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  1. Stolen song
    how the troubadours became French
    Published: 2020
    Publisher:  Cornell University Press, Ithaca ; Oxford University Press, Oxford

    This work documents the act of cultural appropriation that created a founding moment for French literary history: the rescripting and domestication of troubadour song, a prestige corpus in the European sphere, as French. The text also documents the... more

    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan

     

    This work documents the act of cultural appropriation that created a founding moment for French literary history: the rescripting and domestication of troubadour song, a prestige corpus in the European sphere, as French. The text also documents the simultaneous creation of an alternative point of origin for French literary history - a body of faux-archaic Occitanizing songs. Most scholars would find the claim that troubadour poetry is the origin of French literature uncomplicated and uncontroversial. However, this volume shows that the 'Frenchness' of this tradition was invented, constructed, and confected by francophone medieval poets and compilers keen to devise their own literary history.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501747649
    Other identifier:
    RVK Categories: IK 6500 ; IE 4996
    Series: Cornell scholarship online
    Subjects: Troubadourlyrik; Altfranzösisch; Literatur; Altokzitanisch; Französisch; Literaturgeschichtsschreibung; French poetry; Troubadour songs; Provençal poetry; Songs, Old French
    Other subjects: Jean Renart (active 12th century-13th century): Guillaume de Dole; Gerbert de Montreuil, (active 13th century): Roman de la violette; Richard de Fournival, (active 1246-1260): Bestiaire d'amour
    Scope: 1 Online-Ressource, Illustrations (black and white).
    Notes:

    Also issued in print: 2020

    Includes bibliographical references and index