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  1. Studien zur Typologie und zur Poetik der Oper in der ersten Hälfte des 19. Jahrhunderts
    Author: Semrau, Arno
    Published: 1993
    Publisher:  Bosse, Regensburg

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: Undetermined
    Media type: Dissertation
    Subjects: Typologie; Gattungstheorie; Oper
    Other subjects: Weber, Carl Maria von (1786-1826): Der Freischütz; Bellini, Vincenzo (1801-1835): Norma; Meyerbeer, Giacomo (1791-1864): Les huguenots
    Scope: 405 S., Notenbeispiele
    Notes:

    Weitere Ausgabe: Kölner Beiträge zur Musikforschung ; 178

    Köln, Univ., Diss., 1993
  2. Grand illusion
    phantasmagoria in nineteenth-century opera
    Author: Cruz, Gabriela
    Published: [2020]; © 2020
    Publisher:  Oxford University Press, New York, NY

    "Grand Illusion is a new history of grand opera as an art of illusion facilitated by the introduction of gaslight illumination at the Académie Royale de Musique (Paris) in the 1820s. It contends that gaslight and the technologies of illusion used in... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "Grand Illusion is a new history of grand opera as an art of illusion facilitated by the introduction of gaslight illumination at the Académie Royale de Musique (Paris) in the 1820s. It contends that gaslight and the technologies of illusion used in the theater after the 1820s spurred the development of a new lyrical art, attentive to the conditions of darkness and radiance, and inspired by the model of phantasmagoria. Karl Marx, Walter Benjamin and Theodor Adorno have used the concept of phantasmagoria to arrive at a philosophical understanding of modern life as total spectacle, in which the appearance of things supplants their reality. The book argues that the Académie became an early laboratory for this historical process of commodification, for the transformation of opera into an audio-visual spectacle delivering dream-like images. It shows that this transformation began in Paris and then defined opera after the mid-century. In the hands of Giacomo Meyerbeer (Robert le Diable, L'Africaine), Richard Wagner (Der fliegende Holländer, Lohengrin and Tristan und Isolde) and Giuseppe Verdi (Aida), opera became an expanded form of phantasmagoria"

     
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    Content information
    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9780190915056
    RVK Categories: LR 54171
    Subjects: Technische Innovation; Inszenierung; Musikästhetik; Ästhetik; Oper; Grand opéra
    Other subjects: Verdi, Giuseppe (1813-1901); Wagner, Richard (1813-1883); Meyerbeer, Giacomo (1791-1864); Opera / 19th century; Opera / Production and direction / History / 19th century; Opera; Opera / Production and direction; 1800-1899; History
    Scope: xx, 290 Seiten, Illustrationen, Notenbeispiele (schwarz-weiß)
    Notes:

    Introduction. The Modernity of Grand Opera -- Opera and Beauty -- Gaslight and Phantasmagoria at the Opéra -- The Diorama, Apparitions and Dream Image in Robert le Diable -- The Phantom Ship in Der fliegende Holländer and L'Africaine -- The Poetics of Sensation in L'Africaine and Tristan und Isolde -- Aida, Egyptomania and the After-Life of Grand Opera
  3. Die Sage von Robert dem Teufel in neueren deutschen Dichtungen und in Meyerbeers Oper
    Author: Tardel, Hermann
    Published: 1977
    Publisher:  Gerstenberg, Hildesheim

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Location:
    Staatliches Institut für Musikforschung - Preußischer Kulturbesitz, Bibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: German
    Media type: Book
    ISBN: 3806706042
    RVK Categories: GE 5138 ; GL 1461
    Edition: Repr.d.Ausg.Berlin 1900
    Series: Forschungen zur neueren Literaturgeschichte. ; 14.
    Subjects: German literature; Robert le Diable; Literatur; Deutsch
    Other subjects: Meyerbeer, Giacomo (1791-1864): Robert le diable; Robert der Teufel
    Scope: 82 S.
  4. Die Sage von Robert dem Teufel in neueren deutschen Dichtungen und in Meyerbeers Oper
    Author: Tardel, Hermann
    Published: 1900
    Publisher:  Duncker, Berlin

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Location:
    Universität Potsdam, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: German
    Media type: Book
    RVK Categories: GE 5138 ; GL 1461
    Series: Forschungen zur neueren Litteraturgeschichte ; 14
    Subjects: Literatur; Deutsch
    Other subjects: Robert der Teufel; Meyerbeer, Giacomo (1791-1864): Robert le diable
    Scope: 82 S.