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  1. Kunst und Fernsehen - Partizipation statt Reproduktion : Offenheit, Unbestimmtheit und Leerstellen in der TV-Serie Fargo (2017)
    Author: Meer, Lea Emilia
    Published: 2019
    Publisher:  Filmuniversität Babelsberg Konrad Wolf, Potsdam-Babelsberg

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    Verlag (kostenfrei)

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    Technische Hochschule Bingen, Bibliothek
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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Bibliothek der Frankfurt University of Applied Sciences
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    Hessisches BibliotheksInformationsSystem hebis
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    Städel Museum, Bibliothek
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Bibliothek des Bischöflichen Priesterseminars
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    Other identifier:
    DDC Categories: 700
    Subjects: Fernsehserie; Leerstelle <Literatur>; Filmanalyse; Unbestimmtheit; Kunstwerk; Medienkunst
    Scope: Online-Ressource
    Notes:

    Bachelorarbeit, Potsdam-Babelsberg, Filmuniversität Babelsberg Konrad Wolf, 2019
  2. Gaps as significant absences
    the case of serial comics
    Author: Stein, Daniel
    Published: [2019]

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: English
    Media type: Article (edited volume)
    Parent title:
    Meaningful absence across arts and media / edited by Werner Wolf, Nassim Balestrini, Walter Bernhart; Leiden ; Boston, [2019]; Seite 126-155
    Subjects: Leerstelle <Literatur>; Auslassung; Comic
    Scope: Illustrationen
  3. Lo spazio senza il verso
    mute liriche del bianco nella poesia russa contemporanea
    Author: Sala, Roberta
    Published: ottobre 2019
    Publisher:  Guerini e associati, Milano

    Location:
    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: Italian
    Media type: Book
    ISBN: 9788862507691
    Edition: Prima edizione
    Series: Biblioteca letteraria ; 17
    Subjects: Russian poetry / 20th century / History and criticism; Visual poetry, Russian / History and criticism; Emptiness (Philosophy) in literature; Postmodernism (Literature); Russisch; Leerstelle <Literatur>; Lyrik; Dissident
    Scope: 251 pages, illustrations, 24 cm
    Notes:

    Includes bibliographical references (pages 219-229)
  4. Absence in cinema
    the art of showing nothing
    Author: Remes, Justin
    Published: [2020]; © 2019
    Publisher:  Columbia University Press, New York

    Absence has played a crucial role in the history of avant-garde aesthetics, from the blank canvases of Robert Rauschenberg to Yves Klein’s invisible paintings, from the "silent" music of John Cage to Samuel Beckett’s minimalist theater. Yet little... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Absence has played a crucial role in the history of avant-garde aesthetics, from the blank canvases of Robert Rauschenberg to Yves Klein’s invisible paintings, from the "silent" music of John Cage to Samuel Beckett’s minimalist theater. Yet little attention has been given to the important role of absence in cinema. In the first book to focus on cinematic absence, Justin Remes demonstrates how omissions of expected elements can spur viewers to interpret and understand the nature of film in new ways.While most film criticism focuses on what is present, such as images on the screen and music and dialogue on the soundtrack, Remes contends that what is missing is an essential part of the cinematic experience. He examines films without images—such as Walter Ruttmann’s Weekend (1930), a montage of sounds recorded in Berlin—and films without sound—such as Stan Brakhage’s Window Water Baby Moving (1959), which documents the birth of the filmmaker’s first child. He also examines found footage films that erase elements from preexisting films such as Naomi Uman’s removed (1999), which uses nail polish and bleach to blot out all the women from a pornographic film, and Martin Arnold’s Deanimated (2002), which digitally eliminates images and sounds from a Bela Lugosi B movie. Remes maps out the effects and significations of filmic voids while grappling with their implications for film theory. Through a careful analysis of a broad array of avant-garde works, Absence in Cinema reveals that films must be understood not only in terms of what they show but also what they withhold

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231548281
    Other identifier:
    RVK Categories: AP 50800
    Series: FIlm and culture
    Subjects: PERFORMING ARTS / Film & Video / History & Criticism; Absence in motion pictures; Experimental films; Filmästhetik; Leere <Motiv>; Experimentalfilm; Leerstelle <Film>; Reduktion
    Scope: 1 Online-Ressource (x, 242 Seiten), Illustrationen
  5. Kunst und Fernsehen - Partizipation statt Reproduktion
    Offenheit, Unbestimmtheit und Leerstellen in der TV-Serie Fargo (2017)
    Author: Meer, Lea Emilia
    Published: 2019
    Publisher:  Filmuniversität Babelsberg Konrad Wolf, Potsdam-Babelsberg

    Access:

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    No loan of volumes, only paper copies will be sent

    Location:
    Deutsches Forum für Kunstgeschichte, Bibliothek

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Content information
    Volltext (kostenfrei)
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    Other identifier:
    DDC Categories: 700
    Subjects: Fernsehserie; Leerstelle <Literatur>; Filmanalyse; Unbestimmtheit; Kunstwerk; Medienkunst
    Scope: 1 Online-Ressource (55 Seiten), Illustrationen
    Notes:

    Bachelorarbeit, Filmuniversität Babelsberg Konrad Wolf, 2019
  6. Absence in cinema
    the art of showing nothing
    Author: Remes, Justin
    Published: [2020]; © 2019
    Publisher:  Columbia University Press, New York

    Absence has played a crucial role in the history of avant-garde aesthetics, from the blank canvases of Robert Rauschenberg to Yves Klein’s invisible paintings, from the "silent" music of John Cage to Samuel Beckett’s minimalist theater. Yet little... more

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    Location:
    Universität der Künste Berlin, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    Location:
    Universität Potsdam, Universitätsbibliothek
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    Absence has played a crucial role in the history of avant-garde aesthetics, from the blank canvases of Robert Rauschenberg to Yves Klein’s invisible paintings, from the "silent" music of John Cage to Samuel Beckett’s minimalist theater. Yet little attention has been given to the important role of absence in cinema. In the first book to focus on cinematic absence, Justin Remes demonstrates how omissions of expected elements can spur viewers to interpret and understand the nature of film in new ways.While most film criticism focuses on what is present, such as images on the screen and music and dialogue on the soundtrack, Remes contends that what is missing is an essential part of the cinematic experience. He examines films without images—such as Walter Ruttmann’s Weekend (1930), a montage of sounds recorded in Berlin—and films without sound—such as Stan Brakhage’s Window Water Baby Moving (1959), which documents the birth of the filmmaker’s first child. He also examines found footage films that erase elements from preexisting films such as Naomi Uman’s removed (1999), which uses nail polish and bleach to blot out all the women from a pornographic film, and Martin Arnold’s Deanimated (2002), which digitally eliminates images and sounds from a Bela Lugosi B movie. Remes maps out the effects and significations of filmic voids while grappling with their implications for film theory. Through a careful analysis of a broad array of avant-garde works, Absence in Cinema reveals that films must be understood not only in terms of what they show but also what they withhold

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231548281
    Other identifier:
    RVK Categories: AP 50800
    Series: FIlm and culture
    Subjects: PERFORMING ARTS / Film & Video / History & Criticism; Absence in motion pictures; Experimental films; Filmästhetik; Leere <Motiv>; Experimentalfilm; Leerstelle <Film>; Reduktion
    Scope: 1 Online-Ressource (x, 242 Seiten), Illustrationen
  7. Zwischen den Zeilen. Judith Hermanns Kurzgeschichte „Bali-Frau“ aus rezeptionsästhetischer Sicht
    Author: Helmke, Ann-Christin
    Published: 2019
    Publisher:  GRIN Verlag, München

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  8. Kunst und Fernsehen - Partizipation statt Reproduktion
    Offenheit, Unbestimmtheit und Leerstellen in der TV-Serie Fargo (2017)
    Author: Meer, Lea Emilia
    Published: 2019
    Publisher:  Filmuniversität Babelsberg Konrad Wolf, Potsdam-Babelsberg

    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    Other identifier:
    Subjects: Fernsehserie; Leerstelle <Literatur>; Filmanalyse; Unbestimmtheit; Kunstwerk; Medienkunst; Fernsehserie; Kunst; Filmanalyse
    Scope: Online-Ressource
    Notes:

    Bachelorarbeit, Potsdam-Babelsberg, Filmuniversität Babelsberg Konrad Wolf, 2019
  9. Review Essay: Daniel Bertauxs "Leuchtrakete" Lebenserzählung: Von methodologischen Leerstellen und materialistischen Impulsen
    Author: Janotta, Lisa
    Published: 2019
    Publisher:  SSOAR - Social Science Open Access Repository, Mannheim

    Abstract: In this essay I discuss the integration of the book "The Life Story" by Daniel BERTAUX into the German based tradition of biographical research.  I will present the core concepts of his ethnosociological approach and further criticize some... more

     

    Abstract: In this essay I discuss the integration of the book "The Life Story" by Daniel BERTAUX into the German based tradition of biographical research.  I will present the core concepts of his ethnosociological approach and further criticize some of his central terms (e.g., "objectivity" and "social worlds").  I refer to the tradition of symbolic interactionism, especially the theory by SCHÜTZE and, further, the approaches of APITZSCH, INOWLOCKI, and ROSENTHAL. BERTAUX's interconnection of life stories and social words will be discussed in reference to WILDHAGEN and DETKA. I conclude that—due to methodological vacancies in BERTAUX's text—it is not easy to relate "The life story" to the well-elaborated German tradition of biographical research. But at the same time the book can be enlightening for readers who are interested in materialistic questions

     
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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/65395
    DDC Categories: 300
    Subjects: Erzählung; Leben; Leerstelle <Literatur>; Biografieforschung
    Other subjects: Biografie; Biografieforschung; Biografieforschungung; Ethnografie; LebenserzählEthnografie; Lebenserzählung; Objektivität; biography; ethnography; life story; objectivity; social worlds; soziale Welten
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: Forum Qualitative Sozialforschung / Forum: Qualitative Social Research ; 20 (2019) 3 ; 23