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  1. Broken glass, broken world
    glass in French culture in the aftermath of 1870
    Published: 2016
    Publisher:  Legenda, Cambridge

    Universitäts- und Landesbibliothek Bonn
    W 4' 2018/198
    Loan of volumes, no copies
    Universitäts- und Landesbibliothek Münster
    3K 74055
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781909662872
    Series: Research monographs in French studies ; 46
    Subjects: France; Glass; French literature; Glass in literature; Geistesleben; Glas; Französisch; Gesellschaft; Literatur; Glas <Motiv>
    Scope: xi, 151 Seiten, Illustrationen
  2. Broken glass, broken world
    glass in French culture in the aftermath of 1870
    Published: 2016
    Publisher:  Legenda, Cambridge

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781781883181; 9781909662872
    Series: Research monographs in French studies ; 46
    Subjects: France; Glass; French literature; Glass in literature; Glas <Motiv>; Kulturleben; Französisch; Literatur; Glas
    Scope: xi, 151 Seiten, Illustrationen
  3. Broken glass, broken world
    glass in French culture in the aftermath of 1870
    Published: 2016
    Publisher:  Legenda, Cambridge

    Universitäts- und Landesbibliothek Bonn
    Unlimited inter-library loan, copies and loan
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781909662872
    Series: Research monographs in French studies ; 46
    Subjects: France; Glass; French literature; Glass in literature
    Scope: xi, 151 Seiten, Illustrationen
  4. Mood and mobility
    navigating the emotional spaces of digital social networks
    Published: [2016]; ©2016
    Publisher:  The MIT Press, Cambridge, Massachusetts ;

    We are active with our mobile devices; we play games, watch films, listen to music, check social media, and tap screens and keyboards while we are on the move. In Mood and Mobility, Richard Coyne argues that not only do we communicate, process... more

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    Max-Planck-Institut für Wissenschaftsgeschichte, Bibliothek
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Hochschule für Bildende Künste Dresden, Bibliothek
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    Hochschule für Technik und Wirtschaft Dresden, Bibliothek
    MIT Press Abo im Sachsenkonsortium
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Hochschule für Technik, Wirtschaft und Kultur Leipzig, Hochschulbibliothek
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    Universitätsbibliothek Leipzig
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    Universitätsbibliothek Osnabrück
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    Universitätsbibliothek der Eberhard Karls Universität
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    We are active with our mobile devices; we play games, watch films, listen to music, check social media, and tap screens and keyboards while we are on the move. In Mood and Mobility, Richard Coyne argues that not only do we communicate, process information, and entertain ourselves through devices and social media; we also receive, modify, intensify, and transmit moods. Designers, practitioners, educators, researchers, and users should pay more attention to the moods created around our smartphones, tablets, and laptops. Drawing on research from a range of disciplines, including experimental psychology, phenomenology, cultural theory, and architecture, Coyne shows that users of social media are not simply passive receivers of moods; they are complicit in making moods. Devoting each chapter to a particular mood -- from curiosity and pleasure to anxiety and melancholy -- Coyne shows that devices and technologies do affect people's moods, although not always directly. He shows that mood effects are transitional; different moods suit different occasions, and derive character from emotional shifts. Furthermore, moods are active; we enlist all the resources of human sociability to create moods. And finally, the discourse about mood is deeply reflexive; in a kind of meta-moodiness, we talk about our moods and have feelings about them. Mood, in Coyne's distinctive telling, provides a new way to look at the ever-changing world of ubiquitous digital technologies.

     

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