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  1. "See and read all these words"
    the concept of the written in the Book of Jeremiah
    Author: Eggleston, Chad L.; Eggleston, Chadwick Lee
    Published: [2016]; © 2016
    Publisher:  Eisenbrauns, Winona Lake, Indiana

    "Unusually for the Hebrew Bible, the book of Jeremiah contains a high number of references to writers, writing, and the written word. The book (which was primarily written during the exilic period) demonstrates a key moment in the ongoing integration... more

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    Universität Potsdam, Universitätsbibliothek
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    "Unusually for the Hebrew Bible, the book of Jeremiah contains a high number of references to writers, writing, and the written word. The book (which was primarily written during the exilic period) demonstrates a key moment in the ongoing integration of writing and the written word into ancient Israelite society. Yet the book does not describe writing in the abstract. Instead, it provides an account of its own textualization, thereby blurring the lines between the texts in the narrative and the texts that constitute the book. Scrolls in Jeremiah become inextricably intertwined with the scroll of Jeremiah. To authenticate the book of Jeremiah as the word of YHWH, its tradents present a theological account of the chain of transmission from the divine to the prophet and then to the scribe and the written page. Indeed, the book of Jeremiah extends the chain of transmission beyond the written word to include the book of Jeremiah itself and, finally, a receiving audience. To make the case for this chain of transmission, See and Read's three exegetical chapters attend to writers (YHWH, prophets, and scribes), the written word, and the receiving audience. The written word, as Jeremiah imagines it, is to be received by a worshiping audience through public reading but delivered via textual intermediaries"--

     
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    Source: Union catalogues
    Language: English; Hebrew
    Media type: Book
    Format: Print
    ISBN: 9781575064024; 1575064022
    RVK Categories: BC 6785
    Series: Array ; 18
    Subjects: Writing in the Bible; Transmission of texts; Writing in the Bible; Transmission of texts; Bible; Writing in the Bible; Jeremiah; Transmission of texts; Criticism, interpretation, etc
    Scope: xiii, 194 Seiten, 24 cm
    Notes:

    Includes bibliographical references and indexes
  2. "See and read all these words"
    the concept of the written in the Book of Jeremiah
    Author: Eggleston, Chad L.; Eggleston, Chadwick Lee
    Published: [2016]; © 2016
    Publisher:  Eisenbrauns, Winona Lake, Indiana

    "Unusually for the Hebrew Bible, the book of Jeremiah contains a high number of references to writers, writing, and the written word. The book (which was primarily written during the exilic period) demonstrates a key moment in the ongoing integration... more

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    T Fb 9 [18]
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    Fakultätsbibliothek Theologie
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    AT En 96
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    Universitätsbibliothek Leipzig
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    Universität Potsdam, Universitätsbibliothek
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    BC 6785 EGG
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    Universitätsbibliothek der Eberhard Karls Universität
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    58 A 2311
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    "Unusually for the Hebrew Bible, the book of Jeremiah contains a high number of references to writers, writing, and the written word. The book (which was primarily written during the exilic period) demonstrates a key moment in the ongoing integration of writing and the written word into ancient Israelite society. Yet the book does not describe writing in the abstract. Instead, it provides an account of its own textualization, thereby blurring the lines between the texts in the narrative and the texts that constitute the book. Scrolls in Jeremiah become inextricably intertwined with the scroll of Jeremiah. To authenticate the book of Jeremiah as the word of YHWH, its tradents present a theological account of the chain of transmission from the divine to the prophet and then to the scribe and the written page. Indeed, the book of Jeremiah extends the chain of transmission beyond the written word to include the book of Jeremiah itself and, finally, a receiving audience. To make the case for this chain of transmission, See and Read's three exegetical chapters attend to writers (YHWH, prophets, and scribes), the written word, and the receiving audience. The written word, as Jeremiah imagines it, is to be received by a worshiping audience through public reading but delivered via textual intermediaries"--

     
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    Content information
    Source: Union catalogues
    Language: English; Hebrew
    Media type: Book
    Format: Print
    ISBN: 9781575064024; 1575064022
    RVK Categories: BC 6785
    Series: Array ; 18
    Subjects: Writing in the Bible; Transmission of texts; Writing in the Bible; Transmission of texts; Bible; Writing in the Bible; Jeremiah; Transmission of texts; Criticism, interpretation, etc
    Scope: xiii, 194 Seiten, 24 cm
    Notes:

    Includes bibliographical references and indexes
  3. Diathēkē kainē
    New Covenant as Jewish Apocalypticism in Hebrews 8
    Author: Vandergriff, Kenneth A.
    Published: [2017]

    The Epistle to the Hebrews has been viewed predominantly through a Middle Platonic lens. The new covenant in Hebrews 8 has been viewed as a Platonic polemic against Judaism and a supersessionist text for Christianity. When viewed through a Jewish... more

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    The Epistle to the Hebrews has been viewed predominantly through a Middle Platonic lens. The new covenant in Hebrews 8 has been viewed as a Platonic polemic against Judaism and a supersessionist text for Christianity. When viewed through a Jewish apocalyptic lens, however, Hebrews 8 stands less as a polemic against Judaism or a supersessionist text for Christianity than as a hope for people going through suffering and oppression. Moreover, an apocalyptic reading of Jeremiah 31 in its original context provides part of the background through which an apocalyptic reading of Hebrews 8 is made possible. To that end, I argue for a reading of Hebrews 8 through a Jewish apocalyptic lens and an understanding of the new covenant that coheres with such a reading.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Print
    Parent title: Enthalten in: The catholic biblical quarterly; Washington, DC : Catholic University of America Press, 1939; 79(2017), 1, Seite 97-110

    Subjects: Neuer Bund; Apokalyptik; Jüdische Literatur; Frühchristentum; diathēkē; APOCALYPTIC literature (Jewish literature); apocalypticism; BIBLE. Hebrews; BIBLE. Jeremiah; CHRISTIANITY; Hebrews; Jeremiah; JEWS; JUDAISM; Middle Platonism; new covenant
    Other subjects: Jeremia Prophet
  4. Drunkenness, Tattoos, and Dirty Underwear
    Jeremiah as a Modern Masculine Metaphor
    Author: Carvalho, Corrine
    Published: [2018]

    Jeremiah's body functions as a canvas in the book on which loss of patriarchal privilege due to colonization plays out. This article looks at three tropes of masculinity in the book: drunkenness, bodily markings, and gendered prophetic performance to... more

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    Jeremiah's body functions as a canvas in the book on which loss of patriarchal privilege due to colonization plays out. This article looks at three tropes of masculinity in the book: drunkenness, bodily markings, and gendered prophetic performance to explore how the text uses metaphoric images to represent this rhetorical strategy. The article relates these tropes to gender performances by contemporary white males who also negotiate loss of patriarchal privilege.

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: Enthalten in: The catholic biblical quarterly; Washington, DC : Catholic Biblical Association of America, 1939; 80(2018), 4, Seite 597-618; Online-Ressource

    Subjects: ALCOHOLISM; BIBLE. Jeremiah; GENDER identity in the Bible; Jeremiah; MASCULINITY in the Bible; PROPHECY; TATTOOING; UNDERWEAR; colonization; gender; masculinity; prophecy
  5. Empire and exile
    postcolonial readings of the book of Jeremiah
    Author: Davidson, Steed V.
    Published: c 2011
    Publisher:  T & T Clark, New York, NY [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9780567437044; 0567437043
    RVK Categories: BC 6785
    Series: Array ; 542
    Subjects: Bibel; Exegese; Postkolonialismus;
    Other subjects: Array
    Scope: XI, 218 S., 24 cm
    Notes:

    Includes bibliographical references and indexes

    Vollst. zugl.: New York, NY, Union Theological Seminary, Diss. u.d.T.: Davidson, Steed Vernyl: Finding a place: a postcolonial examination of the ideology of place in the book of Jeremiah

    (Dis)locating location -- (Dis)locating interpretations -- The book of Jeremiah in postcolonial perspective -- Saving home -- The world in the home -- (A)way from home -- Conclusion: reading between exodus and exile.
  6. Empire and exile
    postcolonial readings of the book of Jeremiah
    Author: Davidson, Steed V.
    Published: c 2011
    Publisher:  T & T Clark, New York, NY [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Universitätsbibliothek Leipzig
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    Diözesanbibliothek Münster
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    11:2631
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    Universitätsbibliothek der Eberhard Karls Universität
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    51 A 9492
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9780567437044; 0567437043
    RVK Categories: BC 6785
    Series: Array ; 542
    Subjects: Bibel; Exegese; Postkolonialismus;
    Other subjects: Array
    Scope: XI, 218 S., 24 cm
    Notes:

    Includes bibliographical references and indexes

    Vollst. zugl.: New York, NY, Union Theological Seminary, Diss. u.d.T.: Davidson, Steed Vernyl: Finding a place: a postcolonial examination of the ideology of place in the book of Jeremiah

    (Dis)locating location -- (Dis)locating interpretations -- The book of Jeremiah in postcolonial perspective -- Saving home -- The world in the home -- (A)way from home -- Conclusion: reading between exodus and exile.
  7. Enduring exile
    the metaphorization of exile in the Hebrew Bible
    Author: Halvorson-Taylor, Martien A.
    Published: 2011
    Publisher:  Brill, Leiden [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Universitätsbibliothek Greifswald
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    T Fb 4 [141]
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    Fakultätsbibliothek Theologie
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    Fachhochschule für Interkulturelle Theologie Hermannsburg, Bibliothek
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    Dea 2, 141
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    FTHAT097533/141
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    Universitätsbibliothek der Eberhard Karls Universität
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    51 A 560
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    Theologicum, Evangelisches u. Katholisches Seminar, Bibliothek
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English; Hebrew
    Media type: Dissertation
    Format: Print
    ISBN: 9004160973; 9789004160972
    RVK Categories: BC 1872 ; BC 6970 ; BC 6785 ; BC 6825 ; BC 6780 ; BC 7525 ; BC 6960
    Series: Supplements to Vetus Testamentum ; 141
    Subjects: Exile (Punishment); Metaphor in the Bible; Exil; Motivgeschichte <Fach>; Metapher
    Other subjects: Array; Array; Array; Array; Array; Metaphor in the Bible
    Scope: XI, 230 S.
    Notes:

    Includes bibliographical references and index

    Teilw. zugl.: Cambridge, Harvard Univ., Diss.
  8. Imperfect Sense
    The Predicament of Milton's Irony
    Author: Silver, Victoria
    Published: [2001]; ©2001
    Publisher:  Princeton University Press, Princeton, NJ ; Walter de Gruyter GmbH, Berlin

    Why do we hate Milton's God? Victoria Silver reengages with a perennial problem in Milton studies, one whose genealogy dates back at least to the Romantics, but which finds its most cogent modern expression in William Empson's revulsion at Milton's... more

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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Why do we hate Milton's God? Victoria Silver reengages with a perennial problem in Milton studies, one whose genealogy dates back at least to the Romantics, but which finds its most cogent modern expression in William Empson's revulsion at Milton's God and Stanley Fish's defense. Thoroughly reexamining Milton's theology and its sources in Luther and Calvin, as well as theoretical parallels in the works of Wittgenstein, Cavell, Adorno, and Benjamin, Silver contends that this repugnance is not extrinsic but deliberately cultivated in the theodicy of Paradise Lost. From the vantage of a world riven by injustice, deity can appear to contradict its own revelation, with the result that we experience a God divided against himself. For as Job found in his sufferings, that God appears more ruse than redeemer. Milton's irony recreates this religious predicament in Paradise Lost to the intractable perplexity of his readers, who have in their turn fashioned an equally dissociated Milton--at once unconscious and calculating, heterodox and doctrinaire, heroic and intolerable. Silver argues that, ultimately, these contrary Gods and antithetical Miltons arise from the sense we want to give the speaker's justification, which rather than ratifying our assumptions of meaning and the incoherence they foster, seeks fundamentally to reform them and thus to justify God's ways.

     
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  9. Jeremiah as Collection
    Scrolls, Sheets, and the Problem of Textual Arrangement
    Author: Mastnjak, Nathan
    Published: [2018]

    The variations in the textual history of Jeremiah's Oracles against the Nations have presented scholarship with a perennial puzzle. In addressing these variants, modern scholarship has consistently assumed that one of the versions must be original... more

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    Index theologicus der Universitätsbibliothek Tübingen
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    The variations in the textual history of Jeremiah's Oracles against the Nations have presented scholarship with a perennial puzzle. In addressing these variants, modern scholarship has consistently assumed that one of the versions must be original and the other a revision. In this study, I propose an alternate explanation. Drawing on considerations of material culture, comparative evidence, and insights from the field of book history, I suggest that the Jeremiah traditions existed in the early Persian period as an only partially ordered collection rather than a linear book. Rather than one version being original and the other an editorial rearrangement, both the LXX and the MT represent independent organizations of this collection.

     
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    Volltext (lizenzpflichtig)
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: Enthalten in: The catholic biblical quarterly; Washington, DC : Catholic Biblical Association of America, 1939; 80(2018), 1, Seite 25-44; Online-Ressource

    Subjects: BIBLE; book history; colophon; COLOPHONS; FISCHER, Georg; Jeremiah; JEREMIAH (Biblical prophet); Oracles against the Nations; papyrus; scroll; sheet; textual criticism; TEXTUAL criticism
  10. Jeremias
    höret die Stimme ; Roman
    Author: Werfel, Franz
    Published: 1956
    Publisher:  Fischer, Berlin [u.a.]

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    Staats- und Universitätsbibliothek Bremen
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    a ger 799 wer 3/216
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    56 A 512
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    W-WE 75 1/4:4
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    Institut für Theologie und Frieden, Bibliothek
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    bel/781
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    A 1956/183
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    Evangelisch-Lutherisches Landeskirchenamt, Bibliothek
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    B V 11816
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Bibliothek der Hansestadt Lübeck
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    1955 A 2389
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    CB/S 9.3-209,1
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    Landesbibliothek Oldenburg
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    RAB 1102: Jer
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    52-0037: 9
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    Series: Gesammelte Werke / Franz Werfel
    Subjects: Prosatext; Jeremia; prose; Jeremiah
    Scope: 552 S
  11. Nómos/nómoi in the Septuagint and the Letter to the Hebrews
    Author: Seleznëv, Michail
    Published: 2023

    This article explores the usage of plural νόμοι versus singular νόμος throughout the whole corpus of the Greek Bible. Obviously, the singular is predominant. If we put aside later variants and textual traditions, the rare passages where the plural... more

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    This article explores the usage of plural νόμοι versus singular νόμος throughout the whole corpus of the Greek Bible. Obviously, the singular is predominant. If we put aside later variants and textual traditions, the rare passages where the plural νόμοι is used (in Proverbs, Jeremiah, Esther, and 2 Maccabees) mutually elucidate each other: the plural occurs where the translators wanted to stress that the law(s) in question should be distinguished from the Torah. With respect to Jer 31:31–34 (LXX 38:31–34) and the quotations from it in Hebrews, the article demonstrates that the plural νόμοι in the LXX cannot be explained by the Vorlage, as many modern researchers suggest, but was a conscious device used by the LXX translator. The aim of the translator, followed by the author of Hebrews, was to stress the distinction between the Law of Moses and the Laws of the New Covenant.

     
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    Volltext (lizenzpflichtig)
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: Enthalten in: Novum Testamentum; Leiden [u.a.] : Brill, 1956; 65(2023), 4, Seite 498-516; Online-Ressource

    Subjects: Epistle to the Hebrews; Jeremiah; Septuagint; nomos; Torah
  12. Prophétie et royauté au retour de l'exil
    les origines littéraires de la forme massorétique du livre de Jérémie
    Author: Gôldman, Yôḥānan
    Published: 1992
    Publisher:  Univ.-Verl., Freiburg, Schweiz ; Vandenhoeck und Ruprecht, Göttingen

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    Bibliothek der ehem. Kirchlichen Hochschule Naumburg
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    Universitätsbibliothek Freiburg
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    Universitätsbibliothek Greifswald
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Source: Staatsbibliothek zu Berlin
    Language: French
    Media type: Dissertation
    Format: Print
    ISBN: 3525537522; 3727808144
    RVK Categories: BC 7575 ; BC 6785
    Series: Orbis biblicus et orientalis ; 118
    Subjects: Textgeschichte; Textgeschichte
    Other subjects: Array
    Scope: XIII, 259 S., 24 cm
    Notes:

    Zugl.: Fribourg (Suisse), Univ., Diss., 1989
  13. Prophétie et royauté au retour de l'exil
    les origines littéraires de la forme massorétique du livre de Jérémie
    Author: Gôldman, Yôḥānan
    Published: 1992
    Publisher:  Univ.-Verl., Freiburg, Schweiz ; Vandenhoeck und Ruprecht, Göttingen

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: French
    Media type: Dissertation
    Format: Print
    ISBN: 3525537522; 3727808144
    RVK Categories: BC 7575 ; BC 6785
    Series: Orbis biblicus et orientalis ; 118
    Subjects: Textgeschichte; Textgeschichte
    Other subjects: Array
    Scope: XIII, 259 S., 24 cm
    Notes:

    Zugl.: Fribourg (Suisse), Univ., Diss., 1989
  14. Rabbi Jeremiah
    Author: Neusner, Jacob
    Published: c 2007
    Publisher:  Univ. Press of America, Lanham, Md. [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0761835954; 9780761835950
    Other identifier:
    2006931718
    Series: Studies in Judaism
    Subjects: Jewish law; Rabbinical literature; Midrash; Judaism
    Other subjects: Jeremiah (Biblical prophet)
    Scope: XI, 141 S, 23cm
    Notes:

    Includes index
  15. Rabbi Jeremiah
    Author: Neusner, Jacob
    Published: c 2007
    Publisher:  Univ. Press of America, Lanham, Md. [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 663900
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0761835954; 9780761835950
    Other identifier:
    2006931718
    Series: Studies in Judaism
    Subjects: Jewish law; Rabbinical literature; Midrash; Judaism
    Other subjects: Jeremiah (Biblical prophet)
    Scope: XI, 141 S, 23cm
    Notes:

    Includes index
  16. Studien zum Jeremiabuch und andere Beiträge zum Alten Testament
    Author: Migsch, Herbert
    Published: 2010
    Publisher:  Lang, Frankfurt am Main

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783631601716
    RVK Categories: BC 6785 ; BC 7500
    DDC Categories: 220
    Series: Österreichische Biblische Studien ; 37
    Subjects: Array; Array; Array; Array; Array
    Scope: 352 S., 240 mm x 170 mm
    Notes:

    Literaturangaben
  17. The Tree and the Temple
    Echoes of a New Ingathering and Renewed Exile (Mark 11.12–21)
    Author: Guthrie, George H.
    Published: 2022

    This article considers Mark's account of the cursing of the fig tree, read in conjunction with Jesus’ temple action. Having reviewed recent proposals on the literary shape of Mark 11.1-12.12, the article proposes a fresh reading of the section's... more

     

    This article considers Mark's account of the cursing of the fig tree, read in conjunction with Jesus’ temple action. Having reviewed recent proposals on the literary shape of Mark 11.1-12.12, the article proposes a fresh reading of the section's structure. Triple introductions at 11.11, 11.15 and 11.27 are shown to match triple conclusions at 11.11, 11.19 and 12.12, these constituents framing interwoven units running from 11.11 to 12.12. The pattern of triple intercalation suggests that the cursing of the fig tree and Jesus’ temple action should be interpreted one in light of the other. The article then considers the intertextual relationship between Mark's narrative and the scriptural texts it evokes. The study uncovers previously neglected echoes vital for understanding the significance of Jesus’ cursing of the fig tree and temple action. The ‘casting out’ motif in Jeremiah 7-8, as dramatically portrayed in Jesus’ temple action, is set forth as heralding a ‘renewed exile’ for those who reject Jesus’ message, while the mirror motif of ‘ingathering’ in Isa 56.1-8, accentuated by the ‘withered tree’ imagery of 56.3, heralds new opportunity, with those who were previously outsiders to the temple made insiders in the eschatological house of prayer.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: Enthalten in: New Testament studies; Cambridge [u.a.] : Cambridge Univ. Press, 1954; 68(2022), 1, Seite 26-37; Online-Ressource

    Subjects: Isaiah; Jeremiah; casting out; cleansing; destruction; echoes; eschatological; exile; fig tree; gentiles; ingathering; intercalation; intertextual; temple action
  18. The early career of the prophet Jeremiah
    Author: Lundbom, Jack R.
    Published: 1993
    Publisher:  Mellen Biblical Press, Lewiston u.a.

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    Universitätsbibliothek Augsburg
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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0773423729
    RVK Categories: BC 6980
    Subjects: Jeremia (bijbelboek); Schmuck <Motiv>
    Other subjects: Jeremiah; Jeremiah <(Biblical prophet)>; Jeremia Prophet (ca. v600); Homerus (ca. v8. Jh.)
    Scope: XV, 112 S.
  19. The early career of the prophet Jeremiah
    Author: Lundbom, Jack R.
    Published: 1993
    Publisher:  Mellen Biblical Press, Lewiston u.a.

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0773423729
    RVK Categories: BC 6980
    Subjects: Jeremia (bijbelboek); Schmuck <Motiv>
    Other subjects: Jeremiah; Jeremiah <(Biblical prophet)>; Jeremia Prophet (ca. v600); Homerus (ca. v8. Jh.)
    Scope: XV, 112 S.
  20. Trauma Theory and Biblical Studies
    Author: Garber, David G.
    Published: [2015]

    Since the early 2000s, several scholars have explored the use of trauma theory as an interpretive lens to understand some of the most difficult and painful texts in the Bible. The use of trauma theory does not constitute a method of interpretation... more

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    Index theologicus der Universitätsbibliothek Tübingen
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    Since the early 2000s, several scholars have explored the use of trauma theory as an interpretive lens to understand some of the most difficult and painful texts in the Bible. The use of trauma theory does not constitute a method of interpretation but a frame of reference that, when coupled with other methodologies (e.g., psychology, post-structuralism, post-colonialism, refugee studies, etc.), can yield innovative results. While trauma theory has proven useful in the study of exilic texts in particular, scholars have ventured beyond the narrower concern of exilic literature, investigating the use of trauma theory for other portions of the Hebrew Bible and New Testament. The impact of trauma is a significant component of the human condition that lies beneath the production of a wide variety of biblical texts.

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: Enthalten in: Currents in biblical research; London [u.a.] : Sage, 2002; 14(2015), 1, Seite 24-44; Online-Ressource

    Subjects: BIBLE. New Testament; BIBLE; Cultural trauma; exile; Ezekiel; Holocaust; Jeremiah; Job; Lamentations; psychological biblical criticism; refugee studies; STRUCTURALISM; survival guilt; survival literature; testimony; trauma theory
  21. Typology and Iconography in Donne, Herbert, and Milton
    Fashioning the Self after Jeremiah
    Author: Sánchez, Reuben
    Published: 2014
    Publisher:  Palgrave Macmillan, New York

    This book analyzes the iconographic traditions of Jeremiah and of melancholy to show how Donne, Herbert, and Milton each fashions himself after the icons presented in Rembrandt's Jeremiah Lamenting the Destruction of Jerusalem , Sluter's sculpture of... more

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    Hochschulbibliothek Friedensau
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    Online-Ressource
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    Gemeinsamer Bibliotheksverbund (GBV)

     

    This book analyzes the iconographic traditions of Jeremiah and of melancholy to show how Donne, Herbert, and Milton each fashions himself after the icons presented in Rembrandt's Jeremiah Lamenting the Destruction of Jerusalem , Sluter's sculpture of Jeremiah in the Well of Moses, and Michelangelo's fresco of Jeremiah in the Sistine Chapel. Reuben Sánchez is Lecturer at Sam Houston State University, USA. Seventeenth-century authors so thoroughly imbued the language and imagery of the Bible in vernacular translation that their texts are to be read as attempts to inscribe themselves within the realm of the sacred. I analyze how three seventeenth-century English authors fashion themselves as a specific biblical figure, and how they fashion themselves in their works in order to bring their spiritual lives in line with the narrative arch of a biblical type. In this biblical guise Donne, Herbert, and Milton each hopes to move God to his circumstances as He responded in biblical times to the original type; each author also hopes to move the reader to act to reform himself and thereby avoid the fate of the biblical Israelites. By engaging the art of the period I isolate and describe Donne's, Herbert's, and Milton's self-fashioning as the melancholic Jeremiah. Through a consideration of certain paintings, sculptures, and emblems, I present literature in a broader cultural context, thereby employing an interdisciplinary approach. There are several different Renaissance images of Jeremiah I discuss to give the reader an idea of the iconographic tradition which develops around this biblical figure, but I focus on three images in particular: Claus Sluter's sculpture, the Well of Moses (1404), Rembrandt's painting, 'The Prophet Jeremiah Mourning over the Destruction of Jerusalem' (1630), and Michelangelo's fresco of Jeremiah on the Sistine Chapel (1508-1512). I present detailed analyses of these three works in order to show how and why each of the three English authors fashions himself after one of these three images, or types, of Jeremiah: Donne after Rembrandt's Jeremiah, Herbert after Sluter's Jeremiah, and Milton after Michelangelo's Jeremiah

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Subjects: Typology (Theology) in art; Jeremiah; Idols and images in literature; Idols and images in art; Prophets in literature; Prophets in art; Art and literature; English literature; Typology (Theology) in literature; English literature
    Scope: Online-Ressource (x, 275 pages)
    Notes:

    Includes bibliographical references and index

    1. 'The Sad Prophet Jeremiah' as an Image of Renaissance MelancholyPART I: REMBRANDT'S JEREMIAH: DONNE AND LEARNING HOW TO BE A PREACHER -- 2. 'I turn my back to thee, but to receive corrections': Donne and the Art of Convetere in "The Lamentations of Jeremy, for the most part according to Tremelius", and 'Good Friday, 1613 Riding Westward' -- 3. 'First the "Burden", and then the "Ease"': Donne and the Art of Convetere in the Sermon on Lamentations 3:1 and in the Letter to His Mother -- PART II: SLUTER'S JEREMIAH: HERBERT AND LEARNING HOW TO VISUALIZE THE HEART -- 4. 'My heart hath store, write there': Writing on the Heart in Herbert's "The Temple" -- 5. 'Then was my heart broken, as was my verse': Visualizing the Heart in "The Temple" -- PART III: MICHELANGELO'S JEREMIAH: MILTON AND LEARNING HOW TO BE A PROPHET -- 6. 'With new acquist / Of true experience': The Failed Revolutionary in the Letter to Heimbach and "Samson Agonistes" -- 7. 'And had none to cry to, but with the Prophet," O earth, earth, earth!"': Style, Witnessing, and Mythmaking in "The Readie and Easie Way" -- 8. 'As a burning fire shut up in my bones': From Polemic to Prophecy in The Reason of Church Government and "The Readie and Easie Way" -- 9. 'Unapocryphall vision': Jeremiah as Exemplary Model for Donne, Herbert, and Milton -- Appendix A: Renaissance Angels and Other Melancholy Figures -- Appendix B: Renaissance Images of Jeremiah -- Appendix C: Renaissance Melancholy and Modern Theory.
  22. Typology and Iconography in Donne, Herbert, and Milton
    Fashioning the Self after Jeremiah
    Author: Sánchez, Reuben
    Published: 2014
    Publisher:  Palgrave Macmillan, New York

    This book analyzes the iconographic traditions of Jeremiah and of melancholy to show how Donne, Herbert, and Milton each fashions himself after the icons presented in Rembrandt's Jeremiah Lamenting the Destruction of Jerusalem , Sluter's sculpture of... more

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    Hochschulbibliothek Friedensau
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    Online-Ressource
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    Hochschule für Wirtschaft und Umwelt Nürtingen-Geislingen, Bibliothek Nürtingen
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    Saarländische Universitäts- und Landesbibliothek
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    This book analyzes the iconographic traditions of Jeremiah and of melancholy to show how Donne, Herbert, and Milton each fashions himself after the icons presented in Rembrandt's Jeremiah Lamenting the Destruction of Jerusalem , Sluter's sculpture of Jeremiah in the Well of Moses, and Michelangelo's fresco of Jeremiah in the Sistine Chapel. Reuben Sánchez is Lecturer at Sam Houston State University, USA. Seventeenth-century authors so thoroughly imbued the language and imagery of the Bible in vernacular translation that their texts are to be read as attempts to inscribe themselves within the realm of the sacred. I analyze how three seventeenth-century English authors fashion themselves as a specific biblical figure, and how they fashion themselves in their works in order to bring their spiritual lives in line with the narrative arch of a biblical type. In this biblical guise Donne, Herbert, and Milton each hopes to move God to his circumstances as He responded in biblical times to the original type; each author also hopes to move the reader to act to reform himself and thereby avoid the fate of the biblical Israelites. By engaging the art of the period I isolate and describe Donne's, Herbert's, and Milton's self-fashioning as the melancholic Jeremiah. Through a consideration of certain paintings, sculptures, and emblems, I present literature in a broader cultural context, thereby employing an interdisciplinary approach. There are several different Renaissance images of Jeremiah I discuss to give the reader an idea of the iconographic tradition which develops around this biblical figure, but I focus on three images in particular: Claus Sluter's sculpture, the Well of Moses (1404), Rembrandt's painting, 'The Prophet Jeremiah Mourning over the Destruction of Jerusalem' (1630), and Michelangelo's fresco of Jeremiah on the Sistine Chapel (1508-1512). I present detailed analyses of these three works in order to show how and why each of the three English authors fashions himself after one of these three images, or types, of Jeremiah: Donne after Rembrandt's Jeremiah, Herbert after Sluter's Jeremiah, and Milton after Michelangelo's Jeremiah

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781137397805
    RVK Categories: HI 1915
    Subjects: Typology (Theology) in art; Jeremiah; Idols and images in literature; Idols and images in art; Prophets in literature; Prophets in art; Art and literature; English literature; Typology (Theology) in literature; English literature; British literature; British literature; Electronic books
    Scope: Online-Ressource (x, 275 pages)
    Notes:

    Includes bibliographical references and index

    1. 'The Sad Prophet Jeremiah' as an Image of Renaissance MelancholyPART I: REMBRANDT'S JEREMIAH: DONNE AND LEARNING HOW TO BE A PREACHER -- 2. 'I turn my back to thee, but to receive corrections': Donne and the Art of Convetere in "The Lamentations of Jeremy, for the most part according to Tremelius", and 'Good Friday, 1613 Riding Westward' -- 3. 'First the "Burden", and then the "Ease"': Donne and the Art of Convetere in the Sermon on Lamentations 3:1 and in the Letter to His Mother -- PART II: SLUTER'S JEREMIAH: HERBERT AND LEARNING HOW TO VISUALIZE THE HEART -- 4. 'My heart hath store, write there': Writing on the Heart in Herbert's "The Temple" -- 5. 'Then was my heart broken, as was my verse': Visualizing the Heart in "The Temple" -- PART III: MICHELANGELO'S JEREMIAH: MILTON AND LEARNING HOW TO BE A PROPHET -- 6. 'With new acquist / Of true experience': The Failed Revolutionary in the Letter to Heimbach and "Samson Agonistes" -- 7. 'And had none to cry to, but with the Prophet," O earth, earth, earth!"': Style, Witnessing, and Mythmaking in "The Readie and Easie Way" -- 8. 'As a burning fire shut up in my bones': From Polemic to Prophecy in The Reason of Church Government and "The Readie and Easie Way" -- 9. 'Unapocryphall vision': Jeremiah as Exemplary Model for Donne, Herbert, and Milton -- Appendix A: Renaissance Angels and Other Melancholy Figures -- Appendix B: Renaissance Images of Jeremiah -- Appendix C: Renaissance Melancholy and Modern Theory.
  23. Typology and Iconography in Donne, Herbert, and Milton
    fashioning the self after Jeremiah
    Author: Sánchez, Reuben
    Published: 2014
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Verlag (Inhaltsverzeichnis)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781137397799
    RVK Categories: HI 1915
    Edition: 1. ed.
    Subjects: Typology (Theology) in art; Jeremiah; Idols and images in literature; Idols and images in art; Prophets in literature; Prophets in art; English literature; Typology (Theology) in literature; Art and literature
    Scope: X, 275 S., Ill.
    Notes:

    Literaturverzeichnis S. [255] - 262
  24. Typology and Iconography in Donne, Herbert, and Milton
    fashioning the self after Jeremiah
    Author: Sánchez, Reuben
    Published: 2014
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2015 A 11298
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    Verlag (Inhaltsverzeichnis)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781137397799
    RVK Categories: HI 1915
    Edition: 1. ed.
    Subjects: Typology (Theology) in art; Jeremiah; Idols and images in literature; Idols and images in art; Prophets in literature; Prophets in art; English literature; Typology (Theology) in literature; Art and literature
    Scope: X, 275 S., Ill.
    Notes:

    Literaturverzeichnis S. [255] - 262
  25. Typology and iconography in Donne, Herbert, and Milton
    fashioning the self after Jeremiah
    Author: Sánchez, Reuben
    Published: 2014
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

    Location:
    Universitäts- und Landesbibliothek Düsseldorf
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    ango25604.s211
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781137397799
    Edition: 1. ed.
    Subjects: English literature; Typology (Theology) in literature; Typology (Theology) in art; Idols and images in literature; Idols and images in art; Prophets in literature; Prophets in art; Art and literature; English literature
    Other subjects: Jeremiah (Biblical prophet)
    Scope: X, 275 S., Ill.
    Notes:

    Includes bibliographical references and index