Last searches
Results for *
Displaying results 1 to 25 of 40.
-
James Joyce and the difference of language
-
Joyce and the Victorians
-
Joyce's revenge
history, politics, and aesthetics in Ulysses -
Joyce's Ulysses as national epic
epic mimesis and the political history of the nation state -
Joyce and the Victorians
-
Joyce's Ulysses as national epic
epic mimesis and the political history of the nation state -
Joyce's revenge
history, politics, and aesthetics in Ulysses -
Irish cosmopolitanism
location and dislocation in James Joyce, Elizabeth Bowen, and Samuel Beckett -
Joyce's allmaziful plurabilities
polyvocal explorations of Finnegans Wake -
I know that I have broken every heart
the significance of the Irish language in "Finnegan's Wake" and in other works of James Joyce -
James Joyce's teaching life and methods
language and pedagogy in "A portrait of the artist as a young man", "Ulysses", and "Finnegans wake" -
Joyce's ghosts
Ireland, modernism, and memory -
Modernists at odds
reconsidering Joyce and Lawrence -
James Joyce and the exilic imagination
-
Ulysses explained
how Homer, Dante, and Shakespeare inform Joyce's modernist vision -
TransLatin Joyce
global transmissions in Ibero-American literature -
James Joyce and the difference of language
-
Joyce and the Victorians
-
Joyce's revenge
history, politics, and aesthetics in Ulysses -
Joyce's Ulysses as national epic
epic mimesis and the political history of the nation state -
"Who chose this face for me?"
Joyce's creation of secondary characters in Ulysses -
"Who chose this face for me?"
Joyce's creation of secondary characters in Ulysses -
Joyce's ghosts
Ireland, modernism, and memory -
James Joyce and the difference of language
-
Joyce and the Victorians