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  1. The Domenichino affair
    novelty, imitation, and theft in seventeenth-century Rome
    Author: Cropper, Elizabeth
    Published: 2005
    Publisher:  Yale Univ. Press, New Haven [u.a.]

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der LMU München
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek Passau
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

    Location:
    Universitätsbibliothek Würzburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0300109148
    RVK Categories: LI 21485 ; LI 26660 ; LN 10250
    Subjects: Målarkonst - historia - Italien - renässansen; Kunst; Imitation in art; Painting, Renaissance; Autorschaft; Motiv; Rezeption; Plagiat
    Other subjects: Carracci, Agostino <1557-1602>; Domenichino <1581-1641> - Authorship; Domenichino <1581-1641> / Den helige Hieronymus nattvardsgång; Hieronymus <helgon, ca 347-420> - i konsten; Domenichino (1581-1641); Carracci, Agostino (1557-1602); Jerome Saint (d. 419 or 20); Domenichino (1581-1641): Die letzte Kommunion des Heiligen Hieronymus; Carracci, Agostino (1557-1602): Die Kommunion des Heiligen Hieronymus
    Scope: XI, 266 S., zahlr. Ill.
    Notes:

    Agostino Carracci's Last Communion of St. Jerome -- Domenichino's Last Communion of Saint Jerome -- Imitation, influence, invention: the Carracci and Tasso -- Novelty, translation, theft: controversy in the 1620s -- Begging, stealing, and being caught out: two centuries of debate -- Coda: a reflection on the history of art.
  2. The Domenichino affair
    novelty, imitation, and theft in seventeenth-century Rome
    Author: Cropper, Elizabeth
    Published: 2005
    Publisher:  Yale Univ. Press, New Haven [u.a.]

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität der Künste Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 0300109148
    RVK Categories: LI 21485 ; LI 26660 ; LN 10250
    Subjects: Målarkonst - historia - Italien - renässansen; Kunst; Imitation in art; Painting, Renaissance; Autorschaft; Motiv; Rezeption; Plagiat
    Other subjects: Carracci, Agostino <1557-1602>; Domenichino <1581-1641> - Authorship; Domenichino <1581-1641> / Den helige Hieronymus nattvardsgång; Hieronymus <helgon, ca 347-420> - i konsten; Domenichino (1581-1641); Carracci, Agostino (1557-1602); Jerome Saint (d. 419 or 20); Domenichino (1581-1641): Die letzte Kommunion des Heiligen Hieronymus; Carracci, Agostino (1557-1602): Die Kommunion des Heiligen Hieronymus
    Scope: XI, 266 S., zahlr. Ill.
    Notes:

    Agostino Carracci's Last Communion of St. Jerome -- Domenichino's Last Communion of Saint Jerome -- Imitation, influence, invention: the Carracci and Tasso -- Novelty, translation, theft: controversy in the 1620s -- Begging, stealing, and being caught out: two centuries of debate -- Coda: a reflection on the history of art.