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  1. Le mythe de l'authenticité
    lectures, interprétations, dramaturgies de Britannicus de Jean Racine en France (1669-2004)
    Author: Vanhaesebrouck, Karel
    Published: 2009
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- Préface -- Introduction -- Le mythe de l’authenticité -- Dramaturgie de Britannicus -- 1669 : L’ (auto-)construction du mythe racinien poético-classique -- La construction du mythe historique au XVIIIe siècle : les... more

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    Universitätsbibliothek Leipzig
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    Preliminary Material -- Préface -- Introduction -- Le mythe de l’authenticité -- Dramaturgie de Britannicus -- 1669 : L’ (auto-)construction du mythe racinien poético-classique -- La construction du mythe historique au XVIIIe siècle : les interprétations de Lekain et de Talma -- Mounet-Sully et la construction du mythe psychosexuel -- Andre Antoine ou la deconstruction involontaire. la version queer de Britannicus -- Le Britannicus de Michel Hermon. deconstruction iconoclaste et construction du mythe psychosexuel -- La déconstruction formelle l’étrangéification Vitézienne -- Brigitte Jaques-Wajeman : le retour à la lettre ou une nouvelle reconstruction du mythe racinien -- Conclusions -- régistre des spectacles analysés -- Bibliographie. À la base de cette étude se trouvent des questions très simples, mais tellement fondamentales qu’on oublie souvent de les poser. Pourquoi le théâtre français est-il tellement “français”, par exemple lorsqu’on met en scène un auteur comme Racine? Quelles constructions identitaires, quelles catégories idéologiques étayent cette pratique ? Et quels facteurs contextuels, à la fois politiques et sociaux, influencent, contestent, contaminent ces constructions ? Abordant à la fois des questions liées à l’histoire du théâtre et des problèmes qui touchent à l’analyse culturelle, Le mythe de l’authenticité analyse l’impact de certains facteurs contextuels sur le processus de canonisation et les modes de représentation d’une seule pièce canonique : Britannicus de Jean Racine (1669). Quel serait le lien entre le personnage de Néron et le roi de France ? Qu’aurait pensé Napoléon de l’interprétation de ce même personnage par son acteur favori Talma ? Quels facteurs furent à la base de l’interprétation psychosexuelle et puis psychanalytique (à la française) de cette pièce ? Et comment l’interprétation de Britannicus par André Antoine pourrait-elle être appelée queer ? Le mythe de l’authenticité démontre ainsi comment cette tragédie romaine fut, depuis sa création jusqu’à nos jours, déconstruite et reconstruite par des artistes aussi divers que Le Kain, Talma, Mounet-Sully, André Antoine, Michel Hermon, Antoine Vitez, Brigitte Jaques-Wajeman et bien d’autres

     
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    Source: Union catalogues
    Language: French
    Media type: Ebook
    Format: Online
    ISBN: 9789042026513
    Other identifier:
    Series: Faux titre ; 334
    Subjects: French drama; French drama; Criticism, interpretation, etc
    Other subjects: Racine, Jean (1639-1699): Britannicus; Racine, Jean (1639-1699); Racine, Jean
    Scope: 1 Online-Ressource (448 pages)
    Notes:

    Includes bibliographical references (p. 417-448)
  2. WOMEN'S DELIBERATION
    the heroine in early modern french women's theater (1650-1750)
    Author: Kennedy, Theresa Varney
    Published: 2018
    Publisher:  ROUTLEDGE, [Place of publication not identified]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Subjects: Women and literature; Women and literature; Women in literature; Women in literature; French drama; French drama; French drama
    Scope: 1 Online-Ressource (1 online resource)
  3. Eugène Scribe and the French Theatre, 1815–1860
    Author: Arvin, Neil Cole
    Published: [1924]
    Publisher:  Harvard University Press, Cambridge, Mass.

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674280168; 9780674730533
    Other identifier:
    Subjects: French drama / 19th century / History and criticism; Französische Literatur; French drama
    Other subjects: Scribe, Eugène (1791-1861)
    Scope: 1 Online-Ressource (xi,268p.)
    Notes:

    1 frontispiece
  4. Antoine and The Théâtre-Libre
    Author: Waxman, Samuel Montefiore
    Published: [1926]
    Publisher:  Harvard University Press, Cambridge, Mass.

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674366541; 9780674365346
    Other identifier:
    Subjects: French drama / 19th century / History and criticism; Französische Literatur; French drama; Theater
    Other subjects: Antoine, André (1858-1943)
    Scope: 1 Online-Ressource (viii,247p.)
  5. Tours de force - die Ästhetik des Grotesken in der französischen Pantomime des 19. Jahrhunderts
    Author: Brincken, Jörg von
    Published: 2006
    Publisher:  Max Niemeyer Verlag, Tübingen

    Die französische Pantomime des 19. Jahrhunderts zeichnete sich durch ihre Affinität zu den Motiven der Gewalt und des Schrecklichen aus. Der Doublebind von komischer Unterhaltung und Prekärem machte sie zum Paradefall einer modernen Ästhetik, die -... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Die französische Pantomime des 19. Jahrhunderts zeichnete sich durch ihre Affinität zu den Motiven der Gewalt und des Schrecklichen aus. Der Doublebind von komischer Unterhaltung und Prekärem machte sie zum Paradefall einer modernen Ästhetik, die - unter dem Signum des Grotesken - das Hässliche zum Garanten ästhetischer Lust aufwertete. Die Analyse der theatralen Qualitäten des stummen Körperspiels verschränkt sich entsprechend eng mit der Lektüre eines zeitgenössischen europäischen Diskurses um ästhetische Entgrenzung, sowohl im Hinblick auf ihre Problematik als auch - und vor allem - bezüglich ihrer performativen Wirkungsmöglichkeiten 19th century French pantomime was notable for its affinities with motifs centering around violence and horror. This double-bind between comical entertainment and more sinister features makes it a cardinal instance of a modern aesthetic that upgraded ugliness in the form of grotesquerie to the status of a guarantor of aesthetic pleasure. Accordingly, this analysis of the theatrical qualities of mute body-play is closely bound up with the contemplation of coeval European discourse on the transcendence of aesthetic frontiers. This applies both to the problems posed by this phenomenon and above all to its potential performative effect

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110917895; 9783111798769
    Other identifier:
    RVK Categories: IG 4480 ; IG 3600 ; ID 1270
    Series: Theatron ; Band 51
    Subjects: Geschichte; French drama; Grotesque in literature; Pantomime; Das Groteske; Pantomime
    Scope: 1 Online-Ressource (X, 402 Seiten)
    Notes:

    Dissertation, Universität München, 2004
  6. Ahmed the Philosopher
    Thirty-Four Short Plays for Children and Everyone Else
    Author: Badiou, Alain
    Published: [2014]; © 2014
    Publisher:  Columbia University Press, New York, NY

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231536585
    Other identifier:
    RVK Categories: CI 5478
    Subjects: Drama; Französische Literatur; French drama; Philosophy; Philosophie; DRAMA
    Scope: 1 online resource (216 pages), illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015)

    :
  7. Pixérécourt and the French Romantic Drama
    Author: Lacey, Alexander
    Published: [2019]; © 1928
    Publisher:  University of Toronto Press, Toronto

    The purpose of this work is to establish the relationship between the Romantic drama in France of the period 1829-1843 (circa) and the melodrama or "popular tragedy" which flourished in the second-class theatres during the first three decades of the... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    The purpose of this work is to establish the relationship between the Romantic drama in France of the period 1829-1843 (circa) and the melodrama or "popular tragedy" which flourished in the second-class theatres during the first three decades of the nineteenth century. Since the essence of the melodrama of that period is found in the works of Guilbert de Pixerecourt (a fact which no student of French literature will deny) it has been thought sufficient to concentrate attention on these works and their connection with the Romantic drama, rather than to treat all or a large number of the many authors of melodrama who helped to flood the popular stage at that time

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487583187
    Other identifier:
    Series: Heritage
    Subjects: DRAMA / European / General; French drama; Melodrama; Romanticism
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019)
  8. Laughing Matters
    Farce and the Making of Absolutism in France
    Author: Beam, Sara
    Published: [2018]; © 2007
    Publisher:  Cornell University Press, Ithaca, NY

    Bawdy satirical plays-many starring law clerks and seminarians-savaged corrupt officials and royal policies in fifteenth- and sixteenth-century France. The Church and the royal court tolerated-and even commissioned-such performances, the audiences... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Bawdy satirical plays-many starring law clerks and seminarians-savaged corrupt officials and royal policies in fifteenth- and sixteenth-century France. The Church and the royal court tolerated-and even commissioned-such performances, the audiences for which included men and women from every social class. From the mid-sixteenth century, however, local authorities began to temper and in some cases ban such performances.Sara Beam, in revealing how theater and politics were intimately intertwined, shows how the topics we joke about in public reflect and shape larger religious and political developments. For Beam, the eclipse of the vital tradition of satirical farce in late medieval and early modern France is a key aspect of the complex political and cultural factors that prepared the way for the emergence of the absolutist state. In her view, the Wars of Religion were the major reason attitudes toward the farceurs changed; local officials feared that satirical theater would stir up violence, and Counter-Reformation Catholicism proved hostile to the bawdiness that the clergy had earlier tolerated.In demonstrating that the efforts of provincial urban officials prepared the way for the taming of popular culture throughout France, Laughing Matters provides a compelling alternative to Norbert Elias's influential notion of the "civilizing process," which assigns to the royal court at Versailles the decisive role in the shift toward absolutism

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501732379
    Other identifier:
    Subjects: French drama; French drama; French farces; Theater; Französisch; Farce
    Scope: 1 online resource, 8 halftones
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019)
  9. The Orient of the Boulevards
    Exoticism, Empire, and Nineteenth-Century French Theater
    Author: Pao, Angela C.
    Published: [2015]; © 1998
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa.

    The author draws upon the methodologies of theater and cultural studies to examine the construction of "the Orient" on the Parisian stage during the nineteenth century, the period of France's first imperial expansions into North Africa and the Middle... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    The author draws upon the methodologies of theater and cultural studies to examine the construction of "the Orient" on the Parisian stage during the nineteenth century, the period of France's first imperial expansions into North Africa and the Middle East.As an increasingly large segment of the French population moved into contact with the Middle East and North Africa as soldiers, colonial administrators, settlers, and merchants, the balance between fantasy and immediacy in Orientalized drama shifted. The domestic melodrama gave way to elaborately staged military spectacles based on current events. Performed before working-class audiences, many of whose members were to be called up for military service, these spectacles bore explicit political and imperial agendas.Mining rich archival resources of play-texts, censorship reports, critical reviews, and contemporary writings on performance practice, this book reveals the complex processes by which the institutions of popular culture helped shape nineteenth-century notions of race, ethnicity, and nationality

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781512806809
    Other identifier:
    Series: New Cultural Studies
    Subjects: Literary Studies; Literature in Diverse Languages; Romance Literature, general; Geschichte; Exoticism in literature; French drama; Theater; Französisch; Orientalisierende Literatur; Drama; Theater; Orientalismus <Kunst>
    Scope: 1 online resource, 11 illus
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)
  10. The Complete Plays of Jean Racine
    Volume 1: The Fratricides
    Author: Racine, Jean
    Published: [2021]; © 2010
    Publisher:  Penn State University Press, University Park, PA

    This is the first volume of a planned translation into English of all twelve of Jean Racine's plays-a project undertaken only three times in the three hundred years since Racine's death. For this new translation, Geoffrey Alan Argent has taken a... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    This is the first volume of a planned translation into English of all twelve of Jean Racine's plays-a project undertaken only three times in the three hundred years since Racine's death. For this new translation, Geoffrey Alan Argent has taken a fresh approach: he has rendered these plays in rhymed ";heroic"; couplets. While Argent's translation is faithful to Racine's text and tone, his overriding intent has been to translate a work of French literature into a work of English literature, substituting for Racine's rhymed alexandrines (hexameters) the English mode of rhymed iambic pentameters, a verse form particularly well suited to the highly charged urgency of Racine's drama and the coiled strength of his verse. Complementing the translations are the illuminating Discussions and the extensive Notes and Commentaries Argent has furnished for each play. The Discussions are not offered as definitive interpretations of these plays, but are intended to stimulate readers to form their own views and to explore further the inexhaustibly rich world of Racine's plays. Included in the Notes and Commentary section of this translation are passages that Racine deleted after the first edition and have never before appeared in English.The full title of Racine's first tragedy is La Thébaïde ou les Frères ennemis (The Saga of Thebes, or The Enemy Brothers). But Racine was far less concerned with recounting the struggle for Thebes than in examining those indomitable passions-in this case, hatred-that were to prove his lifelong focus of interest. For Oedipus's sons, Eteocles and Polynices (the titular brothers), vying for the throne is rather a symptom than a cause of their unquenchable hatred-so unquenchable that by the end of the play it has not only destroyed these twin brothers, but has also claimed the lives of their mother, their sister, their uncle, and their two cousins as collateral damage. Indeed, as Racine acknowledges in his preface, "There is hardly a character in it who does not die at the end."

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271056692
    Other identifier:
    Subjects: LITERARY COLLECTIONS / European / General; French drama; French drama
    Scope: 1 Online-Ressource (184 Seiten)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2021)
  11. Mormons in Paris
    Polygamy on the French Stage, 1874-1892
    Contributor: Bernède, Arthur (Publisher); Cropper, Corry (Publisher); Delacour, Alfred (Publisher); Desvallières, Maurice (Publisher); Dubarry, Albert (Publisher); Flood, Christopher M. (Publisher); Leroy, Louis (Publisher); Mars, Antony (Publisher)
    Published: [2021]; © 2021
    Publisher:  Bucknell University Press, Lewisburg, PA

    In the late nineteenth century, numerous French plays, novels, cartoons, and works of art focused on Mormons. Unlike American authors who portrayed Mormons as malevolent "others," however, French dramatists used Mormonism to point out hypocrisy in... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    In the late nineteenth century, numerous French plays, novels, cartoons, and works of art focused on Mormons. Unlike American authors who portrayed Mormons as malevolent "others," however, French dramatists used Mormonism to point out hypocrisy in their own culture. Aren't Mormon women, because of their numbers in a household, more liberated than French women who can't divorce? What is polygamy but another name for multiple mistresses? This new critical edition presents translations of four musical comedies staged or published in France in the late 1800s: Mormons in Paris (1874), Berthelier Meets the Mormons (1875), Japheth's Twelve Wives (1890), and Stephana's Jewel (1892). Each is accompanied by a short contextualizing introduction with details about the music, playwrights, and staging. Humorous and largely unknown, these plays use Mormonism to explore and mock changing French mentalities during the Third Republic, lampooning shifting attitudes and evolving laws about marriage, divorce, and gender roles. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Bernède, Arthur (Publisher); Cropper, Corry (Publisher); Delacour, Alfred (Publisher); Desvallières, Maurice (Publisher); Dubarry, Albert (Publisher); Flood, Christopher M. (Publisher); Leroy, Louis (Publisher); Mars, Antony (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781684482405
    Other identifier:
    Series: Scènes francophones: Studies in French and Francophone Theater
    Subjects: PERFORMING ARTS / General; French drama (Comedy); French drama; Mormons in literature; Polygamy in literature
    Scope: 1 online resource (224 pages), 7 b-w images, 2 color images
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021)
  12. Tartuffe, or, The hypocrite
    Published: 199X
    Publisher:  BiblioBytes, Hoboken, N.J

    Location:
    Hochschule für Gesundheit, Hochschulbibliothek
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    eBook EBSCO
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585049629; 9780585049625
    Subjects: French drama; French drama
    Scope: Online Ressource
  13. Polyeucte
    Published: 199X
    Publisher:  BiblioBytes, Hoboken, N.J

    Location:
    Hochschule für Gesundheit, Hochschulbibliothek
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    eBook EBSCO
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585052824; 9780585052823
    Subjects: French drama; French drama
    Scope: Online Ressource
  14. Phaedra
    Published: 199X
    Publisher:  BiblioBytes, Hoboken, N.J

    Location:
    Hochschule für Gesundheit, Hochschulbibliothek
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    eBook EBSCO
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 058504984X; 9780585049847
    Subjects: Phaedra (Greek mythology); French drama; French drama; French drama; French drama; Phaedra (Greek mythology)
    Scope: Online Ressource
  15. Camille (la Dame aux Camilias)
    Published: 199X
    Publisher:  Project Gutenberg, Champaign, Ill

    Location:
    Hochschule für Gesundheit, Hochschulbibliothek
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    eBook EBSCO
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585103763; 9780585103761
    Subjects: French drama; French literature; French literature; French drama
    Scope: Online Ressource
  16. Cyrano de Bergerac
    a play in five acts
    Published: 199X
    Publisher:  Project Gutenberg, Champaign, Ill

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    Hochschule für Gesundheit, Hochschulbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585008264; 9780585008264
    Subjects: Authors, French; French drama; French drama; French drama; French drama; Authors, French
    Scope: Online Ressource
  17. "Holy Deadlock" and Further Ribaldries
    Another Dozen Medieval French Plays in Modern English
    Published: [2017]; ©2017
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa

    Did you hear the one about the newlywed who rushes off for legal advice before the honeymoon is over? Or the husbands who arrange for an enormous tub in which to cure their sugary wives with a pinch of salt? How about a participatory processional... more

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    Staats- und Universitätsbibliothek Bremen
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Universitätsbibliothek Hildesheim
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Hochschule Merseburg, Bibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
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    Did you hear the one about the newlywed who rushes off for legal advice before the honeymoon is over? Or the husbands who arrange for an enormous tub in which to cure their sugary wives with a pinch of salt? How about a participatory processional toward marriage so sacrilegious that it puts Chaucer's pilgrimage to shame? And who could have imagined a medieval series of plays devoted to spouse-swapping? Jody Enders has heard and seen all this and more, and shares it in her second volume of performance-friendly translations of medieval French farces. Carefully culled from more than two hundred extant farces, and crafted with a wit and contemporary sensibility that make them playable a millennium later, these dozen bawdy plays take on the hilariously depressing and depressingly hilarious state of holy wedlock.In fifteenth- and sixteenth-century comedy, love and marriage do not exactly go together like a horse and carriage. What with all the arranged matches of child brides to doddering geezers, the frustration, fear, anxiety, jealousy, disappointment, and despair are matched only by the eagerness with which everybody sings, dances, and cavorts in the pursuit of deception, trickery, and adultery. Easily recognizable stock characters come vividly to life, struggling to negotiate the limits of power, class, and gender, each embodying the distinctive blend of wit, social critique, and breathless boisterousness that is farce. Whether the antics play out on the fifteenth-century stage or the twenty-first-century screen, Enders notes, comedy revels in shining its brightest spotlight on the social and legal questions of what makes a family. Her volume defines and redefines love and marriage with a message that no passage of time can tear asunder: social change finds its start where comedy itself begins—at home

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812293593
    Other identifier:
    Series: The Middle Ages Series
    Subjects: French drama; French farces
    Scope: 1 Online-Ressource, 12 illus
    Notes:

    Frontmatter -- -- Contents -- -- On Abbreviations, Short Titles, and Endnotes -- -- Introduction, Part Deux: Seriously Funny -- -- About This Translation -- -- Brief Plot Summaries -- -- Actors’ Prologue -- -- 1. The Newlywed Game. Le Conseil au Nouveau Marié -- -- 2. The Shithouse. Le Retraict -- -- 3. Pots and Scams, or, The Farce of the Kettle-Maker. Un Chaudronnier -- -- 4. For the Birds, or, Conjugal Birdplay. La Mauvaistié des femmes -- -- 5. The Jackass Conjecture, or, Animal Husbandry. Le Pont aux ânes -- -- 6. Match, Point, Counterpoint, or, The Old Lover vs. the Young Lover. Le Viel Amoureulx et le Jeune Amoureulx -- -- 7. Holy Deadlock, or, The Pilgrimage of Marriage. Le Pèlerinage de mariage -- -- 8. Bitches and Pussycats, or, Butting Heads, Peace of Ass. Les Deux Maris et leurs deux femmes dont l’une a male tête et l’autre est tendre du cul -- -- 9. Wife Swap: A Musical Comedy, or, The Taming, Pas de Deux. Le Savatier, Marguet, Jacquet, Proserpine et l’Oste -- -- 10. Husband Swap, or, Swap Meat. Le Trocheur de maris -- -- 11. Extreme Husband Makeover, or, Lost and Foundry. Les Femmes qui font refondre leurs maris -- -- 12. Marriage with a Grain of Salt. Les Hommes qui font saller leurs femmes -- -- Appendix: Scholarly References to Copyrighted Materials -- -- Notes -- -- Bibliography -- -- Acknowledgments
  18. The Orient of the Boulevards
    Exoticism, Empire, and Nineteenth-Century French Theater
    Author: Pao, Angela C.
    Published: [2015]; ©1998
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa

    The author draws upon the methodologies of theater and cultural studies to examine the construction of "the Orient" on the Parisian stage during the nineteenth century, the period of France's first imperial expansions into North Africa and the Middle... more

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    The author draws upon the methodologies of theater and cultural studies to examine the construction of "the Orient" on the Parisian stage during the nineteenth century, the period of France's first imperial expansions into North Africa and the Middle East.As an increasingly large segment of the French population moved into contact with the Middle East and North Africa as soldiers, colonial administrators, settlers, and merchants, the balance between fantasy and immediacy in Orientalized drama shifted. The domestic melodrama gave way to elaborately staged military spectacles based on current events. Performed before working-class audiences, many of whose members were to be called up for military service, these spectacles bore explicit political and imperial agendas.Mining rich archival resources of play-texts, censorship reports, critical reviews, and contemporary writings on performance practice, this book reveals the complex processes by which the institutions of popular culture helped shape nineteenth-century notions of race, ethnicity, and nationality.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781512806809
    Other identifier:
    Series: New Cultural Studies
    Subjects: French drama; Exoticism in literature; Theater; Exoticism in literature; French drama; Theater; Exoticism in literature.; French drama.; Theater.; Literary Studies.; Literature in Diverse Languages.; Romance Literature, general.
    Scope: 1 online resource
    Notes:

    Frontmatter -- -- Contents -- -- Illustrations -- -- Introduction: From the Orient as Theater to the Orient in the Theater -- -- Part I. Domestic Exoticism -- -- Domestic Exoticism -- -- 1. Nineteenth-Century Popular Theater: Institutions and Practices -- -- 2. Exotic Tragedy: The Orient on the Ancien Régime Stage -- -- 3. Exotic Boundaries: Reading the Censors -- -- 4. Oriental Escapades: Les Ruines de Babylone, or Positioning the European Spectator -- -- Part II. Dramatic Campaigns -- -- Dramatic Campaigns -- -- 5. National Images: From La Bataille d'Aboukir to Bonaparte en Egypte, or The Evolution of National Drama -- -- 6. Fictions of War: Reading the Critics -- -- 7. Oriental Campaigns in Print and on Stage -- -- 8. Occident versus Orient: Les Massacres de Syrie and the Recasting of History -- -- Conclusion: From Stage to Screen -- -- Notes -- -- Bibliography -- -- Acknowledgments -- -- Index
  19. Il tragico e il sacro dal Cinquecento a Racine
    atti del Convegno internazionale di Torino e Vercelli, 14-16 ottobre 1999
    Published: 2001
    Publisher:  L. S. Olschki, Firenze

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    Source: Union catalogues
    Language: Italian; French
    Media type: Book
    Format: Online
    Series: Biblioteca dell'Archivum Romanicum : Ser. 1.: Storia, letteratura, paleografia ; 301
    Editoria Italiana Online
    Subjects: French drama; Religious drama, French
    Other subjects: Racine, Jean (1639-1699)
    Scope: x, 329 p.
    Notes:

    Includes bibliographical references. - Jean Racine (1639-1699). - Proceedings. - Texts in French or Italian
  20. Théâtre et société au 17. siècle
    Published: 2002
    Publisher:  L. S. Olschki, Firenze

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    Source: Union catalogues
    Language: French
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    Format: Online
    Series: Studi di letteratura francese ; 26 (2001)
    Biblioteca dell'Archivum Romanicum : Ser. 1.: Storia, letteratura, paleografia ; 303
    Editoria Italiana Online
    Subjects: French drama; Theater and society; Theater
    Scope: 253 p.
    Notes:

    Also cont. already publ. critical reviews (pp. 215-253), in French or Italian. - Collected essays. - Includes bibliographical references. - The first series is an annual
  21. Women's deliberation
    the heroine in early modern French women's theater (1650-1750)
    Author: Kennedy, Theresa Varney
    Published: 2018
    Publisher:  Routledge, London

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781317153375; 9781315576329
    Subjects: French drama; French drama; Heroines in literature; Women authors, French; Women authors, French; Drama; Theater; Heldin; Französisch
    Scope: 1 Online-Ressource (xii, 201 Seiten), 1 Illustration
  22. The Complete Plays of Jean Racine
    Volume 1: The Fratricides
    Author: Racine, Jean
    Published: [2010]; ©2010
    Publisher:  Penn State University Press, University Park, PA ; Walter de Gruyter GmbH, Berlin

    This is the first volume of a planned translation into English of all twelve of Jean Racine’s plays—a project undertaken only three times in the three hundred years since Racine’s death. For this new translation, Geoffrey Alan Argent has taken a... more

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    This is the first volume of a planned translation into English of all twelve of Jean Racine’s plays—a project undertaken only three times in the three hundred years since Racine’s death. For this new translation, Geoffrey Alan Argent has taken a fresh approach: he has rendered these plays in rhymed ";heroic"; couplets. While Argent’s translation is faithful to Racine’s text and tone, his overriding intent has been to translate a work of French literature into a work of English literature, substituting for Racine’s rhymed alexandrines (hexameters) the English mode of rhymed iambic pentameters, a verse form particularly well suited to the highly charged urgency of Racine’s drama and the coiled strength of his verse. Complementing the translations are the illuminating Discussions and the extensive Notes and Commentaries Argent has furnished for each play. The Discussions are not offered as definitive interpretations of these plays, but are intended to stimulate readers to form their own views and to explore further the inexhaustibly rich world of Racine’s plays. Included in the Notes and Commentary section of this translation are passages that Racine deleted after the first edition and have never before appeared in English.The full title of Racine’s first tragedy is La Thébaïde ou les Frères ennemis (The Saga of Thebes, or The Enemy Brothers). But Racine was far less concerned with recounting the struggle for Thebes than in examining those indomitable passions—in this case, hatred—that were to prove his lifelong focus of interest. For Oedipus’s sons, Eteocles and Polynices (the titular brothers), vying for the throne is rather a symptom than a cause of their unquenchable hatred—so unquenchable that by the end of the play it has not only destroyed these twin brothers, but has also claimed the lives of their mother, their sister, their uncle, and their two cousins as collateral damage. Indeed, as Racine acknowledges in his preface, “There is hardly a character in it who does not die at the end.”...

     
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    Source: Union catalogues
    Contributor: Argent, Geoffrey Alan
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271056692
    Other identifier:
    Subjects: French drama; French drama; LITERARY COLLECTIONS / European / General
    Scope: 1 Online-Ressource (184 p.)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2021)
  23. Mormons in Paris
    Polygamy on the French Stage, 1874-1892
    Contributor: Bernède, Arthur; Cropper, Corry; Cropper, Corry; Delacour, Alfred; Desvallières, Maurice; Dubarry, Albert; Flood, Christopher M.; Flood, Christopher M.; Leroy, Louis; Mars, Antony
    Published: [2021]; ©2021
    Publisher:  Bucknell University Press, Lewisburg, PA ; Walter de Gruyter GmbH, Berlin

    In the late nineteenth century, numerous French plays, novels, cartoons, and works of art focused on Mormons. Unlike American authors who portrayed Mormons as malevolent “others,” however, French dramatists used Mormonism to point out hypocrisy in... more

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    In the late nineteenth century, numerous French plays, novels, cartoons, and works of art focused on Mormons. Unlike American authors who portrayed Mormons as malevolent “others,” however, French dramatists used Mormonism to point out hypocrisy in their own culture. Aren't Mormon women, because of their numbers in a household, more liberated than French women who can't divorce? What is polygamy but another name for multiple mistresses? This new critical edition presents translations of four musical comedies staged or published in France in the late 1800s: Mormons in Paris (1874), Berthelier Meets the Mormons (1875), Japheth’s Twelve Wives (1890), and Stephana’s Jewel (1892). Each is accompanied by a short contextualizing introduction with details about the music, playwrights, and staging. Humorous and largely unknown, these plays use Mormonism to explore and mock changing French mentalities during the Third Republic, lampooning shifting attitudes and evolving laws about marriage, divorce, and gender roles. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

     
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    Source: Union catalogues
    Contributor: Bernède, Arthur; Cropper, Corry; Cropper, Corry; Delacour, Alfred; Desvallières, Maurice; Dubarry, Albert; Flood, Christopher M.; Flood, Christopher M.; Leroy, Louis; Mars, Antony
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781684482405
    Other identifier:
    Series: Scènes francophones: Studies in French and Francophone Theater
    Subjects: French drama (Comedy); French drama; Mormons in literature; Polygamy in literature; PERFORMING ARTS / General
    Scope: 1 Online-Ressource (224 p.), 7 b-w images, 2 color images
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021)
  24. Molière in context
    Contributor: Clarke, Jan (Herausgeber)
    Published: 2022
    Publisher:  Cambridge University Press, Cambridge

    The definitive guide to Molière's world and his afterlife, this is an accessible contextual guide for academics, undergraduates and theatre professionals alike. Interdisciplinary and diverse in scope, each chapter offers a different perspective on... more

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    The definitive guide to Molière's world and his afterlife, this is an accessible contextual guide for academics, undergraduates and theatre professionals alike. Interdisciplinary and diverse in scope, each chapter offers a different perspective on the social, cultural, intellectual, and theatrical environment within which Molière operated, as well as demonstrating his subsequent impact both within France and across the world. Offering fresh insight for those working in the fields of French Studies, Theatre and Performance Studies and French History, Molière in Context is an exceptional tribute to the premier French dramatist on the 400th anniversary of his birth.

     
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    Contributor: Clarke, Jan (Herausgeber)
    Language: English
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    ISBN: 9781108694933
    Other identifier:
    Series: Literature in context
    Subjects: Dramatists, French; French drama; Theater
    Scope: 1 Online-Ressource (xxix, 371 pages)
  25. Histoire de la tour de Nesle
    Author: de Couder, Paul
    Published: 2016
    Publisher:  BnF-P, Paris ; ProQuest, Ann Arbor, Michigan

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    Source: Union catalogues
    Contributor: Marcy, Léon
    Language: French
    Media type: Ebook
    Format: Online
    ISBN: 9782346127214
    Edition: 1st ed.
    Series: Collection XIX
    Subjects: French drama
    Scope: 1 Online-Ressource (310 pages)
    Notes:

    Description based on publisher supplied metadata and other sources