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Displaying results 1 to 5 of 5.

  1. Titian's "Venus of Urbino"
    Published: 1997
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    A quintessential work of the High Renaissance in Venice, Titian's Venus of Urbino also represents one of the major themes of Western art: the female nude. But how did Titian intend this work to be received? Is she Venus, as the popular title - a... more

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsgemäldesammlungen, Bibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der LMU München
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek Passau
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Regensburg
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    Unlimited inter-library loan, copies and loan

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

    Location:
    Universitätsbibliothek Würzburg
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    Unlimited inter-library loan, copies and loan

     

    A quintessential work of the High Renaissance in Venice, Titian's Venus of Urbino also represents one of the major themes of Western art: the female nude. But how did Titian intend this work to be received? Is she Venus, as the popular title - a modern invention - implies, or is she merely a courtesan? This book tackles this and other questions in six essays by European and American art historians. Examining the work within the context of Renaissance art theory, as well as the psychology and society of sixteenth-century Italy, and even in relation to Manet's nineteenth-century "translation" of the work, their observations begin and end with the painting itself and with appreciation of Titian's great achievement in creating this archetypal image of feminine beauty.

     
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  2. Connotations of sin and heresy in the figure of the black king in some northern Renaissance Adorations
    Author: Pinson, Yona
    Published: 1996

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Parent title:
    Artibus et historiae / Istituto Internationale per le Ricerche di Storia dell'Arte (IRSA); Cracow [u.a.], 1996; 17.1996, 34, 159-175
    Subjects: Kunst; Häretiker <Motiv>
    Other subjects: Drei Könige; Nordeuropa; Geschichte 1500-1599
  3. The mouth of hell
    the iconography of damnation on the stage of the middle ages
    Author: Lima, Robert
    Published: 1996

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Article (edited volume)
    Parent title:
    European iconography East and West / Szőnyi, György Endre (Hrsg.); Leiden [u.a.], 1995; S. 35-48
    Subjects: Theater; Hölle <Motiv>; Kunst
    Other subjects: Geschichte 1500-1599
  4. Cultures of anatomy in sixteenth-century Italy
    Author: Brownstein, Daniel Abraham
    Published: 1996

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Subjects: Medizin; Kunst; Körper; Ästhetik
    Other subjects: Galenus (129-199); Italien; Geschichte 1500-1599
    Scope: VIII, 489 S., Ill.
    Notes:

    Berkeley, Calif., Univ. of California, Diss., 1996
  5. Titian's "Venus of Urbino"
    Published: 1997
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    A quintessential work of the High Renaissance in Venice, Titian's Venus of Urbino also represents one of the major themes of Western art: the female nude. But how did Titian intend this work to be received? Is she Venus, as the popular title - a... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    A quintessential work of the High Renaissance in Venice, Titian's Venus of Urbino also represents one of the major themes of Western art: the female nude. But how did Titian intend this work to be received? Is she Venus, as the popular title - a modern invention - implies, or is she merely a courtesan? This book tackles this and other questions in six essays by European and American art historians. Examining the work within the context of Renaissance art theory, as well as the psychology and society of sixteenth-century Italy, and even in relation to Manet's nineteenth-century "translation" of the work, their observations begin and end with the painting itself and with appreciation of Titian's great achievement in creating this archetypal image of feminine beauty.

     
    Export to reference management software   RIS file
      BibTeX file
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