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  1. Masculinity and Italian cinema
    sexual politics, social conflict and male crisis in the 1970s
    Author: Rigoletto, Sergio
    Published: 2014.
    Publisher:  Edinburgh University Press, Edinburgh

    How did Italian cinema of the 1970s re-envision masculinity in response to sexual liberation? What role did broader socio-political concerns of the time play in this re-definition? To what extent did this re-envisioning of masculinity intersect with... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    How did Italian cinema of the 1970s re-envision masculinity in response to sexual liberation? What role did broader socio-political concerns of the time play in this re-definition? To what extent did this re-envisioning of masculinity intersect with concurrent debates about the function of cinema as a political medium and a mass cultural phenomenon? Masculinity and Italian Cinema takes the 1970s as an especially instructive period for rethinking the traditional trope of an inadequate male in crisis within Italian cinema. It explores how masculinity functioned in several films of the 1970s as a charged allegory for the many socio-political lacerations of the Italian nation and as a site of conflict and radical interrogation of ideas about gender and sexuality. Sergio Rigoletto re-examines a number of key films, including Bernardo Bertolucci's The Conformist, Federico Fellini's City of Women, Ettore Scola's A Special Day, Pier Paolo Pasolini's Teorema and Lina Wertmüller's The Seduction of Mimi, in the light of gender and queer theory and considers the challenges that these films pose to received ideas about gender and sexuality of the time, and to some of the aesthetic and narrative conventions which have traditionally regulated the representation of men in film. Introduction -- Male crisis: between apocalypse and nostalgia -- Contesting national memory: male dilemmas and Oedipal scenarios -- Undoing genre, undoing masculinity -- Pier Paolo Pasolini's erotic imagery and the significance of the male body -- Male subjectivity and the legacy of 1968: Nanni Moretti's Ecce Bombo

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748654550
    RVK Categories: AP 44939
    Subjects: Motion pictures; Italy; History, 20th century.; Motion pictures; Social aspects; Italy.; Motion pictures, Italian; Masculinity in motion pictures; Masculinity in motion pictures.; Motion pictures, Italian.; Motion pictures; Motion pictures; Masculinity in motion pictures; Motion pictures, Italian; Motion pictures ; Italy ; History ; 20th century; Motion pictures ; Social aspects ; Italy
    Scope: 1 Online-Ressource (x, 165 pages), digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 08 Aug 2016)
  2. Masculinity and Italian cinema
    sexual politics, social conflict and male crisis in the 1970s
    Author: Rigoletto, Sergio
    Published: 2014.
    Publisher:  Edinburgh University Press, Edinburgh

    How did Italian cinema of the 1970s re-envision masculinity in response to sexual liberation? What role did broader socio-political concerns of the time play in this re-definition? To what extent did this re-envisioning of masculinity intersect with... more

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Peace Research Institute Frankfurt, Bibliothek
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Universitätsbibliothek Leipzig
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    How did Italian cinema of the 1970s re-envision masculinity in response to sexual liberation? What role did broader socio-political concerns of the time play in this re-definition? To what extent did this re-envisioning of masculinity intersect with concurrent debates about the function of cinema as a political medium and a mass cultural phenomenon? Masculinity and Italian Cinema takes the 1970s as an especially instructive period for rethinking the traditional trope of an inadequate male in crisis within Italian cinema. It explores how masculinity functioned in several films of the 1970s as a charged allegory for the many socio-political lacerations of the Italian nation and as a site of conflict and radical interrogation of ideas about gender and sexuality. Sergio Rigoletto re-examines a number of key films, including Bernardo Bertolucci's The Conformist, Federico Fellini's City of Women, Ettore Scola's A Special Day, Pier Paolo Pasolini's Teorema and Lina Wertmüller's The Seduction of Mimi, in the light of gender and queer theory and considers the challenges that these films pose to received ideas about gender and sexuality of the time, and to some of the aesthetic and narrative conventions which have traditionally regulated the representation of men in film. Introduction -- Male crisis: between apocalypse and nostalgia -- Contesting national memory: male dilemmas and Oedipal scenarios -- Undoing genre, undoing masculinity -- Pier Paolo Pasolini's erotic imagery and the significance of the male body -- Male subjectivity and the legacy of 1968: Nanni Moretti's Ecce Bombo

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748654550
    RVK Categories: AP 44939
    Subjects: Motion pictures; Italy; History, 20th century.; Motion pictures; Social aspects; Italy.; Motion pictures, Italian; Masculinity in motion pictures; Masculinity in motion pictures.; Motion pictures, Italian.; Motion pictures; Motion pictures; Masculinity in motion pictures; Motion pictures, Italian; Motion pictures ; Italy ; History ; 20th century; Motion pictures ; Social aspects ; Italy
    Scope: 1 Online-Ressource (x, 165 pages), digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 08 Aug 2016)