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  1. "Écrire un seul livre, sans cesse renouvelé"
    Jorge Sempruns literarische Auseinandersetzung mit Buchenwald
    Author: Neuhofer, Monika
    Published: [2006]
    Publisher:  Vittorio Klostermann, Frankfurt am Main

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    Universitäts- und Landesbibliothek Bonn
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783465135012
    Other identifier:
    DDC Categories: 840
    Series: Analecta Romanica ; Heft 72
    Subjects: Konzentrationslager Weimar-Buchenwald <Motiv>
    Other subjects: Semprún, Jorge (1923-2011): Le mort qu'il faut; Semprún, Jorge (1923-2011): Quel beau dimanche!; Semprún, Jorge (1923-2011): L' écriture ou la vie; Semprún, Jorge (1923-2011): Le grand voyage
    Scope: 1 Online-Ressource (357 Seiten)
    Notes:

    Dissertation, Universität Salzburg, 2004
  2. "Ecrire un seul livre, sans cesse renouvelé"
    Jorge Sempruns literarische Auseinandersetzung mit Buchenwald
    Author: Neuhofer, Monika
    Published: 2006
    Publisher:  Klostermann, Frankfurt am Main

    The study examines Jorge Semprun´s literary reflections on his experiences made in the concentration camp of Buchenwald in "Le grand voyage" (1963), "Quel beau dimanche!" (1980), "L´écriture ou la vie" (1994) and "Le mort qu´il faut" (2001) with the... more

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    The study examines Jorge Semprun´s literary reflections on his experiences made in the concentration camp of Buchenwald in "Le grand voyage" (1963), "Quel beau dimanche!" (1980), "L´écriture ou la vie" (1994) and "Le mort qu´il faut" (2001) with the aim to show the development in his retrospective treatment of the past. Therefore the texts are not considered as a unified "ecriture" but as a progressing approximation to his experiences in Buchenwald. The study deals in narratological and poetological terms with Semprun´s growing awareness of what Buchenwald means to him: While "Le grand voyage" is deeply influenced by the authors communistic view. "Quel beau dimanche!" reflects Sempruns disconcertion caused by his awareness of the parallel existence of concentration camps in Nazi-Germany and in the Soviet Union. "L´ecriture ou la vie" and "Le mort qu´il faut", for their part, are written by an author who considers himself as survivor and witness. This process is accompanied by Semprun´s shift to literature as a universe implying sense and creating identity. This becomes vitally important after his dissociation from communism and enables him to speak extensively about his experiences with death. Therefore Semprun´s conception of "witnessship" can be described as diametrically opposed to factual documentation. It is rather intended to function within a literary field: Only the intensive use of intertextuality allowes Semprun to comprehend Buchenwald finally as the centre of his life and as the origin of his own identity as well as to communicate his "truth" to the reader.

     
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 3465035011; 9783465035015
    RVK Categories: IH 82321
    DDC Categories: 840
    Series: Analecta Romanica ; 72
    Subjects: Konzentrationslager Weimar-Buchenwald <Motiv>
    Other subjects: Semprún, Jorge (1923-2011): Le grand voyage; Semprún, Jorge (1923-2011): Quel beau dimanche!; Semprún, Jorge (1923-2011): L' écriture ou la vie; Semprún, Jorge (1923-2011): Le mort qu'il faut
    Scope: 357 S.
    Notes:

    Online-Ausg.:

    Zugl.: Salzburg, Univ., Diss., 2004
  3. "Écrire un seul livre, sans cesse renouvelé"
    Author: Neuhofer, Monika
    Published: 2006
    Publisher:  Vittorio Klostermann GmbH, [Erscheinungsort nicht ermittelbar] ; OAPEN FOUNDATION, The Hague

    The study examines Jorge Semprun´s literary reflections on his experiences made in the concentration camp of Buchenwald in "Le grand voyage" (1963), "Quel beau dimanche!" (1980), "L´écriture ou la vie" (1994) and "Le mort qu´il faut" (2001) with the... more

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    Bibliothek der Frankfurt University of Applied Sciences
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    The study examines Jorge Semprun´s literary reflections on his experiences made in the concentration camp of Buchenwald in "Le grand voyage" (1963), "Quel beau dimanche!" (1980), "L´écriture ou la vie" (1994) and "Le mort qu´il faut" (2001) with the aim to show the development in his retrospective treatment of the past. Therefore the texts are not considered as a unified "ecriture" but as a progressing approximation to his experiences in Buchenwald.The study deals in narratological and poetological terms with Semprun´s growing awareness of what Buchenwald means to him: While "Le grand voyage" is deeply influenced by the authors communistic view...

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783465035015
    RVK Categories: IH 82321
    DDC Categories: 840
    Subjects: Konzentrationslager Weimar-Buchenwald <Motiv>
    Other subjects: Semprún, Jorge (1923-2011): Le grand voyage; Semprún, Jorge (1923-2011): Quel beau dimanche!; Semprún, Jorge (1923-2011): L' écriture ou la vie; Semprún, Jorge (1923-2011): Le mort qu'il faut
    Scope: 1 Online-Ressource (364 Seiten p.)
  4. "Écrire un seul livre, sans cesse renouvelé"
    Jorge Sempruns literarische Auseinandersetzung mit Buchenwald
    Author: Neuhofer, Monika
    Published: [2006]; © 2006
    Publisher:  Vittorio Klostermann, Frankfurt am Main

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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  5. "Écrire un seul livre, sans cesse renouvelé
    Jorge Sempruns literarische Auseinandersetzung mit Buchenwald
    Author: Neuhofer, Monika
    Published: 2013
    Publisher:  Klostermann, Frankfurt am Main

    Die Studie untersucht Jorge Sempruns literarische Gestaltungen seiner Erfahrungen des Konzentrationslagers Buchenwald in "Le grand voyage" (1963), "Quel beau dimanche!" (1980), "L'écriture ou la vie" (1994) und "Le mort qu'il faut" (2001). Ziel der... more

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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Die Studie untersucht Jorge Sempruns literarische Gestaltungen seiner Erfahrungen des Konzentrationslagers Buchenwald in "Le grand voyage" (1963), "Quel beau dimanche!" (1980), "L'écriture ou la vie" (1994) und "Le mort qu'il faut" (2001). Ziel der Arbeit ist es, Entwicklungslinien und Tendenzen in der mehrere jahrzehnte umfassenden retrospektiven Auseinandersetzung und wiederholten literarischen Neu- und Weiterbearbeitung des persönlich Erlebten aufzuzeigen. Während "Le grand voyage" nach deutlich vom kommunistischen Weltbild des Autors geprägt ist, spiegelt sich in "Quel beau dimanche!" - geschrieben im Bewußtsein der gleichzeitigen Existenz nationalsozialistischer und stalinistischer Lager - die tiefgehende Verunsicherung Sempruns wider, wohingegen in "L'écriture ou la vie" und "Le mort qu'il faut" die Selbstdefinition als Überlebender und Zeuge, als "témoin fraternel", dominiert. Um Sempruns Konzeption von Zeugenschaft und seinen 'Ort' innerhalb der KZ- und Shoah-Literatur bestimmen zu können, wird insbesondere dem intensiven Einsatz intertextueller Bezugnahmen nachgegangen und gefragt, welche Funktion die zahlreichen Verweise u.a. auf Proust, Giraudoux, Faulkner, Baudelaire und Valéry in den Texten übernehmen

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783465135012
    Other identifier:
    RVK Categories: IH 82321
    Edition: 1. Auflage 2013
    Series: Analecta Romanica ; 72
    Subjects: Sprach- und Literaturwissenschaft; Romanistik; Linguistics; Romance, Italic & Rhaeto-Romanic languages; Konzentrationslager Weimar-Buchenwald <Motiv>
    Other subjects: Semprún, Jorge (1923-2011): Le mort qu'il faut; Semprún, Jorge (1923-2011): L' écriture ou la vie; Semprún, Jorge (1923-2011): Le grand voyage; Semprún, Jorge (1923-2011): Quel beau dimanche!; Literaturwissenschaft; Autobiographie; Nationalsozialismus; Konzentrationslager; Shoah; Buchenwald; Romanistik; Romane; Semprun, Jorge
    Scope: 1 Online-Ressource (358 Seiten)
    Notes:

    Vorwort -- 1. Einleitung und Problemstellung -- 2. Theoretische Grundlagen -- I. Le grand voyage -- II. Quel beau dimanche! -- III. L'écriture ou la vie -- IV. Le mort qu'il faut -- 1. Le grand voyage -- 2. Quel beau dimanche! -- 3. L'écriture ou la vie -- 4. Le mort qu'il faut -- Abkürzungsverzeichnis -- Bibliographie -- Personenregister
  6. "Écrire un seul livre, sans cesse renouvelé"
    Jorge Sempruns literarische Auseinandersetzung mit Buchenwald
    Author: Neuhofer, Monika
    Published: 2013
    Publisher:  Klostermann, Frankfurt am Main ; Nomos Verlagsgesellschaft mbH & Co. KG, [Baden-Baden]

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  7. "Écrire un seul livre, sans cesse renouvelé"
    Jorge Sempruns literarische Auseinandersetzung mit Buchenwald
    Author: Neuhofer, Monika
    Published: [2006]; © 2006
    Publisher:  Vittorio Klostermann, Frankfurt am Main

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  8. Écrire un seul livre, sans cesse renouvelé. Jorge Sempruns literarische Auseinandersetzung mit Buchenwald
    Author: Neuhofer, Monika
    Published: 2013
    Publisher:  Vittorio Klostermann GmbH, Frankfurt am Main