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Displaying results 1 to 22 of 22.

  1. Sämtliche Werke
    1, Gedichte
    Published: 1994
    Publisher:  Dt. Klassiker-Verl., Frankfurt am Main

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    Content information
    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3618620004; 3618620055
    Parent title:
    RVK Categories: GL 3485
    Edition: 1. Aufl.
    Series: Bibliothek deutscher Klassiker ; 103
    Bibliothek deutscher Klassiker ; ...
    Subjects: Kunst; Kunstkritik; Ästhetik
    Scope: 1006 S.
  2. Sämtliche Werke
    2, Prosa, Versepen, dramatische Versuche, Übersetzungen
    Published: 1994
    Publisher:  Dt. Klassiker-Verl., Frankfurt am Main

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    Content information
    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3618620101; 3618620152
    Parent title:
    RVK Categories: GL 3485
    Edition: 1. Aufl.
    Series: Bibliothek deutscher Klassiker ; 104
    Bibliothek deutscher Klassiker ; ...
    Subjects: Kunst; Kunstkritik; Ästhetik
    Scope: 1005 S.
  3. Postmodernism and the en-gendering of Marcel Duchamp
    Published: 1994
    Publisher:  Cambridge Univ. Press, Cambridge u.a.

    Postmodernism and the En-qendering of Marcel Duchamp is a critical analysis of postmodernism in the visual arts since the 1960s Focusing primarily on American texts that construct Marcel Duchamp as the origin of postmodern art, Amelia Jones contends... more

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    Postmodernism and the En-qendering of Marcel Duchamp is a critical analysis of postmodernism in the visual arts since the 1960s Focusing primarily on American texts that construct Marcel Duchamp as the origin of postmodern art, Amelia Jones contends that Duchamp, through his readymades, has paradoxically served in a paternal role for post-1960s American artists, critics, and art historians, who have attempted to construct a new tradition of artistic practice that counters the masculinist ideologies of abstract expressionism and Greenbergian modernism. Adapting feminist, psychoanalytic, and Derridean conceptions of interpretation as an exchange of sexual identities, Jones offers highly charged readings that focus on the eroticism of Duchamp's works and on his theories of artistic production. She reconstructs Duchamp as an indeterminably gendered author whose gift to postmodernism might best be viewed in terms of the potential of his works and self-productions to destructure conventional notions of sexual difference and subjectivity This study also serves as a feminist critique of postmodernism as it has been theorized in art history and criticism, as well as in broader debates on philosophical and cultural history

     

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  4. Le Louvre
    Published: 1994
    Publisher:  Gallimard, Paris

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 2742402586
    RVK Categories: LH 37000
    Series: Guides Gallimard
    Subjects: Motiv; Kunstkritik; Katalog; Plastik; Geschichte; Malerei
    Other subjects: Gautier, Théophile (1811-1872)
    Scope: 392 S., zahlr. Ill., Kt.
  5. Louvre
    [der Besuch]
    Published: 1994
    Publisher:  Reunion des Musées Nationaux, Paris

    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 2711830020
    Subjects: Kunstkritik; Plastik; Motiv; Geschichte; Malerei; Katalog
    Other subjects: Gautier, Théophile (1811-1872)
    Scope: 125 S., zahlr. Ill.
    Notes:

    Aus dem Franz. übers.

  6. The aesthete in the city
    the philosophy and practice of American abstract painting in the 1980s
    Published: 1994
    Publisher:  Pennsylvania State Univ. Press, Univ. Park, Pa.

    In the 1980s, when the American art market flourished, critics were heavily concerned with theory. In The Aesthete in the City, David Carrier offers a personal view on the artistic activity of that decade. He begins with a theoretical perspective on... more

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    In the 1980s, when the American art market flourished, critics were heavily concerned with theory. In The Aesthete in the City, David Carrier offers a personal view on the artistic activity of that decade. He begins with a theoretical perspective on the relationship between two very different forms of artwriting: art criticism and art history writing. Carrier surveys the developments within theory during the 1980s, focusing on constructive critical analysis of the then-fashionable work of Jean Baudrillard, Walter Benjamin, T. J. Clark, and Jacques Derrida. He provides detailed accounts of a number of painters, among them Thomas Nozkowski, David Reed, and Sean Scully, whose development he followed closely. Carrier argues that the greatest American artistic tradition, Abstract Expressionism, provides the basis for an ongoing tradition of abstract painting, a rich system whose potential has not yet been exhausted Carrier's earlier work was concerned with a philosophical study of the methods of art criticism. This book turns to the theory and practice of art criticism, concentrating on a concrete discussion of individual theorists and artists

     

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  7. Werke
    in zehn Bänden – 4, Schriften zu Philosophie, Literatur, Kunst und Altertum : 1774 - 1787
    Published: 1994
    Publisher:  Dt. Klassiker-Verl., Frankfurt am Main

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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3618607407; 3618607458
    Parent title:
    RVK Categories: CF 4400 ; GK 4905
    Edition: 1. Aufl.
    Series: Bibliothek deutscher Klassiker ; 105
    Bibliothek deutscher Klassiker ; ...
    Subjects: Kunst; Kunstkritik; Ästhetik
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  8. Impressionnisme
    les origines ; 1859-1869
    Published: 1994
    Publisher:  Société Française de Promotion Artistique, Paris

    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: French
    Media type: Book
    Series: Connaissance des arts. Hors série ; 53.1994
    Subjects: Landschaftsmalerei; Historienmalerei; Kunstkritik; Stillleben; Impressionismus; Aktdarstellung; Bildnismalerei; Gesellschaftsleben <Motiv>
    Other subjects: Frankreich; Geschichte 1859-1869; Ausstellung
    Scope: 98 S, zahlr. Ill.
  9. Postmodernism and the en-gendering of Marcel Duchamp
    Published: 1994
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0521456541
    RVK Categories: LI 27420
    Series: Cambridge studies in new art history and criticism
    Subjects: Feminist art criticism -- United States; Kunstbetrachtung; Kunstsoziologie; Geschlechterforschung; Kunstkritik; Frauenkunst; Postmoderne
    Other subjects: Duchamp, Marcel, 1887-1968 -- Criticism and interpretation; Duchamp, Marcel (1887-1968)
    Scope: XX, 316 S., Ill.
  10. The journal of aesthetics and art criticism
    Published: 1941-; 1941-1988; 1989-2000; -2008
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    Universitätsbibliothek Trier
    <1/35.1941/77>
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    Brechtbau-Bibliothek
    Allg Z/Jou 9
    <Index 36/40.1977/82 an 41. - Weitere Jahrgänge nur online vorhanden>
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    HFG
    <17.1959,3; 18.1959,1-2>
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    Universitätsbibliothek Wuppertal
    34J14
    <1.1941/42 - 48.1990>
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    34J14
    <38.1991 - 64.2006>
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    <1.1941/42-49.1991>
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    <Cumulative index 1/35.1941/77(1979); 36/40.1977/82(1982)>
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Journal
    Format: Print
    ISSN: 0021-8529
    Subjects: Ästhetik; Kunstkritik
    Notes:

    Einzelne H. als "Special issue" bez.

    Repr.: New York, NY : AMS Repr. Co

  11. The journal of aesthetics and art criticism
    Published: 1941-; 1941-1988; 1989-2000; -2008
    Publisher:  Wiley, Hoboken, NJ ; Soc., Baltimore, Md. [u.a.] ; University of Wisconsin Press, Madison, Wis. ; Blackwell Publ., Malden, Mass. [u.a.]

    Universitätsbibliothek der RWTH Aachen
    Z8623
    1.1941/42 - 67.2009
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    15 NA000 J730
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    1/20.1941/62(1964); 1/35.1941/77(1979); 36/40.1977/82(1982)
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    zn 32
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    34 Z 195
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    Zj Journa 2
    1/35.1941/77
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    Zj Journa 2
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    XC822
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    Z 325
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    34j6
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    34j6
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    04-34J2
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    Source: Union catalogues
    Language: English
    Media type: Journal
    ISSN: 0021-8529
    DDC Categories: 400; 100; 700
    Subjects: Kunstkritik; Ästhetik
    Notes:

    Einzelne H. als "Special issue" bez.. - Repr.: New York, NY : AMS Repr. Co

  12. The optical unconscious
    Published: 1994
    Publisher:  MIT Press, Cambridge, Mass. [u.a.]

    Freie Universität Berlin, Universitätsbibliothek
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    TU Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: German
    Media type: Book
    ISBN: 026211173X
    RVK Categories: LH 61040 ; LH 61080
    Edition: 2. printing
    Series: October book
    Subjects: Illusion; Moderne; Kunst; Wahrnehmung; Komposition; Rezeptionsästhetik; Unbewusstes; Visuelle Wahrnehmung; Kunstpsychologie; Kunstkritik; Künstler
    Scope: 353 S., zahlr. Ill., graph. Darst.
  13. The art criticism of Francis Ponge
    Published: 1994
    Publisher:  Modern Humanities Research Assoc., London

    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Dissertation
    ISBN: 0901286397
    Series: Texts and dissertations / Modern Humanities Research Association ; 36
    Subjects: Kunstkritik
    Other subjects: Ponge, Francis (1899-1988)
    Scope: 156 S.
    Notes:

    Zugl.: Diss.

  14. The journal of aesthetics and art criticism
    Published: 1941-; 1941-1988; 1989-2000; -2008
    Publisher:  Wiley, Hoboken, NJ ; Soc., Baltimore, Md. [u.a.] ; University of Wisconsin Press, Madison, Wis. ; Blackwell Publ., Malden, Mass. [u.a.]

    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Journal
    Format: Print
    ISSN: 0021-8529
    Subjects: Ästhetik; Kunstkritik
    Notes:

    Einzelne H. als "Special issue" bez.

    Repr.: New York, NY : AMS Repr. Co

  15. Sämtliche Werke
    1, Gedichte
    Published: 1994
    Publisher:  Dt. Klassiker-Verl., Frankfurt am Main

    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Content information
    Source: Philologische Bibliothek, FU Berlin
    Language: German
    Media type: Book
    ISBN: 3618620004; 3618620055
    Parent title:
    RVK Categories: GL 3485
    Edition: 1. Aufl.
    Series: Bibliothek deutscher Klassiker ; 103
    Bibliothek deutscher Klassiker ; ...
    Subjects: Kunst; Kunstkritik; Ästhetik
    Scope: 1006 S.
  16. Sämtliche Werke
    2, Prosa, Versepen, dramatische Versuche, Übersetzungen
    Published: 1994
    Publisher:  Dt. Klassiker-Verl., Frankfurt am Main

    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Content information
    Source: Philologische Bibliothek, FU Berlin
    Language: German
    Media type: Book
    ISBN: 3618620101; 3618620152
    Parent title:
    RVK Categories: GL 3485
    Edition: 1. Aufl.
    Series: Bibliothek deutscher Klassiker ; 104
    Bibliothek deutscher Klassiker ; ...
    Subjects: Kunst; Kunstkritik; Ästhetik
    Scope: 1005 S.
  17. Postmodernism and the en-gendering of Marcel Duchamp
    Published: 1994
    Publisher:  Cambridge Univ. Press, Cambridge u.a.

    Postmodernism and the En-qendering of Marcel Duchamp is a critical analysis of postmodernism in the visual arts since the 1960s Focusing primarily on American texts that construct Marcel Duchamp as the origin of postmodern art, Amelia Jones contends... more

    Freie Universität Berlin, Universitätsbibliothek
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    Postmodernism and the En-qendering of Marcel Duchamp is a critical analysis of postmodernism in the visual arts since the 1960s Focusing primarily on American texts that construct Marcel Duchamp as the origin of postmodern art, Amelia Jones contends that Duchamp, through his readymades, has paradoxically served in a paternal role for post-1960s American artists, critics, and art historians, who have attempted to construct a new tradition of artistic practice that counters the masculinist ideologies of abstract expressionism and Greenbergian modernism. Adapting feminist, psychoanalytic, and Derridean conceptions of interpretation as an exchange of sexual identities, Jones offers highly charged readings that focus on the eroticism of Duchamp's works and on his theories of artistic production. She reconstructs Duchamp as an indeterminably gendered author whose gift to postmodernism might best be viewed in terms of the potential of his works and self-productions to destructure conventional notions of sexual difference and subjectivity This study also serves as a feminist critique of postmodernism as it has been theorized in art history and criticism, as well as in broader debates on philosophical and cultural history

     

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  18. Werke
    in zehn Bänden – 4, Schriften zu Philosophie, Literatur, Kunst und Altertum : 1774 - 1787
    Published: 1994
    Publisher:  Dt. Klassiker-Verl., Frankfurt am Main

    Europa-Universität Viadrina, Universitätsbibliothek
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3618607407; 3618607458
    Parent title:
    RVK Categories: CF 4400 ; GK 4905
    Edition: 1. Aufl.
    Series: Bibliothek deutscher Klassiker ; 105
    Bibliothek deutscher Klassiker ; ...
    Subjects: Kunst; Kunstkritik; Ästhetik
    Scope: 1486 S., Ill.
  19. The aesthete in the city
    the philosophy and practice of American abstract painting in the 1980s
    Published: 1994
    Publisher:  Pennsylvania State Univ. Press, Univ. Park, Pa.

    In the 1980s, when the American art market flourished, critics were heavily concerned with theory. In The Aesthete in the City, David Carrier offers a personal view on the artistic activity of that decade. He begins with a theoretical perspective on... more

    Freie Universität Berlin, Universitätsbibliothek
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    In the 1980s, when the American art market flourished, critics were heavily concerned with theory. In The Aesthete in the City, David Carrier offers a personal view on the artistic activity of that decade. He begins with a theoretical perspective on the relationship between two very different forms of artwriting: art criticism and art history writing. Carrier surveys the developments within theory during the 1980s, focusing on constructive critical analysis of the then-fashionable work of Jean Baudrillard, Walter Benjamin, T. J. Clark, and Jacques Derrida. He provides detailed accounts of a number of painters, among them Thomas Nozkowski, David Reed, and Sean Scully, whose development he followed closely. Carrier argues that the greatest American artistic tradition, Abstract Expressionism, provides the basis for an ongoing tradition of abstract painting, a rich system whose potential has not yet been exhausted Carrier's earlier work was concerned with a philosophical study of the methods of art criticism. This book turns to the theory and practice of art criticism, concentrating on a concrete discussion of individual theorists and artists

     

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  20. Le Louvre
    Published: 1994
    Publisher:  Gallimard, Paris

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 2742402586
    RVK Categories: LH 37000
    Series: Guides Gallimard
    Subjects: Motiv; Kunstkritik; Katalog; Plastik; Geschichte; Malerei
    Other subjects: Gautier, Théophile (1811-1872)
    Scope: 392 S., zahlr. Ill., Kt.
  21. The optical unconscious
    Published: 1994
    Publisher:  MIT Press, Cambridge, Mass. <<[u.a.]>>

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Europa-Universität Viadrina, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 026211173X; 0262611058
    RVK Categories: LH 61080 ; LH 61260
    Edition: 1. paperback ed.
    Series: An October book
    Subjects: Visual perception; Optical illusions; Artists -- Psychology; Kunst; Rezeptionsästhetik; Unbewusstes; Kunstkritik; Moderne; Wahrnehmung; Komposition; Visuelle Wahrnehmung; Illusion; Kunstpsychologie; Künstler
    Scope: 353 S., zahlr. Ill., graph. Darst.
  22. Postmodernism and the en-gendering of Marcel Duchamp
    Published: 1994
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Universität der Künste Berlin, Universitätsbibliothek
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    Europa-Universität Viadrina, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0521456541
    RVK Categories: LI 27420
    Series: Cambridge studies in new art history and criticism
    Subjects: Feminist art criticism -- United States; Kunstbetrachtung; Kunstsoziologie; Geschlechterforschung; Kunstkritik; Frauenkunst; Postmoderne
    Other subjects: Duchamp, Marcel, 1887-1968 -- Criticism and interpretation; Duchamp, Marcel (1887-1968)
    Scope: XX, 316 S., Ill.