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  1. Faking, forging, counterfeiting
    discredited practices at the margins of mimesis
    Contributor: Becker, Daniel (Publisher); Fischer, Annalisa (Publisher); Schmitz, Yola (Publisher); Niehoff, Simone (Publisher)
    Published: 2018
    Publisher:  transcript Verlag, Bielefeld

    Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as... more

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    Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in themselves - rather than as mere rip-offs of an original work of art.The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation

     
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  2. Faking, forging, counterfeiting
    discredited practices at the margins of mimesis
    Contributor: Becker, Daniel (HerausgeberIn); Fischer, Annalisa (HerausgeberIn); Schmitz, Yola (HerausgeberIn); Niehoff, Simone (MitwirkendeR); Sannders, Florencia (MitwirkendeR)
    Published: [2018]; © 2018
    Publisher:  transcript, Bielefeld

    Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as... more

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    Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in themselves - rather than as mere rip-offs of an original work of art. The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation.

     
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    Volltext (Array)
    Cover (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Contributor: Becker, Daniel (HerausgeberIn); Fischer, Annalisa (HerausgeberIn); Schmitz, Yola (HerausgeberIn); Niehoff, Simone (MitwirkendeR); Sannders, Florencia (MitwirkendeR)
    Language: English
    Media type: Conference proceedings
    Format: Online
    ISBN: 9783839437629
    Other identifier:
    RVK Categories: EC 1960
    Corporations / Congresses: Faking, Forging, Counterfeiting. Discredited Practices at the Margins of Mimesis (2015, München)
    Series: Culture & theory
    Subjects: Art; Mimesis in art; SOCIAL SCIENCE / Popular Culture
    Other subjects: Aesthetic Practice; Art; Copy; Creativity; Cultural History; Cultural Studies; Cultural Transfer; Culture; Faked Tradition; General Literature Studies; Hoax; Identity Theft; Imitation; Imposter; Literature; Media Aesthetics; Original; Pseudotranslation; Theory of Art; Translation
    Scope: 1 Online-Ressource (245 Seiten), Illustrationen
    Notes:

    Literaturangaben

    "The international conference "Faking, forging, counterfeiting: discredited practices at the margins of mimesis", held in Autumn 2015 at the Ludwig Maximilian University of Munich ..." (Preface, Seite 8)
  3. Faking, Forging, Counterfeiting
    Author: Becker, Daniel; Niehoff, Simone; Fischer, Annalisa
    Published: 2017
    Publisher:  transcript Verlag, [Erscheinungsort nicht ermittelbar] ; OAPEN FOUNDATION, The Hague

    Forgeries are an omnipresent part of our culture. They are closely related to historically and culturally informed ideas of authenticity, legality, authorship, creativity, tradition and innovation. Based on the concept of mimesis, the volume... more

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    Forgeries are an omnipresent part of our culture. They are closely related to historically and culturally informed ideas of authenticity, legality, authorship, creativity, tradition and innovation. Based on the concept of mimesis, the volume illustrates that forgeries are thus not to be understood as a negative copy or disgraced rip-off of an original – but as an autonomous aesthetic practice, a creative act in itself. The contributions focus on such different implementations such as faked traditions, pseudotranslations, imposters, identity theft, and hoaxes in different arts and historic contexts. Most importantly, they scrutinize the bonds and borders between original and forgery, and turn out their epistemic capability.

     
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  4. Faking, Forging, Counterfeiting
    Discredited Practices at the Margins of Mimesis
    Contributor: Becker, Daniel; Fischer, Annalisa; Niehoff, Simone; Sannders, Florencia; Schmitz, Yola
    Published: [2018]
    Publisher:  transcript-Verlag, Bielefeld ; Walter de Gruyter GmbH, Berlin

    Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as... more

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    Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in themselves - rather than as mere rip-offs of an original work of art. The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation.

     
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    Content information
    Source: Union catalogues
    Contributor: Becker, Daniel; Fischer, Annalisa; Niehoff, Simone; Sannders, Florencia; Schmitz, Yola
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839437629
    Other identifier:
    RVK Categories: EC 1960
    DDC Categories: 700
    Series: Edition Kulturwissenschaft ; 128
    Subjects: Künste; Fälschung; Plagiat; Art; Mimesis in art; Aesthetic Practice; Art; Copy; Creativity; Cultural History; Cultural Studies; Cultural Transfer; Culture; Faked Tradition; General Literature Studies; Hoax; Identity Theft; Imitation; Imposter; Literature; Media Aesthetics; Original; Pseudotranslation; Theory of Art; Translation
    Scope: 1 Online-Ressource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jul 2018)
  5. Faking, Forging, Counterfeiting: Discredited Practices at the Margins of Mimesis
    Published: 2017
    Publisher:  Transcript Verlag, Bielefeld, Germany ; JSTOR, New York

    Forgeries are an omnipresent part of our culture. They are closely related to historically and culturally informed ideas of authenticity, legality, authorship, creativity, tradition and innovation. Based on the concept of mimesis, the volume... more

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    Forgeries are an omnipresent part of our culture. They are closely related to historically and culturally informed ideas of authenticity, legality, authorship, creativity, tradition and innovation. Based on the concept of mimesis, the volume illustrates that forgeries are thus not to be understood as a negative copy or disgraced rip-off of an original - but as an autonomous aesthetic practice, a creative act in itself. The contributions focus on such different implementations such as faked traditions, pseudotranslations, imposters, identity theft, and hoaxes in different arts and historic contexts. Most importantly, they scrutinize the bonds and borders between original and forgery, and turn out their epistemic capability.

     
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  6. Faking, Forging, Counterfeiting
    Discredited Practices at the Margins of Mimesis
    Contributor: Becker, Daniel (Herausgeber); Fischer, Annalisa (Herausgeber); Schmitz, Yola (Herausgeber)
    Published: 2018
    Publisher:  transcript Verlag, Bielefeld ; OAPEN FOUNDATION, The Hague

    Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as... more

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    Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices – creative acts in themselves – rather than as mere rip-offs of an original work of art. The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation.

     
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    Source: Union catalogues
    Contributor: Becker, Daniel (Herausgeber); Fischer, Annalisa (Herausgeber); Schmitz, Yola (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839437629; 9783837637625
    RVK Categories: EC 1960
    DDC Categories: 360; 700
    Subjects: Künste; Fälschung; Plagiat; Social & cultural history
    Other subjects: Forgery; Culture; Cultural Transfer; Translation; Imitation; Original; Copy; Aesthetic Practice; Creativity; Faked Tradition; Pseudotranslation; Imposter; Identity Theft; Hoax; Cultural History; Art; Literature; Theory of Art; General Literature Studies; Media Aesthetics; Cultural Studies
    Scope: 1 Online-Ressource (248 p.)
  7. Faking, forging, counterfeiting
    discredited practices at the margins of mimesis
    Contributor: Becker, Daniel (HerausgeberIn); Fischer, Annalisa (HerausgeberIn); Schmitz, Yola (HerausgeberIn); Niehoff, Simone (MitwirkendeR); Sannders, Florencia (MitwirkendeR)
    Published: 2018
    Publisher:  transcript Verlag, Bielefeld

    Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as... more

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    Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in themselves - rather than as mere rip-offs of an original work of art.The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation.

     
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    Content information
    FULL ((Currently Only Available on Campus))
  8. Faking, forging, counterfeiting
    discredited practices at the margins of mimesis
    Contributor: Becker, Daniel (Publisher); Fischer, Annalisa (Publisher); Schmitz, Yola (Publisher); Niehoff, Simone (Publisher)
    Published: 2018
    Publisher:  transcript Verlag, Bielefeld

    Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as... more

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    Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in themselves - rather than as mere rip-offs of an original work of art.The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation

     
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    Volltext (URL des Erstveröffentlichers)
  9. Faking, forging, counterfeiting
    discredited practices at the margins of mimesis
    Contributor: Becker, Daniel (HerausgeberIn); Fischer, Annalisa (HerausgeberIn); Schmitz, Yola (HerausgeberIn); Niehoff, Simone (MitwirkendeR); Sannders, Florencia (MitwirkendeR)
    Published: 2018
    Publisher:  transcript Verlag, Bielefeld

    Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as... more

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    Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in themselves - rather than as mere rip-offs of an original work of art.The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation.

     
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  10. Faking, forging, counterfeiting
    discredited practices at the margins of mimesis
    Contributor: Becker, Daniel (HerausgeberIn); Fischer, Annalisa (HerausgeberIn); Schmitz, Yola (HerausgeberIn); Niehoff, Simone (MitwirkendeR); Sannders, Florencia (MitwirkendeR)
    Published: [2018]; © 2018
    Publisher:  transcript, Bielefeld

    Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as... more

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    Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in themselves - rather than as mere rip-offs of an original work of art. The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation.

     
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    Content information
    Volltext (Array)
    Cover (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Contributor: Becker, Daniel (HerausgeberIn); Fischer, Annalisa (HerausgeberIn); Schmitz, Yola (HerausgeberIn); Niehoff, Simone (MitwirkendeR); Sannders, Florencia (MitwirkendeR)
    Language: English
    Media type: Conference proceedings
    Format: Online
    ISBN: 9783839437629
    Other identifier:
    RVK Categories: EC 1960
    Corporations / Congresses: Faking, Forging, Counterfeiting. Discredited Practices at the Margins of Mimesis (2015, München)
    Series: Culture & theory
    Subjects: Art; Mimesis in art; SOCIAL SCIENCE / Popular Culture
    Other subjects: Aesthetic Practice; Art; Copy; Creativity; Cultural History; Cultural Studies; Cultural Transfer; Culture; Faked Tradition; General Literature Studies; Hoax; Identity Theft; Imitation; Imposter; Literature; Media Aesthetics; Original; Pseudotranslation; Theory of Art; Translation
    Scope: 1 Online-Ressource (245 Seiten), Illustrationen
    Notes:

    Literaturangaben

    "The international conference "Faking, forging, counterfeiting: discredited practices at the margins of mimesis", held in Autumn 2015 at the Ludwig Maximilian University of Munich ..." (Preface, Seite 8)