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Displaying results 51 to 75 of 223.

  1. Jewish texts on the visual arts
    Published: 2000
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Universitätsbibliothek Bamberg
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0521652170
    RVK Categories: BD 1270 ; LH 65940
    Edition: 1. publ.
    Subjects: Beeldende kunsten; Joden; Juden; Kunst; Jewish aesthetics; Jewish art; Jewish art; Judaism and art; Ästhetik; Juden; Jüdische Kunst; Kunst; Geschichte; Kunstgeschichtsschreibung
    Other subjects: Juden
    Scope: XVIII, 236 S., Ill.
  2. Imagining the self, imagining the other
    visual representation and Jewish-Christian dynamics in the Middle Ages and early modern period
    Published: 2002
    Publisher:  Brill, Leiden [u.a.]

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    Universitätsbibliothek Bamberg
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Passau
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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  3. Ṣiyyôn w-Irûšālayim bā-rûaḥ û-va-ḥômer
    Author: Bahrûzî, Nîṣṣâ
    Published: 1993
    Publisher:  Mûzê'ôn Ereṣ-Yiśrā'ēl, Tēl-Āvîv

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: Hebrew
    Media type: Book
    Subjects: Jüdische Kunst; Jerusalem <Motiv>
    Scope: 91, 13 S., überwiegend Ill.
    Notes:

    PST: Jerusalem - spirit and matter. - In hebr. Schr., hebr.
  4. Zehût
    ketav-ʿet l-îṣîrā yehûdît
    Published: 1981-1987

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: Undetermined
    Media type: Book
    DDC Categories: 800; 700
    Subjects: Jüdische Kunst; Jüdische Literatur; Zeitschrift
  5. Mahût
    ketav-ʿet l-îṣîrā yehûdît
    Published: 1989-

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: Undetermined
    Media type: Journal
    ISSN: 0792-4585
    DDC Categories: 700; 800
    Subjects: Jüdische Literatur; Zeitschrift; Jüdische Kunst
  6. Der Zyklus "Bilder aus dem altjüdischen Familienleben" und sein Maler Moritz Daniel Oppenheim
    Published: 1996
    Publisher:  CoCon-Verl., Hanau

    Location:
    Jüdisches Museum Franken, Bibliothek
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    Bayerische Staatsbibliothek
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  7. Antisemitic hate signs in Hebrew illuminated manuscripts from medieval Germany
    Author: Mellinkoff, Ruth
    Published: 1999
    Publisher:  Center for Jewish Art [u.a.], Jerusalem

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    Universitätsbibliothek Augsburg
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    Bayerische Staatsbibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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  8. Images of intolerance
    the representation of Jews and Judaism in the "Bible moralisée"
    Author: Lipton, Sara
    Published: 1999
    Publisher:  Univ. of California Press, Berkeley [u.a.]

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0520215516
    RVK Categories: BD 1430 ; LH 81100 ; LM 86200 ; NY 1600
    Series: The S. Mark Taper Foundation imprint in Jewish studies
    Subjects: Jüdische Kunst; Juden <Motiv>; Bible moralisée; Antisemitismus; Illustration
    Scope: XVI, 241 S., Ill.
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke
  9. Gentile tales
    the narrative assault on late medieval Jews
    Author: Rubin, Miri
    Published: 1999
    Publisher:  Yale Univ. Press, New Haven [u.a.]

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Staatliche Bibliothek Regensburg
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0300076126
    RVK Categories: BD 1430 ; NY 8000
    Subjects: Judenverfolgung; Legende; Jüdische Kunst; Hostienschändung <Motiv>
    Scope: XIII, 266 S., Ill., Kt.
  10. The artless Jew
    medieval and modern affirmations and denials of the visual
    Author: Bland, Kalman P.
    Published: 2000
    Publisher:  Princeton Univ. Press, Princeton, NJ [u.a.]

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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  11. Jewish icons
    art and society in modern Europe
    Author: Kohen, Yeraḥmiʾel
    Published: 1998
    Publisher:  Univ. of California Press, Berkeley [u.a.]

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    Universitätsbibliothek Augsburg
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    Jüdisches Museum Franken, Bibliothek
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0520205456
    RVK Categories: BD 5810 ; LH 65940
    Subjects: Kunst; Judenbild; Juden <Motiv>; Jüdische Kunst; Gesellschaft
    Scope: XVIII, 358 S., Ill.
  12. The real and ideal Jerusalem in Jewish, Christian and Islamic art
    studies in honor of Bezalel Narkiss on the occasion of his seventieth birthday
    Contributor: Narḳis, Betsalʾel
    Published: 1998
    Publisher:  Center for Jewish Art, the Hebrew Univ. of Jerusalem, Jerusalem

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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  13. Rembrandt's Jews
    Author: Nadler, Steven M.
    Published: 2003
    Publisher:  The Univ. of Chicago Press, Chicago [u.a.]

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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  14. Judenbilder im deutschen Einblattdruck der Renaissance
    ein Beitrag zur Imagologie
    Author: Schöner, Petra
    Published: 2002
    Publisher:  Koerner, Baden-Baden

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    Staats- und Stadtbibliothek Augsburg
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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Staatliche Bibliothek Regensburg
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  15. Picturing Yiddish
    gender, identity, and memory in the illustrated Yiddish books of Renaissance Italy
    Author: Wolfthal, Diane
    Published: 2004
    Publisher:  Boston, Leiden

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9004139052
    Series: Brill's series in Jewish studies ; v. 36
    Subjects: Christentum; Geschichte; Judentum; Illustration of books; Yiddish imprints; Illustrated books; Manuscripts, Yiddish; Jews in art; Women in art; Christianity and other religions; Judaism; Juden <Motiv>; Jiddisch; Illustriertes Buch; Buchmalerei; Jüdische Kunst; Frau <Motiv>
    Scope: xxxiii, 283 p.
    Notes:

    Includes bibliographical references (p. [251]-274) and index
  16. Jevrejsʹka kulʹturna spadščyna Ukraïny
    materialy mižnarodnoï naukovoï konferenciï : Kyïv, 26-27 žovtnja 2016 roku
    Contributor: Paško, Oksana (Publisher)
    Published: 2018
    Publisher:  Duch i litera, Kyïv

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Contributor: Paško, Oksana (Publisher)
    Language: Ukrainian; English
    Media type: Conference proceedings
    ISBN: 9789663785929; 9663785926
    Corporations / Congresses: Mižnarodna konferencija "Zberežennja ta populjaryzacija jevrejsʹkoï kulʹturnoï spadščyny Ukraïny" (2016, Kiew)
    Series: Serija "Biblioteka judaïky"
    Subjects: Juden; Kulturgüterschutz; Theater; Jüdische Kunst; Jüdische Literatur; Kulturleben
    Other subjects: Jews, Ukrainian / Congresses; Jews / Ukraine / History / Congresses; Jewish art / Ukraine / Congresses; Ukraine / Ethnic relations / Congresses; Ethnic relations; Jewish art; Jews; Jews, Ukrainian; Ukraine; Conference papers and proceedings; History
    Scope: 167 Seiten, 32 ungezählte Seiten Tafeln, Illustrationen, Karten, 20 cm
  17. The Dreyfus Rembrandts: smoke with no gun
    Author: Schwartz, Gary
    Published: [2019]

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Article (edited volume)
    Parent title:
    Making waves / edited by Laurinda S. Dixon & Gabriel P. Weisberg; Turnhout, Belgium, [2019]; Seite 31-40
    Subjects: Mann <Motiv>; Bildnismalerei; Juden <Motiv>; Kunstsammler; Juden; Sammlung; Rezeption; Jüdische Kunst
    Other subjects: Kann, Rudolf (1845-1905); Rembrandt Harmensz van Rijn (1606-1669)
    Scope: Illustrationen
  18. Der Begriff der Jüdischen Kunst in der Kunstgeschichte
    Versuch einer Definition
    Author: Goudz, Inna
    Published: [2020]; © 2020
    Publisher:  De Gruyter, Berlin ; Boston

    At the end of the 19th and start of the 20th century, Jewish artists thought intensively about the influence of their heritage on their work and the notion of "Jewish art." Using the examples of Max Liebermann and Marc Chagall, representatives of... more

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    At the end of the 19th and start of the 20th century, Jewish artists thought intensively about the influence of their heritage on their work and the notion of "Jewish art." Using the examples of Max Liebermann and Marc Chagall, representatives of Western and Eastern European Judaism, respectively, and the ways art historians responded to their work, this study examines for the first time the concept of "Jewish art." Ende des 19. und zu Beginn des 20. Jahrhunderts findet eine zunehmende Auseinandersetzung der jüdischen Künstler mit dem Einfluss ihrer Herkunft auf ihre Werke und mit dem Begriff der ‚Jüdischen Kunst’ statt. Am Beispiel von Max Liebermann und Marc Chagall, zweier Vertreter des west- bzw. des osteuropäischen Judentums, und der Reaktionen in der Kunstgeschichtsschreibung auf ihr Werk wird nun erstmals der Begriff der ‚Jüdischen Kunst’ untersucht

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110693980
    Other identifier:
    RVK Categories: BD 1270 ; LH 65940 ; LI 21900 ; LI 54100
    Subjects: ART / General; Kunstgeschichtsschreibung; Ästhetik; Jüdische Kunst
    Other subjects: Chagall, Marc (1887-1985); Liebermann, Max (1847-1935)
    Scope: 1 Online-Ressource (171 Seiten), Illustrationen
    Notes:

    Dissertation, Heinrich-Heine-Universität Düsseldorf, 2017
  19. Picturing Yiddish
    gender, identity, and memory in the illustrated Yiddish books of Renaissance Italy
    Author: Wolfthal, Diane
    Published: 2004
    Publisher:  Boston, Leiden

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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  20. The artless Jew
    medieval and modern affirmations and denials of the visual
    Author: Bland, Kalman P.
    Published: 2000
    Publisher:  Princeton University Press, Princeton, NJ

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0691010439; 069108985X; 1400811074; 1400823579; 9780691010434; 9780691089850; 9781400811076; 9781400823574
    Subjects: Ten commandments / Images; RELIGION / Judaism / Rituals & Practice; RELIGION / Judaism / History; Beeldende kunsten; Visualisatie; Esthetica; Jodendom; Geschichte; Juden; Judentum; Kunst; Ästhetik; Judaism and art; Jewish art; Jewish aesthetics; Jews; Judentum; Kunst; Jüdische Kunst; Einstellung; Juden; Ästhetik
    Scope: 1 Online-Ressource (233 pages)
    Notes:

    Includes bibliographical references (pages 201-228) and index

    Book Cover; Title; Copyright; Contents

    Conventional wisdom holds that Judaism is indifferent or even suspiciously hostile to the visual arts due to the Second Commandment's prohibition on creating "graven images," the dictates of monotheism, and historical happenstance. This intellectual history of medieval and modern Jewish attitudes toward art and representation overturns the modern assumption of Jewish iconophobia that denies to Jewish culture a visual dimension. Kalman Bland synthesizes evidence from medieval Jewish philosophy, mysticism, poetry, biblical commentaries, travelogues, and law, concluding that premodern Jewish intel
  21. Apocalyptic city versus apocalyptic shtetl
    the experience of catastrophe in the work of the Jewish expressionists
    Author: Stolarska-Fronia, Małgorzata
    Published: 2015

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Parent title: Centropa; New York, NY, 2015; Volume 15, Number 3 (September 2015), Seite 242-254
    Subjects: Expressionismus; Jüdische Kunst; Weltuntergang <Motiv>
  22. The Artless Jew
    Medieval and Modern Affirmations and Denials of the Visual
    Author: Bland, Kalman P.
    Published: 2001
    Publisher:  Princeton University Press, Princeton, N.J.

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Passau
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400823574
    Other identifier:
    Subjects: Judentum; Jüdische Kunst; Juden; Kunst; Ästhetik; Einstellung
    Scope: 1 Online-Ressource (248 S.)
    Notes:

    Main description: Conventional wisdom holds that Judaism is indifferent or even suspiciously hostile to the visual arts due to the Second Commandment's prohibition on creating "graven images," the dictates of monotheism, and historical happenstance. This intellectual history of medieval and modern Jewish attitudes toward art and representation overturns the modern assumption of Jewish iconophobia that denies to Jewish culture a visual dimension. Kalman Bland synthesizes evidence from medieval Jewish philosophy, mysticism, poetry, biblical commentaries, travelogues, and law, concluding that premodern Jewish intellectuals held a positive, liberal understanding of the Second Commandment and did, in fact, articulate a certain Jewish aesthetic. He draws on this insight to consider modern ideas of Jewish art, revealing how they are inextricably linked to diverse notions about modern Jewish identity that are themselves entwined with arguments over Zionism, integration, and anti-Semitism. Through its use of the past to illuminate the present and its analysis of how the present informs our readings of the past, this book establishes a new assessment of Jewish aesthetic theory rooted in historical analysis. Authoritative and original in its identification of authentic Jewish traditions of painting, sculpture, and architecture, this volume will ripple the waters of several disciplines, including Jewish studies, art history, medieval and modern history, and philosophy
  23. Engel
    himmlische Boten in alten Handschriften ; [Katalog zur gleichnamigen Ausstellung im Prunksaal der Österreichischen Nationalbibliothek vom 20.11.2014 - 1.2.2015]
    Contributor: Theisen, Maria (Publisher)
    Published: 2014
    Publisher:  Rubicon, München ; [Schneider], [Darmstadt]

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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Location:
    Bayerische Staatsbibliothek
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    Content information
    Source: Union catalogues
    Contributor: Theisen, Maria (Publisher)
    Language: German
    Media type: Book
    ISBN: 9783650400949; 3650400944
    Other identifier:
    9783650400949
    RVK Categories: LH 49600
    DDC Categories: 700
    Subjects: Engel <Motiv>; Jüdische Kunst; Islamische Kunst; Illuminierte Handschrift; Christliche Kunst
    Scope: 208 S., zahlr. Ill., Notenbeisp.
  24. Au-delà du visible
    relations entre juifs et chrétiens dissimulées dans des manuscrits hébreux enluminés
    Author: Zirlin, Yael
    Published: 2015
    Publisher:  Brepols, Turnhout

    "Ce livre offre un genre d'étude différent dans la recherche sur les illustrations dans les manuscrits hébreux, recherche qui concerne habituellement leur iconographie et leurs sources. Ses sept chapitres montrent que la lecture des illustrations... more

    Location:
    Universitätsbibliothek Augsburg
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Monumenta Germaniae Historica, Deutsches Institut für Erforschung des Mittelalters, Bibliothek
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    No inter-library loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    No loan of volumes, only paper copies will be sent

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "Ce livre offre un genre d'étude différent dans la recherche sur les illustrations dans les manuscrits hébreux, recherche qui concerne habituellement leur iconographie et leurs sources. Ses sept chapitres montrent que la lecture des illustrations avec un regard dégagé des habitudes, à la lumière des événements de l'époque où elles ont été créées, leur confère une dimension complémentaire en les transformant en outil dans l'étude de l'histoire juive, jusqu'ici fondée sur des textes et des documents d'archives. Dans les exemples étudiés, ce regard révèle qu'imperceptible à la lecture traditionnelle, se cache un reflet des relations complexes entre juifs et chrétiens. Ainsi, les illustrations dans les manuscrits liés au scribe et enlumineur Joël ben Siméon, figure exceptionnelle et captivante, nous montrent le déroulement de sa vie et de sa carrière, et constituent un exemple unique de l'intégration d'un juif dans la société qui l'entoure. On y trouve aussi des expressions visuelles d'une coopération étroite entre des membres de la communauté juive commanditaires de manuscrits, scribes et enlumineurs et des ateliers chrétiens. Un autre domaine se dissimule aussi dans les illustrations : celui de l'expression visuelle de la polémique judéo-chrétienne et les efforts travestis de chaque religion pour exposer sa position."--P. [4] of cover

     
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    Content information
    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 9782503552309
    RVK Categories: AM 54700
    Series: Bibliologia ; Volume 39
    Subjects: Jewish illumination of books and manuscripts / Europe; Illumination of books and manuscripts, Medieval / Europe; Jewish art and symbolism / Europe; Judaism / Relations / Christianity; Christianity and other religions / Judaism; Christentum; Judentum; Christ <Motiv>; Juden <Motiv>; Illuminierte Handschrift; Buchmalerei; Jüdische Kunst; Hebräisch; Christliche Kunst; Handschrift; Interkulturalität
    Other subjects: Bämler, Johann (1425-1503); Yô'ēl Ben-Šimʿôn
    Scope: 208 Seiten, zahlr. Ill.
    Notes:

    Includes bibliographical references and indexes

    I : le premier chapitre traite des rares enlumineurs juifs qui se sont identifiés dans un colophon. Le plus ancien parmi eux a été actif au dixième siècle, au Moyen-Orient, là où naquit l'art du livre hébraïque. Les motifs décoratifs dont il s'est servi proviennent de l'art musulman. Les autres enlumineurs que nous connaissons aujourd'hui furent actifs en Europe occidentale aux quatorzième et quinzième siècles : plusieurs en Espagne et en Italie, et un dans le Brabant, en Ashkénaze
    II : le second chapitre traite d'un recueil de miscellanées écrit et décoré dans le nord de la France, durant le dernier quart du treizième siècle, au premier stade, en Artois, et au deuxième stade à Paris. Là, il a été décoré par trois ateliers qui travaillèrent aussi pour le roi et sa cour. Le plan iconographique inclut des illustrations bibliques, dont certaines ont été choisies du fait de leur sens polémique antichrétien. Cependant, les enlumineurs chrétiens, guidés par un conseiller, changèrent le sens d'origine des illustrations, pour leur donner un sens polémique anti juif. Le côté juif dans la polémique s'exprime malgré tout dans le texte
    III : le troisième chapitre traite des illustrations bibliques dans deux volumes d'un Mahzor du Bad Wurtemberg de la fin du treizième siècle, destiné à une synagogue. Cette fois aussi, le manuscrit a été décoré par un atelier chrétien, et l'enlumineur, guidé par un conseiller, a cette fois encore changé le sens polémique anti chrétien en faisant des modifications très fines. Les illustrations, apparemment juives, renvoient en réalité à la personnalité de Jésus, au dogme de l'Eglise, et à l'infériorité du judaïsme.

    IV : Le quatrième chapitre traite d'une Haggadah selon le rite ashkénaze, créée en Lombardie sous le règne de Gian Galeazzo Visconti. Deux manuscrits lui servirent de modèle : une copie du Tacuinum sanitatis, faite dans l'atelier de Giovannino de' Grassi, qui travailla aussi pour le duc de Milan d'une part, et une Haggadah castillane produite à la fin du treizième siècle d'autre part. D'un côté, le manuscrit montre la présence d'éléments iconographiques qui existent dans le Tacuinum, et dans le cahier des croquis de l'atelier. De l'autre, il fait apparaître la présence d'éléments juifs dans le Tacuinum.

    V-VI : les cinquième et sixième chapitres sont consacrés à Joël ben Siméon, qui depuis longtemps trouble la sérénité des chercheurs des manuscrits hébreux. Ils se proposent, à l'aide des illustrations de ses manuscrits, de reconstituer sa carrière en tant que scribe et enlumineur. Le cinquième chapitre traite du début de sa carrière. Il montre que Joël a travaillé à Bâle, où il s'est totalement intégré à l'art local, et où il s'est élaboré un cahier de croquis fondé sur des modèles locaux, qui trouvent leur source dans différents medium, de feuilles volantes à des tapis muraux. Il s'est servi de ces éléments pour illustrer la Haggadah, tout en les détachant de leLe sixième chapitre traite de la seconde partie de la vie de Joël ben Siméon – son travail en Lombardie, où de scribe et enlumineur itinérant qu'il était, il devint un maître à la tête d'un atelier et influença le développement de la Haggadah italienne. Cette fois, parmi ses sources, se trouvent des manuscrits, des cartes à jouer et une fresque située dans une église. A l'aide de ses apprentis, il décora des manuscrits écrits par d'autres, tout autant qu'il collabora avec des ateliers chrétiens. Ce chapitre montre son degré d'intégration dans la nouvelle communauté juive ainsi que dans la société chrétienne
    VII : le septième et dernier chapitre est consacré à une Haggadah et à tous ceux qui participèrent à sa création : Jacob ben Mattathias, commanditaire de manuscrits et dignitaire de la communauté juive d'Ulm, qui établit le lien entre le scribe Meir Jaffé qui écrira la Haggadah, et Joël ben Siméon et l'atelier de Johannes Bämler qui la décoreront. Ce chapitre montre la présence et la coopération étroite de Joël et de Meir au sein même de l'atelier, la division du travail de décoration entre eux, et l'influence de cet atelier sur le travail de Meir.
  25. Krew
    łączy i dzieli = Blood : uniting & dividing
    Contributor: Stolarska-Fronia, Małgorzata (Publisher)
    Published: [2017]; © 2017
    Publisher:  Polin Muzeum Historii Żydów Polskich, Warszawa

    Location:
    Universitätsbibliothek Augsburg
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    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Contributor: Stolarska-Fronia, Małgorzata (Publisher)
    Language: Polish; English
    Media type: Book
    ISBN: 9788394426286
    Subjects: Blut <Motiv>; Jüdische Kunst
    Scope: 255 Seiten, Illustrationen, Fotografien, 23 cm
    Notes:

    Publikacja towarzyszy wystawie "Krew. Łączy i dzieli", Muzeum Historii Żydów Polskich POLIN w Warszawie, 13.10.2017-29.01.2018. - Oryg. wystawa "Blood: Uniting and Dividing" została przygotowana przez Jewish Museum London we współpracy z Pears Institute for the Study of Antisemitism, Birkbeck, University of London