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  1. La riscrittura e il teatro dall'antico al moderno e dai testi alla scena
    Published: 2004
    Publisher:  Sfameni, Messina

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 8878201995
    Series: Lessico & cultura ; 6
    Subjects: Greek drama; French drama; Italian drama
    Scope: ix, 316 p, 24 cm
    Notes:

    Contains bibl. refs., notes and name index

    Collected essays

  2. Dramatic works
    Published: 1972
    Publisher:  Athlone, London

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    Source: Union catalogues
    Contributor: Hall, Kathleen M. (Publisher)
    Language: French; English
    Media type: Book
    Format: Print
    ISBN: 0485138042; 0485128047
    RVK Categories: IF 3542
    Series: Athlone renaissance library
    Subjects: French drama
    Scope: 212 S.
  3. Archiginnasio altri scenari di Francia
    opere teatrali francesi dei secoli XVII e XVIII alla Biblioteca dell'Archiginnasio di Bologna
    Published: luglio 2004
    Publisher:  Patron, Bologna ; Pàtrone editore

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    Source: Union catalogues
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 8855527665
    Other identifier:
    sw026085
    Edition: Prima edizione
    Series: Emilia Romagna - biblioteche, archivi ; n. 50
    Subjects: :Katalog; Französisch; Drama; Katalog
    Other subjects: Array; Array; Array; Array
    Scope: 154 Seiten, 24 cm
  4. Le mythe de l'authenticité
    lectures, interprétations, dramaturgies de Britannicus de Jean Racine en France (1669-2004)
    Published: 2009
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- Préface -- Introduction -- Le mythe de l’authenticité -- Dramaturgie de Britannicus -- 1669 : L’ (auto-)construction du mythe racinien poético-classique -- La construction du mythe historique au XVIIIe siècle : les... more

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    Preliminary Material -- Préface -- Introduction -- Le mythe de l’authenticité -- Dramaturgie de Britannicus -- 1669 : L’ (auto-)construction du mythe racinien poético-classique -- La construction du mythe historique au XVIIIe siècle : les interprétations de Lekain et de Talma -- Mounet-Sully et la construction du mythe psychosexuel -- Andre Antoine ou la deconstruction involontaire. la version queer de Britannicus -- Le Britannicus de Michel Hermon. deconstruction iconoclaste et construction du mythe psychosexuel -- La déconstruction formelle l’étrangéification Vitézienne -- Brigitte Jaques-Wajeman : le retour à la lettre ou une nouvelle reconstruction du mythe racinien -- Conclusions -- régistre des spectacles analysés -- Bibliographie. À la base de cette étude se trouvent des questions très simples, mais tellement fondamentales qu’on oublie souvent de les poser. Pourquoi le théâtre français est-il tellement “français”, par exemple lorsqu’on met en scène un auteur comme Racine? Quelles constructions identitaires, quelles catégories idéologiques étayent cette pratique ? Et quels facteurs contextuels, à la fois politiques et sociaux, influencent, contestent, contaminent ces constructions ? Abordant à la fois des questions liées à l’histoire du théâtre et des problèmes qui touchent à l’analyse culturelle, Le mythe de l’authenticité analyse l’impact de certains facteurs contextuels sur le processus de canonisation et les modes de représentation d’une seule pièce canonique : Britannicus de Jean Racine (1669). Quel serait le lien entre le personnage de Néron et le roi de France ? Qu’aurait pensé Napoléon de l’interprétation de ce même personnage par son acteur favori Talma ? Quels facteurs furent à la base de l’interprétation psychosexuelle et puis psychanalytique (à la française) de cette pièce ? Et comment l’interprétation de Britannicus par André Antoine pourrait-elle être appelée queer ? Le mythe de l’authenticité démontre ainsi comment cette tragédie romaine fut, depuis sa création jusqu’à nos jours, déconstruite et reconstruite par des artistes aussi divers que Le Kain, Talma, Mounet-Sully, André Antoine, Michel Hermon, Antoine Vitez, Brigitte Jaques-Wajeman et bien d’autres

     

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    Source: Union catalogues
    Language: French
    Media type: Ebook
    Format: Online
    ISBN: 9789042026513
    Other identifier:
    Series: Faux titre ; 334
    Subjects: French drama; French drama; Criticism, interpretation, etc
    Other subjects: Racine, Jean (1639-1699): Britannicus; Racine, Jean (1639-1699); Racine, Jean
    Scope: 1 Online-Ressource (448 pages)
    Notes:

    Includes bibliographical references (p. 417-448)

  5. WOMEN'S DELIBERATION
    the heroine in early modern french women's theater (1650-1750)
    Published: 2018
    Publisher:  ROUTLEDGE, [Place of publication not identified]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Subjects: Women and literature; Women and literature; Women in literature; Women in literature; French drama; French drama; French drama
    Scope: 1 Online-Ressource (1 online resource)
  6. <<L'>> idée sociale au théâtre
    Published: 1901
    Publisher:  Stock, Paris

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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    RVK Categories: IG 4400
    Subjects: French drama; Social problems in literature; Theater
    Scope: 364 S.
  7. Market pledge and gender bargain
    commercial relations in French farce, 1450 - 1550
    Published: 1996
    Publisher:  Lang, New York, NY

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0820428698
    RVK Categories: IE 5572
    Series: Studies in the humanities ; 23
    Subjects: Array; Array; Array; Civilization, Medieval, in literature; Commerce in literature; Array
    Scope: XII, 209 S.
    Notes:

    Literaturverz. S. [189] - 206

  8. Eugène Scribe and the French Theatre, 1815–1860
    Published: [1924]
    Publisher:  Harvard University Press, Cambridge, Mass.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674280168; 9780674730533
    Other identifier:
    Subjects: French drama / 19th century / History and criticism; Französische Literatur; French drama
    Other subjects: Scribe, Eugène (1791-1861)
    Scope: 1 Online-Ressource (xi,268p.)
    Notes:

    1 frontispiece

  9. Antoine and The Théâtre-Libre
    Published: [1926]
    Publisher:  Harvard University Press, Cambridge, Mass.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674366541; 9780674365346
    Other identifier:
    Subjects: French drama / 19th century / History and criticism; Französische Literatur; French drama; Theater
    Other subjects: Antoine, André (1858-1943)
    Scope: 1 Online-Ressource (viii,247p.)
  10. Tours de force - die Ästhetik des Grotesken in der französischen Pantomime des 19. Jahrhunderts
    Published: 2006
    Publisher:  Max Niemeyer Verlag, Tübingen

    Die französische Pantomime des 19. Jahrhunderts zeichnete sich durch ihre Affinität zu den Motiven der Gewalt und des Schrecklichen aus. Der Doublebind von komischer Unterhaltung und Prekärem machte sie zum Paradefall einer modernen Ästhetik, die -... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Die französische Pantomime des 19. Jahrhunderts zeichnete sich durch ihre Affinität zu den Motiven der Gewalt und des Schrecklichen aus. Der Doublebind von komischer Unterhaltung und Prekärem machte sie zum Paradefall einer modernen Ästhetik, die - unter dem Signum des Grotesken - das Hässliche zum Garanten ästhetischer Lust aufwertete. Die Analyse der theatralen Qualitäten des stummen Körperspiels verschränkt sich entsprechend eng mit der Lektüre eines zeitgenössischen europäischen Diskurses um ästhetische Entgrenzung, sowohl im Hinblick auf ihre Problematik als auch - und vor allem - bezüglich ihrer performativen Wirkungsmöglichkeiten 19th century French pantomime was notable for its affinities with motifs centering around violence and horror. This double-bind between comical entertainment and more sinister features makes it a cardinal instance of a modern aesthetic that upgraded ugliness in the form of grotesquerie to the status of a guarantor of aesthetic pleasure. Accordingly, this analysis of the theatrical qualities of mute body-play is closely bound up with the contemplation of coeval European discourse on the transcendence of aesthetic frontiers. This applies both to the problems posed by this phenomenon and above all to its potential performative effect

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110917895; 9783111798769
    Other identifier:
    RVK Categories: IG 4480 ; IG 3600 ; ID 1270
    Series: Theatron ; Band 51
    Subjects: Geschichte; French drama; Grotesque in literature; Pantomime; Das Groteske; Pantomime
    Scope: 1 Online-Ressource (X, 402 Seiten)
    Notes:

    Dissertation, Universität München, 2004

  11. Ahmed the Philosopher
    Thirty-Four Short Plays for Children and Everyone Else
    Published: [2014]; © 2014
    Publisher:  Columbia University Press, New York, NY

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231536585
    Other identifier:
    RVK Categories: CI 5478
    Subjects: Drama; Französische Literatur; French drama; Philosophy; Philosophie; DRAMA
    Scope: 1 online resource (216 pages), illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015)

    :

  12. Pixérécourt and the French Romantic Drama
    Published: [2019]; © 1928
    Publisher:  University of Toronto Press, Toronto

    The purpose of this work is to establish the relationship between the Romantic drama in France of the period 1829-1843 (circa) and the melodrama or "popular tragedy" which flourished in the second-class theatres during the first three decades of the... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    The purpose of this work is to establish the relationship between the Romantic drama in France of the period 1829-1843 (circa) and the melodrama or "popular tragedy" which flourished in the second-class theatres during the first three decades of the nineteenth century. Since the essence of the melodrama of that period is found in the works of Guilbert de Pixerecourt (a fact which no student of French literature will deny) it has been thought sufficient to concentrate attention on these works and their connection with the Romantic drama, rather than to treat all or a large number of the many authors of melodrama who helped to flood the popular stage at that time

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487583187
    Other identifier:
    Series: Heritage
    Subjects: DRAMA / European / General; French drama; Melodrama; Romanticism
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019)

  13. Laughing Matters
    Farce and the Making of Absolutism in France
    Author: Beam, Sara
    Published: [2018]; © 2007
    Publisher:  Cornell University Press, Ithaca, NY

    Bawdy satirical plays-many starring law clerks and seminarians-savaged corrupt officials and royal policies in fifteenth- and sixteenth-century France. The Church and the royal court tolerated-and even commissioned-such performances, the audiences... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Bawdy satirical plays-many starring law clerks and seminarians-savaged corrupt officials and royal policies in fifteenth- and sixteenth-century France. The Church and the royal court tolerated-and even commissioned-such performances, the audiences for which included men and women from every social class. From the mid-sixteenth century, however, local authorities began to temper and in some cases ban such performances.Sara Beam, in revealing how theater and politics were intimately intertwined, shows how the topics we joke about in public reflect and shape larger religious and political developments. For Beam, the eclipse of the vital tradition of satirical farce in late medieval and early modern France is a key aspect of the complex political and cultural factors that prepared the way for the emergence of the absolutist state. In her view, the Wars of Religion were the major reason attitudes toward the farceurs changed; local officials feared that satirical theater would stir up violence, and Counter-Reformation Catholicism proved hostile to the bawdiness that the clergy had earlier tolerated.In demonstrating that the efforts of provincial urban officials prepared the way for the taming of popular culture throughout France, Laughing Matters provides a compelling alternative to Norbert Elias's influential notion of the "civilizing process," which assigns to the royal court at Versailles the decisive role in the shift toward absolutism

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501732379
    Other identifier:
    Subjects: French drama; French drama; French farces; Theater; Französisch; Farce
    Scope: 1 online resource, 8 halftones
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019)

  14. The Orient of the Boulevards
    Exoticism, Empire, and Nineteenth-Century French Theater
    Published: [2015]; © 1998
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa.

    The author draws upon the methodologies of theater and cultural studies to examine the construction of "the Orient" on the Parisian stage during the nineteenth century, the period of France's first imperial expansions into North Africa and the Middle... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    The author draws upon the methodologies of theater and cultural studies to examine the construction of "the Orient" on the Parisian stage during the nineteenth century, the period of France's first imperial expansions into North Africa and the Middle East.As an increasingly large segment of the French population moved into contact with the Middle East and North Africa as soldiers, colonial administrators, settlers, and merchants, the balance between fantasy and immediacy in Orientalized drama shifted. The domestic melodrama gave way to elaborately staged military spectacles based on current events. Performed before working-class audiences, many of whose members were to be called up for military service, these spectacles bore explicit political and imperial agendas.Mining rich archival resources of play-texts, censorship reports, critical reviews, and contemporary writings on performance practice, this book reveals the complex processes by which the institutions of popular culture helped shape nineteenth-century notions of race, ethnicity, and nationality

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781512806809
    Other identifier:
    Series: New Cultural Studies
    Subjects: Literary Studies; Literature in Diverse Languages; Romance Literature, general; Geschichte; Exoticism in literature; French drama; Theater; Französisch; Orientalisierende Literatur; Drama; Theater; Orientalismus <Kunst>
    Scope: 1 online resource, 11 illus
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

  15. The Complete Plays of Jean Racine
    Volume 1: The Fratricides
    Author: Racine, Jean
    Published: [2021]; © 2010
    Publisher:  Penn State University Press, University Park, PA

    This is the first volume of a planned translation into English of all twelve of Jean Racine's plays-a project undertaken only three times in the three hundred years since Racine's death. For this new translation, Geoffrey Alan Argent has taken a... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    This is the first volume of a planned translation into English of all twelve of Jean Racine's plays-a project undertaken only three times in the three hundred years since Racine's death. For this new translation, Geoffrey Alan Argent has taken a fresh approach: he has rendered these plays in rhymed ";heroic"; couplets. While Argent's translation is faithful to Racine's text and tone, his overriding intent has been to translate a work of French literature into a work of English literature, substituting for Racine's rhymed alexandrines (hexameters) the English mode of rhymed iambic pentameters, a verse form particularly well suited to the highly charged urgency of Racine's drama and the coiled strength of his verse. Complementing the translations are the illuminating Discussions and the extensive Notes and Commentaries Argent has furnished for each play. The Discussions are not offered as definitive interpretations of these plays, but are intended to stimulate readers to form their own views and to explore further the inexhaustibly rich world of Racine's plays. Included in the Notes and Commentary section of this translation are passages that Racine deleted after the first edition and have never before appeared in English.The full title of Racine's first tragedy is La Thébaïde ou les Frères ennemis (The Saga of Thebes, or The Enemy Brothers). But Racine was far less concerned with recounting the struggle for Thebes than in examining those indomitable passions-in this case, hatred-that were to prove his lifelong focus of interest. For Oedipus's sons, Eteocles and Polynices (the titular brothers), vying for the throne is rather a symptom than a cause of their unquenchable hatred-so unquenchable that by the end of the play it has not only destroyed these twin brothers, but has also claimed the lives of their mother, their sister, their uncle, and their two cousins as collateral damage. Indeed, as Racine acknowledges in his preface, "There is hardly a character in it who does not die at the end."

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271056692
    Other identifier:
    Subjects: LITERARY COLLECTIONS / European / General; French drama; French drama
    Scope: 1 Online-Ressource (184 Seiten)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2021)

  16. Mormons in Paris
    Polygamy on the French Stage, 1874-1892
    Contributor: Bernède, Arthur (Publisher); Cropper, Corry (Publisher); Delacour, Alfred (Publisher); Desvallières, Maurice (Publisher); Dubarry, Albert (Publisher); Flood, Christopher M. (Publisher); Leroy, Louis (Publisher); Mars, Antony (Publisher)
    Published: [2021]; © 2021
    Publisher:  Bucknell University Press, Lewisburg, PA

    In the late nineteenth century, numerous French plays, novels, cartoons, and works of art focused on Mormons. Unlike American authors who portrayed Mormons as malevolent "others," however, French dramatists used Mormonism to point out hypocrisy in... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    In the late nineteenth century, numerous French plays, novels, cartoons, and works of art focused on Mormons. Unlike American authors who portrayed Mormons as malevolent "others," however, French dramatists used Mormonism to point out hypocrisy in their own culture. Aren't Mormon women, because of their numbers in a household, more liberated than French women who can't divorce? What is polygamy but another name for multiple mistresses? This new critical edition presents translations of four musical comedies staged or published in France in the late 1800s: Mormons in Paris (1874), Berthelier Meets the Mormons (1875), Japheth's Twelve Wives (1890), and Stephana's Jewel (1892). Each is accompanied by a short contextualizing introduction with details about the music, playwrights, and staging. Humorous and largely unknown, these plays use Mormonism to explore and mock changing French mentalities during the Third Republic, lampooning shifting attitudes and evolving laws about marriage, divorce, and gender roles. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Bernède, Arthur (Publisher); Cropper, Corry (Publisher); Delacour, Alfred (Publisher); Desvallières, Maurice (Publisher); Dubarry, Albert (Publisher); Flood, Christopher M. (Publisher); Leroy, Louis (Publisher); Mars, Antony (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781684482405
    Other identifier:
    Series: Scènes francophones: Studies in French and Francophone Theater
    Subjects: PERFORMING ARTS / General; French drama (Comedy); French drama; Mormons in literature; Polygamy in literature
    Scope: 1 online resource (224 pages), 7 b-w images, 2 color images
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021)

  17. Pirandello and the French theatre
    Published: 1960
    Publisher:  Univ. Press, New York, NY

    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    G4/P/B
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    Series: New York University studies in romance languages and literature ; 3
    Subjects: French drama
    Other subjects: Pirandello, Luigi
    Scope: XIX, 170 S.
    Notes:

    Literaturverz. S. 156 - 166

  18. Tragédies tardives
    actes du colloque de Besançon des 17 et 18 décembre 1998
    Published: 2002
    Publisher:  Honoré Champion, Paris

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 512853
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    IF 2650 F836
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    Source: Staatsbibliothek zu Berlin
    Language: French
    Media type: Book
    Format: Print
    ISBN: 274530514X
    RVK Categories: IG 1594
    Series: Colloques, congres̀ et conférences, époque moderne et contemporaine ; 9
    Subjects: French drama; Tragedy
    Scope: 222, [8] S, Ill
  19. Il teatro al tempo di Luigi XIII
    Published: c1974
    Publisher:  Adriatica [u.a.], Bari

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    ZA 39530:1
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Fr.L.17.J. 735
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    Herzog August Bibliothek Wolfenbüttel
    32.574
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    Source: Union catalogues
    Language: French; Italian
    Media type: Book
    Format: Print
    Series: Quaderni del Seicento francese ; 1
    Subjects: Französisch; Drama; Geschichte 1600-1660;
    Other subjects: Array; Array
    Scope: 212 S, 22 cm
    Notes:

    Teilw. franz., teilw. ital

    Literaturangaben und Index

  20. French theater since 1968
    Published: 1995
    Publisher:  Twayne [u.a.], New York, NY

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 241677
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    96 A 21870
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    H VII y 4/412
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    96/5127
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0805782974
    Series: Twayne's world authors series ; 852
    Subjects: Französisch; Drama; Geschichte 1968-1995;
    Other subjects: Array
    Scope: 195 S
    Notes:

    Literaturverz. S. 183 - 187

  21. Das zeitgenössische Kurzdrama in Frankreich
    eine Untersuchung gattungspoetologischer Elemente aller in L'Avant-Scène Théâtre 1980 - 1992 erschienenen Kurzdramen unter besonderer Berücksichtigung der Autoren René de Obaldia und Guy Foissy
    Published: 1997
    Publisher:  Lang, Frankfurt am Main [u.a.]

    Staats- und Universitätsbibliothek Bremen
    a rom 200.9 e/659
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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    97/7731
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    Universitätsbibliothek Kiel, Zentralbibliothek
    P 1974-221
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    Universitätsbibliothek Kiel, Zentralbibliothek
    P 1974-221+200
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3631313454
    Series: Array ; 221
    Subjects: Französisch; Einakter; Geschichte 1967-1992;
    Other subjects: Array; Array; Array
    Scope: 252 S, 21 cm
    Notes:

    Originally presented as the author's thesis (doctoral)--Universität Bonn, 1996

    Zugl.: Bonn, Univ., Diss., 1996

  22. Das Böse im französischen Theater der Jahre 1635-1649
    Studien zu ausgewählten Werken Boyers, Chevreaus, Pierre Corneilles und Guérin de Bouscals
    Published: 1997
    Publisher:  Lang, Frankfurt am Main [u.a.]

    Staats- und Universitätsbibliothek Bremen
    a rom 137.2 mal/995
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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Bibliothek der Pädagogischen Hochschule Erfurt
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    R Frz.5 Wah
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    97/9882
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    Universitätsbibliothek Kiel, Zentralbibliothek
    Kj 4932
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3631319681
    Series: Array ; 223
    Subjects: French drama; Good and evil in literature; French drama (Tragedy)
    Other subjects: Boyer, Claude (1618-1698); Chevreau, Urbain (1613-1701); Corneille, Pierre (1606-1684); Guérin de Bouscal (1613?-1675)
    Scope: 337 S, 21 cm
    Notes:

    Zugl.: Münster (Westfalen), Univ., Diss., 1995

  23. De chair et d'ombre
    essais sur Marivaux, Challe, Rousseau, Beaumarchais, Rétif et Goldoni
    Published: c1995
    Publisher:  Paradigme, Orléans

    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    96/4753
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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2868781519
    Series: Modernités ; no 2
    Subjects: Drama; Geschichte 1660-1789;
    Other subjects: Array
    Scope: 352 p, 21 cm
    Notes:

    Includes bibliographical references

  24. Phalante
    Author: Galaut, Jean
    Published: 1995
    Publisher:  University of Exeter Press, Exeter

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Fr.T.17.J.g 6
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    Thüringer Universitäts- und Landesbibliothek
    2011 SA 1353
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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 0859894886
    Series: Textes litteraires ; 94
    Subjects: French drama
    Scope: X Bl., 83 S, 1 graph. Darst
  25. La parade de société au XVIIIe siècle
    une forme dramatique oubliée
    Published: 2015
    Publisher:  Champion, Paris

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 945946
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    2021/656
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    Universitätsbibliothek Kiel, Zentralbibliothek
    Bw 5303
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    66.964
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    Source: Staatsbibliothek zu Berlin
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2745328611; 9782745328618
    Series: Les dix-huitièmes siècles ; 184
    Subjects: French drama; French drama (Comedy); Theater and society; Entertainment events; Theater; Fairs
    Scope: 562 S., 24 cm
    Notes:

    Includes bibliographical references (pages 527-548) and indexes