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Displaying results 26 to 39 of 39.

  1. The location of culture
    Published: 1994
    Publisher:  Routledge, London [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 216200
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    GE 94/981
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    Universitätsbibliothek Greifswald
    460/2018 M 1814
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    Max-Planck-Institut zur Erforschung multireligiöser und multiethnischer Gesellschaften, Bibliothek
    MR 7100 Bhab 1994
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    lit 108/b41
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    Dh 50 (219)
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  2. Joseph Conrad
    comparative essays
    Author: Gillon, Adam
    Published: c 1994
    Publisher:  Texas Tech Univ. Press, Lubbock

    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Universitätsbibliothek Heidelberg
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Source: Union catalogues
    Contributor: Brebach, Raymond (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0896723216; 0896723224
    RVK Categories: HM 2335
    Subjects: Conrad, Joseph;
    Other subjects: Array
    Scope: XII, 290 S, 24 cm
    Notes:

    Includes bibliographical references (p. [275] - 284) and index

  3. The dialect of modernism
    race, language, and twentieth-century literature
    Published: 1994
    Publisher:  Oxford University Press, New York [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0195085167
    RVK Categories: HU 1728 ; HU 1982 ; HU 1380
    Series: Race and American culture
    Subjects: American literature; American literature; African Americans; Dialect literature, American; Modernism (Literature); African Americans in literature; Black English in literature; Language and culture; Race in literature
    Other subjects: Conrad, Joseph (1857-1924): Nigger of the Narcissus; Conrad, Joseph (1857-1924); Stein, Gertrude (1874-1946); Eliot, T. S. (1888-1965)
    Scope: 252 S., Ill.
    Notes:

    Includes bibliographical references (p. 197-244) and index

  4. The life of Joseph Conrad
    a critical biography
    Published: 1994
    Publisher:  Blackwell, Oxford [u.a.]

    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    12.605.02
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    Universität Mainz, Bereichsbibliothek Translations-, Sprach- und Kulturwissenschaft
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    000 HM 2335 B328
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    Universitätsbibliothek Gießen
    FH Angl O CON 1042
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    25 Eng RB 5064
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    Universität Mainz, Bereichsbibliothek Philosophicum, Standort Anglistik/ Amerikanistik
    Q C 7 208
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0631164162
    RVK Categories: HM 2335
    Series: Blackwell critical biographies ; 4
    Other subjects: Conrad, Joseph (1857-1924)
    Scope: IX, 335 S.
    Notes:

    Literaturverz. S. [310] - 322

  5. The dialect of modernism
    race, language, and twentieth-century literature
    Published: 1994
    Publisher:  Oxford University Press, New York

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 128052703X; 1429405767; 9781280527036; 9781429405768
    RVK Categories: HU 1380 ; HU 1728 ; HU 1982
    Series: Race and American culture
    Subjects: Littérature américaine / Auteurs noirs américains / Histoire et critique; Littérature américaine / 20e siècle / Histoire et critique; Littérature dialectale américaine / Histoire et critique; Modernisme (Littérature) / États-Unis; Noirs américains dans la littérature; Black English (Dialecte) dans la littérature; Langage et culture; Race dans la littérature; LITERARY CRITICISM / American / General; Amerikaans; Dialecten; Negers; Letterkunde; Modernisme (cultuur); Littérature américaine / Auteurs noirs américains / Histoire et critique; Littérature américaine / 20e siècle / Histoire et critique; Modernisme (littérature) / États-Unis; Langage et culture; Black English (dialecte) / Dans la littérature; Race / Dans la littérature; Noirs américains / Dans la littérature; Literatur; Rasse <Motiv>; Sprache <Motiv>; Kultur; Moderne; Nigger of the "Narcissus" (Conrad, Joseph); African Americans in literature; African Americans / Intellectual life; American literature; American literature / African American authors; Black English in literature; Dialect literature, American; Language and culture; Modernism (Literature); Race in literature; Literatur; Mundart; Schwarze; Schwarze. USA; American literature; American literature; African Americans; Dialect literature, American; Modernism (Literature); African Americans in literature; Black English in literature; Language and culture; Race in literature; Rassismus <Motiv>; Moderne; Englisch; Mundart; Literatur; Schwarze
    Other subjects: Conrad, Joseph / 1857-1924; Conrad, Joseph / 1857-1924 / Nigger of the Narcissus; Conrad, Joseph / 1857-1924 / Nigger of the 'Narcissus'; Conrad, Joseph (1857-1924): Nigger of the Narcissus
    Scope: 1 Online-Ressource (252 pages)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. 197-244) and index

    Against the standard : linguistic imitation, racial masquerade, and the modernist rebellion -- The nigger of the "Narcissus" as a preface to modernism -- Modernism's African mask : the Stein-Picasso collaboration -- Old Possum and Brer Rabbit : Pound and Eliot's racial masquerade -- Quashie to Buccra : the linguistic expatriation of Claude McKay -- Race, the American language, and the Americanist avant-garde -- Two strangers in the American language : William Carlos Williams and Jean Toomer -- "Characteristics of Negro expression" : Zora Neale Hurston and the Negro anthology

    The Dialect of Modernism uncovers the crucial role of racial masquerade and linguistic imitation in the emergence of literary modernism. Rebelling against the standard language and literature written in it, modernists such as Joseph Conrad, Gertrude Stein, T.S. Eliot, Ezra Pound, and William Carlos Williams reimagined themselves as racial aliens and mimicked the strategies of dialect speakers in their work. In doing so, they made possible the most radical representational strategies of modern literature, which emerged from their attack on the privilege of standard language

    At the same time, however, another movement identified with Harlem was struggling to free itself from the very dialect the modernists appropriated, at least as it had been rendered by two generations of white dialect writers. For writers such as Claude McKay, Jean Toomer, and Zora Neale Hurston, this dialect became a barrier as rigid as the standard language itself, and its appropriation served to reinforce the subordinate status of the dialect. Thus, the two modern movements, which arrived simultaneously in 1922, were linked and divided by their different stakes in the same language. In The Dialect of Modernism, Michael North shows, through biographical and historical investigation, and through careful readings of major literary works, that however different they were, the two movements are inextricably connected, and thus, cannot be considered in isolation. Each was marked, for good and bad, by the other

    The Dialect of Modernism is the second volume in Oxford's new Race and American Culture series

  6. The subject of modernism
    narrative alterations in the fiction of Eliot, Conrad, Woolf, and Joyce
    Published: 1994
    Publisher:  Univ. of Michigan Press, Ann Arbor

    Like other poststructuralist theories, Lacanian theory has long been accused of being ahistorical. In The Subject of Modernism, Tony E. Jackson combines a uniquely graspable explanation of the Lacanian theory of the self with a series of detailed... more

    Freie Universität Berlin, Universitätsbibliothek
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    Like other poststructuralist theories, Lacanian theory has long been accused of being ahistorical. In The Subject of Modernism, Tony E. Jackson combines a uniquely graspable explanation of the Lacanian theory of the self with a series of detailed psychoanalytic interpretations of actual texts to offer a new kind of literary history After exposing the seldom-discussed history of the self found in the work of Lacan, Jackson shows that the basic plot structure of realistic novels reveals an unconscious desire to preserve a certain kind of historically institutionalized self, but that the desire of realism to write the most real representation of reality steadily makes the self-preservation more difficult to sustain. Thus in following through on its own desire to prove the certainty of its being, realism eventually discovers its own impossibility. Jackson charts the resistances to and misrecognitions of this discovery as they are revealed in the changes of narrative form from Eliot's last, most ambitious novel, Daniel Deronda, through Conrad's most modernist novels, Lord Jim and Heart of Darkness, to Woolf's Mrs. Dalloway and The Waves. He ends with an appended consideration of the "Cyclops" and "Nausicaa" chapters from Joyces's Ulysses While other critics have argued that realism structures a certain self and modernism undoes that self, they have not attempted a historical explanation of why this change should have occurred. Jackson reads the emergence of modernism as a kind of generic self-analysis of realism, analogous to the self-analysis performed by Freud: when realism discovers the significance of its own desire to write the most real representation of reality, it has, in that moment, become modernism. It has grasped its own nature and so fully becomes itself, for the first time, as modernism. The Subject of Modernism will appeal most obviously to readers of Victorian and modernist fiction, but it will also draw those interested in the history of the novel and in the idea of literary history in general. Finally, because of the way Jackson brings together fiction, psychoanalysis, and history, anyone interested in the history of aesthetics will find here new ways to examine particular art forms

     

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  7. Linguistic influence of Polish on Joseph Conrad's style
    Published: 1994
    Publisher:  Columbia Univ. Press, New York

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 088033309X
    RVK Categories: HM 2335 ; KP 5270
    Series: Conrad: Eastern and Western perspectives ; 3
    East European monographs ; 412
    Subjects: Beïnvloeding; Engels; Pools; Romans; Stijlen; Englisch; Polnisch; Sprache; Wissen; English literature; Polish language; Sprache; Polnisch
    Other subjects: Conrad, Joseph <1857-1924>; Conrad, Joseph <1857-1924>; Conrad, Joseph (1857-1924)
    Scope: 148 S., graph. Darst.
  8. Joseph Conrad
    Published: 1994
    Publisher:  Northcote House, Plymouth

    Freie Universität Berlin, Universitätsbibliothek
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    TU Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 0746307373
    RVK Categories: HM 2335
    Edition: 1. publ.
    Series: Writers and their work
    Subjects: Conrad, Joseph;
    Other subjects: Conrad, Joseph <1857-1924>; Conrad, Joseph <1857-1924>; Conrad, Joseph (1857-1924)
    Scope: XII, 67 S., Ill.
  9. Jarring witnesses
    modern fiction and the representation of history
    Published: 1994
    Publisher:  Harvester Wheatsheaf, New York [u.a.]

    Freie Universität Berlin, Universitätsbibliothek
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  10. Almayer's folly
    a story of an Eastern river
    Published: 1994
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Set in a jungle village in eastern Borneo during the 1880s, Almayer's Folly recreates the many conflicts - economic, religious, racial, cultural, sexual - of imperial Europe with the colonized East Indies through Joseph Conrad's story of Kaspar... more

    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Set in a jungle village in eastern Borneo during the 1880s, Almayer's Folly recreates the many conflicts - economic, religious, racial, cultural, sexual - of imperial Europe with the colonized East Indies through Joseph Conrad's story of Kaspar Almayer's personal tragedy: his loss of both his daughter of mixed race to her native lover and his dream of finding enough gold to return to Amsterdam in triumph The introduction gives the history of the composition of Conrad's first book, which was started in London in the autumn of 1889 and completed four and a half years later; the manuscript went with him to the Congo, Australia, the Ukraine, Belgium, Switzerland and France on his travels as a seaman and on holiday. During this long gestation, some of the chapters were typed twice, and later Conrad's slightly foreign English was tidied several times by publishers. The novel has suffered seven layers of unauthorized intervention, as set out in the essay on the text and the apparatus. The notes explain Malay terms and historical references, and there are two regional maps. This is the text of Almayer's Folly, established through modern textual scholarship, as Conrad would have liked it to have appeared in 1895

     

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 0521432057
    RVK Categories: HM 2330 ; HM 2333
    Series: Conrad, Joseph: [The Cambridge edition of the works] ; [2]
    Subjects: Dutch; Imperialism; Lingard, Tom (Fictitious character); Trading companies
    Other subjects: Conrad, Joseph (1857-1924): Almayer's folly
    Scope: LXIV, 258 S., Ill., Kt.
  11. Dead fathers
    the logic of transference in modern narrative
  12. The dialect of modernism
    race, language, and twentieth-century literature
    Published: 1994
    Publisher:  Oxford University Press, New York

    This treatise describes the crucial role of racial masquerade and linguistic imitation in the emergence of literary modernism. It describes how modernists have rebelled against the standard image, reimagining themselves as racial aliens and mimicking... more

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    e-Book Academic Complete
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    ProQuest Academic Complete
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    This treatise describes the crucial role of racial masquerade and linguistic imitation in the emergence of literary modernism. It describes how modernists have rebelled against the standard image, reimagining themselves as racial aliens and mimicking the strategies of dialect speakers

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0195085167; 9780195085167
    Series: Race and American culture
    Race and American Culture Ser
    Subjects: African Americans in literature; Black English in literature; Language and culture; Race in literature; Dialect literature, American; American literature; American literature; Modernism (Literature); African Americans in literature; American literature ; 20th century ; History and criticism; American literature ; African American authors ; History and criticism; Black English in literature; Conrad, Joseph ; 1857-1924 ; Nigger of the Narcissus; Dialect literature, American ; History and criticism; Modernism (Literature) ; United States; Electronic books
    Other subjects: Conrad, Joseph (1857-1924): Nigger of the Narcissus
    Scope: Online-Ressource (252 p), ill
    Notes:

    Includes bibliographical references (p. 197-244) and index

    Electronic reproduction; Available via World Wide Web

    Contents; 1. Against the Standard: Linguistic Imitation, Racial Masquerade, and the Modernist Rebellion; 2. The Nigger of the ""Narcissus "" as a Preface to Modernism; 3. Modernism's African Mask: The Stein-Picasso Collaboration; 4. Old Possum and Brer Rabbit: Pound and Eliot's Racial Masquerade; 5. Quashie to Buccra: The Linguistic Expatriation of Claude McKay; 6. Race, the American Language, and the Americanist Avant-Garde; 7. Two Strangers in the American Language: William Carlos Williams and Jean Toomer

    8. ""Characteristics of Negro Expression"": Zora Neale Hurston and the Negro AnthologyNotes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y

  13. The subject of modernism
    narrative alterations in the fiction of Eliot, Conrad, Woolf, and Joyce
    Published: c1994
    Publisher:  Univ. of Michigan Press, Ann Arbor

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    95 A 7996
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0472105523
    Subjects: English fiction; Psychological fiction, English; Narration (Rhetoric); Narration (Rhetoric); Modernism (Literature); Psychoanalysis and literature; Psychoanalysis and literature; Realism in literature
    Other subjects: Conrad, Joseph; Woolf, Virginia; Joyce, James; Eliot, George
    Scope: 209 p, 24 cm
    Notes:

    Includes bibliographical references (p. 201 - 206) and index

  14. Linguistic influence of Polish on Joseph Conrad's style
    Published: 1994
    Publisher:  East European Monographs [u.a.], Boulder

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 172111-3
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    96 A 18566
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    Pa 2793-3
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 088033309X
    Series: Conrad, Eastern and Western perspectives ; 3
    East European monographs ; 412
    Other subjects: Array; Array; Array; Array
    Scope: 148 S, graph. Darst, 23 cm
    Notes:

    Literaturverz. S. 141 - 148