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  1. Compassion's Edge
    Fellow-Feeling and Its Limits in Early Modern France
    Published: [2020]; © 2018
    Publisher:  University of Pennsylvania Press, Philadelphia

    Compassion's Edge examines the language of fellow-feeling—pity, compassion, and charitable care—that flourished in France in the period from the Edict of Nantes in 1598, which established some degree of religious toleration, to the official breakdown... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Compassion's Edge examines the language of fellow-feeling—pity, compassion, and charitable care—that flourished in France in the period from the Edict of Nantes in 1598, which established some degree of religious toleration, to the official breakdown of that toleration with the Revocation of the Edict in 1685. This is not, however, a story about compassion overcoming difference but one of compassion reinforcing division: the seventeenth-century texts of fellow-feeling led not to communal concerns but to paralysis, misreading, and isolation. Early modern fellow-feeling drew distinctions, policed its borders, and far from reaching out to others, kept the other at arm's length. It became a central feature in the debates about the place of religious minorities after the Wars of Religion, and according to Katherine Ibbett, continues to shape the way we think about difference today.Compassion's Edge ranges widely over genres, contexts, and geographies. Ibbett reads epic poetry, novels, moral treatises, dramatic theory, and theological disputes. She takes up major figures such as D'Aubigné, Montaigne, Lafayette, Corneille, and Racine, as well as less familiar Jesuit theologians, Huguenot ministers, and nuns from a Montreal hospital. Although firmly rooted in early modern studies, she reflects on the ways in which the language of compassion figures in contemporary conversations about national and religious communities. Investigating the affective undertow of religious toleration, Compassion's Edge provides a robust corrective to today's hope that fellow-feeling draws us inexorably and usefully together

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812294569
    Other identifier:
    Series: Haney Foundation Series
    Subjects: Cultural Studies; Literature; LITERARY CRITICISM / European / French; Compassion in literature; French literature; French literature; Religion and politics
    Scope: 1 online resource (304 pages), 2 illus
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Jul 2020)

  2. Transgeschlechtlichkeit und Visualität
    Sichtbarkeitsordnungen in Medizin, Subkultur und Spielfilm
    Published: [2020]; © 2020
    Publisher:  transcript-Verlag, Bielefeld

    Transgeschlechtliche Menschen finden sich vermehrt auch in populären Medien dargestellt und repräsentiert. Nicht selten ist diese mediale Sichtbarkeit von Trans* jedoch geprägt von Voyeurismus und Sensationsgier. Robin K. Saalfeld geht daher der... more

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    Transgeschlechtliche Menschen finden sich vermehrt auch in populären Medien dargestellt und repräsentiert. Nicht selten ist diese mediale Sichtbarkeit von Trans* jedoch geprägt von Voyeurismus und Sensationsgier. Robin K. Saalfeld geht daher der Frage nach, wie Transgeschlechtlichkeit visuell konstruiert wird. Dabei nimmt er nicht nur populäre Erzeugnisse wie Spielfilme in den Blick, sondern untersucht auch medizinische und aktivistische Sichtbarkeitspraktiken. Aus der Perspektive einer visuellen Soziologie kann er somit reflektieren, inwiefern es gerade der Konnex von Geschlecht und Körper ist, der die Visualität des Phänomens strukturiert

     

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839450765
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    RVK Categories: MS 2870
    Series: Queer Studies ; 26
    Subjects: Body; Cultural Studies; Film; Fotografie; Gender Studies; Gender; Geschlecht; Kulturwissenschaft; Körper; Media; Medicine; Medien; Medizin; Photography; Popular Media; Populäre Medien; Queer Theory; Sichtbarkeit; Visibility; Voyeurism; Voyeurismus; SOCIAL SCIENCE / Gender Studies; Visualisierung; Transgender; Subkultur; Transsexualität <Motiv>; Transsexualität; Diskurs; Medizin; Film
    Scope: 1 online resource (376 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Apr 2020)

  3. Postirony
    the nonfictional literature of David Foster Wallace and Dave Eggers
    Published: [2016]; © 2016
    Publisher:  transcript, Bielefeld

    What is 'postirony'? Foremost, it is a response to the ironic zeitgeist. Moreover, it is the key to understanding a specific form of literature. The contemporary reader is familiar with and - unfortunately - used to postmodernism's ironic,... more

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    What is 'postirony'? Foremost, it is a response to the ironic zeitgeist. Moreover, it is the key to understanding a specific form of literature. The contemporary reader is familiar with and - unfortunately - used to postmodernism's ironic, self-reflexive metafiction. Authors like David Foster Wallace and Dave Eggers chose a different path: Despite the reign of contemporary irony, they strive to reach the reader on a level beyond, cognitively as well as emotionally - they claim to be sincere and true. Focusing largely on nonfiction by said authors, Lukas Hoffmann explores the means the texts use to achieve something new - namely, a new form of sincerity

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839436615
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    RVK Categories: HU 9088
    Series: Lettre
    Subjects: American Studies; British Studies; Cultural Studies; Culture; Dave Eggers; David Foster Wallace; General Literature Studies; Irony; Literary Studies; Nonfiction; Postirony; Postmodernism; Sincerity; U.S.A.; Nichtfiktionale Prosa; Ehrlichkeit <Motiv>
    Other subjects: Wallace, David Foster (1962-2008); Eggers, Dave (1970-)
    Scope: 1 Online-Ressource (210 Seiten)
  4. Polemische Öffentlichkeiten
    zur Geschichte und Gegenwart von Meinungskämpfen in Literatur, Medien und Politik
    Contributor: Dubbels, Elke (Herausgeber); Fohrmann, Jürgen (Herausgeber); Schütte, Andrea (Herausgeber)
    Published: [2021]; © 2021
    Publisher:  transcript, Bielefeld

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  5. »Schrift [...] fällt beim Lesen nicht ab wie Schlacke«
    Die buchmediale Visualität von Walter Benjamins Ursprung des deutschen Trauerspiels
    Published: 2022
    Publisher:  transcript, Bielefeld ; transcript Verlag

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 9783837659948; 3837659941
    Other identifier:
    9783837659948
    Edition: 1. Auflage
    Series: Literatur - Medien - Ästhetik ; 4
    Other subjects: Typographie; Deutsches Trauerspiel; Wissenschaftsgeschichte; Material Turn; Hermeneutik; Druckschrift; Historismus; Literatur; Medien; Kultur; Germanistik; Medienästhetik; Kulturwissenschaft; Literaturwissenschaft; Typography; German Tragedy; History of Science; Hermeneutics; Print; Historism; Literature; Media; Culture; German Literature; Media Aesthetics; Cultural Studies; Literary Studies
    Scope: 300 Seiten, Klebebindung, 37 SW-Abbildungen, 22.5 cm x 14.8 cm, 468 g
  6. Glücksversprechen der Gegenwart
    Kulturelle Inszenierungen und Instrumentalisierungen alternativer Lebensentwürfe
    Contributor: Bidmon, Agnes (Publisher); Broders, Simone (Publisher); Donnarieix, Anne-Sophie (Publisher); Franzen, Johannes (Publisher); Gerund, Katharina (Publisher); Hiergeist, Teresa (Publisher); Hiergeist, Teresa (Publisher); Lessau, Mathis (Publisher); Lessau, Mathis (Publisher); Sahner, Simon (Publisher); Tschilschke, Christian von (Publisher)
    Published: [2021]; © 2021
    Publisher:  transcript-Verlag, Bielefeld

    Die Darstellungsweisen von Glücksangeboten in den westlichen Gesellschaften seit den 1968er Jahren sind ebenso vielfältig wie aufschlussreich. In Zusammenarbeit unterschiedlicher Disziplinen erarbeiten die Beiträger*innen des Bandes auf einer... more

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    Die Darstellungsweisen von Glücksangeboten in den westlichen Gesellschaften seit den 1968er Jahren sind ebenso vielfältig wie aufschlussreich. In Zusammenarbeit unterschiedlicher Disziplinen erarbeiten die Beiträger*innen des Bandes auf einer gemeinsamen kulturwissenschaftlichen Basis eine Ästhetik und Rhetorik der Glücksversprechen alternativer Lebensentwürfe und erschließen deren multiple Funktionen. Sie tragen damit zur Sensibilisierung für die Konstruktivität zirkulierender Alternativdiskurse bei und schaffen ein Bewusstsein für ihre Rolle als potenzieller Katalysator in kulturellen Transformationsprozessen

     

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    Source: Union catalogues
    Contributor: Bidmon, Agnes (Publisher); Broders, Simone (Publisher); Donnarieix, Anne-Sophie (Publisher); Franzen, Johannes (Publisher); Gerund, Katharina (Publisher); Hiergeist, Teresa (Publisher); Hiergeist, Teresa (Publisher); Lessau, Mathis (Publisher); Lessau, Mathis (Publisher); Sahner, Simon (Publisher); Tschilschke, Christian von (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839454305
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    Series: Edition Kulturwissenschaft ; 237
    Subjects: Alternativgesellschaft; Cultural Studies; Film; Gegenkultur; Kultur; Kulturgeschichte; Kultursoziologie; Kulturtheorie; Kulturwissenschaft; Lebensstil; Literatur; Rhetorik; Ästhetik; SOCIAL SCIENCE / Popular Culture
    Scope: 1 online resource (180 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Apr 2021)

  7. 21st century retro: "Mad men" and 1960s America in film and television
    Published: [2021]; © 2021
    Publisher:  transcript, Bielefeld

    Numerous contemporary televisual productions revisit the 1960s but direct their energies towards history's non-events and anti-heroic subjectivities. Debarchana Baruah offers a vocabulary to discuss these, using Mad Men as primary case study and... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Numerous contemporary televisual productions revisit the 1960s but direct their energies towards history's non-events and anti-heroic subjectivities. Debarchana Baruah offers a vocabulary to discuss these, using Mad Men as primary case study and supplementing the analysis with other examples from the US and around the world. She takes a fundamentally interdisciplinary approach to studying film and television, drawing from history, memory, and nostalgia discourses, and layering them with theories of intertextuality, paratexts, and actor-networks. The book's compositionist style invites discussion from scholars of various fields, as well as those who are simply fans of history or of Mad Men

     

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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783839457214
    Other identifier:
    RVK Categories: AP 50300 ; AP 39800
    Series: American culture studies ; volume 32
    Subjects: 1960s; Actor-Network Theory; America; American Studies; Cultural Studies; Culture; Film; Mad Men; Nostalgia; Television; SOCIAL SCIENCE / Media Studies; Nostalgie; Fernsehen; Amerikabild; Geschichtsdarstellung; USA <Motiv>; Film
    Scope: 1 Online-Ressource (244 Seiten)
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    Dissertation, Heidelberg University,

  8. A Nation Astray
    Nomadism and National Identity in Russian Literature
    Published: [2021]; © 2012
    Publisher:  Cornell University Press, Ithaca, NY

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501756689
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    Series: NIU Series in Slavic, East European, and Eurasian Studies
    Subjects: Cultural Studies; Literary Studies; HISTORY / Russia & the Former Soviet Union; National characteristics, Russian, in literature; Nomads in literature; Russian literature; Travelers in literature
    Scope: 1 online resource (265 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Feb 2021)

  9. The Visual Dominant in Eighteenth-Century Russia
    Published: [2021]; © 2011
    Publisher:  Cornell University Press, Ithaca, NY

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501757983
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    Series: NIU Series in Slavic, East European, and Eurasian Studies
    Subjects: Cultural Studies; Literary Studies; HISTORY / Russia & the Former Soviet Union; Russian literature; Vision in literature; Visual perception in literature
    Scope: 1 online resource (374 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Feb 2021)

  10. Kulturrelativistische Positionen und ihre Aktualität
    Herder - Boas - Herskovits
    Published: [2021]; © 2021
    Publisher:  transcript, Bielefeld

    In der Geschichte der amerikanischen Kulturanthropologie stellt der Kulturrelativismus einen Meilenstein dar. Dementsprechend gefeiert wird Franz Boas, dessen Werk The Mind of Primitive Man (1911) vielen noch heute als kulturrelativistisches Manifest... more

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    In der Geschichte der amerikanischen Kulturanthropologie stellt der Kulturrelativismus einen Meilenstein dar. Dementsprechend gefeiert wird Franz Boas, dessen Werk The Mind of Primitive Man (1911) vielen noch heute als kulturrelativistisches Manifest gilt. Doch er wird zunehmend kritisch betrachtet, und vor allem indigene Stimmen relativieren seine Bedeutung für die Entstehung einer antirassistischen Kulturanthropologie.Um die Rolle Boas' besser bewerten zu können, zeichnet Magdalena Kopp die Genese des Kulturrelativismus ausgehend von Johann Gottfried Herder über Boas selbst bis hin zu Melville J. Herskovits nach. Das Ergebnis: Eine einheitliche Traditionslinie gibt es nicht

     

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  11. Laboring bodies and the quantified self
    Contributor: Reichardt, Ulfried (Publisher); Schober, Regina (Publisher)
    Published: [2020]; © 2020
    Publisher:  transcript, Bielefeld

    The body has become central to practices of self-tracking. By focusing on the relations between quantification, the body, and labor, this volume sheds light on the ways in which discourses on data collection, office work, and production are... more

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    The body has become central to practices of self-tracking. By focusing on the relations between quantification, the body, and labor, this volume sheds light on the ways in which discourses on data collection, office work, and production are instrumental in redefining concepts of labor, including notions of immaterial and free labor in an increasingly virtual work environment. The contributions explore the functions of quantification in conceptualizing the body as a laboring body and examine how quantification contributes to disciplining the body. By doing so, they also inquire how practices of self-tracking, self-monitoring, and self-optimization have evolved historically

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Reichardt, Ulfried (Publisher); Schober, Regina (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839449219
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    Series: American culture studies ; volume 27
    Subjects: America; American Studies; Biopolitics; Body; Cultural Studies; David Foster Wallace; Fertility; Herman Melville; Labor; Literary Studies; Literature; Postfeminism; Subjectivity; US Fiction; LITERARY CRITICISM / American / General; Selbstoptimierung; Körper; Funktion; Arbeitswelt; Bedeutung; Gesellschaft; Diskursanalyse
    Scope: 1 Online-Ressource (243 Seiten), Illustrationen
  12. Forms of life
    aesthetics and biopolitics in German culture
    Published: [2020]; © 2020
    Publisher:  Cornell University Press, Ithaca ; London ; Cornell University Library

    In Forms of Life, Andreas Gailus argues that the neglect of aesthetics in most contemporary theories of biopolitics has resulted in an overly restricted conception of life. He insists we need a more flexible notion of life: one attuned to the... more

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    In Forms of Life, Andreas Gailus argues that the neglect of aesthetics in most contemporary theories of biopolitics has resulted in an overly restricted conception of life. He insists we need a more flexible notion of life: one attuned to the interplay and conflict between its many dimensions and forms. Forms of Life develops such a notion through the meticulous study of works by Kant, Goethe, Kleist, Nietzsche, Wittgenstein, Benn, Musil, and others.Gailus shows that the modern conception of "life" as a generative, organizing force internal to living beings emerged in the last decades of the eighteenth century in biological thought. At the core of this vitalist strand of thought, Gailus maintains, lies a persistent emphasis on the dynamics of formation and deformation, and thus on an intrinsically aesthetic dimension of life.Forms of Life brings this older discourse into critical conversation with contemporary discussions of biopolitics and vitalism, while also developing a rich conception of life that highlights, rather than suppressing, its protean character. Gailus demonstrates that life unfolds in the open-ended interweaving of the myriad forms and modalities of biological, ethical, political, psychical, aesthetic, and biographical systems

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501749971; 9781501749964
    Other identifier:
    Series: Signale
    Subjects: Cultural Studies; Philosophy; LITERARY CRITICISM / European / German; Aesthetics, German; Biopolitics; German literature; Vitalism in literature
    Scope: 1 Online-Ressource (xxiii, 383 Seiten)
  13. Im Gefüge der Kunst
    affektive Performativität als kreative Praktik
    Published: [2020]; © 2020
    Publisher:  transcript, Bielefeld

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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783839453254
    Other identifier:
    RVK Categories: LH 60220
    Series: Cultural Studies ; Band 54
    Subjects: Kunst; Ästhetik; Kunstsoziologie
    Other subjects: Theater; Medien; Kultur; Cultural Studies; Kunstsoziologie; Bildungsprozesse; Affekt; Performativität; Prozessphilosophie; Ästhetik; Umberto Eco; Howard Becker; Pierre Bourdieu; Raymond Williams; Nicolas Bourriaud; Jacques Rancière; Gilles Deleuze; Félix Guattari; Kunst; Kunsttheorie; Kulturwissenschaft; Theatre; Media; Culture; Sociology of Art; Education Processes; Affect; Performativity; Process Philosophy; Aesthetics; Art; Theory of Art
    Scope: 1 Online-Ressource (259 Seiten), Illustrationen
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    Dissertation, Alpen-Adria-Universität Klagenfurt, 2019

  14. Meter and modernity in English verse, 1350-1650
    Published: [2020]; © 2021
    Publisher:  University of Pennsylvania Press, Philadelphia

    What would English literary history look like if the unit of measure were not the political reign but the poetic tradition? The earliest poems in English were written in alliterative verse, the meter of Beowulf. Alliterative meter preceded... more

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    What would English literary history look like if the unit of measure were not the political reign but the poetic tradition? The earliest poems in English were written in alliterative verse, the meter of Beowulf. Alliterative meter preceded tetrameter, which first appeared in the twelfth century, and tetrameter in turn preceded pentameter, the five-stress line that would become the dominant English verse form of modernity, though it was invented by Chaucer in the 1380s. While this chronology is accurate, Eric Weiskott argues, the traditional periodization of literature in modern scholarship distorts the meaning of meters as they appeared to early poets and readers.In Meter and Modernity in English Verse, 1350-1650, Weiskott examines the uses and misuses of these three meters as markers of literary time, "medieval" or "modern," though all three were in concurrent use both before and after 1500. In each section of the book, he considers two of the traditions through the prism of a third element: alliterative meter and tetrameter in poems of political prophecy; alliterative meter and pentameter in William Langland's Piers Plowman and early blank verse; and tetrameter and pentameter in Chaucer, his predecessors, and his followers. Reversing the historical perspective in which scholars conventionally view these authors, Weiskott reveals Langland to be metrically precocious and Chaucer metrically nostalgic.More than a history of prosody, Weiskott's book challenges the divide between medieval and modern literature. Rejecting the premise that modernity occurred as a specifiable event, he uses metrical history to renegotiate the trajectories of English literary history and advances a narrative of sociocultural change that runs parallel to metrical change, exploring the relationship between literary practice, social placement, and historical time

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812297478
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    Subjects: Cultural Studies; Literature; LITERARY CRITICISM / Medieval; English language; English literature; English poetry; English poetry; Poetics
    Scope: 1 Online-Ressource (xviii, 297 Seiten)
  15. Paper Monsters
    Persona and Literary Culture in Elizabethan England
    Published: [2019]; © 2019
    Publisher:  University of Pennsylvania Press, Philadelphia

    In Paper Monsters, Samuel Fallon charts the striking rise, at the turn to the seventeenth century, of a new species of textual being: the serial, semifictional persona. When Thomas Nashe introduced his charismatic alter ego Pierce Penilesse in a 1592... more

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    In Paper Monsters, Samuel Fallon charts the striking rise, at the turn to the seventeenth century, of a new species of textual being: the serial, semifictional persona. When Thomas Nashe introduced his charismatic alter ego Pierce Penilesse in a 1592 text, he described the figure as a "paper monster," not fashioned but "begotten" into something curiously like life. The next decade bore this description out, as Pierce took on a life of his own, inspiring other writers to insert him into their own works. And Pierce was hardly alone: such figures as the polemicist Martin Marprelate, the lovers Philisides and Astrophil, the shepherd-laureate Colin Clout, the prodigal wit Euphues, and, in an odd twist, the historical author Robert Greene all outgrew their fictional origins, moving from text to text and author to author, purporting to speak their own words, even surviving their creators' deaths, and installing themselves in the process as agents at large in the real world of writing, publication, and reception.In seeking to understand these "paper monsters" as a historically specific and rather short-lived phenomenon, Fallon looks to the rapid expansion of the London book trade in the years of their ascendancy. Personae were products of print, the medium that rendered them portable, free-floating figures. But they were also the central fictions of a burgeoning literary field: they embodied that field's negotiations between manuscript and print, and they forged a new form of public, textual selfhood. Sustained by the appropriative rewritings they inspired, personae came to seem like autonomous citizens of the literary public. Fallon argues that their status as collective fictions, passed among writers, publishers, and readers, positioned personae as the animating figures of what we have come to call "print culture."

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812296174
    Other identifier:
    Series: Material Texts
    Subjects: Cultural Studies; Literature; Medieval and Renaissance Studies; LITERARY CRITICISM / Modern / 16th Century; Authors and readers; Authors and readers; Characters and characteristics in literature; English literature; Persona (Literature); Rezeption; Literarische Gestalt; Englisch; Literatur
    Scope: 1 online resource (272 pages), 6 illus
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  16. Fiction without humanity
    person, animal, thing in early enlightenment literature and culture
    Author: Festa, Lynn
    Published: [2019]; © 2019
    Publisher:  University of Pennsylvania Press, Philadelphia

    Although the Enlightenment is often associated with the emergence of human rights and humanitarian sensibility, "humanity" is an elusive category in the literary, philosophical, scientific, and political writings of the period. Fiction Without... more

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    Although the Enlightenment is often associated with the emergence of human rights and humanitarian sensibility, "humanity" is an elusive category in the literary, philosophical, scientific, and political writings of the period. Fiction Without Humanity offers a literary history of late seventeenth- and early eighteenth-century efforts to define the human. Focusing on the shifting terms in which human difference from animals, things, and machines was expressed, Lynn Festa argues that writers and artists treated humanity as an indefinite class, which needed to be called into being through literature and the arts.Drawing on an array of literary, scientific, artistic, and philosophical devices- the riddle, the fable, the microscope, the novel, and trompe l'oeil and still-life painting- Fiction Without Humanity focuses on experiments with the perspectives of nonhuman creatures and inanimate things. Rather than deriving species membership from sympathetic identification or likeness to a fixed template, early Enlightenment writers and artists grounded humanity in the enactment of capacities (reason, speech, educability) that distinguish humans from other creatures, generating a performative model of humanity capacious enough to accommodate broader claims to human rights.In addressing genres typically excluded from canonical literary histories, Fiction Without Humanity offers an alternative account of the rise of the novel, showing how these early experiments with nonhuman perspectives helped generate novelistic techniques for the representation of consciousness. By placing the novel in a genealogy that embraces paintings, riddles, scientific plates, and fables, Festa shows realism to issue less from mimetic exactitude than from the tailoring of the represented world to a distinctively human point of view

     

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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812296198
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    Subjects: Cultural Studies; Literature; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Anthropomorphism in literature; English prose literature; English prose literature; Enlightenment; Fictions, Theory of; Humanity in literature; Philosophical anthropology; Englisch; Humanität; Literatur
    Scope: 1 Online-Ressource (364 Seiten), Illustrationen
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  17. The Matter of Virtue
    Women's Ethical Action from Chaucer to Shakespeare
    Published: [2019]; © 2019
    Publisher:  University of Pennsylvania Press, Philadelphia

    If material bodies have inherent, animating powers-or virtues, in the premodern sense-then those bodies typically and most insistently associated in the premodern period with matter-namely, women-cannot be inert and therefore incapable of ethical... more

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    If material bodies have inherent, animating powers-or virtues, in the premodern sense-then those bodies typically and most insistently associated in the premodern period with matter-namely, women-cannot be inert and therefore incapable of ethical action, Holly Crocker contends. In The Matter of Virtue, Crocker argues that one idea of what it means to be human-a conception of humanity that includes vulnerability, endurance, and openness to others-emerges when we consider virtue in relation to modes of ethical action available to premodern women. While a misogynistic tradition of virtue ethics, from antiquity to the early modern period, largely cast a skeptical or dismissive eye on women, Crocker seeks to explore what happened when poets thought about the material body not as a tool of an empowered agent whose cultural supremacy was guaranteed by prevailing social structures but rather as something fragile and open, subject but also connected to others.After an introduction that analyzes Hamlet to establish a premodern tradition of material virtue, Part I investigates how retellings of the demise of the title female character in Chaucer's Troilus and Criseyde, Lydgate's Troy Book, Henryson's Testament of Cresseid, and Shakespeare's Troilus and Cressida among other texts structure a poetic debate over the potential for women's ethical action in a world dominated by masculine violence. Part II turns to narratives of female sanctity and feminine perfection, including ones by Chaucer, Bokenham, and Capgrave, to investigate grace, beauty, and intelligence as sources of women's ethical action. In Part III, Crocker examines a tension between women's virtues and household structures, paying particular attention to English Griselda- and shrew-literatures, including Shakespeare's Taming of the Shrew. She concludes by looking at Chaucer's Legend of Good Women to consider alternative forms of virtuous behavior for women as well as men

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812296273
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    Subjects: Cultural Studies; Gender Studies; Literature; Medieval and Renaissance Studies; Women's Studies; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; English poetry; Virtue in literature; Women in literature; Mittelenglisch; Englisch; Tugend <Motiv>; Frau <Motiv>; Literatur
    Scope: 1 online resource (360 pages), 11 illus
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  18. Egyptian Hieroglyphs in the Late Antique Imagination
    Published: [2019]; © 2020
    Publisher:  University of Pennsylvania Press, Philadelphia

    Throughout the pharaonic period, hieroglyphs served both practical and aesthetic purposes. Carved on stelae, statues, and temple walls, hieroglyphic inscriptions were one of the most prominent and distinctive features of ancient Egyptian visual... more

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    Throughout the pharaonic period, hieroglyphs served both practical and aesthetic purposes. Carved on stelae, statues, and temple walls, hieroglyphic inscriptions were one of the most prominent and distinctive features of ancient Egyptian visual culture. For both the literate minority of Egyptians and the vast illiterate majority of the population, hieroglyphs possessed a potent symbolic value that went beyond their capacity to render language visible. For nearly three thousand years, the hieroglyphic script remained closely bound to indigenous notions of religious and cultural identity.By the late antique period, literacy in hieroglyphs had been almost entirely lost. However, the monumental temples and tombs that marked the Egyptian landscape, together with the hieroglyphic inscriptions that adorned them, still stood as inescapable reminders that Christianity was a relatively new arrival to the ancient land of the pharaohs. In Egyptian Hieroglyphs in the Late Antique Imagination, Jennifer Westerfeld argues that depictions of hieroglyphic inscriptions in late antique Christian texts reflect the authors' attitudes toward Egypt's pharaonic past. Whether hieroglyphs were condemned as idolatrous images or valued as a source of mystical knowledge, control over the representation and interpretation of hieroglyphic texts constituted an important source of Christian authority.Westerfeld examines the ways in which hieroglyphs are deployed in the works of Eusebius and Augustine, to debate biblical chronology; in Greek, Roman, and patristic sources, to claim that hieroglyphs encoded the mysteries of the Egyptian priesthood; and in a polemical sermon by the fifth-century monastic leader Shenoute of Atripe, to argue that hieroglyphs should be destroyed lest they promote a return to idolatry. She argues that, in the absence of any genuine understanding of hieroglyphic writing, late antique Christian authors were able to take this powerful symbol of Egyptian identity and manipulate it to serve their particular theological and ideological ends

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812296402
    Other identifier:
    Subjects: Ancient Studies; Archaeology; Classics; Cultural Studies; HISTORY / Ancient / Egypt; Archaeology and religion; Christian literature, Early; Church history; Egyptian language; Hieroglyphenschrift; Rezeption; Spätantike; Christliche Literatur
    Scope: 1 Online-Ressource, Illustrationen
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  19. Subjects of Advice
    Drama and Counsel from More to Shakespeare
    Author: Lupić, Ivan
    Published: [2019]; © 2019
    Publisher:  University of Pennsylvania Press, Philadelphia

    In Subjects of Advice, Ivan Lupić uncovers the rich interconnectedness of dramatic art and the culture of counsel in the early modern period. While counsel was an important form of practical knowledge, with concrete political consequences, it was... more

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    In Subjects of Advice, Ivan Lupić uncovers the rich interconnectedness of dramatic art and the culture of counsel in the early modern period. While counsel was an important form of practical knowledge, with concrete political consequences, it was also an ingrained cultural habit, a feature of obligatory mental, moral, and political hygiene. To be a Renaissance subject, Lupić claims, one had to reckon with the advice of others. Lupić examines this reckoning in a variety of sixteenth-century dramatic contexts. The result is an original account of the foundational role that counsel played in the development of Renaissance drama.Lupić begins by considering the figure of Thomas More, whose influential argument about counsel as a form of performance in Utopia set the agenda for the entire century. Resisting linear narratives and recovering, instead, the simultaneity of radically different kinds of dramatic experience, he shows the vitality of later dramatic engagements with More's legacy through an analysis of the moral interlude staged within Sir Thomas More, a play possibly coauthored by Shakespeare. More also helps explain the complex use of counsel in Senecan drama, from the neo-Latin plays of George Buchanan, discussed in connection with Buchanan's political writings, to the historical tragedies of the mid-sixteenth century.If tyranny and exemplarity are the keywords for early Elizabethan drama of counsel, for the plays of Christopher Marlowe it is friendship. Lupić considers Marlowe's interest in friendship and counsel, most notably in Edward II, alongside earlier dramatic treatments, thus exposing the pervasive fantasy of the ideal counselor as another self. Subjects of Advice concludes by placing King Lear in relation to its dramatic sources to demonstrate Shakespeare's deliberate dispersal of counsel throughout his play. Counsel's customary link to plain and fearless speech becomes in Shakespeare's hands a powerful instrument of poetic and dramatic expression

     

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    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812296433
    Other identifier:
    Subjects: Cultural Studies; Literature; Medieval and Renaissance Studies; LITERARY CRITICISM / Renaissance; Advice in literature; Counseling in literature; English drama; Politics and literature; Subjectivity in literature
    Scope: 1 online resource (260 pages), 1 illus
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  20. History and the Written Word
    Documents, Literacy, and Language in the Age of the Angevins
    Published: [2019]; © 2020
    Publisher:  University of Pennsylvania Press, Philadelphia

    Coming upon the text of a document such as a charter or a letter inserted into the fabric of a medieval chronicle and "ed in full or at length, modern readers might well assume that the chronicler is simply doing what good historians have always... more

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    Coming upon the text of a document such as a charter or a letter inserted into the fabric of a medieval chronicle and "ed in full or at length, modern readers might well assume that the chronicler is simply doing what good historians have always done-that is, citing his source as evidence. Such documentary insertions are not ubiquitous in medieval historiography, however, and are in fact particularly characteristic of the history-writing produced by the Angevins in England and Northern France in the later twelfth century.In History and the Written Word, Henry Bainton puts these documentary gestures center stage in an attempt to understand what the chroniclers were doing historiographically, socially, and culturally when they transcribed a document into a work of history. Where earlier scholars who have looked at the phenomenon have explained this increased use of documents by considering the growing bureaucratic state and an increasing historiographical concern for documentary evidence, Bainton seeks to resituate these histories, together with their authors and users, within literate but sub-state networks of political power. Proposing a new category he designates "literate lordship" to describe the form of power with which documentary history-writing was especially concerned, he shows how important the vernacular was in recording the social lives of these literate lords and how they found it a particularly appropriate medium through which to record their roles in history.Drawing on the perspectives of modern and medieval narratology, medieval multilingualism, and cultural memory, History and the Written Word argues that members of an administrative elite demonstrated their mastery of the rules of literate political behavior by producing and consuming history-writing and its documents

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812296761
    Other identifier:
    Series: The Middle Ages Series
    Subjects: Cultural Studies; European History; History; Literature; Medieval and Renaissance Studies; World History; HISTORY / Medieval; Mittelenglisch; Literatur
    Scope: 1 online resource (272 pages), 2 illus
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  21. Vertrauter Fremder
    ein Leben zwischen zwei Inseln
    Published: 2020
    Publisher:  Argument ; InkriT, Hamburg ; Berlin

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    https://d-nb.info/1172096260/04 (Inhaltsverzeichnis)
    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Gutberlet, Ronald
    Language: German
    Media type: Book
    ISBN: 978-3-86754-109-1
    Edition: Deutsche Erstausgabe
    Subjects: Cultural Studies; Identität; Ideologie; Kolonialismus
    Other subjects: Hall, Stuart
    Scope: 303 Seiten
  22. Religion in cultural imaginary
    explorations in visual und material practices
    Contributor: Pezzoli-Olgiati, Daria (HerausgeberIn)
    Published: 2015
    Publisher:  Nomos, Baden-Baden

    Das vielschichtige Konzept des Imaginären erweist sich als weiterführende Kategorie, um die Präsenz und Diffusion religiöser Symbole, Weltbilder und Narrative in verschiedenen Medien und gesellschaftlichen Bereichen wie Politik, Wirtschaft, Kunst und... more

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    Das vielschichtige Konzept des Imaginären erweist sich als weiterführende Kategorie, um die Präsenz und Diffusion religiöser Symbole, Weltbilder und Narrative in verschiedenen Medien und gesellschaftlichen Bereichen wie Politik, Wirtschaft, Kunst und Populärkultur einzufangen. Eingesetzt, um die Rezeption und Transformation religiöser Referenzen durch Zeit und Kulturen zu fassen, kann das Imaginäre verstanden werden als geteilter Fundus von mentalen Bildern und materiellen Gegenständen, von Ideen, Symbolen, Werten und Praktiken, die zur Produktion von Bedeutung und dem gesellschaftlichen Zusammenhalt beitragen. Im Schnittbereich von soziologischen, politisch-philosophischen und kulturwissenschaftlichen Zugängen zu Religion bietet die interdisziplinäre Studie einen intensiven Austausch zwischen theoretischer Diskussion und reichhaltigen empirischen Analysen.Mit Beiträgen vonDaria Pezzoli-Ogiati, Ann Jeffers, Anna-Katharina Höpflinger, Paola von Wyss-Giacosa, Natasha O’Hear, Davide Zordan, Natalie Fritz, Marie-Therese Mäder, Sean Ryan, Stefanie Knauss, Alexander D. Ornella

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Pezzoli-Olgiati, Daria (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783845264066
    Other identifier:
    RVK Categories: BE 3440
    Edition: 1. edition
    Series: Religion - Wirtschaft - Politik ; Band 13
    Subjects: Cultural Studies; Religionsphilosophie; Philosophy of Religion; (Audio-)Visual Communication; Religion; (Audio-) Visuelle Kommunikation; Kulturwissenschaft; Religion; Culture and Knowledge; Kultur- und Wissenssoziologie
    Scope: 1 Online Ressource (343 Seiten)
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  23. Postkoloniale Schweiz
    Formen und Folgen eines Kolonialismus ohne Kolonien
    Contributor: Purtschert, Patricia (HerausgeberIn); Lüthi, Barbara (HerausgeberIn); Falk, Francesca (HerausgeberIn)
    Published: 2013
    Publisher:  Transcript Verlag, Bielefeld

    Biographical note: Patricia Purtschert (Dr. phil.), Philosophin, arbeitet an einem Forschungsprojekt zur postkolonialen Schweiz an der ETH Zürich und ist Lehrbeauftragte an der Universität Luzern. Barbara Lüthi (Jun.-Prof. Dr.), Historikerin,... more

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    JV51 Purt2013
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    His 597/7
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    Biographical note: Patricia Purtschert (Dr. phil.), Philosophin, arbeitet an einem Forschungsprojekt zur postkolonialen Schweiz an der ETH Zürich und ist Lehrbeauftragte an der Universität Luzern. Barbara Lüthi (Jun.-Prof. Dr.), Historikerin, unterrichtet Angloamerikanische Geschichte an der Universität zu Köln. Francesca Falk (Dr. phil.), Historikerin, ist Lehrbeauftragte an der Universität Basel wie auch an der ETH Zürich und arbeitet an einem vom Schweizer Nationalfonds geförderten Projekt zu einer visuellen Kulturgeschichte der Demonstration. Main description: In den neueren Diskussionen über den Kolonialismus wird vermehrt dem »Kolonialismus ohne Kolonien« Beachtung geschenkt: Auf welche Weise waren auch solche europäischen Länder involviert, die selbst nicht als Kolonialmacht aufgetreten sind? Und wie wirken sich diese Verstrickungen auf die postkoloniale Gegenwart aus? Der Band geht diesen Fragen am Beispiel der postkolonialen Schweiz nach und stößt damit auch die längst überfällige Rezeption der Postcolonial Studies in der Schweiz an. Mit Beiträgen von Christine Bischoff, Christof Dejung, Sara Elmer, Francesca Falk, Gaby Fierz, Alexander Honold, Rohit Jain, Franziska Jenni, Meral Kaya, Christian Koller, Konrad J. Kuhn, Barbara Lüthi, Martin Mühlheim, Patricia Purtschert, Bernhard C. Schär, Daniel Speich Chassé und einem Vorwort von Shalini Randeria. Patricia Purtschert (Dr. phil.), Philosophin, arbeitet an einem Forschungsprojekt zur postkolonialen Schweiz an der ETH Zürich und ist Lehrbeauftragte an der Universität Luzern. Barbara Lüthi (Jun.-Prof. Dr.), Historikerin, unterrichtet Angloamerikanische Geschichte an der Universität zu Köln. Francesca Falk (Dr. phil.), Historikerin, ist Lehrbeauftragte an der Universität Basel wie auch an der ETH Zürich und arbeitet an einem vom Schweizer Nationalfonds geförderten Projekt zu einer visuellen Kulturgeschichte der Demonstration. Review text: »Der wegweisende und anregende Band [wird] für das Gebiet des Postkolonialismus ein Referenzwerk bilden.« Urs Hafner, Neue Zürcher Zeitung, 22.06.2012 »Ein wichtiges Buch.« Ulrich van der Heyden, Afrika Süd, 3 (2013) »These 16 chapters offer a complex picture of Switzerland, its myths, lenient self-representations and past and present main narratives.« Anne Lavanchy, Tsantsa, 18 (2013) »Den Herausgeberinnen ist eine umfangreiche und kritische Grundlage für eine Auseinandersetzung mit einer postkolonialen Schweiz gelungen. Das ist nicht nur ein wichtiger Ausgangspunkt für künftige Theoriebildung, sondern auch relevant für die politische Praxis.« Marina Ginal, iz3w, 13.12.2012 »Es bleibt zu hoffen, dass dem Aufruf der Herausgeberinnen zum transnationalen Austausch über Kolonialismus ohne Kolonien auch hierzulande bald Folge geleistet wird.« Sushila Mesquita, stimme, 85 (2012) »[Der Band ermöglicht] eine wichtige Horizonterweiterung, die nicht zuletzt einen anderen Blick auf die Moderne erlaubt.« Daniela Wegmann, etü - HistorikerInnen-Zeitschrift, 9 (2012) »Der wegweisende und anregende Band [wird] für das Gebiet des Postkolonialismus ein Referenzwerk bilden. Diese Arbeiten dürften aufgrund der globalen Zunahme der Migration auch an gesellschaftlicher Bedeutung gewinnen.« Urs Hafner, Neue Zürcher Zeitung, 22.06.2012 »Trotz oder gerade wegen der wissenschaftlichen Annäherung an das Thema Kolonialismus, der bis heute nachwirkt, gibt das Buch Antworten auf aktuelle Fragen.« Fritz Lehmann, Berner Oberland, 17.08.2012 Besprochen in: TagesWoche, 34 (2012), Renato Beck terra cognita, 22 (2013) Review quote: Besprochen in: TagesWoche, 34 (2012), Renato Beck terra cognita, 22 (2013) Swiss Journal of Sociology, 39/3 (2013), Dina Bader

     

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    Source: Union catalogues
    Contributor: Purtschert, Patricia (HerausgeberIn); Lüthi, Barbara (HerausgeberIn); Falk, Francesca (HerausgeberIn)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783837617993
    RVK Categories: MK 2700 ; MS 1222 ; LB 53150 ; NQ 9460
    Edition: 2., korrigierte Auflage
    Series: Postcolonial studies ; 10
    Subjects: Postcolonialism; Postcolonialism; Imperialism; Political culture; Imperialism; Political culture; Postcolonialism, Migration, Europe, History of Colonialism, History, Cultural Studies; Schweiz; Europe; Postcolonialism; Migration; Kolonialgeschichte; Kulturwissenschaft; Kolonialismus; Exotisierung; Gender; Geschichtswissenschaft; History of Colonialism; History; Cultural Studies
    Scope: 419 Seiten, Illustrationen, 225 mm x 148 mm, 618 g
    Notes:

    Literaturangaben

    Zeitreisen durch die Welt. Temporale und territoriale Ordnungsmuster auf Weltausstellungen und schweizerischen Landesaustellungen während der KolonialzeitDas Making-of von Gardis Afrika; Indien im Blick. Schweizerische Imaginationen in vier Konfigurationen; Autorinnen und Autoren.

  24. Bouncing back: queer resilience in twentieth and twenty-first century English literature and culture
    Published: [2020]
    Publisher:  transcript, Bielefeld

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783837650273; 3837650278
    Other identifier:
    9783837650273
    DDC Categories: 820
    Edition: [1. Auflage]
    Series: Queer studies ; volume 24
    Subjects: Englisch; Literatur; LGBT <Motiv>;
    Other subjects: Culture; Queer; Gender; Psychology; Society; British Studies; Queer Theory; Gender Studies; Cultural Studies; Literary Studies; Hardcover, Softcover / Sprachwissenschaft, Literaturwissenschaft/Englische Sprachwissenschaft, Literaturwissenschaft
    Scope: 240 Seiten, 23 cm, 384 g
  25. Performing Authorship
    strategies of 'Becoming an author' in the works of Paul Auster, Candice Breitz, Sophie Calle, and Jonathan Safran Foer
    Published: [2016]
    Publisher:  transcript Verlag, s.l.

    Authors not only create artworks. In the process of creating, they simultaneously bring to life their author personae. Approaching this phenomenon from an interdisciplinary point of view, Sonja Longolius develops a concept of »performative... more

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Authors not only create artworks. In the process of creating, they simultaneously bring to life their author personae. Approaching this phenomenon from an interdisciplinary point of view, Sonja Longolius develops a concept of »performative authorship« by examining different strategies of becoming an author. In regard to the notion of her concept, this work offers a critical and comparative analysis of the works of Paul Auster, Candice Breitz, Sophie Calle, and Jonathan Safran Foer. Specifically, Auster/Calle and Breitz/Foer form a generational pair of opposites, enabling a discussion of postmodern and post-postmodern artistic strategies of »performative authorship«.

     

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