"The author's contention is that Chekhov's plays have often been misinterpreted by scholars and directors, particularly through their failure to adequately balance the comic and tragic elements inherent in these works. Through a close examination of...
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Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
Inter-library loan:
Unlimited inter-library loan, copies and loan
"The author's contention is that Chekhov's plays have often been misinterpreted by scholars and directors, particularly through their failure to adequately balance the comic and tragic elements inherent in these works. Through a close examination of the form and content of Chekhov's dramas, the author shows how deeply pessimistic or overly optimistic interpretations fail to sufficiently account for the rich complexity and ambiguity of these plays. The author suggests that, by accepting that Chekhov's plays are synthetic tragi-comedies which juxtapose potentially tragic sub-texts with essentially comic texts, critics and directors are more likely to produce richer and more deeply satisfying interpretations of these works. Besides being of general interest to any reader interested in understanding Chekhov's work, the book is intended to be of particular interest to students of Drama and Theatre Studies and to potential directors of these subtle plays."--Publisher's description.
Chekhov's Vision of Reality -- The Search for Form -- Failed Experiments: The Early Plays -- The Seagull: From Disaster to Triumph -- Uncle Vanya: 'A Glimmer of Light Shining in the Distance' -- Three Sisters: 'Oh if we could only know!' -- The Cherry Orchard: Complete Synthesis of Vision and Form.
"The author's contention is that Chekhov's plays have often been misinterpreted by scholars and directors, particularly through their failure to adequately balance the comic and tragic elements inherent in these works. Through a close examination of...
more
"The author's contention is that Chekhov's plays have often been misinterpreted by scholars and directors, particularly through their failure to adequately balance the comic and tragic elements inherent in these works. Through a close examination of the form and content of Chekhov's dramas, the author shows how deeply pessimistic or overly optimistic interpretations fail to sufficiently account for the rich complexity and ambiguity of these plays. The author suggests that, by accepting that Chekhov's plays are synthetic tragi-comedies which juxtapose potentially tragic sub-texts with essentially comic texts, critics and directors are more likely to produce richer and more deeply satisfying interpretations of these works. Besides being of general interest to any reader interested in understanding Chekhov's work, the book is intended to be of particular interest to students of Drama and Theatre Studies and to potential directors of these subtle plays."--Publisher's description.
Chekhov's Vision of Reality -- The Search for Form -- Failed Experiments: The Early Plays -- The Seagull: From Disaster to Triumph -- Uncle Vanya: 'A Glimmer of Light Shining in the Distance' -- Three Sisters: 'Oh if we could only know!' -- The Cherry Orchard: Complete Synthesis of Vision and Form.
Chekhov's Vision of Reality --The Search for Form --Failed Experiments: The Early Plays --The Seagull: From Disaster to Triumph --Uncle Vanya: 'A Glimmer of Light Shining in the Distance' --Three Sisters: 'Oh if we could only know!' --The Cherry...
more
Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
Inter-library loan:
No inter-library loan
Chekhov's Vision of Reality --The Search for Form --Failed Experiments: The Early Plays --The Seagull: From Disaster to Triumph --Uncle Vanya: 'A Glimmer of Light Shining in the Distance' --Three Sisters: 'Oh if we could only know!' --The Cherry Orchard: Complete Synthesis of Vision and Form. "The author's contention is that Chekhov's plays have often been misinterpreted by scholars and directors, particularly through their failure to adequately balance the comic and tragic elements inherent in these works. Through a close examination of the form and content of Chekhov's dramas, the author shows how deeply pessimistic or overly optimistic interpretations fail to sufficiently account for the rich complexity and ambiguity of these plays. The author suggests that, by accepting that Chekhov's plays are synthetic tragi-comedies which juxtapose potentially tragic sub-texts with essentially comic texts, critics and directors are more likely to produce richer and more deeply satisfying interpretations of these works. Besides being of general interest to any reader interested in understanding Chekhov's work, the book is intended to be of particular interest to students of Drama and Theatre Studies and to potential directors of these subtle plays."--Publisher's description
