Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002
Includes bibliographical references (p. 181-192) and index
In Jean Kimball's Jungian reading of Ulysses, Joyce's artist-hero Stephen Dedalus confronts in Leopold Bloom a hitherto unconscious aspect of his personality. The result of this confrontation, Kimball argues as a central tenet in her unique reading of Ulysses, is the gradual development of a relationship between the two protagonists that parallels C.G. Jung's descriptions of the encounter between the Ego and the Shadow in that stage of his theoretical individuation process called "the realization of the shadow." These parallels form a unifying strand of meaning that runs throughout this multidimensional novel and is supported by the text and contexts of Ulysses. Kimball has provided here the first comprehensive study of the relationship between Jungian psychology and Joyce's Ulysses. Bucking critical trends, she focuses on Stephen rather than Bloom. She also notes certain parallels - synchronicity - in the lives of both Jung and Joyce, not because the men influenced one another but because they speculated about personality at the same historical time. Finally, noting that both Jung and Joyce came from strong Christian backgrounds, she asserts that the doubleness of the human personality fundamental to Christian theology is carried over into Jung's psychology and Joyce's fiction
"James Joyce's Techno-Poetics is on the cutting edge of an original and exciting new trend in Joycean studies, as it combines the study of literature, technology, and communication to reveal James Joyce as 'a key figure in the history of cyberculture.'" "Donald Theall examines for the first time how Joyce conceived of the artist as an engineer and the artist's works as constructions, and reveals the importance of Joyce's understanding of the direction of a developing technoculture. Theall explores the interrelationships between the machinic and the processes of encoding, decoding, reading, writing, and interpreting in Joyce's self-reflexive treatment of the book in Finnegans Wake. By situating this project in relation to memory and cultural production, Theall argues that Joyce's radical paramodern poetic practice has important implications for a wide variety of subsequent cultural and theoretical movements: dramatism, poststructuralism, semiology, and hypertextuality. Theall places Joyce in the context of other modern thinkers, such as Benjamin and Bataille, and draws a direct line of influence from Joyce to Marshall McLuhan and Neuromancer author William Gibson." "This is a remarkable and innovative work that makes an important contribution not only to Joycean studies, but to literary theory, modernism, cultural analysis, the history of ideas, and the relationship between literature, science, and technology."--Jacket
1 - James Joyce and the 'Modern': Machines, Media and the Mimetic -- - 2 - Art as Vivisection: The Encyclopaedic Mechanics and Menippean Satire -- - 3 - Electro-Mechanization, Communication, and the Poet as Engineer -- - 4 - Singing the Electro-Mechano-Chemical Body -- - 5 - Books, Machines, and Processes of Production and Consumption -- - 6 - The Machinic Maze of Mimesis: The Labyrinthine Dance of Mind and Machine -- - 7 - Mimicry, Memory, Mummery, and the Multiplying of Media -- - 8 - Secularizing the Sacred: The Art of Profane Illumination -- - 9 - Assembling and Tailoring a Modern Hermetic Techno-Cultural Allegory -- - 10 - The Rhythmatick of Our Eternal Geomater -- - 11 - The New Techno-Culture of Space-Time
