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Displaying results 1 to 6 of 6.

  1. Filmwissenschaft - Filmgeschichte
    Studien zu Welles, Hitchcock, Polanski, Pasolini u. Max Steiner
    Author: Fischer, Jens M.
    Published: 1983
    Publisher:  Narr, Tübingen

    Location:
    Universität der Bundeswehr München, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: Undetermined
    Media type: Book
    ISBN: 3878089074
    Series: Medienbibliothek : Ser. B ; 2
    Subjects: Filmmusik; Filmwissenschaft; Filmtheorie; Literatur; Filmästhetik; Film
    Other subjects: Hitchcock, Alfred (1899-1980); Welles, Orson (1915-1985); Polański, Roman (1933-); Pasolini, Pier Paolo (1922-1975); Steiner, Max (1888-1971)
    Scope: 174 S.
  2. JSTOR
    Arts & Sciences III Collection
    Published: 2009-
    Publisher:  JSTOR, New York, NY

    Location:
    Universität der Bundeswehr München, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: Undetermined
    Media type: Book
    Format: Online
    Subjects: Volkskultur; Darstellende Kunst; Filmwissenschaft; Musik; Religionswissenschaft; Literaturwissenschaft; Kunst; Kunstgeschichte; Linguistik; Architektur
    Scope: Online-Ressource
  3. Filmwissenschaft - Filmgeschichte
    Studien zu Welles, Hitchcock, Polanski, Pasolini und Max Steiner
    Author: Fischer, Jens Malte
    Published: 1982
    Publisher:  Narr, Tübingen

    Location:
    Universitätsbibliothek Wuppertal
    Signature:
    KNL2572+1
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Location:
    Universitätsbibliothek Wuppertal
    Signature:
    KNL2572
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: Undetermined
    Media type: Book
    ISBN: 3878089074
    RVK Categories: AP 42800 ; AP 41850 ; AP 44400 ; AP 45000
    Series: MEDIENBIBLIOTHEK : SER. B, STUDIEN ; BD. 2
    Subjects: Film; Filmmusik; Filmwissenschaft; Literatur; Geschichte
    Other subjects: Hitchcock, Alfred (1899-1980); Pasolini, Pier Paolo (1922-1975); Polański, Roman (1933-); Steiner, Max (1888-1971); Welles, Orson (1915-1985)
    Scope: 174 S.
  4. Filmwissenschaft - Filmgeschichte
    Studien zu Welles, Hitchcock, Polanski, Pasolini u. Max Steiner
    Author: Fischer, Jens M.
    Published: 1983
    Publisher:  Narr, Tübingen

    Location:
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: Undetermined
    Media type: Book
    ISBN: 3878089074
    Series: Medienbibliothek : Ser. B ; 2
    Subjects: Filmmusik; Filmwissenschaft; Filmtheorie; Literatur; Filmästhetik; Film
    Other subjects: Hitchcock, Alfred (1899-1980); Welles, Orson (1915-1985); Polański, Roman (1933-); Pasolini, Pier Paolo (1922-1975); Steiner, Max (1888-1971)
    Scope: 174 S.
  5. Taking Offense
    Religion, Art, and Visual Culture in Plural Configurations
    Contributor: Kruse, Christiane (Publisher); Schmitz, Norbert M. (Publisher); Meyer, Birgit (Publisher); Korte, Anne-Marie (Publisher)
    Published: 2018
    Publisher:  Wilhelm Fink Verlag, Paderborn

    What makes an image offensive? - This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding... more

    Location:
    Alice Salomon Hochschule Berlin, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    What makes an image offensive? - This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding of what is at stake in these tensions and debates calls for a multidisciplinary conversation. The authors focus on images that appear to trigger strongly negative reactions; images that are perceived as insulting or offensive; those subject to taboos and restrictions; or those that are condemned as blasphemous. In light of recurrent acts of violence leveled against images and symbols in the contemporary, globally entangled world, addressing instances of "icono-clash" (Bruno Latour) from a new post-secular, global perspective has become a matter of urgency

     
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  6. Taking Offense
    Religion, Art, and Visual Culture in Plural Configurations
    Contributor: Kruse, Christiane (Publisher); Schmitz, Norbert M. (Publisher); Meyer, Birgit (Publisher); Korte, Anne-Marie (Publisher)
    Published: 2018
    Publisher:  Wilhelm Fink Verlag, Paderborn

    What makes an image offensive? - This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding... more

    Location:
    Hochschule Kempten, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Evangelische Hochschule Nürnberg, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Technische Hochschulbibliothek Rosenheim
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    What makes an image offensive? - This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding of what is at stake in these tensions and debates calls for a multidisciplinary conversation. The authors focus on images that appear to trigger strongly negative reactions; images that are perceived as insulting or offensive; those subject to taboos and restrictions; or those that are condemned as blasphemous. In light of recurrent acts of violence leveled against images and symbols in the contemporary, globally entangled world, addressing instances of "icono-clash" (Bruno Latour) from a new post-secular, global perspective has become a matter of urgency

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)