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  1. The Visual Arts, Pictorialism, and the Novel
    James, Lawrence, and Woolf
    Author: Torgovnick, Marianna
    Published: 1985; ©1985
    Publisher:  Princeton University Press, Princeton, N.J.

    Main description: Marianna Torgovnick maintains that it is worthwhile to think about novels in terms of the visual arts--in part because major novelists like James, Lawrence, and Woolf did so, and did so fruitfully, as they were influenced by their... more

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    Main description: Marianna Torgovnick maintains that it is worthwhile to think about novels in terms of the visual arts--in part because major novelists like James, Lawrence, and Woolf did so, and did so fruitfully, as they were influenced by their perceptions of artistic movements.Originally published in 1985.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400857586
    Other identifier:
    9781400857586
    Subjects: Visual perception in literature; English fiction; Art and literature; Description (Rhetoric)
    Scope: Online-Ressource (280 S.)
    Notes:

    FrontmatterContentsPlatesAcknowledgmentsIntroductionONE. In the Documentary Mode: James, Lawrence, Woolf, and the Visual ArtsTWO. Paintbrushes, Chisels, and Red Herrings: Decorative Uses of the Visual Arts and Pictorialism in Selected Novels by James and Earlier NovelistsTHREE. The Sisters' Arts: Virginia Woolf and Vanessa BellFOUR. Art, Ideologies, and Ideals in Fiction: The Contrasting Cases of Virginia Woolf and D. H. LawrenceFIVE. Perception, Impression, and Knowledge in The Portrait of a Lady, The Ambassadors, and The Golden BowlSIX. Encoding the Taboo in Women in LoveConclusionNotesBibliographyIndex.
  2. The visual arts, pictorialism, and the novel
    James, Lawrence, and Woolf
    Author: Torgovnick, Marianna
    Published: ©1985
    Publisher:  Princeton University Press, Princeton, N.J

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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Subjects: Art and literature; Description (Rhetoric); Visual perception in literature; Ut pictura poesis (Aesthetics); English fiction
    Other subjects: James, Henry (1843-1916); Lawrence, D. H (1885-1930); Woolf, Virginia (1882-1941)
    Scope: Online-Ressource (xii, 267 pages, [16] pages of plates), illustrations
    Notes:

    Includes bibliographical references (pages 249-257) and index

    Use copy Restrictions unspecified star MiAaHDL

    Electronic reproduction

    In the documentary mode: James, Lawrence, Woolf, and the visual artsPaintbrushes, chisels, and red herrings: decorative uses of the visual arts and pictorialism in selected novels by James and earlier novelists -- The sisters' arts: Virginia Woolf and Vanessa Bell -- Art, ideologies, and ideals in fiction: the contrasting cases of Virginia Woolf and D.H. Lawrence -- Perception, impression, and knowledge in The portrait of a lady, The ambassadors, and The golden bowl -- Encoding the taboo in Women in love.