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Displaying results 51 to 75 of 351.

  1. Bewegte Antike
    antike Themen im modernen Film
    Published: 2002
    Publisher:  Metzler, Stuttgart [u.a.]

    Universitätsbibliothek Augsburg
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    Hochschule für Fernsehen und Film, Bibliothek
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3476452875
    RVK Categories: AP 50300 ; AP 52600 ; FB 5701 ; LG 9200
    Series: Drama : Beiheft ; 17
    M-&-P-Schriftenreihe für Wissenschaft und Technik
    Subjects: Film; Kino; Cinema; Antike; Film; Films; Klassieke oudheid; Receptie; Rezeption; Historical films; History, Ancient, in motion pictures; Film; Antike <Motiv>
    Scope: 90 S., Ill.
  2. British historical cinema
    the history, heritage and costume film
    Published: 2002
    Publisher:  Routledge, London [u.a.]

    Universitätsbibliothek Bamberg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0415238102; 0415238099
    RVK Categories: AP 52600
    Edition: 1. publ.
    Series: British popular cinema
    Subjects: Historische films; Historical films; Geschichte <Motiv>; Historischer Film; Film
    Scope: XIII, 269 S., Ill.
  3. Filmography of American history
    Published: 2002
    Publisher:  Greenwood Press, Westport, Conn. [u.a.]

    Containing over 200 recommended films, this resource is ideal for students, teachers, and other viewers who are interested in using films to enhance their knowledge of American history. Along with traditional historical categories, such as the two... more

    Bayerische Staatsbibliothek
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    Containing over 200 recommended films, this resource is ideal for students, teachers, and other viewers who are interested in using films to enhance their knowledge of American history. Along with traditional historical categories, such as the two World Wars, the Civil War, and the Great Depression, the book emphasizes immigrant, multicultural, and women-centered films to portray the fullness of the American experience. It also analyzes representations of people and events across different films for a variety of viewpoints, and considers how films reconfigure a past era through the issues of the day in which they were produced. In this study of US social history through the cinematic lens of some 200 films, Tracey (film studies and creative writing, U. of Northern Iowa) views themes from antebellum slavery (e.g., in Amistad, 1997) to contemporary political cynicism as expressed in Wag the Dog (1997). Includes recommended further viewing as well as further reading, and lists of multicultural films and women-centered films.

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0313313008
    Edition: 1. publ.
    Subjects: Historische films; Historical films; Motion pictures and history; Geschichte <Motiv>; Film
    Scope: XII, 336 S.
  4. Retrovisions
    reinventing the past in film and fiction
    Published: 2001
    Publisher:  Pluto Press, London

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0745315836; 9780745315836; 9781849645058
    RVK Categories: HN 1226
    Series: Film/fiction ; v. 6
    Subjects: Historical films; Film adaptations; Historischer Roman; Geschichte <Motiv>; Geschichtsdarstellung; Englisch; Film; Historischer Film; Roman
    Scope: viii, 168 p
    Notes:

    Includes bibliographical references and index

    Historical make-overs in film and literature / Deborah Cartmell and I.Q Hunter -- "No man's Elizabeth" : the Virgin Queen in recent films / Renée Pigeon -- Shakespeare in love and the end(s) of history / Elizabeth Klett -- Reflections on sex, Shakespeare, and nostalgia in Trevor Nunn's Twelfth night / Maria F. Magro and Mark Douglas -- Black rams tupping white ewes : race vs. gender in the final scene of Six Othellos / Pascale Aebischer -- Cool intentions : the literary classic, the teenpic and the "chick flick" / Sarah Neely -- Peter Watkin's Culloden and the alternative form in historical filmmaking / Nicholas J. Cull -- Mrs Brown's mourning and Mr King's madness : royal crisis on screen / Kara McKechnie -- The grandfathers' war : re-imagining World War I in British novels and films of the 1990s / Barbara Korte -- Charm, bowler, umbrella, leather boots : remaking The avengers / Stephen Longstaffe -- Forbidden planet and the retrospective attribution of intentions / Judith Buchanan

  5. British historical cinema
    the history, heritage, and costume film
    Contributor: Monk, Claire (Publisher); Sargeant, Amy (Publisher)
    Published: 2002; © 2002
    Publisher:  Routledge, London, [England] ; New York, New York

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Monk, Claire (Publisher); Sargeant, Amy (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781315011424
    RVK Categories: AP 52600 ; AP 59730
    Series: British Popular Cinema
    Subjects: Historical films; Geschichte <Motiv>; Film; Historischer Film
    Scope: 1 online resource (xii, 269 Seiten), Illustrationen
    Notes:

    Description based on print version record

  6. Neo-Victorianism on screen
    postfeminism and contemporary adaptations of Victorian women
    Published: [2018]; © 2018
    Publisher:  Palgrave Macmillan, Cham, Switzerland

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9783319645582
    RVK Categories: HN 1101
    Series: Palgrave studies in adaptation and visual culture
    Subjects: Women on television; Women in motion pictures; Historical television programs / History and criticism; Historical films / History and criticism; Historical films; Historical television programs; Motion pictures; Women in motion pictures; Women on television; Femmes / À la télévision; Femmes / Au cinéma; Télévision / Émissions historiques / Histoire et critique; Films historiques / Histoire et critique; Frau; Verfilmung; Frau <Motiv>; Historischer Film; Fernsehfilm
    Scope: xi, 201 Seiten, Illustrationen, 22 cm
    Notes:

    Introduction: neo-Victorianism on screen and postfeminist media culture -- Postfeminism and screen adaptations of Sherlock Holmes stories: the case of Irene Adler -- Re-presenting the past: gender, colonial space and cultural nostalgia in neo-Victorianism on screen -- In the grip of the corset: women as caged birds in contemporary Victoriana on screen -- Re-fashioning Victorian heroines and family relations: tailoring and shape-shifting as queer adaptation and appropriation -- Conclusion: no country for old women

  7. Unspeakable Histories
    Film and the Experience of Catastrophe
    Published: [2017]; © 2016
    Publisher:  Columbia University Press, New York, NY

    In Unspeakable Histories, William Guynn focuses on the sensation of encountering past events through film. Film is capable, he argues, of triggering moments of heightened awareness in which the barrier between the past and the present can fall and... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    In Unspeakable Histories, William Guynn focuses on the sensation of encountering past events through film. Film is capable, he argues, of triggering moments of heightened awareness in which the barrier between the past and the present can fall and the reality of the past we thought lost can be momentarily rediscovered in its material being. In his readings of seven exceptional works depicting twentieth century atrocities, Guynn explores the emotional resonance that still adheres to traumatic historical events. Guynn considers dimensions of experience that historiography leaves untouched. Yaël Hersonski's A Film Unfinished (2010) deconstructs scenes from the Nazi propaganda film Das Ghetto through the testimony of ghetto survivors. Andrzej Wajda's Katyn (2007) revivifies the murder of the Polish officer corps (in which Wajda's father perished) by Stalin's security forces during the Second World War. Andrei Konchalovsky's Siberiade (1979) reimagines the turbulent history of the Soviet Union from the perspective of an isolated Siberian village. Larissa Shepitko's The Ascent (1977) evokes the existential drama Soviet partisans faced during the Nazi occupation. Patricio Guzmán's Nostalgia for the Light (2011) examines the vestiges of human experience, including the scattered remains of Pinochet's victims, alive in the aridity of the Atacama Desert. Rithy Panh's S-21 (2003) reawakens events of the Cambodian genocide through dramatic confrontation with some of its executioners, and Joshua Oppenheimer's The Act of Killing (2012) films the perpetrators of the Indonesian genocide as they restage scenes of killings and torture. Inspired by the work of Walter Benjamin, Frank Ankersmit, Joseph Mali, and Simon Schama, Guynn argues that the film medium, more immediate than language, is capable of restoring the affective dimension of historical experience, rooted in the deepest reaches of our minds

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231541961
    Other identifier:
    Subjects: Catastrophical, The, in motion pictures; Historical films; Psychic trauma in motion pictures; Massenmord <Motiv>; Film
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017)

  8. Film a historia
    szkice z dziejów wizualnych
    Contributor: Kowalczyk, Małgorzata Ewa (Publisher); Szymala, Jacek (Publisher)
    Published: 2019
    Publisher:  Księgarnia Akademicka, Kraków

    Bayerische Staatsbibliothek
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    Contributor: Kowalczyk, Małgorzata Ewa (Publisher); Szymala, Jacek (Publisher)
    Language: Polish
    Media type: Book
    ISBN: 9788381380614; 8381380618
    Series: Historia w mediach ; t. 1
    Subjects: Historia w kinie / Motion pictures; Historical films; History in motion pictures; Geschichte <Motiv>; Film; Historischer Film
    Scope: 309 Seiten, 24 cm
  9. The Leading Man
    Hollywood and the Presidential Image
    Published: [2012]; © 2012
    Publisher:  Rutgers University Press, New Brunswick, NJ

    American presidents and Hollywood have interacted since the 1920s. This relationship has made our entertainment more political and our political leadership more aligned with the world of movies and movie stars. In The Leading Man, Burton W. Peretti... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    American presidents and Hollywood have interacted since the 1920s. This relationship has made our entertainment more political and our political leadership more aligned with the world of movies and movie stars. In The Leading Man, Burton W. Peretti explores the development of the cinematic presidential image. He sets the scene in chapter 1 to show us how the chief executive, beginning with George Washington, was positioned to assume the mantle of cultural leading man. As an early star figure in the young republic, the president served as a symbol of national survival and wish fulfillment. The president, as head of government and head of state, had the potential to portray a powerful and charismatic role. At the center of the story are the fourteen presidents of the cinematic era, from Herbert Hoover to Barack Obama. Since the 1920s, the president, like the lead actor in a movie, has been given the central place on the political stage under the intense glare of the spotlight. Like other American men, future presidents were taught by lead movie actors how to look and behave, what to say, and how to say it. Some, like John F. Kennedy and Richard M. Nixon, took particular care to learn from the grooming, gestures, movements, and vocal inflections of film actors and applied these lessons to their political careers. Ronald Reagan was a professional actor. Bill Clinton, a child of the post-World War II Baby Boom, may have been the biggest movie fan of all presidents. Others, including Lyndon Johnson, showed little interest in movies and their lessons for politicians. Presidents and other politicians have been criticized for cheapening their offices by hiring image and advertising consultants and staging their public events. Peretti analyzes the evolution and the significance of this interaction to trace the convoluted history of the presidential cinematic image. He demonstrates how movies have been the main force in promoting appearance and drama over the substance of governing, and how Americans' lives today may be dominated by entertainment at the expense of their engagement as citizens

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813554051
    Other identifier:
    Subjects: HISTORY / General; Historical films; Motion pictures and history; Motion pictures; Presidents in motion pictures; USA <Motiv>; Film; Selbstdarstellung
    Scope: 1 online resource (350 pages), 12 photographs
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020)

  10. Engaging the past
    mass culture and the production of historical knowledge
    Published: [2015]; © 2015
    Publisher:  Columbia University Press, New York

    Deutsches Forum für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231539463
    RVK Categories: AP 50300
    Subjects: Motion pictures and history; Historical films / History and criticism; Television and history; Historical television programs / History and criticism; Documentary-style television programs / History and criticism; Documentary-style television programs; Historical films; Historical television programs; Motion pictures and history; Television and history; Film; Fernsehen; Geschichte <Motiv>
    Scope: 1 Online-Ressource (XI, 213 Seiten), Illustrationen
    Notes:

    Literaturangaben

    Literaturverzeichnis Seite [197]-204

    Index

    Introduction -- Theorizing affective engagement in the historical film -- Waking the past: the historically conscious television drama -- Encountering contradiction: reality history TV -- Digital translations of the past: virtual history exhibits -- Conclusion

  11. Southern history on screen
    race and rights, 1976-2016
    Contributor: Jack, Bryan M. (Publisher)
    Published: 2019
    Publisher:  University Press of Kentucky, Lexington

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Contributor: Jack, Bryan M. (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780813176444
    Subjects: Historical films; Culture in motion pictures; Race in motion pictures; Race relations in motion pictures; USA <Motiv>; Historischer Film; Ethnische Beziehungen <Motiv>
    Scope: vi, 234 Seiten, Illustrationen
    Notes:

    Includes index

  12. Retrovisions
    reinventing the past in film and fiction
    Published: 2001
    Publisher:  Pluto Press, London

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585433704; 0745315836; 9780585433707; 9780745315836
    RVK Categories: HN 1226
    Series: Film/fiction ; v. 6
    Subjects: PERFORMING ARTS / Film & Video / Reference; Historische motieven; Letterkunde; Filmkunst; Historische romans; Historische films; Film adaptations; Historical films; Film; Literatur; Historical films; Film adaptations; Historischer Roman; Geschichte <Motiv>; Geschichtsdarstellung; Englisch; Film; Historischer Film; Roman
    Scope: 1 Online-Ressource (viii, 168 p.)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references and index

    Historical make-overs in film and literature / Deborah Cartmell and I.Q Hunter -- "No man's Elizabeth" : the Virgin Queen in recent films / Renée Pigeon -- Shakespeare in love and the end(s) of history / Elizabeth Klett -- Reflections on sex, Shakespeare, and nostalgia in Trevor Nunn's Twelfth night / Maria F. Magro and Mark Douglas -- Black rams tupping white ewes : race vs. gender in the final scene of Six Othellos / Pascale Aebischer -- Cool intentions : the literary classic, the teenpic and the "chick flick" / Sarah Neely -- Peter Watkin's Culloden and the alternative form in historical filmmaking / Nicholas J. Cull -- Mrs Brown's mourning and Mr King's madness : royal crisis on screen / Kara McKechnie -- The grandfathers' war : re-imagining World War I in British novels and films of the 1990s / Barbara Korte -- Charm, bowler, umbrella, leather boots : remaking The avengers / Stephen Longstaffe -- Forbidden planet and the retrospective attribution of intentions / Judith Buchanan

  13. Ancient worlds in film and television
    gender and politics
    Contributor: Renger, Almut-Barbara (Publisher); Solomon, Jon (Publisher)
    Published: 2013
    Publisher:  Brill, Leiden ; Boston

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Universitätsbibliothek Augsburg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Contributor: Renger, Almut-Barbara (Publisher); Solomon, Jon (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004241923; 9004241922; 9004183205
    Other identifier:
    RVK Categories: AP 52600
    Series: Metaforms ; [1]
    Subjects: ART / Film & Video; PERFORMING ARTS / Film & Video / Reference; Civilization, Ancient, in motion pictures; Civilization, Ancient, on television; Historical films; Motion pictures and history; Politics in motion pictures; Sex role in motion pictures; Television and history; Klassieke oudheid; Films; Sekseverschillen; Politieke aspecten; Antike; Film; Geschlechtsunterschied; Politik; Historical films; Civilization, Ancient, in motion pictures; Civilization, Ancient, on television; Sex role in motion pictures; Politics in motion pictures; Motion pictures and history; Television and history; Antike <Motiv>; Geschlecht <Motiv>; Film; Rezeption; Historischer Film; Antike
    Scope: 1 Online-Ressource (vii, 332 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index

    This volume reinvigorates the field of Classical Reception by investigating present-day culture, society, and politics, particularly gender, gender roles, and filmic constructions of masculinity and femininity which shape and are shaped by interacting economic, political, and ideological practices

  14. Literature and film in the historical dimension
    selected papers from the Fifteenth Annual Florida State University Conference on Literature and Film
    Published: ©1994
    Publisher:  University Press of Florida, Gainesville

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0813012856; 0813020379; 9780813020372
    Corporations / Congresses:
    Florida State University Conference on Literature and Film < 1990> (Verfasser)
    Subjects: PERFORMING ARTS / Film & Video / Reference; Historical films; History in literature; Literature and history; Motion pictures and history; Literature and history; History in literature; Motion pictures and history; Historical films; Historischer Film; Historische Literatur
    Scope: 1 Online-Ressource (186 pages)
    Notes:

    Includes bibliographical references and index

    Storytelling as a cognitive instrument - John D. Simons -- - Rewriting the Risorgimento in Sicily : Vincenzo Consolo's Il sorriso dell'ignoto marinaio - T. O'Neill -- - From printed page to screen : "The voyage of Charles Darwin" - Julie S. Gibert -- - South Africa from text to film : Cry freedom and A dry white season - Victoria Carchidi -- - Film as historical text : Danton - Elaine McAllister -- - The reigns of power : Foucault, feminism, and Dangerous liaisons - Majda K. Anderson -- - The subject in/of history : Hiroshima mon amour - Nancy Lane -- - Lacan and postmodernism in Brautigan's Dreaming of Babylon - Mark Hedborn -- - Dialectic of transvaluation in Edith Wharton's The house of mirth - Rita Di Giuseppe -- - The Yellow River turning blue, the Yellow River turning red : He shang and the "cultural craze" movement - Balance T.P. Chow -- - Ishmael Reed's postmodern revolt - Erik D. Curren -- - Adaptation, history, and textual suppression : literary sources of Hitchcock's Sabotage - Thomas Hemmeter -- - What movie are we watching here? : cinematic quotation in recent Hollywood films - Linda Anderson -- - The cinematic adaptation : the case of Los santos inocentes - Patricia Santoro

  15. Modernism, Ireland, and the erotics of memory
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge, U.K.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511065078; 0511073534; 0511120753; 0521815835; 9780511065071; 9780511073533; 9780511120756; 9780521815833
    Subjects: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Film; English literature; Modernism (Literature); Historical films; Literature and history; Motion pictures; Memory in literature; Englisch; Literatur; Nationalbewusstsein; Gedächtnis
    Scope: 1 Online-Ressource (xi, 226 pages)
    Notes:

    Includes bibliographical references (pages 209-217) and index

    Cover; Half-title; Title; Copyright; Dedication; Contents; Illustrations; Acknowledgments; INTRODUCTION All history is local: modernism and the question of memory in a global Ireland; PART I The erotics of memory; PART II The spectacles of history; Notes; Bibliography; Index

    Nicholas Miller re-examines memory and its role in modern Irish culture. Arguing that a continuous renegotiation of memory is characteristic of Irish modernist writing, Miller investigates a series of case-studies in modern Irish historical imagination. This original study will attract scholars of Modernism, Irish studies, film and literary theory

  16. Figuring the past
    period film and the mannerist aesthetic
    Published: ©2012
    Publisher:  Amsterdam University Press, Amsterdam

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1283698242; 9048513537; 9089642811; 9781283698245; 9789048513536; 9789089642813
    Series: Film culture in transition
    Subjects: PERFORMING ARTS / Reference; PERFORMING ARTS / Film & Video / General; Historical films; Motion pictures; Motion pictures and history; Renaissance; Film; Historical films; Motion pictures and history; Renaissance in motion pictures; Historischer Film; Ästhetik
    Scope: 1 Online-Ressource (256 pages)
    Notes:

    Includes bibliographical references and index

    Introduction: period film and the mannerist moment -- - A poetics of figuration -- - Present in the past: The house -- - Time and the image: the tableau -- - The scene of writing: the letter -- - Conclusion-Second sight: reviewing the past, figuring the present

    "This definitive work offers a new approach to the period film at the turn of the twenty-first century, examining the ways in which contemporary cinema recreates the historical past. This book explores the relation between visual motifs and cultural representation in a range of key films by James Ivory, Martin Scorsese and Jane Campion, among others. Looking at the mannerist taste for citation, detail and stylisation, the author argues for an aesthetic of fragments and figures central to the period film as an international genre. Three key figures - the house, the tableau and the letter - structure a critical journey through a selection of detailed case studies, in relation to changing notions of visual style, melodrama, and gender. This seeks to place this popular but often undervalued genre in a new light and to rethink its significance in the context of key debates in film studies."--Publisher's website

  17. Iji no bigaku
    jidaigeki eiga taizen
    Author: Satō, Tadao
    Published: 2009
    Publisher:  Jakometei Shuppan, Tōkyō

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Unlimited inter-library loan, copies and loan
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    http://www.bk1.jp/trcno/09006398/?partnerid=oclc&siteid=oclc (Japanese record available for display)
  18. Film and the American presidency
    Contributor: Menne, Jeff (Publisher)
    Published: 2015
    Publisher:  Routledge, New York

    Hochschule für Fernsehen und Film, Bibliothek
    No loan of volumes, only paper copies will be sent
    Universitätsbibliothek der LMU München
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Regensburg
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Contributor: Menne, Jeff (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780415834391
    RVK Categories: AP 50300
    Edition: 1. publ.
    Series: Routledge advances in film studies ; 39
    Subjects: Film; Politik; Presidents in motion pictures; Motion pictures; Historical films; Motion pictures and history; Politik <Motiv>; Film; Präsident
    Scope: XII, 280 S.
    Notes:

    Includes bibliographical references and index

  19. Engaging the past
    mass culture and the production of historical knowledge
    Published: 2015
    Publisher:  Columbia Univ. Press, New York [u.a.]

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780231165747; 9780231165754
    RVK Categories: AP 50300
    Subjects: Motion pictures and history; Historical films / History and criticism; Television and history; Historical television programs / History and criticism; Documentary-style television programs / History and criticism; Documentary-style television programs; Historical films; Historical television programs; Motion pictures and history; Television and history; Film; Geschichte <Motiv>; Fernsehen
    Scope: XI, 213 S., Ill.
    Notes:

    Includes bibliographical references and index

    Introduction -- Theorizing affective engagement in the historical film -- Waking the past: the historically conscious television drama -- Encountering contradiction: reality history TV -- Digital translations of the past: virtual history exhibits -- Conclusion

  20. Italy meets Africa
    colonial discourses in Italian cinema
    Published: c2011
    Publisher:  Peter Lang, New York

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781453907788
    RVK Categories: AP 50300
    Series: Framing film ; v. 10
    Subjects: Film; Geschichte; Motion pictures; Imperialism in motion pictures; Historical films; Kolonialismus <Motiv>; Afrika <Motiv>; Film
    Scope: viii, 145 p.
    Notes:

    Includes bibliographical references and index

    Introduction -- Screening colonialism in Libya: Mario Camerini and Kif tebbi (1928) -- The good Italian soldier in Squadrone bianco (1936) -- Italian cinema in the Zululand: Siliva Zulu (1927) -- Historical past in contemporary Italian cinematic culture -- Conclusion -- Colonial discourses today: Africa in Italy

  21. The Great War in Hollywood memory, 1918-1939
    Published: 2019; © 2019
    Publisher:  State University of New York Press, Albany

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
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  22. Causes won, lost, and forgotten
    how Hollywood & popular art shape what we know about the Civil War
    Published: c2008
    Publisher:  University of North Carolina Press, Chapel Hill

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780807832066; 0807832065
    Series: Steven and Janice Brose lectures in the Civil War era
    Subjects: War films; Historical films; Sezessionskrieg <1861-1865, Motiv>; Film; Volkskunst
    Scope: 274 p.
    Notes:

    "A Caravan book"--T.p. verso

    Includes bibliographical references (p. [213]-257) and index

  23. Historical comedy on screen
    subverting history with humour
    Published: 2011
    Publisher:  Intellect, Bristol [England]

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781841503677; 9781841505220
    Subjects: Comedy films; Historical films; Historischer Film; Komödie
    Scope: 205 p.
    Notes:

    Includes bibliographical references and index

    pt. 1. Comedians and comic representation -- pt. 2. No laughing matter

  24. Modernism, Ireland, and the erotics of memory
    Published: 2002
    Publisher:  Cambridge University Press, Cambridge, U.K.

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0521815835
    Subjects: Film; English literature; Modernism (Literature); Historical films; Literature and history; Motion pictures; Memory in literature; Gedächtnis; Nationalbewusstsein; Englisch; Literatur
    Scope: xi, 226 p
    Notes:

    Includes bibliographical references (p. 209-217) and index

  25. The leading man
    Hollywood and the presidential image
    Published: c2012
    Publisher:  Rutgers University Press, New Brunswick, N.J.

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0813554055; 9780813554051
    Subjects: Film; Politik; Historical films; Motion pictures and history; Motion pictures; Presidents in motion pictures; USA <Motiv>; Film; Selbstdarstellung
    Scope: x, 335 p.
    Notes:

    Includes bibliographical references and index