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  1. Vom Aufstand der Bilder
    Materialien zu Rembrandt und Midrasch; mit einer Skizze zur Gründung einer jüdisch-islamischen Werkstatt für Philosophie und Kunst
    Author: Bruckstein, Almut Sh.
    Published: 2007
    Publisher:  Fink, München [u.a.]

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    Hessisches BibliotheksInformationsSystem hebis
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    https://hds.hebis.de/ubffm/Record/HEB315576650
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    Hessisches BibliotheksInformationsSystem (HeBIS)
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    Source: Digi20
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 3770543459; 9783770543458
    Other identifier:
    9783770543458
    RVK Categories: LI 71005 ; LH 61100
    DDC Categories: 100; 290; 296; 700
    Subjects: Judentum <Motiv>; Kunst; Midrasch; Jüdische Philosophie; Philosophie; Jüdische Kunst
    Other subjects: Didi-Huberman, Georges (1953-)
    Scope: 148 S., zahlr. Ill.
    Notes:

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  2. The Artless Jew
    Medieval and Modern Affirmations and Denials of the Visual
    Author: Bland, Kalman P.
    Published: 2001
    Publisher:  Princeton University Press, Princeton, N.J.

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400823574
    Other identifier:
    Subjects: Judentum; Jüdische Kunst; Juden; Kunst; Ästhetik; Einstellung
    Scope: 1 Online-Ressource (248 S.)
    Notes:

    Main description: Conventional wisdom holds that Judaism is indifferent or even suspiciously hostile to the visual arts due to the Second Commandment's prohibition on creating "graven images," the dictates of monotheism, and historical happenstance. This intellectual history of medieval and modern Jewish attitudes toward art and representation overturns the modern assumption of Jewish iconophobia that denies to Jewish culture a visual dimension. Kalman Bland synthesizes evidence from medieval Jewish philosophy, mysticism, poetry, biblical commentaries, travelogues, and law, concluding that premodern Jewish intellectuals held a positive, liberal understanding of the Second Commandment and did, in fact, articulate a certain Jewish aesthetic. He draws on this insight to consider modern ideas of Jewish art, revealing how they are inextricably linked to diverse notions about modern Jewish identity that are themselves entwined with arguments over Zionism, integration, and anti-Semitism. Through its use of the past to illuminate the present and its analysis of how the present informs our readings of the past, this book establishes a new assessment of Jewish aesthetic theory rooted in historical analysis. Authoritative and original in its identification of authentic Jewish traditions of painting, sculpture, and architecture, this volume will ripple the waters of several disciplines, including Jewish studies, art history, medieval and modern history, and philosophy
  3. Vom Aufstand der Bilder
    Materialien zu Rembrandt und Midrasch ; mit einer Skizze zur Gründung einer jüdisch-islamischen Werkstatt für Philosophie und Kunst
    Author: Bruckstein, Almut Sh
    Published: 2007
    Publisher:  Fink, München [u.a.]

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    9783770543458
    RVK Categories: LI 71005
    Subjects: Philosophie; Jüdische Philosophie; Kunst; Jüdische Kunst; Midrasch; Judentum <Motiv>
    Other subjects: Didi-Huberman, Georges (1953-)
    Scope: 148 S., zahlr. Ill
    Notes:

    Volltext // 2010 digitalisiert von: Bayerische Staatsbibliothek, München. Exemplar der Bayerischen Staatsbibliothek mit der Signatur: 4 PVA 2007.141
  4. The generation of postmemory
    writing and visual culture after the Holocaust
    Author: Hirsch, Marianne
    Published: [2012]; © 2012
    Publisher:  Columbia University Press, New York

    Can we remember other people's memories? The Generation of Postmemory argues we can: that memories of traumatic events live on to mark the lives of those who were not there to experience them. Children of survivors and their contemporaries inherit... more

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    Universitätsbibliothek Bielefeld
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    Can we remember other people's memories? The Generation of Postmemory argues we can: that memories of traumatic events live on to mark the lives of those who were not there to experience them. Children of survivors and their contemporaries inherit catastrophic histories not through direct recollection but through haunting postmemories-multiply mediated images, objects, stories, behaviors, and affects passed down within the family and the culture at large.In these new and revised critical readings of the literary and visual legacies of the Holocaust and other, related sites of memory, Marianne

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231526272
    Series: Gender and culture
    Subjects: Jüdische Kunst; Jüdische Literatur; Erinnerung; Kollektives Gedächtnis; Rezeption; Judenvernichtung; Generation 2
    Scope: 1 Online-Ressource (VIII, 305 Seiten), Illustrationen
  5. Der Begriff der Jüdischen Kunst in der Kunstgeschichte
    Versuch einer Definition
    Author: Goudz, Inna
    Published: [2020]
    Publisher:  De Gruyter, Berlin ; Walter de Gruyter GmbH

    At the end of the 19th and start of the 20th century, Jewish artists thought intensively about the influence of their heritage on their work and the notion of “Jewish art.” Using the examples of Max Liebermann and Marc Chagall, representatives of... more

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    At the end of the 19th and start of the 20th century, Jewish artists thought intensively about the influence of their heritage on their work and the notion of “Jewish art.” Using the examples of Max Liebermann and Marc Chagall, representatives of Western and Eastern European Judaism, respectively, and the ways art historians responded to their work, this study examines for the first time the concept of “Jewish art.”... Ende des 19. und zu Beginn des 20. Jahrhunderts findet eine zunehmende Auseinandersetzung der jüdischen Künstler mit dem Einfluss ihrer Herkunft auf ihre Werke und mit dem Begriff der ‚Jüdischen Kunst’ statt. Am Beispiel von Max Liebermann und Marc Chagall, zweier Vertreter des west- bzw. des osteuropäischen Judentums, und der Reaktionen in der Kunstgeschichtsschreibung auf ihr Werk wird nun erstmals der Begriff der ‚Jüdischen Kunst’ untersucht.

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110693980
    Other identifier:
    RVK Categories: BD 1270 ; LH 65940
    DDC Categories: 290; 750; 700
    Subjects: Jüdische Kunst; Kunstgeschichtsschreibung; Ästhetik
    Other subjects: Liebermann, Max (1847-1935); Chagall, Marc (1887-1985)
    Scope: 1 Online-Ressource (208 p.)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
  6. Looking Jewish
    visual culture and modern diaspora
    Author: Zemel, Carol
    Published: 2015
    Publisher:  Indiana University Press, Bloomington

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780253015426; 0253015421
    Series: UPCC book collections on Project MUSE
    Subjects: Bildwissenschaft; Jüdische Kunst; Kunst; Juden <Motiv>; Art, Modern; Art, Modern; Jews in art; Jewish art
    Scope: 1 Online-Ressource
  7. Looking Jewish
    Visual Culture and Modern Diaspora
    Author: Zemel, Carol
    Published: 2015
    Publisher:  Indiana University Press, Bloomington, IN

    Jewish art and visual culture-art made by Jews about Jews-in modern diasporic settings is the subject of Looking Jewish. Carol Zemel focuses on particular artists and cultural figures in interwar Eastern Europe and postwar America who blended... more

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    Universität Frankfurt, Elektronische Ressourcen
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    Jewish art and visual culture-art made by Jews about Jews-in modern diasporic settings is the subject of Looking Jewish. Carol Zemel focuses on particular artists and cultural figures in interwar Eastern Europe and postwar America who blended Jewishness and mainstream modernism to create a diasporic art, one that transcends dominant national traditions. She begins with a painting entitled Albert: Used to Be Abraham, a double portrait of a man, which serves to illustrate Zemel's conception of the doubleness of Jewish diasporic art. She considers two interwar photographers, Alter Kacyzne and Mos...

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780253005984; 9780253015426 (Sekundärausgabe)
    Subjects: Bildwissenschaft; Jüdische Kunst; Kunst; Juden <Motiv>
    Scope: 214 p.
    Notes:

    Description based upon print version of record

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  8. Jewish icons
    art and society in modern Europe
    Author: Kohen, Yeraḥmiʾel
    Published: 1998
    Publisher:  University of California Press, Berkeley ; EBSCO Industries, Inc., Birmingham, AL, USA

    With the help of over one hundred illustrations spanning three centuries, Richard Cohen investigates the role of visual images in European Jewish history. In these images and objects that reflect, refract, and also shape daily experience, he finds... more

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    With the help of over one hundred illustrations spanning three centuries, Richard Cohen investigates the role of visual images in European Jewish history. In these images and objects that reflect, refract, and also shape daily experience, he finds new and illuminating insights into Jewish life in the modern period. Pointing to recent scholarship that overturns the stereotype of Jews as people of the text, unconcerned with the visual, Cohen shows how the coming of the modern period expanded the relationship of Jews to the visual realm far beyond the religious context. In one such manifestation, orthodox Jewry made icons of popular tabbis, creating images that helped to bridge the sacred and the secular. Toward the end of the nineteenth century, the study and collecting of Jewish art became a legitimate and even passionate pursuit, and signaled the entry of Jews into the art world as painters, collectors, and dealers. Cohen's exploration of early Jewish exhibitions, museums, and museology opens a new window on the relationship of art to Jewish culture and society.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520917910; 052091791X; 0585054967; 9780585054964
    RVK Categories: BD 5810 ; LH 65940
    Subjects: Juden; Juden <Motiv>; Kunst; Ethnische Identität; Jüdische Kunst
    Scope: 1 Online-Ressource (xviii, 358 pages), Illustrations
    Notes:

    Includes bibliographical references (pages 319-348) and index
  9. The generation of postmemory
    writing and visual culture after the Holocaust
    Author: Hirsch, Marianne
    Published: 2012
    Publisher:  Columbia University Press, New York

    Can we remember other people's memories? "The generation of postmemory" argues we can: that memories of traumatic events live on to mark the lives of those who were not there to experience them. Children of survivors and their contemporaries inherit... more

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    Universität Frankfurt, Elektronische Ressourcen
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    Universität Mainz, Zentralbibliothek
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    Can we remember other people's memories? "The generation of postmemory" argues we can: that memories of traumatic events live on to mark the lives of those who were not there to experience them. Children of survivors and their contemporaries inherit catastrophic histories not through direct recollection but through haunting postmemories-multiply mediated images, objects, stories, behaviors, and affects passed down within the family and the culture at large. ...

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231156530; 9780231526272 (Sekundärausgabe)
    RVK Categories: LB 63000 ; NQ 6020 ; HD 300
    DDC Categories: 800; 700; 300; 940
    Series: Gender and culture
    Subjects: Judenvernichtung; Generation 2; Erinnerung; Vergangenheitsbewältigung; Jüdische Kunst; Jüdische Literatur; Rezeption; Kollektives Gedächtnis; Erinnerung; Vergangenheitsbewältigung; Judenvernichtung; Jüdische Literatur; Jüdische Kunst; Generation 2; Rezeption; Kollektives Gedächtnis
    Scope: VIII, 305 S., Ill.
    Notes:

    Literaturverz. S. [275] - 289

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  10. Picturing Yiddish
    gender, identity, and memory in the illustrated Yiddish books of Renaissance Italy
    Author: Wolfthal, Diane
    Published: 2004
    Publisher:  Boston, Leiden

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9004139052
    Series: Brill's series in Jewish studies ; v. 36
    Subjects: Christentum; Geschichte; Judentum; Illustration of books; Yiddish imprints; Illustrated books; Manuscripts, Yiddish; Jews in art; Women in art; Christianity and other religions; Judaism; Juden <Motiv>; Jiddisch; Illustriertes Buch; Buchmalerei; Jüdische Kunst; Frau <Motiv>
    Scope: xxxiii, 283 p.
    Notes:

    Includes bibliographical references (p. [251]-274) and index
  11. Der Begriff der Jüdischen Kunst in der Kunstgeschichte
    Versuch einer Definition
    Author: Goudz, Inna
    Published: [2020]; © 2020
    Publisher:  De Gruyter, Berlin ; Boston

    At the end of the 19th and start of the 20th century, Jewish artists thought intensively about the influence of their heritage on their work and the notion of "Jewish art." Using the examples of Max Liebermann and Marc Chagall, representatives of... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    At the end of the 19th and start of the 20th century, Jewish artists thought intensively about the influence of their heritage on their work and the notion of "Jewish art." Using the examples of Max Liebermann and Marc Chagall, representatives of Western and Eastern European Judaism, respectively, and the ways art historians responded to their work, this study examines for the first time the concept of "Jewish art." Ende des 19. und zu Beginn des 20. Jahrhunderts findet eine zunehmende Auseinandersetzung der jüdischen Künstler mit dem Einfluss ihrer Herkunft auf ihre Werke und mit dem Begriff der ‚Jüdischen Kunst’ statt. Am Beispiel von Max Liebermann und Marc Chagall, zweier Vertreter des west- bzw. des osteuropäischen Judentums, und der Reaktionen in der Kunstgeschichtsschreibung auf ihr Werk wird nun erstmals der Begriff der ‚Jüdischen Kunst’ untersucht

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110693980
    Other identifier:
    RVK Categories: BD 1270 ; LH 65940 ; LI 21900 ; LI 54100
    Subjects: ART / General; Kunstgeschichtsschreibung; Ästhetik; Jüdische Kunst
    Other subjects: Chagall, Marc (1887-1985); Liebermann, Max (1847-1935)
    Scope: 1 Online-Ressource (171 Seiten), Illustrationen
    Notes:

    Dissertation, Heinrich-Heine-Universität Düsseldorf, 2017
  12. Picturing Yiddish
    gender, identity, and memory in the illustrated Yiddish books of Renaissance Italy
    Author: Wolfthal, Diane
    Published: 2004
    Publisher:  Boston, Leiden

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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  13. The artless Jew
    medieval and modern affirmations and denials of the visual
    Author: Bland, Kalman P.
    Published: 2000
    Publisher:  Princeton University Press, Princeton, NJ

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0691010439; 069108985X; 1400811074; 1400823579; 9780691010434; 9780691089850; 9781400811076; 9781400823574
    Subjects: Ten commandments / Images; RELIGION / Judaism / Rituals & Practice; RELIGION / Judaism / History; Beeldende kunsten; Visualisatie; Esthetica; Jodendom; Geschichte; Juden; Judentum; Kunst; Ästhetik; Judaism and art; Jewish art; Jewish aesthetics; Jews; Judentum; Kunst; Jüdische Kunst; Einstellung; Juden; Ästhetik
    Scope: 1 Online-Ressource (233 pages)
    Notes:

    Includes bibliographical references (pages 201-228) and index

    Book Cover; Title; Copyright; Contents

    Conventional wisdom holds that Judaism is indifferent or even suspiciously hostile to the visual arts due to the Second Commandment's prohibition on creating "graven images," the dictates of monotheism, and historical happenstance. This intellectual history of medieval and modern Jewish attitudes toward art and representation overturns the modern assumption of Jewish iconophobia that denies to Jewish culture a visual dimension. Kalman Bland synthesizes evidence from medieval Jewish philosophy, mysticism, poetry, biblical commentaries, travelogues, and law, concluding that premodern Jewish intel
  14. The Artless Jew
    Medieval and Modern Affirmations and Denials of the Visual
    Author: Bland, Kalman P.
    Published: 2001
    Publisher:  Princeton University Press, Princeton, N.J.

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400823574
    Other identifier:
    Subjects: Judentum; Jüdische Kunst; Juden; Kunst; Ästhetik; Einstellung
    Scope: 1 Online-Ressource (248 S.)
    Notes:

    Main description: Conventional wisdom holds that Judaism is indifferent or even suspiciously hostile to the visual arts due to the Second Commandment's prohibition on creating "graven images," the dictates of monotheism, and historical happenstance. This intellectual history of medieval and modern Jewish attitudes toward art and representation overturns the modern assumption of Jewish iconophobia that denies to Jewish culture a visual dimension. Kalman Bland synthesizes evidence from medieval Jewish philosophy, mysticism, poetry, biblical commentaries, travelogues, and law, concluding that premodern Jewish intellectuals held a positive, liberal understanding of the Second Commandment and did, in fact, articulate a certain Jewish aesthetic. He draws on this insight to consider modern ideas of Jewish art, revealing how they are inextricably linked to diverse notions about modern Jewish identity that are themselves entwined with arguments over Zionism, integration, and anti-Semitism. Through its use of the past to illuminate the present and its analysis of how the present informs our readings of the past, this book establishes a new assessment of Jewish aesthetic theory rooted in historical analysis. Authoritative and original in its identification of authentic Jewish traditions of painting, sculpture, and architecture, this volume will ripple the waters of several disciplines, including Jewish studies, art history, medieval and modern history, and philosophy
  15. The artless Jew
    medieval and modern affirmations and denials of the visual
    Author: Bland, Kalman P.
    Published: 2000
    Publisher:  Princeton University Press, Princeton, NJ

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400823574; 0691010439
    Subjects: Juden; Jewish art; Jewish aesthetics; Jews; Judaism and art; Einstellung; Jüdische Kunst; Kunst; Juden; Judentum; Ästhetik
    Scope: 233 p
    Notes:

    Includes bibliographical references (p. [201]-228 and index
  16. Judaism and the visual image
    a Jewish theology of art
    Author: Raphael, Melissa
    Published: c2009
    Publisher:  Continuum, London

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0826494986; 9780826494986
    Subjects: Judentum; Religion; Ästhetik; Aesthetics; Judaism and art; Jewish art and symbolism; Jews in art; Holocaust, Jewish (1939-1945), in art; Jüdische Philosophie; Juden <Motiv>; Judenvernichtung; Jüdische Literatur; Bildnis; Geschlechterrolle <Motiv>; Jüdische Kunst; Jüdin <Motiv>; Jüdische Theologie; Ästhetik; Juden; Judenvernichtung <Motiv>; Bild; Tanz; Kunst
    Scope: x, 229 p.
    Notes:

    Includes bibliographical references (p. [212]-224) and index

    The second commandment in Jewish art and thought -- Genesis 1 and the creation of the image -- What does a Jewish woman look like? Gender and images of Jews in art -- Sublimity and representation of the Holocaust in art -- Towards a theology of the Holocaust image -- The dancing figure of Jewish history
  17. Images of cosmology in Jewish and Byzantine art
    God's blueprint of creation
    Author: Laderman, Shulamith
    Published: 2013
    Publisher:  Brill, Boston

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004252196
    RVK Categories: BD 1400 ; NG 5310
    Subjects: Christentum; Judentum; Cosmology in art; Jewish art and symbolism; Art, Byzantine; Judaism; Christianity and other religions; Kosmologie <Motiv>; Tempel <Motiv>; Judentum; Jüdische Kunst; Bundeslade <Motiv>; Schöpfung <Motiv>; Kunst
    Scope: xix, 318 p.
    Notes:

    Includes bibliographical references and index
  18. Jewish icons
    art and society in modern Europe
    Author: Cohen, Richard I.
    Published: ©1998
    Publisher:  University of California Press, Berkeley

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0520205456; 052091791X; 0585054967; 9780520917910; 9780585054964
    Subjects: ART / History / General; Jodendom; Beeldende kunsten; Symbolen; Visualisatie; Geschichte; Juden; Judentum; Kunst; Jews in art; Jews; Jews; Jewish art and symbolism; Art and society; Gesellschaft; Jüdische Kunst; Judenbild; Juden <Motiv>; Kunst
    Scope: 1 Online-Ressource (xviii, 358 pages)
    Notes:

    Includes bibliographical references (pages 319-348) and index

    1. The Visual Image of the Jew and Judaism -- 2. Ceremonial Art, Patronage, and Taste -- 3. The Rabbi as Icon -- 4. Nostalgia and "The Return to the Ghetto" -- 5. Self-Exposure, Self-Image, and Memory -- 6. Images of Jewish Fate

    With the help of over one hundred illustrations spanning three centuries, Richard Cohen investigates the role of visual images in European Jewish history. In these images and objects that reflect, refract, and also shape daily experience, he finds new and illuminating insights into Jewish life in the modern period. Pointing to recent scholarship that overturns the stereotype of Jews as people of the text, unconcerned with the visual, Cohen shows how the coming of the modern period expanded the relationship of Jews to the visual realm far beyond the religious context. In one such manifestation, orthodox Jewry made icons of popular tabbis, creating images that helped to bridge the sacred and the secular. Toward the end of the nineteenth century, the study and collecting of Jewish art became a legitimate and even passionate pursuit, and signaled the entry of Jews into the art world as painters, collectors, and dealers. Cohen's exploration of early Jewish exhibitions, museums, and museology opens a new window on the relationship of art to Jewish culture and society
  19. Die Kultur- und Literaturdebatte der jüdischen Periodika 1933 - 1938 im nationalsozialistischen Deutschland
    Author: Mohr, Claudia S.
    Published: 2000

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    Location:
    Universitäts- und Landesbibliothek Münster
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    Other identifier:
    Subjects: Jüdische Kunst; Jüdische Literatur; Jüdische Presse
    Notes:

    Münster (Westfalen), Univ., Diss., 2000
  20. Der Begriff der Jüdischen Kunst in der Kunstgeschichte
    Versuch einer Definition
    Author: Goudz, Inna
    Published: [2020]; © 2020
    Publisher:  De Gruyter, Berlin ; Boston

    At the end of the 19th and start of the 20th century, Jewish artists thought intensively about the influence of their heritage on their work and the notion of "Jewish art." Using the examples of Max Liebermann and Marc Chagall, representatives of... more

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    Resolving-System (lizenzpflichtig)
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    Aggregator (lizenzpflichtig)

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Location:
    Universität der Künste Berlin, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    At the end of the 19th and start of the 20th century, Jewish artists thought intensively about the influence of their heritage on their work and the notion of "Jewish art." Using the examples of Max Liebermann and Marc Chagall, representatives of Western and Eastern European Judaism, respectively, and the ways art historians responded to their work, this study examines for the first time the concept of "Jewish art." Ende des 19. und zu Beginn des 20. Jahrhunderts findet eine zunehmende Auseinandersetzung der jüdischen Künstler mit dem Einfluss ihrer Herkunft auf ihre Werke und mit dem Begriff der ‚Jüdischen Kunst’ statt. Am Beispiel von Max Liebermann und Marc Chagall, zweier Vertreter des west- bzw. des osteuropäischen Judentums, und der Reaktionen in der Kunstgeschichtsschreibung auf ihr Werk wird nun erstmals der Begriff der ‚Jüdischen Kunst’ untersucht

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110693980
    Other identifier:
    RVK Categories: BD 1270 ; LH 65940 ; LI 21900 ; LI 54100
    Subjects: ART / General; Kunstgeschichtsschreibung; Ästhetik; Jüdische Kunst
    Other subjects: Chagall, Marc (1887-1985); Liebermann, Max (1847-1935)
    Scope: 1 Online-Ressource (171 Seiten), Illustrationen
    Notes:

    Dissertation, Heinrich-Heine-Universität Düsseldorf, 2017
  21. Rembrandt's jews
    Author: Nadler, Steven M.
    Published: [2003]
    Publisher:  The University of Chicago Press, Chicago

    Contents -- List of Illustrations -- Acknowledgments -- 1. On the Breestraat -- 2. Graven Images -- 3. The Unhappy Rabbi -- 4. Esnoga -- 5. The World to Come -- Selected Bibliography -- Notes -- Index more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Contents -- List of Illustrations -- Acknowledgments -- 1. On the Breestraat -- 2. Graven Images -- 3. The Unhappy Rabbi -- 4. Esnoga -- 5. The World to Come -- Selected Bibliography -- Notes -- Index

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 022636061X; 9780226360614
    Subjects: Juden <Motiv>; Jüdische Kunst; Geschichte; Juden
    Other subjects: Rembrandt Harmensz van Rijn (1606-1669)
    Scope: Online-Ressource (279 Seiten)
    Notes:

    Includes bibliographical references and index
  22. Der Begriff der Jüdischen Kunst in der Kunstgeschichte
    Versuch einer Definition
    Author: Goudz, Inna
    Published: 2020
    Publisher:  De Gruyter, Berlin/Boston

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  23. Visual aspects of scribal culture in Ashkenaz
    shaping the Small Book of Commandments (SeMaK)
    Author: Kaufmann, Ingrid M.
    Published: [2019]
    Publisher:  De Gruyter, Berlin ; Boston

    Location:
    Ruhr-Universität Bochum, Universitätsbibliothek
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    Location:
    Universitäts- und Landesbibliothek Münster
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783110574418; 9783110573626
    Other identifier:
    DDC Categories: 290
    Series: Studia Judaica ; Band 103
    Subjects: Jüdische Kunst; Aschkenasim; Ästhetik; Illuminierte Handschrift
    Other subjects: (Zielgruppe)Fachpublikum/ Wissenschaft; (BISAC Subject Heading)LIT004210; Ashkenaz; Jewish Book Culture; Jews; Medieval History; (BISAC Subject Heading)REL040030: REL040030 RELIGION / Judaism / History; (BISAC Subject Heading)HIS022000: HIS022000 HISTORY / Jewish; Juden; Mediavistik; Jüdische Buchkultur; Aschkenas
    Scope: 1 Online-Ressource (X, 229 Seiten)
    Notes:

    Dissertation, University of Lucerne, 2016
  24. Der Begriff der Jüdischen Kunst in der Kunstgeschichte
    Versuch einer Definition
    Author: Goudz, Inna
    Published: [2020]; © 2020
    Publisher:  De Gruyter, Berlin ; Boston

    At the end of the 19th and start of the 20th century, Jewish artists thought intensively about the influence of their heritage on their work and the notion of "Jewish art." Using the examples of Max Liebermann and Marc Chagall, representatives of... more

    Location:
    Landesbibliothekszentrum Rheinland-Pfalz / Rheinische Landesbibliothek
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    Location:
    Landesbibliothekszentrum Rheinland-Pfalz / Pfälzische Landesbibliothek
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    At the end of the 19th and start of the 20th century, Jewish artists thought intensively about the influence of their heritage on their work and the notion of "Jewish art." Using the examples of Max Liebermann and Marc Chagall, representatives of Western and Eastern European Judaism, respectively, and the ways art historians responded to their work, this study examines for the first time the concept of "Jewish art." Ende des 19. und zu Beginn des 20. Jahrhunderts findet eine zunehmende Auseinandersetzung der jüdischen Künstler mit dem Einfluss ihrer Herkunft auf ihre Werke und mit dem Begriff der ‚Jüdischen Kunst statt. Am Beispiel von Max Liebermann und Marc Chagall, zweier Vertreter des west- bzw. des osteuropäischen Judentums, und der Reaktionen in der Kunstgeschichtsschreibung auf ihr Werk wird nun erstmals der Begriff der ‚Jüdischen Kunst untersucht

     
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110693980
    Other identifier:
    Subjects: Jüdische Kunst; Ästhetik; Kunstgeschichtsschreibung
    Other subjects: Chagall, Marc (1887-1985); Liebermann, Max (1847-1935)
    Scope: 1 Online-Ressource (171 Seiten), Illustrationen
    Notes:

    Dissertation, Heinrich-Heine-Universität Düsseldorf, 2017
  25. Der Begriff der Jüdischen Kunst in der Kunstgeschichte
    Versuch einer Definition
    Author: Goudz, Inna
    Published: [2020]; © 2020
    Publisher:  De Gruyter, Berlin ; Boston

    At the end of the 19th and start of the 20th century, Jewish artists thought intensively about the influence of their heritage on their work and the notion of "Jewish art." Using the examples of Max Liebermann and Marc Chagall, representatives of... more

    Location:
    Universitätsbibliothek Paderborn
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    At the end of the 19th and start of the 20th century, Jewish artists thought intensively about the influence of their heritage on their work and the notion of "Jewish art." Using the examples of Max Liebermann and Marc Chagall, representatives of Western and Eastern European Judaism, respectively, and the ways art historians responded to their work, this study examines for the first time the concept of "Jewish art." Ende des 19. und zu Beginn des 20. Jahrhunderts findet eine zunehmende Auseinandersetzung der jüdischen Künstler mit dem Einfluss ihrer Herkunft auf ihre Werke und mit dem Begriff der ‚Jüdischen Kunst statt. Am Beispiel von Max Liebermann und Marc Chagall, zweier Vertreter des west- bzw. des osteuropäischen Judentums, und der Reaktionen in der Kunstgeschichtsschreibung auf ihr Werk wird nun erstmals der Begriff der ‚Jüdischen Kunst untersucht

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110693980
    Other identifier:
    Subjects: Ästhetik; Jüdische Kunst; Kunstgeschichtsschreibung
    Other subjects: Liebermann, Max (1847-1935); Chagall, Marc (1887-1985)
    Scope: 1 Online-Ressource (171 Seiten), Illustrationen
    Notes:

    Dissertation, Heinrich-Heine-Universität Düsseldorf, 2017