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Displaying results 1 to 13 of 13.

  1. The limits of narrative
    essays on Baudelaire, Flaubert, Rimbaud and Mallarmé
    Published: 1986
    Publisher:  Cambridge Univ. Pr., Cambridge u.a.

    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0521307104
    RVK Categories: IG 3710 ; IG 4220
    Edition: 1. publ.
    Series: Cambridge studies in French ; [16]
    Subjects: Literatur; Französisch; Symbolismus; Erzähltechnik
    Other subjects: Baudelaire, Charles (1821-1867); Mallarmé, Stéphane (1842-1898): L' après-midi d'un faune; Rimbaud, Arthur (1854-1891): Une saison en enfer; Baudelaire, Charles (1821-1867): Les fleurs du mal; Flaubert, Gustave (1821-1880): Madame Bovary
    Scope: 155 S.
  2. The limits of narrative
    essays on Baudelaire, Flaubert, Rimbaud and Mallarmé
  3. Mallarmé's "L'après-midi d'un faune"
    An exegetical and critical study
    Published: 1958
    Publisher:  Univ. Press, Melbourne

    Universitätsbibliothek Bayreuth
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    Source: Union catalogues
    Language: English
    Media type: Book
    RVK Categories: IG 6805
    Series: Australian Humanities Research Council: Monographs ; 2.
    Subjects: Mallarmé, Stéphane;
    Other subjects: Mallarmé, Stéphane <1842-1898>; Mallarmé, Stéphane (1842-1898): L' après-midi d'un faune
    Scope: 35 S.
  4. The limits of narrative
    essays on Baudelaire, Flaubert, Rimbaud and Mallarmé
    Published: 2009
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Universitätsbibliothek der LMU München
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  5. Modern art & the remaking of human disposition
    Published: 2021
    Publisher:  The University of Chicago Press, Chicago ; London

    Figures of Thought: Poseuses and the Controversy of the Grande Jatte -- Beethoven's Farewell: The Creative Genius "in the Claws of the Secession" -- The Mise-en-scène of Dreams: L'Après-midi d'un faune "Human Dispositions explores new conventions for... more

    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    Figures of Thought: Poseuses and the Controversy of the Grande Jatte -- Beethoven's Farewell: The Creative Genius "in the Claws of the Secession" -- The Mise-en-scène of Dreams: L'Après-midi d'un faune "Human Dispositions explores new conventions for posing and positioning human figures in pictorial, architectural, and theatrical space in Europe in the decades leading up to WWI. The author contends that questions of "disposition" are vital to understanding a key transitional period in the history of Western modernism. Around 1885, avant-garde artists began to present human figures in strictly frontal, lateral, and dorsal postures. The effect, compared with standard, classical representations of the human figure, was both archaic and advanced, in keeping with contemporary theories of evolution and human psychology. These new ways of posing figures was how modern artists challenged long, deeply held assumptions about human consciousness and the human being's privileged status in the world. Featured are three major works: the painting Poseuses (1886-1888) by the French Neo-Impressionist artist Georges Seurat; the Beethovenfries mural (1902) by the Austrian Secessionist painter Gustav Klimt; and the ballet L'Après-midi d'un faune (1912) by the Russian dancer and Ballets Russes choreographer Vaslav Nijinsky. Each work created an uproar when first presented. They were meant to be manifestos for the new values of a modern world and to overturn the superior, cerebral, moral status of the human subject"--

     

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  6. Mallarmé's "L'après-midi d'un faune"
    an exegetical and critical study
    Published: 1958
    Publisher:  Univ. Press, Melbourne

    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: English
    Media type: Book
    RVK Categories: IG 6805
    Series: Australian Humanities Research Council: Monographs ; 2
    Subjects: Mallarmé, Stéphane;
    Other subjects: Mallarmé, Stéphane <1842-1898>; Mallarmé, Stéphane (1842-1898): L' après-midi d'un faune
    Scope: 35 S.
  7. The limits of narrative
    essays on Baudelaire, Flaubert, Rimbaud & Mallarme
    Published: 1986
    Publisher:  Cambridge University Press, Cambridge [u.a.]

    Universitätsbibliothek Bielefeld
    VF030 W769
    Unlimited inter-library loan, copies and loan
    Universitäts- und Landesbibliothek Bonn
    87/200
    Loan of volumes, no copies
    Universitäts- und Landesbibliothek Düsseldorf
    romc680.w769
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    Universitätsbibliothek Duisburg-Essen
    EXY173
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    Universitätsbibliothek Paderborn
    EXY1808
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    Universitätsbibliothek Siegen
    11EXY2228
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    Universitätsbibliothek Wuppertal
    EXY1921
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  8. The limits of narrative
    essays on Baudelaire, Flaubert, Rimbaud and Mallarmé
    Published: 1986
    Publisher:  Cambridge Univ. Pr., Cambridge u.a.

    Freie Universität Berlin, Universitätsbibliothek
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    TU Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 0521307104
    RVK Categories: IG 3710 ; IG 4220
    Edition: 1. publ.
    Series: Cambridge studies in French ; [16]
    Subjects: Literatur; Französisch; Symbolismus; Erzähltechnik
    Other subjects: Baudelaire, Charles (1821-1867); Mallarmé, Stéphane (1842-1898): L' après-midi d'un faune; Rimbaud, Arthur (1854-1891): Une saison en enfer; Baudelaire, Charles (1821-1867): Les fleurs du mal; Flaubert, Gustave (1821-1880): Madame Bovary
    Scope: 155 S.
  9. Modern art and the remaking of human disposition
    Published: [2021]; © 2021
    Publisher:  University of Chicago Press, Chicago ; London

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Volltext (URL des Erstveröffentlichers)
  10. Modern art & the remaking of human disposition
    Published: 2021
    Publisher:  The University of Chicago Press, Chicago ; London

    Figures of Thought: Poseuses and the Controversy of the Grande Jatte -- Beethoven's Farewell: The Creative Genius "in the Claws of the Secession" -- The Mise-en-scène of Dreams: L'Après-midi d'un faune "Human Dispositions explores new conventions for... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan

     

    Figures of Thought: Poseuses and the Controversy of the Grande Jatte -- Beethoven's Farewell: The Creative Genius "in the Claws of the Secession" -- The Mise-en-scène of Dreams: L'Après-midi d'un faune "Human Dispositions explores new conventions for posing and positioning human figures in pictorial, architectural, and theatrical space in Europe in the decades leading up to WWI. The author contends that questions of "disposition" are vital to understanding a key transitional period in the history of Western modernism. Around 1885, avant-garde artists began to present human figures in strictly frontal, lateral, and dorsal postures. The effect, compared with standard, classical representations of the human figure, was both archaic and advanced, in keeping with contemporary theories of evolution and human psychology. These new ways of posing figures was how modern artists challenged long, deeply held assumptions about human consciousness and the human being's privileged status in the world. Featured are three major works: the painting Poseuses (1886-1888) by the French Neo-Impressionist artist Georges Seurat; the Beethovenfries mural (1902) by the Austrian Secessionist painter Gustav Klimt; and the ballet L'Après-midi d'un faune (1912) by the Russian dancer and Ballets Russes choreographer Vaslav Nijinsky. Each work created an uproar when first presented. They were meant to be manifestos for the new values of a modern world and to overturn the superior, cerebral, moral status of the human subject"--

     

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  11. The limits of narrative
    essays on Baudelaire, Flaubert, Rimbaud and Mallarmé
    Published: 1986
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    83.453.95
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    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    01/IG 3710 W769
    No inter-library loan
    Universitätsbibliothek Gießen
    FH rom Eq 3.5
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    Universität Mainz, Zentralbibliothek
    126.096
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  12. Modern art and the remaking of human disposition
    Published: [2021]; © 2021
    Publisher:  University of Chicago Press, Chicago ; London

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Universitätsbibliothek der LMU München
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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  13. The limits of narrative
    essays on Baudelaire, Flaubert, Rimbaud and Mallarmé
    Published: 1986
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    83.453.95
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    01/IG 3710 W769
    No inter-library loan
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    Source: Specialised Catalogue of Comparative Literature
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521307104
    RVK Categories: IG 3710 ; IG 4220
    Series: Cambridge studies in French
    Subjects: Erzähltechnik; Symbolismus; Französisch; Literatur
    Other subjects: Mallarmé, Stéphane (1842-1898): L' après-midi d'un faune; Baudelaire, Charles (1821-1867); Rimbaud, Arthur (1854-1891): Une saison en enfer; Baudelaire, Charles (1821-1867): Les fleurs du mal; Flaubert, Gustave (1821-1880): Madame Bovary
    Scope: X, 155 S.