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  1. Paris and the fetish
    primal crime scenes
    Author: Rolls, Alistair
    Published: 2014
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- Acknowledgements -- Please, Let’s Talk about Text -- Paris, Capital of Fetishism: The Fashion of Looking (Again and Again) at the Woman Passing By -- Deciphering the Hieroglyphic in Frédéric Cathala’s L’Arbalète : La vraie vie... more

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    Preliminary Material -- Acknowledgements -- Please, Let’s Talk about Text -- Paris, Capital of Fetishism: The Fashion of Looking (Again and Again) at the Woman Passing By -- Deciphering the Hieroglyphic in Frédéric Cathala’s L’Arbalète : La vraie vie commence -- Not Seeing (and Seeing) the Wolves for the Trees: Unrepresenting Hyperclarity in Fred Vargas’s L’Homme à l’envers -- Roquentin’s Primal Scene, Or What is and What is Not Seen in La Nausée -- Léo Malet’s Troubled Waters, Or How to Have Your Femme Fatale and Kill Her -- Bibliography -- Index. Freud’s 1927 essay on the acquisition of a screen memory, or fetish, allows the subject to come to terms with the traumatic truth that, for him, dominates the present moment (in Freud’s scenario, the truth of mother’s sexuality) by maintaining, alongside and not in place of it, a parallel story of the past (the myth of the phallic mother). In this book Freud’s theory of the fetish, and in particular this way of allowing two opposed and ostensibly mutually exclusive narratives to co-exist, is used to provide a number of Parisian crime texts with radical new solutions. The fetishistic world-view of Charles Baudelaire’s poetics will be shown to provide the template for all overvalued instances of women passing by; notably, it will be seen how the famous assault on one of Christian Dior’s models as she displayed the New Look for the first time in Montmartre in 1947 depends on a fetish erected in the poem “À une passante”. The same Paris streets allow red herrings to be raised to the status of truth in novels by Fred Vargas, Léo Malet and Frédéric Cathala. In these texts the discovery of a primal scene allows doubt to be cast over authorial solutions and new murderers or victims to be found. In the case of Jean-Paul Sartre’s La Nausée , the fetishism at work is shown to have harboured a serial killer where no crime was previously considered to have taken place. In these analyses, fetishism is mapped onto prose poetics, intertextuality and deconstruction in order to challenge the way we read text. More importantly, rereading these texts allows us to see fetishism in a new light as a force for positive, creative acts of meaning-making

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789401210263
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    Series: Chiasma ; 33
    Subjects: Fetishism in literature; Fetishism; Crime in literature; Crime in literature; Fetishism; Fetishism in literature
    Scope: 1 Online-Ressource (181 pages)
    Notes:

    Includes bibliographical references and index
  2. Polish queer modernism
    Author: Sobolczyk, Piotr
    Published: 2015
    Publisher:  PETER LANG EDITION, Frankfurt am Main

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  3. Fetishism as cultural discourse
    Published: 1993
    Publisher:  Cornell Univ. Press, Ithaca u.a.

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0801425220
    RVK Categories: BE 2330 ; MS 1290
    Edition: 1. publ.
    Subjects: Fetishism; Kunstpsychologie; Erotische Kunst; Avantgarde; Ästhetik; Fetischismus; Ikonographie
    Other subjects: Kelly, Mary <1941->; Mapplethorpe, Robert <1946-1989>; Marx, Karl; Marx, Karl, 1818-1883; Marx, Karl <1818-1883>: Kapital
    Scope: XI, 393 S., Ill.
  4. Paris and the fetish
    primal crime scenes
    Published: 2014
    Publisher:  Rodopi, Amsterdam

    Freud's 1927 essay on the acquisition of a screen memory, or fetish, allows the subject to come to terms with the traumatic truth that, for him, dominates the present moment (in Freud's scenario, the truth of mother's sexuality) by maintaining,... more

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    Freud's 1927 essay on the acquisition of a screen memory, or fetish, allows the subject to come to terms with the traumatic truth that, for him, dominates the present moment (in Freud's scenario, the truth of mother's sexuality) by maintaining, alongside and not in place of it, a parallel story of the past (the myth of the phallic mother). In this book Freud's theory of the fetish, and in particular this way of allowing two opposed and ostensibly mutually exclusive narratives to co-exist, is used to provide a number of Parisian crime texts with radical new solutions. The fetishistic world-view

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789401210263; 9401210268; 1306454816; 9781306454810
    Series: Chiasma 1380-7811 ; 33
    Chiasma ; 33
    Subjects: Fetishism; Crime in literature; Fetishism in literature; Fetishism; Crime in literature; LITERARY CRITICISM ; European ; French; Crime in literature; Fetishism; Fetishism in literature
    Scope: Online Ressource
    Notes:

    Includes bibliographical references and index. - Print version record
  5. Polish queer modernism
    Author: Sobolczyk, Piotr
    Published: 2015
    Publisher:  PETER LANG EDITION, Frankfurt am Main

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783631662762; 3631662769
    Other identifier:
    9783631662762
    DDC Categories: 491.8
    Series: Polish studies - transdisciplinary perspectives ; Volume 14
    Subjects: Polnisch; Literatur; Queer-Theorie; Homosexualität <Motiv>; Modernismus
    Other subjects: Psychoanalysis; Fetishism; 19.02.04: Slavistik und Baltistik, Balkanistik; Polnische Sprach- und Literaturwiss; Male Homosexuality
    Scope: 251 Seiten
  6. Fetishism and Culture
    A Different Theory of Modernity
    Author: Böhme, Hartmut
    Published: 2014
    Publisher:  De Gruyter, Berlin [u.a.]

    Hartmut Böhme's study of fetishism spans all the way from Christian image magic in the Middle Ages to fetishistic practices in fashion, advertising, sport and popular culture today. In it he provides a thorough exploration of religion, magic,... more

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    Hartmut Böhme's study of fetishism spans all the way from Christian image magic in the Middle Ages to fetishistic practices in fashion, advertising, sport and popular culture today. In it he provides a thorough exploration of religion, magic, idolatry, sexuality and consumption, charting the mental, scientific and artistic processes through which fetishism became a central category in European culture's account of itself

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110303452
    Other identifier:
    RVK Categories: EC 5410
    Series: De Gruyter eBook-Paket Literaturwissenschaft
    Subjects: Fetishism; Europe -- Civilization; Fetishism.; Civilization.; Fetishism.; Sozialwissenschaften, Soziologie, Anthropologie.; LITERARY CRITICISM / General
    Scope: Online-Ressource (431 S.)
  7. Art history and fetishism abroad
    global shiftings in media and methods
    Contributor: Genge, Gabriele (Herausgeber); Stercken, Angela (Herausgeber)
    Published: 2014
    Publisher:  Transcript, Bielefeld

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  8. Art history and fetishism abroad
    global shiftings in media and methods
    Contributor: Genge, Gabriele (HerausgeberIn); Stercken, Angela (HerausgeberIn)
    Published: 2014
    Publisher:  transcript, Bielefeld

    By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic... more

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    By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic and cultural practice from the heyday of colonial expansion until today. They show that in becoming vehicles and agents of transculturality, so called »fetishes« take shape in the 17th to 19th century aesthetics, psychology and ethnography - and furthermore inspire a recent discourse on magical practice and its secular meanings requiring altered art historical approaches and methods

     
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    Source: Union catalogues
    Contributor: Genge, Gabriele (HerausgeberIn); Stercken, Angela (HerausgeberIn)
    Language: English
    Media type: Conference proceedings
    Format: Online
    ISBN: 9783839424117; 9783837624113
    Other identifier:
    RVK Categories: LC 40465 ; LO 90850
    Corporations / Congresses: International Conference "Between Fetish and Art" (2011, Duisburg; Essen; Bochum)
    Series: Image ; volume 54
    Subjects: Fetishism in art; Fetishism in art.; Fetisch.; Kunst.; Künste, Bildende Kunst allgemein.; Medien.; Art History, Fetishism, Culture, Object, Thingness, Visual Studies, Transculturality, Arts, Postcolonialism, Cultural History, Ethnology, Fine Arts; ART / History / General
    Other subjects: Arts; Cultural History; Culture; Ethnology; Fetishism; Fine Arts; Object; Postcolonialism; Thingness; Transculturality; Visual Studies
    Scope: 1 Online-Ressource (324 Seiten)
    Notes:

    Aus dem Impressum: "The essays collected in this publication are based on contributions to the international conference "Between Fetish and Art" which was held in January 2011 at the Duisburg-Essen University and the Ruhr University of Bochum [...]"

    cover Art History and Fetishism Abroad. Global Shiftings in Media and Methods; Content; Preface; Being Abroad - an Introduction; Phenomenologies; Survival of Images? Fetish and the Concept of the Image between West Africa and Europe; Speared Heads. Portraits as Things in 20th-Century Sculpture; Fetishism from the Space of Bowdich's Mission from Cape Coast Castle to Ashantee to the Time of Erasmus Osei Owusu's (film) Obidi? Aba: Time Will Tell; Production of Knowledge; Currency Affairs. Photography and Productivity

    Transcultural Interpretation and the Production of Alterity: Photography, Materiality, and Mediation in the Making of "African Art"[Arte]Fact, Object, Image. Jean-Michel Basquiat's Archives of the Black Atlantic; On a Pedestal? On the Problem of the Sculptural as a Category of Perception for Islamic Objects; Under the Influence of Things; Bocio. From nothingness to Liminality and Minimality; Encounters with Masks: Counter-Primitivism in 20th-Century Black Art; Fetishising Modernity: Bricolage Revisited; Fixing Shadows: Photography Beyond the Indexical; Politics of Identity

    Incorporations of the Other - Exotic Objects, Tropicalism, and AnthropophagyThe Court in Dakar. Political Aesthetics in the Post-Colony; Monumentality and Transnationality: The Fascination with Gigantic Ding Bronze Vessels in Modern China; Why Have There Been No Great Forgeries? Collectors, Artefacts, and the Question of Originality; Biographical Notes
  9. Art History and Fetishism Abroad
    Global Shiftings in Media and Methods
    Contributor: Genge, Gabriele (Herausgeber); Stercken, Angela (Herausgeber)
    Published: 2014
    Publisher:  transcript Verlag, Bielefeld

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  10. Polish queer modernism
    Author: Sobolczyk, Piotr
    Published: [2015]
    Publisher:  Peter Lang Edition, Frankfurt am Main

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  11. Paris and the fetish
    primal crime scenes
    Author: Rolls, Alistair
    Published: 2014
    Publisher:  Rodopi, Amsterdam [u.a.]

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789042037779
    Series: Chiasma ; 33
    Subjects: Fetishism in literature; Fetishism; Crime in literature
    Scope: 181 S., 22 cm
  12. Fetishism as cultural discourse
    Published: 1993
    Publisher:  Cornell Univ. Press, Ithaca u.a.

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 0801425220
    RVK Categories: BE 2330 ; MS 1290
    Edition: 1. publ.
    Subjects: Fetishism; Kunstpsychologie; Erotische Kunst; Avantgarde; Ästhetik; Fetischismus; Ikonographie
    Other subjects: Kelly, Mary <1941->; Mapplethorpe, Robert <1946-1989>; Marx, Karl; Marx, Karl, 1818-1883; Marx, Karl <1818-1883>: Kapital
    Scope: XI, 393 S., Ill.
  13. Who's Zoomin' Who? Bhagavadgītā Recensions in India and Germany
    Author: Bagchee, Joydeep; Adluri, Vishwa
    Published: [2016]

    This article discusses the political and theological ends to which the thesis of different "recensions" of the Bhagavadgītā were put in light of recent work on the search for an "original" Gītā (Adluri, Vishwa and Joydeep Bagchee, 2014, The Nay... more

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    This article discusses the political and theological ends to which the thesis of different "recensions" of the Bhagavadgītā were put in light of recent work on the search for an "original" Gītā (Adluri, Vishwa and Joydeep Bagchee, 2014, The Nay Science: A History of German Indology; Adluri, Vishwa and Joydeep Bagchee, 2016a, Paradigm Lost: The Application of the Historical-Critical Method to the Bhagavad Gītā). F. Otto Schrader in 1930 argued that the "Kashmir recension" of the Bhagavadgītā represented an older and more authentic tradition of the Gītā than the vulgate text (1930, 8, 10). In reviews of Schrader's work, Franklin Edgerton (Journal of the American Oriental Society 52: 68-75, 1932) and S. K. Belvalkar (New Indian Antiquary 2: 211-51, 1939a) both thought that the balance of probabilities was rather on the side of the vulgate. In a trenchant critique, Edgerton took up Schrader's main arguments for the originality of the variant readings or extra verses of the Kashmir version (2.5, 11; 6.7; 1.7; 3.2; 5.21; 18.8; 6.16; 7.18; 11.40, 44; 13.4; 17.23; 18.50, 78) and dismissed them out of hand (1932, 75). Edgerton's assessment was reinforced by Belvalkar, who included a survey of various other "versions" of the Gītā in existence, either by hearsay or imitation. Belvalkar was especially hostile to the possibility of a Kashmir recension, because, as he noted, "once Schrader's thesis is accepted as proved, it raises the possibility of other recensions of the Poem being current at different times in different parts of India" (1939a, 212). Belvalkar was consequent in following this assessment in the Critical Edition of the Bhagavadgītā, and the text reprinted there is essentially that of Sa?kara's eighth-century commentary. Yet, the publication of the Critical Edition has not sufficed to end the controversy, as witnessed by the latest spate of works (Vedavyas, E, 1990, Ancient Bhagavad Gita: Original Text of 745 verses, with Critical Introduction) (Bhattacharjya, Sunil Kumar, 2013, The Original Bhagavadgītā. Complete with 745 Verses) that claim to have discovered the "original" Gītā. In light of these attempts, we raise the question: why is there such interest in identifying versions of the text at variance from the normative one? And why do Indologists, in the name of "critical" scholarship, continue to welcome the creation of apocryphal versions of Indian texts? We suggest that there is a historical link between German Indology's emphasis on creating new texts and German Protestantism.

     
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: Enthalten in: International journal of Dharma Studies; Berlin : SpringerOpen, 2013; 4 (2016) article 4; Online-Ressource

    Subjects: Critical Edition; Epistemic Authority; Fetishism; Variant Reading; Verse
  14. Fetishism and Culture
    A Different Theory of Modernity
    Author: Böhme, Hartmut
    Published: 2014
    Publisher:  De Gruyter, Berlin [u.a.]

    Hartmut Böhme's study of fetishism spans all the way from Christian image magic in the Middle Ages to fetishistic practices in fashion, advertising, sport and popular culture today. In it he provides a thorough exploration of religion, magic,... more

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    Hartmut Böhme's study of fetishism spans all the way from Christian image magic in the Middle Ages to fetishistic practices in fashion, advertising, sport and popular culture today. In it he provides a thorough exploration of religion, magic, idolatry, sexuality and consumption, charting the mental, scientific and artistic processes through which fetishism became a central category in European culture's account of itself

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110303452
    Other identifier:
    RVK Categories: EC 5410
    Series: De Gruyter eBook-Paket Literaturwissenschaft
    Subjects: Fetishism; Europe -- Civilization; Fetishism.; Civilization.; Fetishism.; Sozialwissenschaften, Soziologie, Anthropologie.; LITERARY CRITICISM / General
    Scope: Online-Ressource (431 S.)
  15. Fetishism and curiosity
    Author: Mulvey, Laura
    Published: 1996
    Publisher:  Indiana University Press, Bloomington, Ind. [u.a.] ; BFI Pub, London

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0253332117; 0253210194; 0851705480; 0851705472
    Edition: 1. publ.
    Series: Perspectives
    Subjects: Motion pictures; Fetishism; Feminism and motion pictures; Cinema
    Scope: XV, 188 S., 25 cm
    Notes:

    At foot of title page: British Film Institute
  16. Paris and the fetish
    primal crime scenes
    Author: Rolls, Alistair
    Published: 2014
    Publisher:  Rodopi, Amsterdam [u.a.]

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789042037779
    Series: Chiasma ; 33
    Subjects: Fetishism in literature; Fetishism; Crime in literature
    Scope: 181 S., 22 cm
  17. Fetishism and culture
    a different theory of modernity
    Author: Böhme, Hartmut
    Published: 2014
    Publisher:  De Gruyter, Berlin [u.a.]

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    Content information
    Source: Union catalogues
    Contributor: Böhme, Hartmut
    Language: English
    Media type: Book
    Format: Print
    ISBN: 3110303345; 9783110303346
    Other identifier:
    9783110303346
    RVK Categories: AP 13550 ; CC 8200 ; EC 5410
    Subjects: Fetishism
    Scope: VIII, 431 S., 23 cm
    Notes:

    Literaturangaben
  18. Art History and Fetishism Abroad
    Global Shiftings in Media and Methods
    Contributor: Genge, Gabriele (HerausgeberIn)
    Published: 2014
    Publisher:  transcript Verlag, Bielefeld

    By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic... more

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    By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic and cultural practice from the heyday of colonial expansion until today. They show that in becoming vehicles and agents of transculturality, so called »fetishes« take shape in the 17th to 19th century aesthetics, psychology and ethnography - and furthermore inspire a recent discourse on magical practice and its secular meanings requiring altered art historical approaches and methods. By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic and cultural practice from the heyday of colonial expansion until today. They show that in becoming vehicles and agents of transculturality, so called »fetishes« take shape in the 17th to 19th century aesthetics, psychology and ethnography - and furthermore inspire a recent discourse on magical practice and its secular meanings requiring altered art historical approaches and methods. Gabriele Genge is professor and chairholder of Art History and Theory at the University Duisburg-Essen (Germany). Her researches focus on visual culture from 18th to 21st centuries, on art and ethnography, modernism and postcolonialism. Angela Stercken (PhD) is art historian, curator, and writer focusing on art from the 19th to 21st centuries, exploring subjects such as the theory of image, the history of exhibition and the museum, the theory of art, space and technology, contemporary conceptual and digital art and transcultural processes.

     
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  19. The returns of fetishism
    Charles de Brosses and the afterlives of an idea
    Author: Brosses, Charles de; Morris, Rosalind C.
    Published: 2017
    Publisher:  The University of Chicago Press, Chicago

    "Fetishism (supposing that it existed)": a preface to the translation of Charles de Brosses's Transgression / Rosalind C. Morris -- Introduction: fetishism, figurism, and myths of enlightenment / Daniel H. Leonard -- A note on the translation /... more

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    "Fetishism (supposing that it existed)": a preface to the translation of Charles de Brosses's Transgression / Rosalind C. Morris -- Introduction: fetishism, figurism, and myths of enlightenment / Daniel H. Leonard -- A note on the translation / Daniel H. Leonard -- On the worship of fetish gods; or, a parallel of the ancient religion of Egypt with the present religion of Nigritia / Charles de Brosses ; translated by Daniel H. Leonard -- After De Brosses: fetishism, translation, comparativism, critique / Rosalind C. Morris -- A fetiche is a fetiche: no knowledge without difference of the word: rereading De Brosses -- Excursus: recontextualizing De Brosses, with Pietz in and out of Africa -- Re Kant and the good fetishists among us -- Hegel: back to the heart of darkness -- Fetishism against itself; or, Marx's two fetishisms -- The great fetish; or, the fetishism of the one -- Freud and the return to the dark continent: the other fetish -- Conjuncture: Freud and Marx, via Lacan -- Anthropology's fetishism: the custodianship of reality -- Fetishism reanimated: surrealism, ethnography, and the war against decay -- Deconstruction's fetish: undecidable, or the mark of Hegel -- Rehistoricizing generalized fetishism: the era of objects -- Anthropological redux: the reality of fetishism -- The fetish is dead, long live fetishism

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Leonard, Daniel H. (VerfasserIn einer Einleitung, ÜbersetzerIn); Brosses, Charles de; Brosses, Charles de
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226464756; 9780226464619
    RVK Categories: BE 2330 ; LC 40000
    Subjects: Fetishism; Fetishes (Ceremonial objects)
    Scope: xvi, 425 Seiten
    Notes:

    Includes bibliographical references and index

    Charles de Brosses: On the worship of fetish gods, or, A parallel of the Ancient religion of Egypt with the present religion of Nigritia