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Displaying results 1 to 25 of 48.

  1. Clowns, fools and picaros
    popular forms in theatre, fiction and film
    Published: 2007
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- Introduction /David Robb -- Where The Antic Sits /Robert Cheesmond -- Modern Tragicomedy and the Fool /Faye Ran -- The Postmodern Theatre Clown /Ashley Tobias -- Nietzsche and the Praise of Masks /Rüdiger Görner -- Clowning... more

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    Preliminary Material -- Introduction /David Robb -- Where The Antic Sits /Robert Cheesmond -- Modern Tragicomedy and the Fool /Faye Ran -- The Postmodern Theatre Clown /Ashley Tobias -- Nietzsche and the Praise of Masks /Rüdiger Görner -- Clowning Around at the Limits of Representation: On Fools, Fetishes and Bruce Nauman’s Clown Torture /Maxim Leonid Weintraub -- An American Circus: the Lynch Victim as Clown /Barbara Lewis -- The Court Jester in Nigerian Drama /Kayode Gboyega Kofoworola -- “Fratello Arlecchino”: Clowns, Kings, and Bombs in Bali /Ron Jenkins -- Scaramouche: The Mask and the Millenium. /Stephen Knapper -- The Cinema of Masks: Commedia dell’Arte and Jean Renoir’s The Golden Coach /Des O’Rawe -- From Nestroy to Wenzel and Mensching: carnivalesque revolutionaries in the German and Austrian theatrical tradition /David Robb -- Karolos Koun, Karaghiozis and The Birds: Aristophanes as Popular Theatre /Marina Kotzamani -- The Clown as Social Critic: Kerouac’s Vision /Stephen Llano -- Picaresque Narratology: Lazarillo de Tormes and Edgar Hilsenrath’s Der Nazi und der Friseur /Bernhard Malkmus -- Notes on Contributors. By its very nature the clown, as represented in art, is an interdisciplinary phenomenon. In whichever artform it appears – fiction, drama, film, photography or fine art – it carries the symbolic association of its usage in popular culture, be it ritual festivities, street theatre or circus. The clown, like its extended family of fools, jesters, picaros and tricksters, has a variety of functions all focussed around its status and image of being “other.” Frequently a marginalized figure, it provides the foil for the shortcomings of dominant discourse or the absurdities of human behaviour. Clowns, Fools and Picaros represents the latest research on the clown, bringing together for the first time studies from four continents: Europe, America, Africa and Asia. It attempts to ascertain commonalities, overlaps and differences between artistic expressions of the “clownesque” from these various continents and genres, and above all, to examine the role of the clown in our cultures today. This volume is of interest for scholars of political and comic drama, film and visual art as well as scholars of comparative literature and anthropology

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789401205399
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    Series: At the interface/probing the boundaries ; v. 43
    Subjects: Clowns in literature; Fools and jesters in literature; Tricksters in literature; Clowns; Theater; Postmodernism (Literature); Clowns; Clowns in literature; Fools and jesters in literature; Postmodernism (Literature); Theater; Tricksters in literature; Conference papers and proceedings; History
    Scope: 1 Online-Ressource (233 pages)
    Notes:

    Based on papers from a conference held at the Queen's University of Belfast in September 4-6, 2003

    Includes bibliographical references

  2. Chief Justice
    The Judicial World of Charles Doe
    Published: [1967]
    Publisher:  Harvard University Press, Cambridge, Mass.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674420168; 9780674420151
    Other identifier:
    Subjects: Literatur, Rhetorik, Literaturwissenschaft; Fools and jesters in literature; Folly in literature
    Scope: 1 Online-Ressource (x,489p.)
    Notes:

    5 schw.-w. Abb

    Roscoe Pound has called Charles Doe (1830-1896) one of the ten greatest jurists in American history, the "one judge upon the bench of a state court who stands out as a builder of the law since the Civil War." This is the first booklength biography of Chief Justice Doe, and as an examination of the constitutional and jurisprudential theories of a state judge it is probably unique

    Roscoe Pound has called Charles Doe (1830-1896) one of the ten greatest jurists in American history, the "one judge upon the bench of a state court who stands out as a builder of the law since the Civil War." This is the first booklength biography of Chief Justice Doe, and as an examination of the constitutional and jurisprudential theories of a state judge it is probably unique. Known for his aversion to formal courtroom procedure and for his singular methods of conducting jury trials and appellate sessions, Charles Doe served as Associate Justice of the New Hampshire Supreme Judicial Court from 1859 to 1874, and as Chief Justice of New Hampshire from 1876 to 1896. In his thirty-five years on the bench, Doe was responsible for a number of innovations in judicial practice. He devoted himself to reforming the rules of construction, his "newmodelling" of writs revolutionized civil procedure, and his solution to the question of criminal insanity was so advanced that it has not yet been superseded, or even approached, in many states. Perhaps it is in Doe's discussions of torts, where he expounded tenets in opposition to those held by Oliver Wendell Holmes, that one may find the most interesting insight into Doe's view of the law. By redefining and re-emphasizing the distinction between matters of law and questions of fact, Chief Justice Doe demonstrated that an original mind working with familiar legal concepts could depart from traditional doctrine while at the same time maintaining the continuity and essential integrity of Anglo-American common law

  3. Wunder, Spott und Prophetie
    Natürliche Narrheit in den »Historien von Claus Narren«
    Published: [2009]; ©2009
    Publisher:  Max Niemeyer Verlag, Tübingen

    Anhand des 1572 erstmalig gedruckten und bis ins 18. Jahrhundert weit verbreiteten Schwankromans Historien von Claus Narren erläutert die Studie den Begriff der natürlichen Narrheit und dessen didaktische Funktionalisierung durch den protestantischen... more

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    Anhand des 1572 erstmalig gedruckten und bis ins 18. Jahrhundert weit verbreiteten Schwankromans Historien von Claus Narren erläutert die Studie den Begriff der natürlichen Narrheit und dessen didaktische Funktionalisierung durch den protestantischen Verfasser Wolfgang Büttner. Mit Hilfe von diskursanalytischen und ritualtheoretischen Ansätzen wird herausgearbeitet, welche Funktionen den als mental different begriffenen natürlichen Narren in Mittelalter und Früher Neuzeit zukamen. Natürliche Narren repräsentieren eine institutionalisierte Form der Liminalität. Zwar wurden sie zusammen mit den Schalks- bzw. künstlichen Narren an Höfen gehalten, galten aber nicht nur als zu verlachende Objekte, sondern gleichzeitig auch als Wunder, Wunderzeichen und Exempel. Büttners Werk baut auf dieser Narrenkonfiguration auf und integriert sie in sein Werk, das 626 Historien mit jeweils angehängten Lehren umfasst. Im Mittelpunkt steht der ebenfalls historisch nachweisbare ernestinische Hofnarr Claus Narr. Die Narrenfigur dient in den Historien von Claus Narren dazu, Normen und Normenübertretung zu problematisieren, um daraus religiöse und moralische Verhaltensvorschriften zu gewinnen

     

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783484971196
    Other identifier:
    Series: Frühe Neuzeit ; 133
    Other subjects: Fools and jesters in literature; German literature / History and criticism; 16. Jahrhundert / Literatur; 16th Century Literature; Claus Narr; Fools in Literature; Narr i. d. Literatur; Wolfgang Büttner; LITERARY CRITICISM / European / German
    Scope: 1 online resource (304 p.)
  4. Praisers of Folly
    Erasmus, Rabelais, Shakespeare
    Published: 1963; ©1963
    Publisher:  Harvard University Press, s.l.

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674493858
    Other identifier:
    Series: Harvard Studies in Comparative Literature ; 25
    Subjects: Fools and jesters in literature; Folly in literature; Literatur, Rhetorik, Literaturwissenschaft
    Scope: Online-Ressource (VIII, 318 S.)
  5. Persistence of folly
    on the origins of German dramatic literature
    Published: [2018]; © 2018
    Publisher:  Cornell University Press, Ithaca, NY

    Joel B. Lande’s Persistence of Folly challenges the accepted account of the origins of German theater by focusing on the misunderstood figure of the fool, whose spontaneous and impish jest captivated audiences, critics, and playwrights from the late... more

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    Joel B. Lande’s Persistence of Folly challenges the accepted account of the origins of German theater by focusing on the misunderstood figure of the fool, whose spontaneous and impish jest captivated audiences, critics, and playwrights from the late sixteenth through the early nineteenth century. Lande radically expands the scope of literary historical inquiry, showing that the fool was not a distraction from attempts to establish a serious dramatic tradition in the German language. Instead, the fool was both a fixture on the stage and a nearly ubiquitous theme in an array of literary critical, governmental, moral-philosophical, and medical discourses, figuring centrally in broad-based efforts to assign laughter a proper time, place, and proportion in society.Persistence of Folly reveals the fool as a cornerstone of the dynamic process that culminated in the works of Lessing, Goethe, and Kleist. By reorienting the history of German theater, Lande’s work conclusively shows that the highpoint of German literature around 1800 did not eliminate irreverent jest in the name of serious drama, but instead developed highly refined techniques for integrating the comic tradition of the stage fool

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501727122
    Other identifier:
    RVK Categories: GE 4975
    Series: Signale: Modern German letters, cultures, and thought
    Subjects: Fools and jesters in literature; German drama (Comedy); German drama; German drama; Narr <Motiv>; Drama; Deutsch
    Scope: 1 Online-Ressource (xii, 354 Seiten)
  6. Clowns, fools and picaros
    popular forms in theatre, fiction and film
    Published: 2007
    Publisher:  Rodopi, Amsterdam

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1435613384; 9042023406; 9781435613386; 9789042023406
    RVK Categories: AP 50300 ; EC 5410
    Series: At the interface/probing the boundaries ; v. 43
    Subjects: Fine Arts; TRAVEL / Special Interest / Literary; LITERARY CRITICISM / General; Geschichte; Clowns in literature; Fools and jesters in literature; Tricksters in literature; Clowns; Theater; Postmodernism (Literature); Clown; Film; Theater; Literatur
    Scope: 1 Online-Ressource (233 pages)
    Notes:

    Based on papers from a conference held at the Queen's University of Belfast in September 4-6, 2003

    Includes bibliographical references

    "By its very nature the clown, as represented in art, is an interdisciplinary phenomenon. In whichever artform it appears - fiction, drama, film, photography or fine art - it carries the symbolic association of its usage in popular culture, be it ritual festivities, street theatre or circus. The clown, like its extended family of fools, jesters, picaros and tricksters, has a variety of functions all focussed around its status and image of being "other." Frequently a marginalised figure, it provides the foil for the shortcomings of dominant discourse or the absurdities of human behaviour." "Clowns, Fools and Picaros represents the latest research on the clown, bringing together for the first time studies from four continents: Europe, America, Africa and Asia. It attempts to ascertain commonalities, overlaps and differences between artistic expressions of the "clownesque" from these various continents and genres, and above all, to examine the role of the clown in our cultures today." "This volume is of interest for scholars of political and comic drama, film and visual art as well as scholars of comparative literature and anthropology."--Jacket

  7. Chief Justice
    The Judicial World of Charles Doe
    Published: [1967]
    Publisher:  Harvard University Press, Cambridge, Mass.

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674420168
    Other identifier:
    Subjects: Literatur, Rhetorik, Literaturwissenschaft; Fools and jesters in literature; Folly in literature
    Scope: 1 Online-Ressource (x,489p.)
    Notes:

    5 schw.-w. Abb

    Roscoe Pound has called Charles Doe (1830-1896) one of the ten greatest jurists in American history, the "one judge upon the bench of a state court who stands out as a builder of the law since the Civil War." This is the first booklength biography of Chief Justice Doe, and as an examination of the constitutional and jurisprudential theories of a state judge it is probably unique

    Roscoe Pound has called Charles Doe (1830-1896) one of the ten greatest jurists in American history, the "one judge upon the bench of a state court who stands out as a builder of the law since the Civil War." This is the first booklength biography of Chief Justice Doe, and as an examination of the constitutional and jurisprudential theories of a state judge it is probably unique. Known for his aversion to formal courtroom procedure and for his singular methods of conducting jury trials and appellate sessions, Charles Doe served as Associate Justice of the New Hampshire Supreme Judicial Court from 1859 to 1874, and as Chief Justice of New Hampshire from 1876 to 1896. In his thirty-five years on the bench, Doe was responsible for a number of innovations in judicial practice. He devoted himself to reforming the rules of construction, his "newmodelling" of writs revolutionized civil procedure, and his solution to the question of criminal insanity was so advanced that it has not yet been superseded, or even approached, in many states. Perhaps it is in Doe's discussions of torts, where he expounded tenets in opposition to those held by Oliver Wendell Holmes, that one may find the most interesting insight into Doe's view of the law. By redefining and re-emphasizing the distinction between matters of law and questions of fact, Chief Justice Doe demonstrated that an original mind working with familiar legal concepts could depart from traditional doctrine while at the same time maintaining the continuity and essential integrity of Anglo-American common law

  8. Wunder, Spott und Prophetie
    natürliche Narrheit in den "Historien von Claus Narren"
    Published: 2009
    Publisher:  M. Niemeyer, Tübingen

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 1282372556; 3484971193; 9781282372559; 9783484366336; 9783484971196
    Series: Frühe Neuzeit ; Bd. 133
    Subjects: Fools and jesters in literature; German literature; Diskursanalyse; Narr <Motiv>; Soziale Funktion
    Other subjects: Büttner, Wolfgang / approximately 1530-approximately 1596; Büttner, Wolfgang (approximately 1530-approximately 1596): Sechs hundert sieben und zwantzig Historien von Claus Narren; Büttner, Wolfgang (1522-1596): Sechshundertsiebenundzwanzig Historien von Claus Narren
    Scope: 1 Online-Ressource (vi, 298 pages)
    Notes:

    Revision of the author's thesis (doctoral)--Humboldt-Universität zu Berlin, 2005

    Includes bibliographical references (pages 274-293) and index

    This study is devoted to the hitherto largely disregarded natural fools, who form part of the broad spectrum of fools in the Middle Ages and Early Modern Age. Using the farcical novel Histories of Claus Fool, which was widely read in the 16th and 17th ce

  9. Shakespeare's great stage of fools
    Published: 2011
    Publisher:  Palgrave Macmillan, New York

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780230337725; 9780230349483
    Other identifier:
    RVK Categories: HI 3385
    Edition: 1. publ., 1. ed.
    Subjects: Fools and jesters in literature; Clowns in literature; LITERARY CRITICISM / Shakespeare; PERFORMING ARTS / Theater / History & Criticism; LITERARY CRITICISM / Renaissance; Narr <Motiv>
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (X, 186 S.), Ill.
  10. The fool in European theatre
    stages of folly
    Author: Prentki, Tim
    Published: 2012
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780230357501
    Other identifier:
    RVK Categories: AP 64906
    Edition: 1.publ.
    Subjects: European drama / History and criticism; Folly in literature; Fools and jesters in literature; Narr <Motiv>; Drama
    Scope: 1 Online-Ressource (VII, 229 S.)
  11. LITERATURE AND INTELLECTUAL DISABILITY IN EARLY MODERN ENGLAND
    folly, law and medicine, 1500-1640
    Published: 2021
    Publisher:  ROUTLEDGE, [S.l.]

    Introduction: Fools, from Popular Culture to Disability Studies -- Section 1. Law -- The Legal Discourse of 'Idiocy' on the Stage and Page -- 'A fool and his money are soon parted': the Fool and Property -- 'An you knew my properties somebody would... more

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    Introduction: Fools, from Popular Culture to Disability Studies -- Section 1. Law -- The Legal Discourse of 'Idiocy' on the Stage and Page -- 'A fool and his money are soon parted': the Fool and Property -- 'An you knew my properties somebody would ha' me': the Fool as a Ward -- Section 2. Medicine and Physiognomy -- Nature, Wits and Skulls: the Fool's Head -- Intellectual, Sensory and Physical Disability: the Fool's Body and Face -- Rationalising Fools' Disability: Causes and Risk Factors -- Epilogue: Intellectual Disability, Embodiment and Humour in Early Modern Literature.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781000424973; 1000424979; 9781000424997; 1000424995; 9781003129868; 1003129862
    Other identifier:
    Series: Routledge studies in Renaissance literature and culture
    Subjects: English literature; Fools and jesters in literature; People with mental disabilities in literature; Folly in literature; Law and literature; Literature and medicine; People with mental disabilities; Renaissance; DRAMA / General; HISTORY / Renaissance
    Scope: 1 online resource.
  12. Clowns, fools and picaros
    popular forms in theatre, fiction and film
    Published: 2007
    Publisher:  Rodopi, Amsterdam

    "By its very nature the clown, as represented in art, is an interdisciplinary phenomenon. In whichever artform it appears - fiction, drama, film, photography or fine art - it carries the symbolic association of its usage in popular culture, be it... more

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    "By its very nature the clown, as represented in art, is an interdisciplinary phenomenon. In whichever artform it appears - fiction, drama, film, photography or fine art - it carries the symbolic association of its usage in popular culture, be it ritual festivities, street theatre or circus. The clown, like its extended family of fools, jesters, picaros and tricksters, has a variety of functions all focussed around its status and image of being "other." Frequently a marginalised figure, it provides the foil for the shortcomings of dominant discourse or the absurdities of human behaviour." "Clowns, Fools and Picaros represents the latest research on the clown, bringing together for the first time studies from four continents: Europe, America, Africa and Asia. It attempts to ascertain commonalities, overlaps and differences between artistic expressions of the "clownesque" from these various continents and genres, and above all, to examine the role of the clown in our cultures today." "This volume is of interest for scholars of political and comic drama, film and visual art as well as scholars of comparative literature and anthropology."--BOOK JACKET

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781435613386; 1435613384; 9042023406; 9789042023406
    Series: At the interface ; v. 43
    At the interface/probing the boundaries ; v. 43
    Subjects: Clowns in literature; Fools and jesters in literature; Tricksters in literature; Clowns; Theater; Postmodernism (Literature); Clowns in literature; Fools and jesters in literature; Tricksters in literature; Clowns; Theater; Postmodernism (Literature); Fine Arts; TRAVEL ; Special Interest ; Literary; LITERARY CRITICISM ; General; Clowns; Clowns in literature; Fools and jesters in literature; Postmodernism (Literature); Theater; Tricksters in literature; Conference papers and proceedings; History
    Scope: Online Ressource (233 p.)
    Notes:

    Based on papers from a conference held at the Queen's University of Belfast in September 4-6, 2003. - Includes bibliographical references. - Description based on print version record

  13. Persistence of folly
    on the origins of German dramatic literature
    Published: 2018
    Publisher:  Cornell University Press and Cornell University Library, Ithaca, NY

    The fool at play -- Fabricating comedy and fate of the fool in the age of reform -- Life, theater, and the restoration of the fool -- The vitality of folly in Goethe's Faust and Kleist's Jug "Persistence of Folly revises the conventional... more

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    The fool at play -- Fabricating comedy and fate of the fool in the age of reform -- Life, theater, and the restoration of the fool -- The vitality of folly in Goethe's Faust and Kleist's Jug "Persistence of Folly revises the conventional literary-historical narrative of German theater (and literature) through the lens of the stage fool. Including original interpretations of Goethe's Faust (1808) and Kleist's Broken Jug (1811), this study considers how the stage fool was reworked and redeployed over two centuries, helping to create a German literature of world-historical rank"--Provided by publisher

     

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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1501727125; 1501727133; 9781501727122; 9781501727139
    Series: Signale : modern German letters, cultures, and thought
    Array
    Subjects: German drama; Fools and jesters in literature; German drama (Comedy); German drama; DRAMA ; Continental European; HISTORY ; Europe ; Germany; Fools and jesters in literature; German drama; German drama (Comedy); German drama ; Early modern; Criticism, interpretation, etc
    Scope: 1 Online-Ressource (x, 354 pages)
    Notes:

    Includes bibliographical references and index

  14. The joker
    Author: Eiss, Harry
    Published: 2016
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne, UK

    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781443894296; 144389429X
    Subjects: Fools and jesters in literature
    Scope: Online Ressource, illustrations
    Notes:

    Includes bibliographical references and index. - Online resource; title from PDF title page (EBSCO, viewed June 8, 2016)

  15. Persistence of folly
    on the origins of German dramatic literature
    Published: 2018
    Publisher:  Cornell University Press, Ithaca

    Joel B. Lande’s Persistence of Folly challenges the accepted account of the origins of German theater by focusing on the misunderstood figure of the fool, whose spontaneous and impish jest captivated audiences, critics, and playwrights from the late... more

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    Joel B. Lande’s Persistence of Folly challenges the accepted account of the origins of German theater by focusing on the misunderstood figure of the fool, whose spontaneous and impish jest captivated audiences, critics, and playwrights from the late sixteenth through the early nineteenth century. Lande radically expands the scope of literary historical inquiry, showing that the fool was not a distraction from attempts to establish a serious dramatic tradition in the German language. Instead, the fool was both a fixture on the stage and a nearly ubiquitous theme in an array of literary critical, governmental, moral-philosophical, and medical discourses, figuring centrally in broad-based efforts to assign laughter a proper time, place, and proportion in society.Persistence of Folly reveals the fool as a cornerstone of the dynamic process that culminated in the works of Lessing, Goethe, and Kleist. By reorienting the history of German theater, Lande’s work conclusively shows that the highpoint of German literature around 1800 did not eliminate irreverent jest in the name of serious drama, but instead developed highly refined techniques for integrating the comic tradition of the stage fool.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501727122
    Other identifier:
    Series: Signale: Modern German Letters, Cultures, and Thought
    Subjects: Fools and jesters in literature; German drama (Comedy); German drama; German drama; Fools and jesters in literature.; German drama (Comedy).; German drama.; German drama.; LITERARY CRITICISM / European / German
    Scope: 1 Online-Ressource (x, 354 Seiten)
  16. Shakespeare's great stage of fools
    Published: 2011
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

    Universitätsbibliothek der RWTH Aachen
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  17. <<The>> fool in European theatre
    stages of folly
    Author: Prentki, Tim
    Published: 2012
    Publisher:  Palgrave Macmillan, Basingstoke

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780230357501
    Other identifier:
    Subjects: European drama--History and criticism; Folly in literature; Fools and jesters in literature
    Scope: 240 S.
  18. Shakespeare's great stage of fools
    Published: 2011
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

    Universitätsbibliothek Bielefeld
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    Universitätsbibliothek Paderborn
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780230337725
    Other identifier:
    Subjects: Shakespeare, William, 1564-1616--Characters--Fools; Shakespeare, William, 1564-1616--Characters--Clowns; Fools and jesters in literature; Clowns in literature
    Scope: X, 186 S. : Ill.
  19. LITERATURE AND INTELLECTUAL DISABILITY IN EARLY MODERN ENGLAND
    folly, law and medicine, 1500-1640.
    Published: 2021
    Publisher:  ROUTLEDGE, [S.l.] ; Taylor & Francis Group, London

    "This book discusses how early modern legal and medical definitions of intellectual disability influenced the characterisation of fool characters in early modern English literature"--... more

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    "This book discusses how early modern legal and medical definitions of intellectual disability influenced the characterisation of fool characters in early modern English literature"--...

     

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  20. LITERATURE AND INTELLECTUAL DISABILITY IN EARLY MODERN ENGLAND
    folly, law and medicine, 1500-1640
    Published: 2021
    Publisher:  ROUTLEDGE, [S.l.]

    Introduction: Fools, from Popular Culture to Disability Studies -- Section 1. Law -- The Legal Discourse of 'Idiocy' on the Stage and Page -- 'A fool and his money are soon parted': the Fool and Property -- 'An you knew my properties somebody would... more

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    Introduction: Fools, from Popular Culture to Disability Studies -- Section 1. Law -- The Legal Discourse of 'Idiocy' on the Stage and Page -- 'A fool and his money are soon parted': the Fool and Property -- 'An you knew my properties somebody would ha' me': the Fool as a Ward -- Section 2. Medicine and Physiognomy -- Nature, Wits and Skulls: the Fool's Head -- Intellectual, Sensory and Physical Disability: the Fool's Body and Face -- Rationalising Fools' Disability: Causes and Risk Factors -- Epilogue: Intellectual Disability, Embodiment and Humour in Early Modern Literature.

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781000424973; 1000424979; 9781000424997; 1000424995; 9781003129868; 1003129862
    Other identifier:
    Series: Routledge studies in Renaissance literature and culture
    Subjects: English literature; Fools and jesters in literature; People with mental disabilities in literature; Folly in literature; Law and literature; Literature and medicine; People with mental disabilities; Renaissance; DRAMA / General; HISTORY / Renaissance
    Scope: 1 online resource.
  21. Clowning and authorship in early modern theatre
    Published: 2014
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781107780057
    RVK Categories: HI 1161
    Edition: 1. publ.
    Subjects: English drama; Fools and jesters in literature; Clowns in literature; Clown <Motiv>; Narr <Motiv>; Englisch; Drama
    Scope: 1 Online-Ressource (X, 287 S.), Ill.
    Notes:

    Includes bibliographical references and index

  22. Praisers of Folly
    Erasmus, Rabelais, Shakespeare
    Published: 2014
    Publisher:  Harvard University Press, Cambridge, Mass.

    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674493858
    Other identifier:
    Series: Harvard Studies in Comparative Literature ; 25
    Subjects: Literatur, Rhetorik, Literaturwissenschaft; Fools and jesters in literature; Folly in literature; Narr <Motiv>; Literatur
    Other subjects: Erasmus, Desiderius (1466-1536); Shakespeare, William (1564-1616); Rabelais, François (1490-1553)
    Scope: 1 Online-Ressource (viii, 318 S.)
  23. Persistence of folly
    on the origins of German dramatic literature
    Published: [2018]; © 2018
    Publisher:  Cornell University Press, Ithaca, NY

    Joel B. Lande’s Persistence of Folly challenges the accepted account of the origins of German theater by focusing on the misunderstood figure of the fool, whose spontaneous and impish jest captivated audiences, critics, and playwrights from the late... more

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    Unlimited inter-library loan, copies and loan

     

    Joel B. Lande’s Persistence of Folly challenges the accepted account of the origins of German theater by focusing on the misunderstood figure of the fool, whose spontaneous and impish jest captivated audiences, critics, and playwrights from the late sixteenth through the early nineteenth century. Lande radically expands the scope of literary historical inquiry, showing that the fool was not a distraction from attempts to establish a serious dramatic tradition in the German language. Instead, the fool was both a fixture on the stage and a nearly ubiquitous theme in an array of literary critical, governmental, moral-philosophical, and medical discourses, figuring centrally in broad-based efforts to assign laughter a proper time, place, and proportion in society.Persistence of Folly reveals the fool as a cornerstone of the dynamic process that culminated in the works of Lessing, Goethe, and Kleist. By reorienting the history of German theater, Lande’s work conclusively shows that the highpoint of German literature around 1800 did not eliminate irreverent jest in the name of serious drama, but instead developed highly refined techniques for integrating the comic tradition of the stage fool

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501727122
    Other identifier:
    RVK Categories: GE 4975
    Series: Signale: Modern German letters, cultures, and thought
    Subjects: Fools and jesters in literature; German drama (Comedy); German drama; German drama; Narr <Motiv>; Drama; Deutsch
    Scope: 1 Online-Ressource (xii, 354 Seiten)
  24. Persistence of folly
    on the origins of German dramatic literature
    Published: [2018]
    Publisher:  Cornell University Press, Ithaca ; Walter de Gruyter GmbH, London

    Joel B. Lande’s Persistence of Folly challenges the accepted account of the origins of German theater by focusing on the misunderstood figure of the fool, whose spontaneous and impish jest captivated audiences, critics, and playwrights from the late... more

     

    Joel B. Lande’s Persistence of Folly challenges the accepted account of the origins of German theater by focusing on the misunderstood figure of the fool, whose spontaneous and impish jest captivated audiences, critics, and playwrights from the late sixteenth through the early nineteenth century. Lande radically expands the scope of literary historical inquiry, showing that the fool was not a distraction from attempts to establish a serious dramatic tradition in the German language. Instead, the fool was both a fixture on the stage and a nearly ubiquitous theme in an array of literary critical, governmental, moral-philosophical, and medical discourses, figuring centrally in broad-based efforts to assign laughter a proper time, place, and proportion in society.Persistence of Folly reveals the fool as a cornerstone of the dynamic process that culminated in the works of Lessing, Goethe, and Kleist. By reorienting the history of German theater, Lande’s work conclusively shows that the highpoint of German literature around 1800 did not eliminate irreverent jest in the name of serious drama, but instead developed highly refined techniques for integrating the comic tradition of the stage fool.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501727122
    Other identifier:
    Series: Signale: Modern German Letters, Cultures, and Thought
    Subjects: Fools and jesters in literature; German drama (Comedy); German drama; German drama
    Scope: 1 Online-Ressource (x, 354 Seiten)
    Notes:

    Literaturverzeichnis: Seite [325]-341

  25. Mirages de la farce
    Fête des fous, Bruegel et Molière
    Published: 1991
    Publisher:  John Benjamins Pub. Co, Amsterdam/Philadelphia

    Establishing the notion of reasonable foolishness and foolish reason as a generic principle of the old French farce, Boucquey's study examines the interdependencies among four key mimetic phenomena: the demented universe of the Feast of Fools... more

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    Establishing the notion of reasonable foolishness and foolish reason as a generic principle of the old French farce, Boucquey's study examines the interdependencies among four key mimetic phenomena: the demented universe of the Feast of Fools festival, the genre of the farce, Bruegel's representation of the world, and the euphoric comedies of triumphant madness created by Moliere. This reinterpretation of French farce according to the principle of a topsy-turvy world reveals the link of madness that unites the four modes of production studied, from textual linearity, through representational s

     

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