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  1. Warriors, witches, whores
    women in Israeli cinema
    Author: Harris, Rachel S.
    Published: [2017]; © 2017
    Publisher:  Wayne State University Press, Detroit

    Warriors, Witches, Whores: Women in Israeli Cinema' is a feminist study of Israel?s film industry and the changes that have occurred since the 1990s. Working in feminist film theory, the book adopts a cultural studies approach, considering the... more

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    Bayerische Staatsbibliothek
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    Bibliotheksverbund Bayern (BVB)

     

    Warriors, Witches, Whores: Women in Israeli Cinema' is a feminist study of Israel?s film industry and the changes that have occurred since the 1990s. Working in feminist film theory, the book adopts a cultural studies approach, considering the creation of a female-centered and thematically feminist film culture in light of structural and ideological shifts in Israeli society. Author Rachel S. Harris situates these changes in dialogue with the cinematic history that preceded them and the ongoing social inequalities that perpetuate women?s marginalization within Israeli society

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780814339671; 0814339670
    RVK Categories: AP 59767 ; AP 57100 ; MS 3010
    Series: Contemporary approaches to film and media series
    Subjects: Motion pictures; Feminism and motion pictures; Motion pictures; Women in motion pictures; Kino; Frau <Motiv>
    Scope: xi, 324 Seiten, Illustrationen, 23 cm
    Notes:

    Includes bibliographical references (283-291), filmography (pages 277-282), and index
  2. Warriors, witches, whores
    women in Israeli cinema
    Author: Harris, Rachel S.
    Published: [2017]; © 2017
    Publisher:  Wayne State University Press, Detroit

    Warriors, Witches, Whores: Women in Israeli Cinema' is a feminist study of Israel?s film industry and the changes that have occurred since the 1990s. Working in feminist film theory, the book adopts a cultural studies approach, considering the... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Warriors, Witches, Whores: Women in Israeli Cinema' is a feminist study of Israel?s film industry and the changes that have occurred since the 1990s. Working in feminist film theory, the book adopts a cultural studies approach, considering the creation of a female-centered and thematically feminist film culture in light of structural and ideological shifts in Israeli society. Author Rachel S. Harris situates these changes in dialogue with the cinematic history that preceded them and the ongoing social inequalities that perpetuate women?s marginalization within Israeli society

     
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    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780814339671; 0814339670
    RVK Categories: AP 59767 ; AP 57100 ; MS 3010
    Series: Contemporary approaches to film and media series
    Subjects: Motion pictures; Feminism and motion pictures; Motion pictures; Women in motion pictures; Kino; Frau <Motiv>
    Scope: xi, 324 Seiten, Illustrationen, 23 cm
    Notes:

    Includes bibliographical references (283-291), filmography (pages 277-282), and index
  3. Gender meets genre in postwar cinemas
    Contributor: Gledhill, Christine (Herausgeber)
    Published: 2017
    Publisher:  University of Illinois Press, Urbana ; Oxford University Press, Oxford

    This collection challenges traditional ways of thinking about the relationship between genre and gender, understanding their meeting as a mutually transformative encounter. more

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    This collection challenges traditional ways of thinking about the relationship between genre and gender, understanding their meeting as a mutually transformative encounter.

     
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    Source: Union catalogues
    Contributor: Gledhill, Christine (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780252093661
    Other identifier:
    RVK Categories: AP 50300 ; AP 47950
    Subjects: Film; Geschlechterrolle <Motiv>; Frau <Motiv>; Feminismus; Filmgenre; Geschlecht <Motiv>; Sex role in motion pictures; Motion pictures and women; Feminism and motion pictures; Film genres; Women in motion pictures; Men in motion pictures
    Scope: 1 Online-Ressource, Illustrations (black and white)
    Notes:

    Previously issued in print: 2012

    Includes bibliographical references and index
  4. The body and the screen
    female subjectivities in contemporary women's cinema
    Author: Ince, Kate
    Published: 2017
    Publisher:  Bloomsbury Academic, New York ; London ; Oxford ; New Delhi ; Sydney

    Location:
    Universitätsbibliothek Bayreuth
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    Volltext (URL des Erstveröffentlichers)
  5. The body and the screen
    female subjectivities in contemporary women's cinema
    Author: Ince, Kate
    Published: 2017
    Publisher:  Bloomsbury Academic, New York ; London ; Oxford ; New Delhi ; Sydney

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
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    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781623562922; 9781623565817
    RVK Categories: AP 50300 ; AP 51800 ; MS 3010
    Series: Thinking cinema ; Volume 5
    Subjects: Film; Women in motion pictures; Motion pictures; Motion pictures; Women motion picture producers and directors; Women motion picture producers and directors; Feminist films; Feminist films; Feminism and motion pictures; Feminism and motion pictures; Frauenfilm; Regisseurin; Film; Frau <Motiv>; Subjektivität
    Scope: vii, 194 Seiten
    Notes:

    Includes bibliographical references and index. - Includes filmography
  6. Mad mädchen
    feminism and generational conflict in recent German literature and film
    Author: McCarthy, Margaret
    Published: 2017
    Publisher:  Berghahn Books, New York ; Oxford

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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  7. Mad Mädchen
    Feminism and Generational Conflict in Recent German Literature and Film
    Author: McCarthy, Margaret
    Published: [2017]; ©2017
    Publisher:  Berghahn Books, New York

    The last two decades have been transformational, often discordant ones for German feminism, as a new cohort of activists has come of age and challenged many of the movement’s strategic and philosophical orthodoxies. Mad Mädchen offers an incisive... more

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    Universitätsbibliothek Braunschweig
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    HafenCity Universität Hamburg, Bibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    Technische Universität Hamburg, Universitätsbibliothek
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
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    The last two decades have been transformational, often discordant ones for German feminism, as a new cohort of activists has come of age and challenged many of the movement’s strategic and philosophical orthodoxies. Mad Mädchen offers an incisive analysis of these trans-generational debates, identifying the mother-daughter themes and other tropes that have defined their representation in German literature, film, and media. Author Margaret McCarthy investigates female subjectivity as it processes political discourse to define itself through both differences and affinities among women. Ultimately, such a model suggests new ways of re-imagining feminist solidarity across generational, ethnic, and racial lines

     
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  8. Neo-Victorianism on screen
    postfeminism and contemporary adaptations of Victorian women
    Author: Primorac, Antonija
    Published: 2017
    Publisher:  Palgrave Macmillan, Cham

    Intro -- Acknowledgements -- Contents -- List of Figures -- Chapter 1 Introduction: Neo-Victorianism on Screen and Postfeminist Media Culture -- Works Cited -- Chapter 2 Postfeminism and Screen Adaptations of Sherlock Holmes Stories: The Case of... more

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    Universitätsbibliothek Leipzig
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    Hochschulbibliothek Friedensau
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    Intro -- Acknowledgements -- Contents -- List of Figures -- Chapter 1 Introduction: Neo-Victorianism on Screen and Postfeminist Media Culture -- Works Cited -- Chapter 2 Postfeminism and Screen Adaptations of Sherlock Holmes Stories: The Case of Irene Adler -- Postfeminism and Contemporary Anglophone Media -- Irene Adler, the Victorian Heroine -- A Shape-Shifting Sleuth: Irene Adler in Neo-Victorian Fiction -- Guy Ritchie's 'Dangerously Alluring' Adler -- It's Raining Women: Adler, Watson and Moriarty as Women in Elementary -- Naked Female Body as a Battledress: Postfeminist Irene Adler in Sherlock -- From Nudity to Hijab: Neo-Victorian Orientalist Postfeminism -- Conclusion -- Works Cited -- Chapter 3 Re-presenting the Past: Gender, Colonial Space and Cultural Nostalgia in Neo-Victorianism on Screen -- Theorizing the Nostalgic Longing for the Past -- From Heritage Cinema Proper to Post-Heritage -- Orientalism and Post-Heritage Film -- The Challenges of Adapting Neo-Victorian Fiction to Screen -- Two Square Pegs and the Language of Clothes -- The Hidden History of Bloomers -- Bloomers and the Language of Clothes in Armstrong's Oscar and Lucinda -- Post-Heritage to Anti-heritage? -- Neo-Victorianism as Alternative Heritage -- Crime in the Victorian China Town: 'Our Chickens Come Home to Roost' -- Works Cited -- Chapter 4 In the Grip of the Corset: Women as Caged Birds in Contemporary Victoriana on Screen -- Stuck in the Tight-Laced Middle -- Corseted Women, Caged Birds -- The Caged Bird Sings: Victorians in Moulin Rouge! and Sweeney Todd -- Subversive Crinolines? Jane Campion's The Piano -- Conclusion: Staging the Caged Bird's Flight in the Crimson Petal and the White -- Works Cited -- Chapter 5 Re-fashioning Victorian Heroines and Family Relations: Tailoring and Shape-Shifting as Queer Adaptation and Appropriation Curiouser and Curiouser: Queer Adaptation of Lewis Carroll's Alice Books -- Pennies from Hell? -- Sisters, Mothers, 'Pals' and the Possibility of Queer Happy Endings -- Works Cited -- Chapter 6 Conclusion: No Country for Old Women -- Works cited -- Index

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783319645599
    RVK Categories: HO 11420 ; AP 47600 ; HN 1101
    Series: Palgrave studies in adaptation and visual culture
    Subjects: English fiction-19th century-Film adaptations; English fiction-19th century-Television adaptations; Feminism and motion pictures
    Scope: 1 Online-Ressource (xi, 201 Seiten), Illustrationen
  9. Mad Mädchen
    Feminism and Generational Conflict in Recent German Literature and Film
    Author: McCarthy, Margaret
    Published: [2017]; © 2017
    Publisher:  Berghahn Books, New York ; Oxford

    The last two decades have been transformational, often discordant ones for German feminism, as a new cohort of activists has come of age and challenged many of the movement's strategic and philosophical orthodoxies. Mad Mädchen offers an incisive... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    The last two decades have been transformational, often discordant ones for German feminism, as a new cohort of activists has come of age and challenged many of the movement's strategic and philosophical orthodoxies. Mad Mädchen offers an incisive analysis of these trans-generational debates, identifying the mother-daughter themes and other tropes that have defined their representation in German literature, film, and media. Author Margaret McCarthy investigates female subjectivity as it processes political discourse to define itself through both differences and affinities among women. Ultimately, such a model suggests new ways of re-imagining feminist solidarity across generational, ethnic, and racial lines

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781785335709
    Other identifier:
    Subjects: SOCIAL SCIENCE / Feminism & Feminist Theory; Feminism and literature; Feminism and motion pictures; German literature; German literature; Motion pictures; Motion pictures; Women in literature; Women in motion pictures
    Scope: 1 Online-Ressource (270 Seiten)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022)
  10. Mad Mädchen
    Feminism and Generational Conflict in Recent German Literature and Film
    Author: McCarthy, Margaret
    Published: [2017]; © 2017
    Publisher:  Berghahn Books, New York ; Oxford

    The last two decades have been transformational, often discordant ones for German feminism, as a new cohort of activists has come of age and challenged many of the movement's strategic and philosophical orthodoxies. Mad Mädchen offers an incisive... more

     

    The last two decades have been transformational, often discordant ones for German feminism, as a new cohort of activists has come of age and challenged many of the movement's strategic and philosophical orthodoxies. Mad Mädchen offers an incisive analysis of these trans-generational debates, identifying the mother-daughter themes and other tropes that have defined their representation in German literature, film, and media. Author Margaret McCarthy investigates female subjectivity as it processes political discourse to define itself through both differences and affinities among women. Ultimately, such a model suggests new ways of re-imagining feminist solidarity across generational, ethnic, and racial lines

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781785335709
    Other identifier:
    Subjects: SOCIAL SCIENCE / Feminism & Feminist Theory; Feminism and literature; Feminism and motion pictures; German literature; German literature; Motion pictures; Motion pictures; Women in literature; Women in motion pictures
    Scope: 1 Online-Ressource (270 Seiten)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022)
  11. The body and the screen
    female subjectivities in contemporary women's cinema
    Author: Ince, Kate
    Published: 2017
    Publisher:  Bloomsbury Academic, New York ; London ; Oxford ; New Delhi ; Sydney

    Location:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Verlag (Inhaltsverzeichnis)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9781623562922; 9781623565817
    RVK Categories: AP 50300 ; AP 51800 ; MS 3010
    Series: Thinking cinema ; Volume 5
    Subjects: Film; Women in motion pictures; Motion pictures; Motion pictures; Women motion picture producers and directors; Women motion picture producers and directors; Feminist films; Feminist films; Feminism and motion pictures; Feminism and motion pictures; Frauenfilm; Regisseurin; Film; Frau <Motiv>; Subjektivität
    Scope: vii, 194 Seiten
    Notes:

    Includes bibliographical references and index. - Includes filmography
  12. The body and the screen
    female subjectivities in contemporary women's cinema
    Author: Ince, Kate
    Published: 2017
    Publisher:  Bloomsbury Academic, New York ; London ; Oxford ; New Delhi ; Sydney

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Volltext (URL des Erstveröffentlichers)
  13. The body and the screen
    female subjectivity in contemporary women's cinema
    Author: Ince, Kate
    Published: 2017
    Publisher:  Bloomsbury Academic, New York ; Bloomsbury Publishing, London

    "Since the 1980s the number of women regularly directing films has increased significantly in most Western countries; in France, Claire Denis and Catherine Breillat have joined Agns̈ Varda in gaining international renown, while British directors... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    "Since the 1980s the number of women regularly directing films has increased significantly in most Western countries; in France, Claire Denis and Catherine Breillat have joined Agns̈ Varda in gaining international renown, while British directors Lynne Ramsay and Andrea Arnold have forged award-winning careers in feature film. This new volume in the "Thinking Cinema" series draws on feminist philosophers and theorists from Simone de Beauvoir on to offer readings of a range of the most important and memorable of these films from the 1990s and 2000s, focusing as it does so on how the films convey women's lives and identities. Mainstream entertainment cinema traditionally distorts the representation of women, objectifying their bodies, minimizing their agency, and avoiding the most important questions about how cinema can "do justice" to female subjectivity. Kate Ince suggests that the films of independent women directors are progressively redressing the balance, reinvigorating both the narratives and the formal ambitions of European cinema. Ince uses feminist philosophers to interpret such films as Sex Is Comedy, Morvern Callar, White Material, and Fish Tank anew, suggesting that a philosophical understanding of female subjectivity as embodied and ethical should underpin future feminist film study."--Bloomsbury Publishing Female subjectivity in philosophy and theory -- Feminist film studies and women's cinema after psychoanalysis -- Body -- Look -- Speech -- Performance -- Desire -- Freedom -- Conclusion

     
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  14. Mad mädchen
    feminism and generational conflict in recent German literature and film
    Author: McCarthy, Margaret
    Published: 2017
    Publisher:  Berghahn Books, New York ; Oxford

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9781785335693
    RVK Categories: AP 50300 ; AP 59410
    Subjects: Film; Geschichte; German literature; Women in literature; German literature; Feminism and literature; Motion pictures; Women in motion pictures; Feminism and motion pictures; Motion pictures; Tochter <Motiv>; Deutsch; Literatur; Frau <Motiv>; Feminismus; Film; Generationskonflikt; Mutter <Motiv>
    Scope: xi, 258 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  15. Mad Mädchen
    feminism and generational conflict in recent German literature and film
    Author: McCarthy, Margaret
    Published: 2017
    Publisher:  Berghahn, New York

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781785335693; 9781785335709
    RVK Categories: GO 16006
    Subjects: German literature; Women in literature; Feminism and literature; Motion pictures; Women in motion pictures; Feminism and motion pictures
    Scope: xi, 258 Seiten, Illustrationen, 24 cm
    Notes:

    Literaturverzeichnis: Seite [237]-248
  16. Mad Mädchen
    feminism and generational conflict in recent German literature and film
    Author: McCarthy, Margaret
    Published: 2017; ©2017
    Publisher:  Berghahn, New York

    Contents -- List of Illustrations -- Acknowledgements -- Introduction -- Chapter 1 - German Feminisim in the 2000s: Brains, Bodies, and Bridges -- Chapter 2 - Lost Objects, Monsters, and Melancholia in Zöe Jenny's The Pollen Room, Alexa Hennig von... more

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    Technische Universität Chemnitz, Universitätsbibliothek
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    Bibliothek LIV HN Sontheim
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    Bibliothek LIV HN Sontheim
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    Hochschulbibliothek Friedensau
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    Universitätsbibliothek der Eberhard Karls Universität
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    Contents -- List of Illustrations -- Acknowledgements -- Introduction -- Chapter 1 - German Feminisim in the 2000s: Brains, Bodies, and Bridges -- Chapter 2 - Lost Objects, Monsters, and Melancholia in Zöe Jenny's The Pollen Room, Alexa Hennig von Lange's Relax, and Elke Naters's Lies -- Chapter 3 - Dialogical and Borderline Selfhood in Charlotte Roche's Wetlands (2008) and Wrecked (2011) -- Chapter 4 - Girls Gone Wild: Ulrike Meinhof, Uschi Obermaier, and Feminist Fantasies of '68 -- Chapter 5 - Counter-Cinema, Crossing Bridges, and Future Feminisms: Christian Petzold's The State I Am In (2000) and Fatih Akin's The Edge of Heaven (2007) -- Chapter 6 - Mutable Mädchen: On Screen and in the Streets -- Bibliography -- Index

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781785335709
    RVK Categories: EC 1874
    Subjects: Feminism and literature; Feminism and motion pictures; German literature; Motion pictures; Women in literature; Women in motion pictures
    Scope: 1 Online-Ressource (xii, 258 Seiten), Illustrationen
  17. Mad mädchen
    feminism and generational conflict in recent German literature and film
    Author: McCarthy, Margaret
    Published: 2017; © 2017
    Publisher:  Berghahn Books, New York

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  18. The body and the screen
    female subjectivities in contemporary women's cinema
    Author: Ince, Kate
    Published: 2017
    Publisher:  Bloomsbury Academic, New York

    Winner of the British Association of Film, Television and Screen Studies Best Book Prize 2018Since the 1980s the number of women regularly directing films has increased significantly in most Western countries; in France, Claire Denis and Catherine... more

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    Winner of the British Association of Film, Television and Screen Studies Best Book Prize 2018Since the 1980s the number of women regularly directing films has increased significantly in most Western countries; in France, Claire Denis and Catherine Breillat have joined Agnès Varda in gaining international renown, while British directors Lynne Ramsay and Andrea Arnold have forged award-winning careers in feature film. This new volume in the "Thinking Cinema" series draws on feminist philosophers and theorists from Simone de Beauvoir on to offer readings of a range of the most important and memorable of these films from the 1990s and 2000s, focusing as it does so on how the films convey women's lives and identities. Mainstream entertainment cinema traditionally distorts the representation of women, objectifying their bodies, minimizing their agency, and avoiding the most important questions about how cinema can "do justice" to female subjectivity. Kate Ince suggests that the films of independent women directors are progressively redressing the balance, reinvigorating both the narratives and the formal ambitions of European cinema. Ince uses feminist philosophers to interpret such films as Sex Is Comedy, Morvern Callar, White Material, and Fish Tank anew, suggesting that a philosophical understanding of female subjectivity as embodied and ethical should underpin future feminist film study. Cover -- Contents -- Acknowledgements -- List of Figures -- 1 Female Subjectivity in Philosophy and Theory -- 2 Feminist Film Studies and Women's Cinema after Psychoanalysis -- 3 Body -- 4 Look -- 5 Speech -- 6 Performance -- 7 Desire -- 8 Freedom -- Conclusion -- Bibliography -- Filmography -- Index

     
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    Volltext (lizenzpflichtig)
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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781623566265; 9781623565206
    RVK Categories: HD 402 ; AP 47950 ; AP 51800
    Series: Thinking cinema ; Volume 5
    Subjects: Women in motion pictures; Motion pictures; Motion pictures; Women motion picture producers and directors; Women motion picture producers and directors; Feminist films; Feminist films; Feminism and motion pictures; Feminism and motion pictures
    Scope: 1 Online-Ressource (vii, 194 Seiten), Illustrationen
    Notes:

    Literaturverzeichnis: Seite 177-187
  19. The body and the screen
    female subjectivities in contemporary women's cinema
    Author: Ince, Kate
    Published: 2017
    Publisher:  Bloomsbury Academic, an imprint of Bloomsbury Publishing inc, New York

    Female subjectivity in philosophy and theory -- Feminist film studies and women's cinema after psychoanalysis -- Body -- Look -- Speech -- Performance -- Desire -- Freedom -- Conclusion more

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    Female subjectivity in philosophy and theory -- Feminist film studies and women's cinema after psychoanalysis -- Body -- Look -- Speech -- Performance -- Desire -- Freedom -- Conclusion

     
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    Verlag (Inhaltsverzeichnis)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781623565817; 9781623562922
    RVK Categories: AP 50300 ; MS 3010 ; AP 51800 ; AP 47950 ; HD 402
    Series: Thinking cinema ; volume 5
    Subjects: Women in motion pictures; Motion pictures; Motion pictures; Women motion picture producers and directors; Women motion picture producers and directors; Feminist films; Feminist films; Feminism and motion pictures; Feminism and motion pictures
    Scope: vii, 194 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index. - Includes filmography
  20. The body and the screen
    female subjectivity in contemporary women's cinema
    Author: Ince, Kate
    Published: 2017
    Publisher:  Bloomsbury Academic, New York ; Bloomsbury Publishing, London

    "Since the 1980s the number of women regularly directing films has increased significantly in most Western countries; in France, Claire Denis and Catherine Breillat have joined Agns̈ Varda in gaining international renown, while British directors... more

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    "Since the 1980s the number of women regularly directing films has increased significantly in most Western countries; in France, Claire Denis and Catherine Breillat have joined Agns̈ Varda in gaining international renown, while British directors Lynne Ramsay and Andrea Arnold have forged award-winning careers in feature film. This new volume in the "Thinking Cinema" series draws on feminist philosophers and theorists from Simone de Beauvoir on to offer readings of a range of the most important and memorable of these films from the 1990s and 2000s, focusing as it does so on how the films convey women's lives and identities. Mainstream entertainment cinema traditionally distorts the representation of women, objectifying their bodies, minimizing their agency, and avoiding the most important questions about how cinema can "do justice" to female subjectivity. Kate Ince suggests that the films of independent women directors are progressively redressing the balance, reinvigorating both the narratives and the formal ambitions of European cinema. Ince uses feminist philosophers to interpret such films as Sex Is Comedy, Morvern Callar, White Material, and Fish Tank anew, suggesting that a philosophical understanding of female subjectivity as embodied and ethical should underpin future feminist film study."--Bloomsbury Publishing Female subjectivity in philosophy and theory -- Feminist film studies and women's cinema after psychoanalysis -- Body -- Look -- Speech -- Performance -- Desire -- Freedom -- Conclusion

     
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