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  1. Family money
    property, race, and literature in the nineteenth century
    Published: 2015
    Publisher:  Oxford Univ. Press, Oxford

    Universität Bonn, Institut für Anglistik, Amerikanistik und Keltologie, Bibliothek
    UFc 2-862
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    Universitäts- und Landesbibliothek Bonn
    2015/1425
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780190223878; 9780199897704
    Edition: 1. issued as an Oxford University Press paperback
    Subjects: Intimsphäre <Motiv>; Literatur; Eheschließung <Motiv>; Rassenmischung <Motiv>
    Scope: 204 S.
    Notes:

    Originally published: 2013

  2. Le coeur, l'âme et le corps
    expressions de l'intime féminin dans sept romans du XIXe siècle et de l'extrême contemporain
    Published: [2015]
    Publisher:  Uppsala universitet, Uppsala

    Universitäts- und Landesbibliothek Bonn
    W 2016/1397
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    Content information
    Source: Union catalogues
    Language: French
    Media type: Dissertation
    ISBN: 9789155493097
    Series: Acta universitatis upsaliensis. Studia romanica upsaliensis ; 81
    Subjects: Frauenroman; Körper <Motiv>; Französisch; Intimsphäre; Herz <Motiv>; Seele <Motiv>
    Scope: 275 Seiten
    Notes:

    Dissertation, Uppsala University, 2015

  3. Poétique de l'intime
    Proust, Woolf et Pessoa
    Published: 2015
    Publisher:  Presses Univ. de Rennes, Rennes

    Universitäts- und Landesbibliothek Bonn
    W 2015/3821
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    Source: Union catalogues
    Language: French
    Media type: Dissertation
    ISBN: 9782753541344
    Series: Interférences
    Subjects: Intimsphäre <Motiv>
    Other subjects: Woolf, Virginia (1882-1941); Pessoa, Fernando (1888-1935); Proust, Marcel (1871-1922)
    Scope: 422 S., [3] Bl., Ill.
    Notes:

    Paris, Univ. 10, Diss., 2013

  4. La toilette, naissance de l'intime
    Contributor: Charbonnier, Jean-Michel (Publisher)
    Published: 2015
    Publisher:  Soc. Française de Promotion Artistique, Paris

    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
    Deutsches Forum für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Contributor: Charbonnier, Jean-Michel (Publisher)
    Language: French
    Media type: Book
    ISBN: 9782758005865
    Series: Connaissance des arts : Hors série ; 653
    Subjects: Intimsphäre; Bad; Kunst; Toilette <Körperpflege, Motiv>
    Scope: 42 S., zahlr. Ill.
  5. »Privat - bitte eintreten!«
    Rhetoriken des Privaten in der Kunst der 1990er Jahre
    Published: 2015; ©2015.
    Publisher:  transcript, Bielefeld

    Why should we take interest in that which doesn't concern us? Where does the growing concern for the private sphere originate? Artistic practices of the 1990s act within this zone of tension when they reproduce private experiences candor or even... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Why should we take interest in that which doesn't concern us? Where does the growing concern for the private sphere originate? Artistic practices of the 1990s act within this zone of tension when they reproduce private experiences candor or even demonstrate »live«: Wolfgang Tillmans has photographed intimate scenes of his circle of friends since 1990, Félix González-Torres appeared on New York billboards with a close-up of his bed in 1992, and Elke Krystufek masturbated at the Kunsthalle Wien in 1994. Against the background of current theoretical reconceptualization of the »private«, which debates the nonetheless inseparable relevance to its moving boundary with the public realm, Elena Zanichelli explores artistic practices of visualizing that sphere which must in fact remain concealed and autonomy and freedom at once promised and regulated.

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783839426357
    Other identifier:
    RVK Categories: LH 65827 ; LH 84300 ; LH 65830
    DDC Categories: 700#DNB
    Series: Image ; Band 66
    De Gruyter eBook-Paket Kunst, Architektur und Design
    Subjects: Arts; Privatleben; Kunst; Privatheit; Intimsphäre; Privatsphäre; ART / History / Contemporary (1945-); Arts
    Scope: 1 Online-Ressource (361 Seiten)
    Notes:

    Literaturverzeichnis: Seite 335-352

    Dissertation, Humboldt-Universität zu Berlin, 2012

    Why should we take interest in that which doesn't concern us? Where does the growing concern for the private sphere originate? Artistic practices of the 1990s act within this zone of tension when they reproduce private experiences candor or even demonstrate »live«: Wolfgang Tillmans has photographed intimate scenes of his circle of friends since 1990, Félix González-Torres appeared on New York billboards with a close-up of his bed in 1992, and Elke Krystufek masturbated at the Kunsthalle Wien in 1994. Against the background of current theoretical reconceptualization of the »private«, which debates the nonetheless inseparable relevance to its moving boundary with the public realm, Elena Zanichelli explores artistic practices of visualizing that sphere which must in fact remain concealed and autonomy and freedom at once promised and regulated

  6. »Privat - bitte eintreten!«
    Rhetoriken des Privaten in der Kunst der 1990er Jahre
    Published: 2015; ©2015.
    Publisher:  transcript, Bielefeld

    Why should we take interest in that which doesn't concern us? Where does the growing concern for the private sphere originate? Artistic practices of the 1990s act within this zone of tension when they reproduce private experiences candor or even... more

    Access:
    Verlag (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Why should we take interest in that which doesn't concern us? Where does the growing concern for the private sphere originate? Artistic practices of the 1990s act within this zone of tension when they reproduce private experiences candor or even demonstrate »live«: Wolfgang Tillmans has photographed intimate scenes of his circle of friends since 1990, Félix González-Torres appeared on New York billboards with a close-up of his bed in 1992, and Elke Krystufek masturbated at the Kunsthalle Wien in 1994. Against the background of current theoretical reconceptualization of the »private«, which debates the nonetheless inseparable relevance to its moving boundary with the public realm, Elena Zanichelli explores artistic practices of visualizing that sphere which must in fact remain concealed and autonomy and freedom at once promised and regulated.

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783839426357
    Other identifier:
    RVK Categories: LH 65827 ; LH 84300 ; LH 65830
    DDC Categories: 700#DNB
    Series: Image ; Band 66
    De Gruyter eBook-Paket Kunst, Architektur und Design
    Subjects: Arts; Privatleben; Kunst; Privatheit; Intimsphäre; Privatsphäre; ART / History / Contemporary (1945-); Arts
    Scope: 1 Online-Ressource (361 Seiten)
    Notes:

    Literaturverzeichnis: Seite 335-352

    Dissertation, Humboldt-Universität zu Berlin, 2012

    Why should we take interest in that which doesn't concern us? Where does the growing concern for the private sphere originate? Artistic practices of the 1990s act within this zone of tension when they reproduce private experiences candor or even demonstrate »live«: Wolfgang Tillmans has photographed intimate scenes of his circle of friends since 1990, Félix González-Torres appeared on New York billboards with a close-up of his bed in 1992, and Elke Krystufek masturbated at the Kunsthalle Wien in 1994. Against the background of current theoretical reconceptualization of the »private«, which debates the nonetheless inseparable relevance to its moving boundary with the public realm, Elena Zanichelli explores artistic practices of visualizing that sphere which must in fact remain concealed and autonomy and freedom at once promised and regulated