in motion pictures; Filmästhetik; Film; Schallaufzeichnung; Moderne; Musikästhetik; Ästhetik; Oper; Natur
    Other subjects: Puccini, Giacomo, (1858-1924); Puccini, Giacomo (1858-1924): La fanciulla del West
    Scope: XVI, 351 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Includes bibliographical references and index

  2. The Cambridge history of modernism
    Contributor: Sherry, Vincent B. (HerausgeberIn)
    Published: [2016]
    Publisher:  Cambridge University Press, Cambridge

    The Cambridge History of Modernism is the first comprehensive history of modernism in the distinguished Cambridge Histories collection. It identifies a distinctive temperament of 'modernism' within the 'modern' period, establishing the circumstances... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    No inter-library loan
    Universitätsbibliothek Freiburg
    No inter-library loan
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    No inter-library loan
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    No inter-library loan
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    No inter-library loan
    Universitätsbibliothek Heidelberg
    No loan of volumes, only paper copies will be sent
    Universitätsbibliothek Mannheim
    No inter-library loan
    Universitätsbibliothek Rostock
    No inter-library loan
    Württembergische Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan
    Herzog August Bibliothek Wolfenbüttel
    No inter-library loan

     

    The Cambridge History of Modernism is the first comprehensive history of modernism in the distinguished Cambridge Histories collection. It identifies a distinctive temperament of 'modernism' within the 'modern' period, establishing the circumstances of modernized life as the ground and warrant for an art that becomes 'modernist' by virtue of its demonstrably self-conscious involvement in this modern condition. Following this sensibility from the end of the nineteenth century to the middle of the twentieth, tracking its manifestations across pan-European and transatlantic locations, the forty-three chapters offer a remarkable combination of breadth and focus. Prominent scholars of modernism provide analytical narratives of its literature, music, visual arts, architecture, philosophy, and science, offering circumstantial accounts of its diverse personnel in their many settings. These historically informed readings offer definitive accounts of the major work of twentieth-century cultural history and provide a new cornerstone for the study of modernism in the current century.

     

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    Volltext (lizenzpflichtig)
    Volltext (URL des Erstveröffentlichers)
    Source: Staatsbibliothek zu Berlin
    Contributor: Sherry, Vincent B. (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139540902; 9781107034693
    Other identifier:
    RVK Categories: EC 5184
    Series: Cambridge histories online
    Subjects: Modernism (Aesthetics); Modernism (Art); Modernism (Music); Modern movement (Architecture); Arts and society; Modernism (Literature); Literature, Modern; Literature, Modern; Modernism (Literature); Literature, Modern ; 20th century ; History and criticism; Literature, Modern ; 19th century ; History and criticism; Modernism (Aesthetics); Modernism (Art); Modernism (Music); Modern movement (Architecture); Arts and society ; History ; 20th century
    Scope: 1 Online-Ressource ( xxxiii, 929 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 20 Jan 2017)

    Vincent Sherry: Introduction: A history of "modernism"

    Vincent Sherry ; Modernist temporality : the science and philosophy and aesthetics of temporality from 1880: Part I: Modernism in time. Framing essay

    Vincent Sherry ; Modernist spaces in science, philosophy, the arts, and society: Part II: Modernism in space. Framing essay

    Vincent Sherry ; Gesamtkunstwerk: Part III: Modernism in and out of kind : genres, composite genres, and new genres. Framing essay

    Vincent Sherry ; A technique of unsettlement : Freud, Freudianism, and the psychology of modernism: Part IV: Modernism in person, modernism in community. Framing essay

    Steven Connor: Epilogue: Modernism after postmodernism

  3. The Cambridge history of modernism
    Contributor: Sherry, Vincent B. (HerausgeberIn)
    Published: [2016]
    Publisher:  Cambridge University Press, Cambridge

    The Cambridge History of Modernism is the first comprehensive history of modernism in the distinguished Cambridge Histories collection. It identifies a distinctive temperament of 'modernism' within the 'modern' period, establishing the circumstances... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    The Cambridge History of Modernism is the first comprehensive history of modernism in the distinguished Cambridge Histories collection. It identifies a distinctive temperament of 'modernism' within the 'modern' period, establishing the circumstances of modernized life as the ground and warrant for an art that becomes 'modernist' by virtue of its demonstrably self-conscious involvement in this modern condition. Following this sensibility from the end of the nineteenth century to the middle of the twentieth, tracking its manifestations across pan-European and transatlantic locations, the forty-three chapters offer a remarkable combination of breadth and focus. Prominent scholars of modernism provide analytical narratives of its literature, music, visual arts, architecture, philosophy, and science, offering circumstantial accounts of its diverse personnel in their many settings. These historically informed readings offer definitive accounts of the major work of twentieth-century cultural history and provide a new cornerstone for the study of modernism in the current century.

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Volltext (URL des Erstveröffentlichers)
    Source: Staatsbibliothek zu Berlin
    Contributor: Sherry, Vincent B. (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139540902; 9781107034693
    Other identifier:
    RVK Categories: EC 5184
    Series: Cambridge histories online
    Subjects: Modernism (Aesthetics); Modernism (Art); Modernism (Music); Modern movement (Architecture); Arts and society; Modernism (Literature); Literature, Modern; Literature, Modern; Modernism (Literature); Literature, Modern ; 20th century ; History and criticism; Literature, Modern ; 19th century ; History and criticism; Modernism (Aesthetics); Modernism (Art); Modernism (Music); Modern movement (Architecture); Arts and society ; History ; 20th century
    Scope: 1 Online-Ressource ( xxxiii, 929 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 20 Jan 2017)

    Vincent Sherry: Introduction: A history of "modernism"

    Vincent Sherry ; Modernist temporality : the science and philosophy and aesthetics of temporality from 1880: Part I: Modernism in time. Framing essay

    Vincent Sherry ; Modernist spaces in science, philosophy, the arts, and society: Part II: Modernism in space. Framing essay

    Vincent Sherry ; Gesamtkunstwerk: Part III: Modernism in and out of kind : genres, composite genres, and new genres. Framing essay

    Vincent Sherry ; A technique of unsettlement : Freud, Freudianism, and the psychology of modernism: Part IV: Modernism in person, modernism in community. Framing essay

    Steven Connor: Epilogue: Modernism after postmodernism

  4. Aesthetic technologies of modernity, subjectivity, and nature
    opera, orchestra, phonograph, film
    Published: 2016
    Publisher:  University of California Press, Oakland, California

    "The book addresses how music (especially opera), the phonograph, and film served as cultural agents facilitating the many extraordinary social, artistic, and cultural shifts that characterized the nascent twentieth century and much of what followed... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "The book addresses how music (especially opera), the phonograph, and film served as cultural agents facilitating the many extraordinary social, artistic, and cultural shifts that characterized the nascent twentieth century and much of what followed long thereafter, even to the present. Three tropes are central: the tensions and traumas...-cultural, social, and personal...-associated with modernity; changes in human subjectivity and its engagement and representation in music and film; and the more general societal impact of modern media, sound recording (the development of the phonograph in particular), and the critical role played by early-century opera recording. A principal focus of the book is the conflicted relationship in Western modernity to nature, particularly as nature is perceived in opposition to culture and articulated through music, film, and sound as agents of fundamental, sometimes shocking transformation. The book considers the sound/vision world of modernity filtered through the lens of aesthetic modernism and rapid technological change, and the impact of both, experienced with the prescient sense that there could be no turning back"...Provided by publisher

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0520287371; 9780520287372
    RVK Categories: LR 56827 ; LR 57737
    Subjects: Film; Geschichte; Gesellschaft; Musik; Music; Modernism (Music); Opera; Motion pictures; Sound recordings; Nature in music; Nature in motion pictures; Filmästhetik; Film; Schallaufzeichnung; Moderne; Musikästhetik; Ästhetik; Oper; Natur
    Other subjects: Puccini, Giacomo, (1858-1924); Puccini, Giacomo (1858-1924): La fanciulla del West
    Scope: XVI, 351 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Includes bibliographical references and index

  5. The Cambridge history of modernism
    Contributor: Sherry, Vincent B. (HerausgeberIn)
    Published: 2016
    Publisher:  Cambridge University Press, Cambridge

    The Cambridge History of Modernism is the first comprehensive history of modernism in the distinguished Cambridge Histories collection. It identifies a distinctive temperament of 'modernism' within the 'modern' period, establishing the circumstances... more

    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    2017/952
    No loan of volumes, only paper copies will be sent
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 19019
    Unlimited inter-library loan, copies and loan
    Staats- und Universitätsbibliothek Bremen
    a ang 293.2/233
    Unlimited inter-library loan, copies and loan
    Zentrale Hochschulbibliothek Flensburg
    EC 5184 S553
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Greifswald
    310/EC 6666 S553
    No inter-library loan
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2017 A 4556
    Unlimited inter-library loan, copies and loan
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    2018/5648
    Unlimited inter-library loan, copies and loan
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    CR/930/2023
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Heidelberg
    2017 A 7676
    Unlimited inter-library loan, copies and loan
    Thüringer Universitäts- und Landesbibliothek
    ALW:LA:6354:She::2016
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Kiel, Zentralbibliothek
    By 270
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Mannheim
    500 EC 5184 S553
    No inter-library loan
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    soz 304.2 DF 9183
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Osnabrück
    BNO 6207-701 3
    No inter-library loan
    Württembergische Landesbibliothek
    67/5723
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek der Eberhard Karls Universität
    57 A 4350
    Unlimited inter-library loan, copies and loan
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    EC 5184 S553
    Unlimited inter-library loan, copies and loan

     

    The Cambridge History of Modernism is the first comprehensive history of modernism in the distinguished Cambridge Histories collection. It identifies a distinctive temperament of 'modernism' within the 'modern' period, establishing the circumstances of modernized life as the ground and warrant for an art that becomes 'modernist' by virtue of its demonstrably self-conscious involvement in this modern condition. Following this sensibility from the end of the nineteenth century to the middle of the twentieth, tracking its manifestations across pan-European and transatlantic locations, the forty-three chapters offer a remarkable combination of breadth and focus. Prominent scholars of modernism provide analytical narratives of its literature, music, visual arts, architecture, philosophy, and science, offering circumstantial accounts of its diverse personnel in their many settings. These historically informed readings offer definitive accounts of the major work of twentieth-century cultural history and provide a new cornerstone for the study of modernism in the current century.

     

    Export to reference management software   RIS file
      BibTeX file
    Content information