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  1. Femme noir
    bad girls of film
    Published: 1998
    Publisher:  McFarland, Jefferson, NC [u.a.]

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule für Fernsehen und Film, Bibliothek
    No loan of volumes, only paper copies will be sent
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    Content information
  2. Film noir portraits
    Contributor: Nourmand, Tony (Publisher); Duncan, Paul
    Published: 2022
    Publisher:  Reel Art Press, London

    With its singular focus on the very best portrait photography of the 1940s and 1950s Hollywood film noir era, every page of this coffee-table volume is rich in brooding atmosphere. The portraits gathered here, of actors such as Rita Hayworth, Orson... more

    Hochschule für Fernsehen und Film, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    With its singular focus on the very best portrait photography of the 1940s and 1950s Hollywood film noir era, every page of this coffee-table volume is rich in brooding atmosphere. The portraits gathered here, of actors such as Rita Hayworth, Orson Welles, Humphrey Bogart, Lauren Bacall, Barbara Stanwyck, Robert Mitchum, Jane Greer, Gene Tierney, Burt Lancaster, Ava Gardner, Jack Palance, Joan Crawford and Richard Widmark, were taken by premier studio photographers such as Robert Coburn, Ernest Bachrach and A.L. "Whitey" Schafer. Their remarkable ability to exaggerate the play of shadow and light to dramatic effect is the reason that their work still has the same ability to arrest the viewer as it did in the 1940s. The photographs remain some of the most innovative and striking portraits in the history of cinema. Carefully curated, the photographs are taken from the collection of MPTV, one of the world's most exclusive archives of entertainment photography. The book includes many previously unseen images, including hitherto unpublished outtakes from The Night of the Hunter (1955) and Sweet Smell of Success (1957); and classic moments from films such as Gilda (1946), Double Indemnity (1944), The Lady from Shanghai (1947) and celebrated B-noirs such as Gun Crazy (1950) and The Hitch-Hiker (1953). Reel Art Press' exquisite print quality serves to emphasize the timeless power of the black-and-white studio portraiture

     

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  3. Le polar pour les nuls
    Published: [2018]; © 2018
    Publisher:  Éditions First, Paris

    La 4ème de couverture indique : "Le livre qui vous dit tout sur les littératures policières ! Que ce soit Agatha Christie, John le Carré, Stephen King, et plus récemment James Ellroy, ces écrivains aux noms familiers ont un point commun : au travers... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan

     

    La 4ème de couverture indique : "Le livre qui vous dit tout sur les littératures policières ! Que ce soit Agatha Christie, John le Carré, Stephen King, et plus récemment James Ellroy, ces écrivains aux noms familiers ont un point commun : au travers de romans devenus mythiques, ils nous ont tantôt procuré des sueurs froides, tantôt tenus en haleine, tantôt éclairés sur les sombres recoins de l'âme humaine. L'histoire du roman policier, les multiples formes que revêt le genre (roman noir, espionnage, thriller...), les auteurs emblématiques et les héros légendaires, tout ce que vous rêviez de connaître sur le polar est dans ce livre."

     

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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 9782412026915; 2412026912
    RVK Categories: EC 6690 ; IH 2100
    Series: Pour les nuls
    Other subjects: Roman policier / Histoire et critique; Roman noir / Histoire et critique; Films policiers; Roman policier; Films policiers; Roman noir; Films noirs; [Guides pratiques et mémentos]; [Manuels d'enseignement]
    Scope: XX, 376 Seiten, Illustrationen, 19 cm
  4. Film noir portraits
    Contributor: Nourmand, Tony (HerausgeberIn); Duncan, Paul (VerfasserIn von Zusatztexten)
    Published: 2022
    Publisher:  Reel Art Press, London

    With its singular focus on the very best portrait photography of the 1940s and 1950s Hollywood film noir era, every page of this coffee-table volume is rich in brooding atmosphere. The portraits gathered here, of actors such as Rita Hayworth, Orson... more

    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Unlimited inter-library loan, copies and loan

     

    With its singular focus on the very best portrait photography of the 1940s and 1950s Hollywood film noir era, every page of this coffee-table volume is rich in brooding atmosphere. The portraits gathered here, of actors such as Rita Hayworth, Orson Welles, Humphrey Bogart, Lauren Bacall, Barbara Stanwyck, Robert Mitchum, Jane Greer, Gene Tierney, Burt Lancaster, Ava Gardner, Jack Palance, Joan Crawford and Richard Widmark, were taken by premier studio photographers such as Robert Coburn, Ernest Bachrach and A.L. "Whitey" Schafer. Their remarkable ability to exaggerate the play of shadow and light to dramatic effect is the reason that their work still has the same ability to arrest the viewer as it did in the 1940s. The photographs remain some of the most innovative and striking portraits in the history of cinema. Carefully curated, the photographs are taken from the collection of MPTV, one of the world's most exclusive archives of entertainment photography. The book includes many previously unseen images, including hitherto unpublished outtakes from The Night of the Hunter (1955) and Sweet Smell of Success (1957); and classic moments from films such as Gilda (1946), Double Indemnity (1944), The Lady from Shanghai (1947) and celebrated B-noirs such as Gun Crazy (1950) and The Hitch-Hiker (1953). Reel Art Press' exquisite print quality serves to emphasize the timeless power of the black-and-white studio portraiture

     

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    Source: Union catalogues
    Contributor: Nourmand, Tony (HerausgeberIn); Duncan, Paul (VerfasserIn von Zusatztexten)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1909526819; 9781909526815
    RVK Categories: AP 95740
    Edition: First edition
    Subjects: Portrait photography; Black-and-white photography; Film noir; Motion picture actors and actresses; Portraits (Photographie); Photographie en noir et blanc; Films noirs; black-and-white photography; Black-and-white photography; Film noir; Motion picture actors and actresses; Portrait photography; Portraits
    Scope: 255 Seiten
    Notes:

    We had faces / Paul Duncan -- The portraits -- The pictures -- The usual suspects -- The photographers -- Additional captions.