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Displaying results 1 to 14 of 14.

  1. Brought to Life by the Voice : Playback Singing and Cultural Politics in South India
    Author: Weidman, Amanda
    Published: 2021
    Publisher:  University of California Press

    To produce the song sequences that are central to Indian popular cinema, singers' voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the... more

     

    To produce the song sequences that are central to Indian popular cinema, singers' voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their own right. Brought to Life by the Voice explores the distinctive aesthetics and affective power generated by this division of labor between onscreen body and offscreen voice in South Indian Tamil cinema. In Amanda Weidman's historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolinguistic identity, and neoliberal transformation in South India.

     
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  2. Brought to Life by the Voice : Playback Singing and Cultural Politics in South India
    Author: Weidman, Amanda
    Published: 2021
    Publisher:  University of California Press, Oakland

    To produce the song sequences that are central to Indian popular cinema, singers’ voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the... more

     

    To produce the song sequences that are central to Indian popular cinema, singers’ voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their own right. Brought to Life by the Voice explores the distinctive aesthetics and affective power generated by this division of labor between onscreen body and offscreen voice in South Indian Tamil cinema. In Amanda Weidman’s historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolinguistic identity, and neoliberal transformation in South India. “This book is a major contribution to South Asian Studies, sound and music studies, anthropology, and film and media studies, offering original research and new theoretical insights to each of these disciplines. There is no other scholarly work that approaches voice and technology in a way that is both as theoretically wide-ranging and as locally specific.” NEEPA MAJUMDAR, author of Wanted Cultured Ladies Only! Female Stardom and Cinema in India, 1930s–1950s “Brought to Life by the Voice provides a detailed and highly convincing exploration of the varying links between the singing voice and the body in the Tamil film industry since the mid-twentieth century. The historical and ethnographic analysis the book presents is meticulous and excellent.” PATRICK EISENLOHR, author of Sounding Islam: Voice, Media, and Sonic Atmospheres in an Indian Ocean World

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520976399; 9780520377066
    Other identifier:
    Subjects: Anthropology; Black & Asian studies; Social & cultural anthropology, ethnography
    Other subjects: Anthropology; Asian Studies; Ethnomusicology
    Scope: 1 electronic resource (272 p.)
  3. Musikethnographien im 21. Jahrhundert
    Contributor: Alge, Barbara (Herausgeber)
    Published: 2021
    Publisher:  Rombach Wissenschaft, Baden-Baden

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    Content information
    Source: Union catalogues
    Contributor: Alge, Barbara (Herausgeber)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783968218175; 3968218175
    Other identifier:
    9783968218175
    Edition: 1. Auflage
    Series: Rombach Wissenschaft : [...], Musikethnologie im 21. Jahrhundert ; Band 1
    Subjects: Musikethnologie; Forschungsmethode; Feldforschung
    Other subjects: (Produktform)Paperback / softback; Parafiktion; Retrodiktion; Musikaufnahme; Ethik; Nationalsozialismus; Erinnerung; Feldforschung; Feedbackmethoden; Forschungsdatenmanagement; Erfahrung; Kulturanthropologie; Wissensproduktion; Performance Ethnography; Postkolonialismus; Wissensakquisition; Ethnomusicology; Fieldwork; Ethnography; (Produktrabattgruppe)N3: N3-Rabatt; (VLB-WN)1590: Hardcover, Softcover / Musik; (BISAC Subject Heading)MUS000000
    Scope: 296 Seiten, Illustrationen, 23 cm, 464 g
  4. Musikethnographien im 21. Jahrhundert
    Contributor: Alge, Barbara (HerausgeberIn)
    Published: 2021
    Publisher:  Rombach Wissenschaft, Baden-Baden

    Der Band Musikethnographien im 21. Jahrhundert versammelt zehn Beiträge von MusikethnologInnen aus dem deutschsprachigen Raum, die aktuelle methodische Paradigmen wie multisituierte Feldforschung, Reflexivität, Dialogizität, Feedback,... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Der Band Musikethnographien im 21. Jahrhundert versammelt zehn Beiträge von MusikethnologInnen aus dem deutschsprachigen Raum, die aktuelle methodische Paradigmen wie multisituierte Feldforschung, Reflexivität, Dialogizität, Feedback, Autoethnographie, Aktivismus und Intervention durch Performance Ethnography und kollaboratives Arbeiten sowie Fragen nach Repatriierung, dem ethischen Umgang mit Forschungsdaten und der Rolle digitaler sozialer Medien diskutieren. Neben Theorien und methodischen Überlegungen spielen auch Fragen nach der Zeitlichkeit von ethnographischem Material sowie ethnographisches Arbeiten mit Vergangenheit und Erinnerung eine Rolle. Angewandt werden die Überlegungen auf den Gegenstand Musik und Sound. Mit Beiträgen von Barbara Alge, Stefanie Alisch, Linda Cimardi, Cornelia Gruber, Matthias Lewy, Julio Mendívil, Stefanie Kiwi Menrath, Monika Schoop, Helena Simonett und Britta Sweers. The volume Musikethnographien im 21. Jahrhundert brings together ten contributions by ethnomusicologists from the German-speaking world, who discuss current paradigms of fieldwork such as multi-situated fieldwork, reflexivity, dialogicity, feedback, auto-ethnography, activism and intervention through performance ethnography and collaborative research, as well as questions of repatriation, ethical handling of research data and the role of digital social media. In addition to theories and methodological reflections, the volume also includes reflections on the temporality of ethnographic material as well as ethnographical fieldwork on memory and the past. These reflections are applied to the subject of music and sound. With contributions by Barbara Alge, Stefanie Alisch, Linda Cimardi, Cornelia Gruber, Matthias Lewy, Julio Mendívil, Stefanie Kiwi Menrath, Monika Schoop, Helena Simonett and Britta Sweers.

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Alge, Barbara (HerausgeberIn)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783968218182
    Other identifier:
    RVK Categories: LC 16000 ; LS 12100 ; LC 87000
    Edition: 1. Auflage
    Series: Array ; Band 1
    Musikethnologie im 21. Jahrhundert | Ethnomusicology in the 21st Century ; Band 1
    Subjects: Erinnerung; Ethik; Erfahrung; Kulturanthropologie; Nationalsozialismus; Postkolonialismus; Wissensproduktion; Feldforschung; ethnography; Parafiktion; Retrodiktion; Musikaufnahme; Feedbackmethoden; Forschungsdatenmanagement; Performance Ethnography; Wissensakquisition; Ethnomusicology; Fieldwork
    Scope: 1 Online-Ressource (296 Seiten)
  5. Another song for Europe
    music, taste, and values in the Eurovision Song Contest
    Author: Raykoff, Ivan
    Published: 2021
    Publisher:  Routledge, London ; New York

    The Eurovision Song Contest is famous for its camp spectacles and political intrigues, but what about its actual music? With more than 1500 songs in over fifty languages and a wide range of musical styles since it began in 1956, Eurovision features... more

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    Bayerische Staatsbibliothek
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    The Eurovision Song Contest is famous for its camp spectacles and political intrigues, but what about its actual music? With more than 1500 songs in over fifty languages and a wide range of musical styles since it began in 1956, Eurovision features the most musically and linguistically diverse song repertoire in history. Listening closely to its classic fan favourites but also to songs that scored low because they were too different or too far ahead of their time, this book delves into the musical tastes and cultural values the contest engages through its international reach and popular appeal

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780367242787
    RVK Categories: LR 57230 ; LR 57720
    Series: Ashgate popular and folk music series
    Subjects: Ästhetik; Popmusik; Musikalischer Stil
    Other subjects: Eurovision Song Contest / History; Music / Philosophy and aesthetics; Ethnomusicology; Eurovision Song Contest; Ethnomusicology; Music / Philosophy and aesthetics; History
    Scope: viii, 192 Seiten, Illustrationen, Notenbeispiele
  6. Musikethnographien im 21. Jahrhundert
    Contributor: Alge, Barbara (Publisher)
    Published: 2021
    Publisher:  Rombach Wissenschaft, Baden-Baden

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Universität der Künste Berlin, Universitätsbibliothek
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    Source: Union catalogues
    Contributor: Alge, Barbara (Publisher)
    Language: German
    Media type: Book
    ISBN: 9783968218175
    Other identifier:
    9783968218175
    RVK Categories: LC 87000 ; LS 12100 ; LC 16000
    Edition: 1. Auflage
    Series: Rombach Wissenschaft. Musikethnologie im 21. Jahrhundert ; Band 1
    Subjects: Feldforschung; Musikethnologie; Forschungsmethode
    Other subjects: Parafiktion; Retrodiktion; Musikaufnahme; Ethik; Nationalsozialismus; Erinnerung; Feldforschung; Feedbackmethoden; Forschungsdatenmanagement; Erfahrung; Kulturanthropologie; Wissensproduktion; Performance Ethnography; Postkolonialismus; Wissensakquisition; Ethnomusicology; Fieldwork; Ethnography
    Scope: 296 Seiten, Illustrationen, Karte, 22.4 cm x 15 cm
  7. Becoming Palestine
    toward an archival imagination of the future
    Author: Hochberg, Gil Z.
    Published: 2021
    Publisher:  Duke University Press, Durham

    Archival Imagination of/for the Future -- Revisiting the Orientalist Archive: Jumana Manna's Re-Mapped Musical Archive of Palestine -- Lost and Found in Israeli Footage: Kamal Aljafari's "Jaffa Trilogy" and the Productive Violation of the Colonial... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Archival Imagination of/for the Future -- Revisiting the Orientalist Archive: Jumana Manna's Re-Mapped Musical Archive of Palestine -- Lost and Found in Israeli Footage: Kamal Aljafari's "Jaffa Trilogy" and the Productive Violation of the Colonial Visual Archive -- "Suspended between Past and Future": Larissa Sansour's Sci-Fi Archaeological Archive in the Past-Future Tense -- "Face to Face with the Ancestors of Civilization": Ruanne Abou-Rahme and Basel Abbas's Archive of the Copy -- Gesturing toward Resistance: Farah Saleh's Archive of Gestures. "In Becoming Palestine, Gil Z. Hochberg examines how contemporary Palestinian artists, filmmakers, dancers, and activists use the archive in order to radically imagine Palestine's future. She shows how artists such as Jumana Manna, Kamal Aljafari, Larissa Sansour, Farah Saleh, Basel Abbas, and Ruanna Abou-Rahme reimagine the archive, approaching it not through the desire to unearth hidden knowledge, but to sever the identification of the archive with the past. In their use of archaeology, musical traditions, and archival film and cinematic footage, these artists imagine a Palestinian future unbounded from colonial space and time. By urging readers to think about archives as a break from history rather than as history's repository, Hochberg presents a fundamental reconceptualization of the archive's liberatory potential"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781478014829; 9781478013884
    Subjects: Visual communication; Archival materials; Ethnomusicology; Arab-Israeli conflict; ART / Middle Eastern; ART / History / Contemporary (1945-)
    Scope: xiv, 192 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  8. Another song for Europe
    music, taste, and values in the Eurovision Song Contest
    Author: Raykoff, Ivan
    Published: 2021
    Publisher:  Routledge, London ; New York

    The Eurovision Song Contest is famous for its camp spectacles and political intrigues, but what about its actual music? With more than 1500 songs in over fifty languages and a wide range of musical styles since it began in 1956, Eurovision features... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The Eurovision Song Contest is famous for its camp spectacles and political intrigues, but what about its actual music? With more than 1500 songs in over fifty languages and a wide range of musical styles since it began in 1956, Eurovision features the most musically and linguistically diverse song repertoire in history. Listening closely to its classic fan favourites but also to songs that scored low because they were too different or too far ahead of their time, this book delves into the musical tastes and cultural values the contest engages through its international reach and popular appeal

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780367242787
    RVK Categories: LR 57230 ; LR 57720
    Series: Ashgate popular and folk music series
    Subjects: Ästhetik; Popmusik; Musikalischer Stil
    Other subjects: Eurovision Song Contest / History; Music / Philosophy and aesthetics; Ethnomusicology; Eurovision Song Contest; Ethnomusicology; Music / Philosophy and aesthetics; History
    Scope: viii, 192 Seiten, Illustrationen, Notenbeispiele
  9. Becoming Palestine
    Toward an Archival Imagination of the Future
    Author: Hochberg, Gil Z.
    Published: [2021]; © 2021
    Publisher:  Duke University Press, Durham

    In Becoming Palestine, Gil Z. Hochberg examines how contemporary Palestinian artists, filmmakers, dancers, and activists use the archive in order to radically imagine Palestine's future. She shows how artists such as Jumana Manna, Kamal Aljafari,... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Universitätsbibliothek Passau
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    In Becoming Palestine, Gil Z. Hochberg examines how contemporary Palestinian artists, filmmakers, dancers, and activists use the archive in order to radically imagine Palestine's future. She shows how artists such as Jumana Manna, Kamal Aljafari, Larissa Sansour, Farah Saleh, Basel Abbas, and Ruanne Abou-Rahme reimagine the archive, approaching it not through the desire to unearth hidden knowledge, but to sever the identification of the archive with the past. In their use of archaeology, musical traditions, and archival film and cinematic footage, these artists imagine a Palestinian future unbounded from colonial space and time. By urging readers to think about archives as a break from history rather than as history's repository, Hochberg presents a fundamental reconceptualization of the archive's liberatory potential

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478022138
    Other identifier:
    Subjects: ART / Middle Eastern; Arab-Israeli conflict; Archival materials; Ethnomusicology; Visual communication; Archiv; Nahostkonflikt <Motiv>; Visuelle Kommunikation
    Scope: 1 online resource (206 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021)
  10. Musikethnographien im 21. Jahrhundert
    Contributor: Alge, Barbara (Publisher)
    Published: 2021
    Publisher:  Rombach Wissenschaft, Baden-Baden

    Location:
    Universitätsbibliothek Bayreuth
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    Unlimited inter-library loan, copies and loan

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    Bayerische Staatsbibliothek
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    Hochschule für Musik und Theater München, Bibliothek
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    Universitätsbibliothek Regensburg
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    Export to reference management software   RIS file
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    Source: Union catalogues
    Contributor: Alge, Barbara (Publisher)
    Language: German
    Media type: Book
    ISBN: 9783968218175
    Other identifier:
    9783968218175
    RVK Categories: LC 87000 ; LS 12100 ; LC 16000
    Edition: 1. Auflage
    Series: Rombach Wissenschaft. Musikethnologie im 21. Jahrhundert ; Band 1
    Subjects: Feldforschung; Musikethnologie; Forschungsmethode
    Other subjects: Parafiktion; Retrodiktion; Musikaufnahme; Ethik; Nationalsozialismus; Erinnerung; Feldforschung; Feedbackmethoden; Forschungsdatenmanagement; Erfahrung; Kulturanthropologie; Wissensproduktion; Performance Ethnography; Postkolonialismus; Wissensakquisition; Ethnomusicology; Fieldwork; Ethnography
    Scope: 296 Seiten, Illustrationen, Karte, 22.4 cm x 15 cm
  11. Becoming Palestine
    toward an archival imagination of the future
    Author: Hochberg, Gil Z.
    Published: 2021
    Publisher:  Duke University Press, Durham

    Archival Imagination of/for the Future -- Revisiting the Orientalist Archive: Jumana Manna's Re-Mapped Musical Archive of Palestine -- Lost and Found in Israeli Footage: Kamal Aljafari's "Jaffa Trilogy" and the Productive Violation of the Colonial... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 142988
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Archival Imagination of/for the Future -- Revisiting the Orientalist Archive: Jumana Manna's Re-Mapped Musical Archive of Palestine -- Lost and Found in Israeli Footage: Kamal Aljafari's "Jaffa Trilogy" and the Productive Violation of the Colonial Visual Archive -- "Suspended between Past and Future": Larissa Sansour's Sci-Fi Archaeological Archive in the Past-Future Tense -- "Face to Face with the Ancestors of Civilization": Ruanne Abou-Rahme and Basel Abbas's Archive of the Copy -- Gesturing toward Resistance: Farah Saleh's Archive of Gestures. "In Becoming Palestine, Gil Z. Hochberg examines how contemporary Palestinian artists, filmmakers, dancers, and activists use the archive in order to radically imagine Palestine's future. She shows how artists such as Jumana Manna, Kamal Aljafari, Larissa Sansour, Farah Saleh, Basel Abbas, and Ruanna Abou-Rahme reimagine the archive, approaching it not through the desire to unearth hidden knowledge, but to sever the identification of the archive with the past. In their use of archaeology, musical traditions, and archival film and cinematic footage, these artists imagine a Palestinian future unbounded from colonial space and time. By urging readers to think about archives as a break from history rather than as history's repository, Hochberg presents a fundamental reconceptualization of the archive's liberatory potential"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781478014829; 9781478013884
    Subjects: Visual communication; Archival materials; Ethnomusicology; Arab-Israeli conflict; ART / Middle Eastern; ART / History / Contemporary (1945-)
    Scope: xiv, 192 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  12. Musikethnographien im 21. Jahrhundert
    Contributor: Alge, Barbara (HerausgeberIn)
    Published: 2021; ©2021
    Publisher:  Rombach Wissenschaft, Baden-Baden

    Der Band Musikethnographien im 21. Jahrhundert versammelt zehn Beiträge von MusikethnologInnen aus dem deutschsprachigen Raum, die aktuelle methodische Paradigmen wie multisituierte Feldforschung, Reflexivität, Dialogizität, Feedback,... more

    Access:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)

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    Der Band Musikethnographien im 21. Jahrhundert versammelt zehn Beiträge von MusikethnologInnen aus dem deutschsprachigen Raum, die aktuelle methodische Paradigmen wie multisituierte Feldforschung, Reflexivität, Dialogizität, Feedback, Autoethnographie, Aktivismus und Intervention durch Performance Ethnography und kollaboratives Arbeiten sowie Fragen nach Repatriierung, dem ethischen Umgang mit Forschungsdaten und der Rolle digitaler sozialer Medien diskutieren. Neben Theorien und methodischen Überlegungen spielen auch Fragen nach der Zeitlichkeit von ethnographischem Material sowie ethnographisches Arbeiten mit Vergangenheit und Erinnerung eine Rolle. Angewandt werden die Überlegungen auf den Gegenstand Musik und Sound. Mit Beiträgen von Barbara Alge, Stefanie Alisch, Linda Cimardi, Cornelia Gruber, Matthias Lewy, Julio Mendívil, Stefanie Kiwi Menrath, Monika Schoop, Helena Simonett und Britta Sweers. The volume Musikethnographien im 21. Jahrhundert brings together ten contributions by ethnomusicologists from the German-speaking world, who discuss current paradigms of fieldwork such as multi-situated fieldwork, reflexivity, dialogicity, feedback, auto-ethnography, activism and intervention through performance ethnography and collaborative research, as well as questions of repatriation, ethical handling of research data and the role of digital social media. In addition to theories and methodological reflections, the volume also includes reflections on the temporality of ethnographic material as well as ethnographical fieldwork on memory and the past. These reflections are applied to the subject of music and sound. With contributions by Barbara Alge, Stefanie Alisch, Linda Cimardi, Cornelia Gruber, Matthias Lewy, Julio Mendívil, Stefanie Kiwi Menrath, Monika Schoop, Helena Simonett and Britta Sweers.

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Alge, Barbara (HerausgeberIn)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783968218182
    Other identifier:
    RVK Categories: LC 16000 ; LS 12100 ; LC 87000
    Edition: 1. Auflage
    Series: Array ; Band 1
    Musikethnologie im 21. Jahrhundert | Ethnomusicology in the 21st Century ; Band 1
    Subjects: Erinnerung; Ethik; Erfahrung; Kulturanthropologie; Nationalsozialismus; Postkolonialismus; Wissensproduktion; Feldforschung; ethnography; Parafiktion; Retrodiktion; Musikaufnahme; Feedbackmethoden; Forschungsdatenmanagement; Performance Ethnography; Wissensakquisition; Ethnomusicology; Fieldwork
    Scope: 1 Online-Ressource (296 Seiten)
  13. Becoming Palestine
    toward an archival imagination of the future
    Author: Hochberg, Gil Z.
    Published: 2021
    Publisher:  Duke University Press, Durham

    Frontmatter -- CONTENTS -- Preface -- Acknowledgments -- Introduction: Archival Imagination of/for the Future -- ONE Revisiting the Orientalist Archive: Jumana Manna’s Re-Mapped Musical Archive of Palestine -- TWO Lost and Found in Israeli Footage:... more

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    Frontmatter -- CONTENTS -- Preface -- Acknowledgments -- Introduction: Archival Imagination of/for the Future -- ONE Revisiting the Orientalist Archive: Jumana Manna’s Re-Mapped Musical Archive of Palestine -- TWO Lost and Found in Israeli Footage: Kamal Aljafari’s “Jaffa Trilogy” and the Productive Violation of the Colonial Visual Archive -- THREE “Suspended between Past and Future”: Larissa Sansour’s Sci-Fi Archaeological Archive in the Past-Future Tense -- FOUR “Face to Face with the Ancestors of Civilization”: Ruanne Abou-Rahme and Basel Abbas’s Archive of the Copy -- FIVE Gesturing toward Resistance: Farah Saleh’s Archive of Gestures -- Afterword -- Notes -- Bibliography -- Index "In Becoming Palestine, Gil Z. Hochberg examines how contemporary Palestinian artists, filmmakers, dancers, and activists use the archive in order to radically imagine Palestine's future. She shows how artists such as Jumana Manna, Kamal Aljafari, Larissa Sansour, Farah Saleh, Basel Abbas, and Ruanna Abou-Rahme reimagine the archive, approaching it not through the desire to unearth hidden knowledge, but to sever the identification of the archive with the past. In their use of archaeology, musical traditions, and archival film and cinematic footage, these artists imagine a Palestinian future unbounded from colonial space and time. By urging readers to think about archives as a break from history rather than as history's repository, Hochberg presents a fundamental reconceptualization of the archive's liberatory potential"--

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478022138
    Other identifier:
    Subjects: Visual communication; Archival materials; Ethnomusicology; Arab-Israeli conflict; ART / Middle Eastern; ART / History / Contemporary (1945-)
    Other subjects: 2022 René Wellek Book Award winner; American Comparative Literature Association book awards
    Scope: 1 Online-Ressource (xiv, 192 Seiten)
    Notes:

    Includes bibliographical references and index
  14. Musikethnographien im 21. Jahrhundert
    Contributor: Alge, Barbara (HerausgeberIn)
    Published: 2021
    Publisher:  Rombach Wissenschaft – ein Verlag in der Nomos Verlagsgesellschaft, Baden-Baden

    Der Band Musikethnographien im 21. Jahrhundert versammelt zehn Beiträge von MusikethnologInnen aus dem deutschsprachigen Raum, die aktuelle methodische Paradigmen wie multisituierte Feldforschung, Reflexivität, Dialogizität, Feedback,... more

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    Badische Landesbibliothek
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    No inter-library loan

     

    Der Band Musikethnographien im 21. Jahrhundert versammelt zehn Beiträge von MusikethnologInnen aus dem deutschsprachigen Raum, die aktuelle methodische Paradigmen wie multisituierte Feldforschung, Reflexivität, Dialogizität, Feedback, Autoethnographie, Aktivismus und Intervention durch Performance Ethnography und kollaboratives Arbeiten sowie Fragen nach Repatriierung, dem ethischen Umgang mit Forschungsdaten und der Rolle digitaler sozialer Medien diskutieren. Neben Theorien und methodischen Überlegungen spielen auch Fragen nach der Zeitlichkeit von ethnographischem Material sowie ethnographisches Arbeiten mit Vergangenheit und Erinnerung eine Rolle. Angewandt werden die Überlegungen auf den Gegenstand Musik und Sound. Mit Beiträgen von Barbara Alge, Stefanie Alisch, Linda Cimardi, Cornelia Gruber, Matthias Lewy, Julio Mendívil, Stefanie Kiwi Menrath, Monika Schoop, Helena Simonett und Britta Sweers. The volume Musikethnographien im 21. Jahrhundert brings together ten contributions by ethnomusicologists from the German-speaking world, who discuss current paradigms of fieldwork such as multi-situated fieldwork, reflexivity, dialogicity, feedback, auto-ethnography, activism and intervention through performance ethnography and collaborative research, as well as questions of repatriation, ethical handling of research data and the role of digital social media. In addition to theories and methodological reflections, the volume also includes reflections on the temporality of ethnographic material as well as ethnographical fieldwork on memory and the past. These reflections are applied to the subject of music and sound. With contributions by Barbara Alge, Stefanie Alisch, Linda Cimardi, Cornelia Gruber, Matthias Lewy, Julio Mendívil, Stefanie Kiwi Menrath, Monika Schoop, Helena Simonett and Britta Sweers.

     
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    Source: Union catalogues
    Contributor: Alge, Barbara (HerausgeberIn)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783968218182
    Other identifier:
    Edition: 1. Auflage
    Series: Musikethnologie im 21. Jahrhundert | Ethnomusicology in the 21st Century ; 1
    Subjects: Erinnerung; Ethik; Erfahrung; Kulturanthropologie; Nationalsozialismus; Postkolonialismus; Wissensproduktion; Feldforschung; ethnography; Parafiktion; Retrodiktion; Musikaufnahme; Feedbackmethoden; Forschungsdatenmanagement; Performance Ethnography; Wissensakquisition; Ethnomusicology; Fieldwork
    Scope: 1 Online-Ressource (296 S.)