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  1. Phantasmatic Shakespeare
    imagination in the age of early modern science
    Author: Roychoudhury, Suparna
    Published: 2018
    Publisher:  Cornell University Press, Ithaca

    Representations of the mind have a central place in Shakespeare’s artistic imagination, as we see in Bottom struggling to articulate his dream, Macbeth reaching for a dagger that is not there, and Prospero humbling his enemies with spectacular... more

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    Representations of the mind have a central place in Shakespeare’s artistic imagination, as we see in Bottom struggling to articulate his dream, Macbeth reaching for a dagger that is not there, and Prospero humbling his enemies with spectacular illusions. Phantasmatic Shakespeare examines the intersection between early modern literature and early modern understandings of the mind’s ability to perceive and imagine. Suparna Roychoudhury argues that Shakespeare’s portrayal of the imagination participates in sixteenth-century psychological discourse and reflects also how fields of anatomy, medicine, mathematics, and natural history jolted and reshaped conceptions of mentality. Although the new sciences did not displace the older psychology of phantasms, they inflected how Renaissance natural philosophers and physicians thought and wrote about the brain’s image-making faculty. The many hallucinations, illusions, and dreams scattered throughout Shakespeare’s works exploit this epistemological ferment, deriving their complexity from the ambiguities raised by early modern science.Phantasmatic Shakespeare considers aspects of imagination that were destabilized during Shakespeare’s period—its place in the brain; its legitimacy as a form of knowledge; its pathologies; its relation to matter, light, and nature—reading these in concert with canonical works such as King Lear, Macbeth, and The Tempest. Shakespeare, Roychoudhury shows, was influenced by paradigmatic epistemic shifts of his time, and he in turn demonstrated how the mysteries of cognition could be the subject of powerful art.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501726569
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    Subjects: Imagination in literature; Literature and science; Literature and science; Science in literature; Science in literature; Literature and science; Literature and science; Imagination in literature; Cognition in literature; Imagination; Imagination; Psychology in literature; Imagination in literature.; Literature and science.; Literature and science.; Science in literature.; LITERARY CRITICISM / Shakespeare
    Scope: 1 Online-Ressource
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    Frontmatter -- -- Contents -- -- List of Illustrations -- -- Acknowledgments -- -- Introduction: Theseus, Phantasia, and the Scientific Renaissance -- -- Chapter 1. Between Heart and Eye Anatomies of Imagination in the Sonnets -- -- Chapter 2. Children of Fancy Academic Idleness and Love’s Labor’s Lost -- -- Chapter 3. Of Atoms, Air, and Insects: Mercutio’s Vain Fantasy -- -- Chapter 4. Seeming to See: King Lear’s Mental Optics -- -- Chapter 5. Melancholy, Ecstasy, Phantasma The Pathologies of Macbeth -- -- Chapter 6. Chimeras Natural History and the Shapes of The Tempest -- -- Epilogue The Rude Fantasticals -- -- Bibliography -- -- Index
  2. Light without heat
    the observational mood from Bacon to Milton
    Author: Simon, David Carroll
    Published: 2018
    Publisher:  Cornell University Press, Ithaca

    In Light without Heat, David Carroll Simon argues for the importance of carelessness to the literary and scientific experiments of the seventeenth century. While scholars have often looked to this period in order to narrate the triumph of methodical... more

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    In Light without Heat, David Carroll Simon argues for the importance of carelessness to the literary and scientific experiments of the seventeenth century. While scholars have often looked to this period in order to narrate the triumph of methodical rigor as a quintessentially modern intellectual value, Simon describes the appeal of open-ended receptivity to the protagonists of the new science. In straying from the work of self-possession and the duty to sift fact from fiction, early modern intellectuals discovered the cognitive advantages of the undisciplined mind.Exploring the influence of what he calls the "observational mood" on both poetry and prose, Simon offers new readings of Michel de Montaigne, Francis Bacon, Izaak Walton, Henry Power, Robert Hooke, Robert Boyle, Andrew Marvell, and John Milton. He also extends his inquiry beyond the boundaries of early modernity, arguing for a literary theory that trades strict methodological commitment for an openness to lawless drift.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501723421
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    Subjects: English literature; Literature and science; Observation (Scientific method); Philosophy of nature in literature; Philosophy of nature in literature; Observation (Scientific method); English literature; Literature and science; English literature.; Literature and science.; Observation (Scientific method).; Philosophy of nature in literature.; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
    Scope: 1 Online-Ressource
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    Frontmatter -- -- Contents -- -- Acknowledgments -- -- Introduction. Atmospheres of Understanding Scientific Emotion and Literary Criticism -- -- “Nonchalance” and the Making of Knowledge: Francis Bacon after Michel de Montaigne -- -- The Angle of Thought: Robert Boyle, Izaak Walton, and the Scientific Imagination -- -- The Microscope Made Easy: Andrew Marvell with Henry Power -- -- The Paradise Without: John Milton in the Garden -- -- Postscript -- -- Notes -- -- Works Cited -- -- Index