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  1. Clowning and authorship in early modern theatre
    Author: Preiss, Richard
    Published: 2014
    Publisher:  Cambridge University Press, Cambridge

    "To early modern audiences, the 'clown' was much more than a minor play character. A celebrity performer, he was a one-man sideshow whose interactive entertainments - face-pulling, farce interludes, jigs, rhyming contests with the crowd - were the... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 917912
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2014 A 14506
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    Herzog August Bibliothek Wolfenbüttel
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    "To early modern audiences, the 'clown' was much more than a minor play character. A celebrity performer, he was a one-man sideshow whose interactive entertainments - face-pulling, farce interludes, jigs, rhyming contests with the crowd - were the main event. Clowning epitomised a theatre that was heterogeneous, improvised and participatory, and irreducible to dramatic texts. How, then, did those texts emerge? Why did playgoers buy books that deleted not only the clown, but them as well? Challenging the narrative that clowns were 'banished' by playwrights like Shakespeare and Jonson, Richard Preiss argues that clowns such as Richard Tarlton, Will Kemp and Robert Armin actually made playwrights possible - bridging, through the publication of their routines, the experience of 'live' and scripted performance. Clowning and Authorship tells the story of how, as the clown's presence decayed into print, he bequeathed the new categories around which theatre would organise: the author, and the actor"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107036574
    RVK Categories: HI 1264 ; HI 1161
    Subjects: English drama; Fools and jesters in literature; Clowns in literature
    Scope: x, 287 pages, illustrations, 24 cm
    Notes:

    Includes bibliographical references (pages 239-274) and index

    Machine generated contents note: Introduction: the play is not the thing; 1. What audiences did; 2. Send in the clown; 3. Wiring Richard Tarlton; 4. Nobody's business; 5. Private practice; Epilogue: the principal verb.
  2. Clowning and authorship in early modern theatre
    Author: Preiss, Richard
    Published: 2014
    Publisher:  Cambridge Univ. Press, Cambridge

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    Ruhr-Universität Bochum, Fakultät für Philologie, Englisches Seminar, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781107036574
    Subjects: English drama; Fools and jesters in literature; Clowns in literature
    Scope: X, 287 S., Ill.
  3. Clowning and authorship in early modern theatre
    Author: Preiss, Richard
    Published: 2014
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    "To early modern audiences, the 'clown' was much more than a minor play character. A celebrity performer, he was a one-man sideshow whose interactive entertainments - face-pulling, farce interludes, jigs, rhyming contests with the crowd - were the... more

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    "To early modern audiences, the 'clown' was much more than a minor play character. A celebrity performer, he was a one-man sideshow whose interactive entertainments - face-pulling, farce interludes, jigs, rhyming contests with the crowd - were the main event. Clowning epitomised a theatre that was heterogeneous, improvised and participatory, and irreducible to dramatic texts. How, then, did those texts emerge? Why did playgoers buy books that deleted not only the clown, but them as well? Challenging the narrative that clowns were 'banished' by playwrights like Shakespeare and Jonson, Richard Preiss argues that clowns such as Richard Tarlton, Will Kemp and Robert Armin actually made playwrights possible - bridging, through the publication of their routines, the experience of 'live' and scripted performance. Clowning and Authorship tells the story of how, as the clown's presence decayed into print, he bequeathed the new categories around which theatre would organise: the author, and the actor"..

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781107036574
    RVK Categories: HI 1161
    Edition: 1. publ.
    Subjects: English drama; Fools and jesters in literature; Clowns in literature; Englisch; Drama; Narr <Motiv>; Clown <Motiv>
    Scope: X, 287 S., Ill.
    Notes:

    Includes bibliographical references and index
  4. Clowning and authorship in early modern theatre
    Author: Preiss, Richard
    Published: 2014
    Publisher:  Cambridge Univ. Press, Cambridge

    Location:
    Ruhr-Universität Bochum, Universitätsbibliothek
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    Universitäts- und Landesbibliothek Düsseldorf
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107036574
    Subjects: English drama; Fools and jesters in literature; Clowns in literature
    Scope: X, 287 S. : Ill.
  5. Clowning and authorship in early modern theatre
    Author: Preiss, Richard
    Published: 2014
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Freie Universität Berlin, Universitätsbibliothek
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    Volltext (lizenzpflichtig)
    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781107780057
    RVK Categories: HI 1161
    Edition: 1. publ.
    Subjects: English drama; Fools and jesters in literature; Clowns in literature; Clown <Motiv>; Narr <Motiv>; Englisch; Drama
    Scope: 1 Online-Ressource (X, 287 S.), Ill.
    Notes:

    Includes bibliographical references and index
  6. Clowning and authorship in early modern theatre
    Author: Preiss, Richard
    Published: 2014
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    "To early modern audiences, the 'clown' was much more than a minor play character. A celebrity performer, he was a one-man sideshow whose interactive entertainments - face-pulling, farce interludes, jigs, rhyming contests with the crowd - were the... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "To early modern audiences, the 'clown' was much more than a minor play character. A celebrity performer, he was a one-man sideshow whose interactive entertainments - face-pulling, farce interludes, jigs, rhyming contests with the crowd - were the main event. Clowning epitomised a theatre that was heterogeneous, improvised and participatory, and irreducible to dramatic texts. How, then, did those texts emerge? Why did playgoers buy books that deleted not only the clown, but them as well? Challenging the narrative that clowns were 'banished' by playwrights like Shakespeare and Jonson, Richard Preiss argues that clowns such as Richard Tarlton, Will Kemp and Robert Armin actually made playwrights possible - bridging, through the publication of their routines, the experience of 'live' and scripted performance. Clowning and Authorship tells the story of how, as the clown's presence decayed into print, he bequeathed the new categories around which theatre would organise: the author, and the actor"..

     
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    Verlag (Inhaltsverzeichnis)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9781107036574
    RVK Categories: HI 1161
    Edition: 1. publ.
    Subjects: English drama; Fools and jesters in literature; Clowns in literature; Englisch; Drama; Narr <Motiv>; Clown <Motiv>
    Scope: X, 287 S., Ill.
    Notes:

    Includes bibliographical references and index
  7. Clowning and authorship in early modern theatre
    Author: Preiss, Richard
    Published: 2014
    Publisher:  Cambridge University Press, Cambridge

    "To early modern audiences, the 'clown' was much more than a minor play character. A celebrity performer, he was a one-man sideshow whose interactive entertainments - face-pulling, farce interludes, jigs, rhyming contests with the crowd - were the... more

     

    "To early modern audiences, the 'clown' was much more than a minor play character. A celebrity performer, he was a one-man sideshow whose interactive entertainments - face-pulling, farce interludes, jigs, rhyming contests with the crowd - were the main event. Clowning epitomised a theatre that was heterogeneous, improvised and participatory, and irreducible to dramatic texts. How, then, did those texts emerge? Why did playgoers buy books that deleted not only the clown, but them as well? Challenging the narrative that clowns were 'banished' by playwrights like Shakespeare and Jonson, Richard Preiss argues that clowns such as Richard Tarlton, Will Kemp and Robert Armin actually made playwrights possible - bridging, through the publication of their routines, the experience of 'live' and scripted performance. Clowning and Authorship tells the story of how, as the clown's presence decayed into print, he bequeathed the new categories around which theatre would organise: the author, and the actor"..

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107036574
    RVK Categories: HI 1161
    Subjects: English drama; Fools and jesters in literature; Clowns in literature
    Scope: x, 287 Seiten, Illustrationen
  8. Clowning and authorship in early modern theatre
    Author: Preiss, Richard
    Published: 2014
    Publisher:  Cambridge University Press, Cambridge

    "To early modern audiences, the 'clown' was much more than a minor play character. A celebrity performer, he was a one-man sideshow whose interactive entertainments - face-pulling, farce interludes, jigs, rhyming contests with the crowd - were the... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 917912
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2014 A 14506
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    Herzog August Bibliothek Wolfenbüttel
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    "To early modern audiences, the 'clown' was much more than a minor play character. A celebrity performer, he was a one-man sideshow whose interactive entertainments - face-pulling, farce interludes, jigs, rhyming contests with the crowd - were the main event. Clowning epitomised a theatre that was heterogeneous, improvised and participatory, and irreducible to dramatic texts. How, then, did those texts emerge? Why did playgoers buy books that deleted not only the clown, but them as well? Challenging the narrative that clowns were 'banished' by playwrights like Shakespeare and Jonson, Richard Preiss argues that clowns such as Richard Tarlton, Will Kemp and Robert Armin actually made playwrights possible - bridging, through the publication of their routines, the experience of 'live' and scripted performance. Clowning and Authorship tells the story of how, as the clown's presence decayed into print, he bequeathed the new categories around which theatre would organise: the author, and the actor"--

     
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    Content information
    Verlag (Inhaltsverzeichnis)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107036574
    Other identifier:
    9781107036574
    RVK Categories: HI 1264 ; HI 1161
    Subjects: English drama / History and criticism / Early modern and Elizabethan, 1500-1600; English drama; Fools and jesters in literature; Clowns in literature
    Scope: X, 287 S., Ill.
    Notes:

    Includes bibliographical references and index

    Machine generated contents note: Introduction: the play is not the thing; 1. What audiences did; 2. Send in the clown; 3. Wiring Richard Tarlton; 4. Nobody's business; 5. Private practice; Epilogue: the principal verb.
  9. Clowning and authorship in early modern theatre
    Author: Preiss, Richard
    Published: 2014
    Publisher:  Cambridge University Press, Cambridge

    To early modern audiences, the 'clown' was much more than a minor play character. A celebrity performer, he was a one-man sideshow whose interactive entertainments - face-pulling, farce interludes, jigs, rhyming contests with the crowd - were the... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    To early modern audiences, the 'clown' was much more than a minor play character. A celebrity performer, he was a one-man sideshow whose interactive entertainments - face-pulling, farce interludes, jigs, rhyming contests with the crowd - were the main event. Clowning epitomized a theatre that was heterogeneous, improvised, participatory, and irreducible to dramatic texts. How, then, did those texts emerge? Why did playgoers buy books that deleted not only the clown, but them as well? Challenging the narrative that clowns were 'banished' by playwrights like Shakespeare and Jonson, Richard Preiss argues that clowns such as Richard Tarlton, Will Kemp, and Robert Armin actually made playwrights possible - bridging, through the publication of their routines, the experience of 'live' and scripted performance. Clowning and Authorship tells the story of how, as the clown's presence decayed into print, he bequeathed the new categories around which theatre would organize: the author, and the actor

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139567794
    Other identifier:
    RVK Categories: HI 1161
    Subjects: English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; Fools and jesters in literature; Clowns in literature; Englisch; Narr <Motiv>; Drama; Clown <Motiv>
    Scope: 1 online resource (x, 287 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Machine generated contents note: Introduction: the play is not the thing; 1. What audiences did; 2. Send in the clown; 3. Wiring Richard Tarlton; 4. Nobody's business; 5. Private practice; Epilogue: the principal verb
  10. Clowning and authorship in early modern theatre
    Author: Preiss, Richard
    Published: 2014.
    Publisher:  Cambridge University Press, Cambridge

    To early modern audiences, the 'clown' was much more than a minor play character. A celebrity performer, he was a one-man sideshow whose interactive entertainments - face-pulling, farce interludes, jigs, rhyming contests with the crowd - were the... more

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    To early modern audiences, the 'clown' was much more than a minor play character. A celebrity performer, he was a one-man sideshow whose interactive entertainments - face-pulling, farce interludes, jigs, rhyming contests with the crowd - were the main event. Clowning epitomized a theatre that was heterogeneous, improvised, participatory, and irreducible to dramatic texts. How, then, did those texts emerge? Why did playgoers buy books that deleted not only the clown, but them as well? Challenging the narrative that clowns were 'banished' by playwrights like Shakespeare and Jonson, Richard Preiss argues that clowns such as Richard Tarlton, Will Kemp, and Robert Armin actually made playwrights possible - bridging, through the publication of their routines, the experience of 'live' and scripted performance. Clowning and Authorship tells the story of how, as the clown's presence decayed into print, he bequeathed the new categories around which theatre would organize: the author, and the actor. Machine generated contents note: Introduction: the play is not the thing; 1. What audiences did; 2. Send in the clown; 3. Wiring Richard Tarlton; 4. Nobody's business; 5. Private practice; Epilogue: the principal verb

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781139567794
    Other identifier:
    RVK Categories: HI 1264 ; HI 1161
    Subjects: English drama, Early modern and Elizabethan, 1500-1600; History and criticism.; Clowns in literature; Fools and jesters in literature; Fools and jesters in literature.; Clowns in literature.; English drama; English drama ; Early modern and Elizabethan, 1500-1600 ; History and criticism; Fools and jesters in literature; Clowns in literature
    Scope: 1 Online-Ressource (x, 287 pages), digital, PDF file(s).
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)