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Displaying results 1 to 9 of 9.

  1. Cinema, gender, and everyday space
    comedy, Italian style
    Published: 2015
    Publisher:  Palgrave Macmillan, New York, NY

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781137403575
    Other identifier:
    RVK Categories: AP 52400 ; AP 59439
    Edition: First published
    Series: Screening Spaces
    Subjects: Film; Geschichte; Comedy films; Motion pictures; Sex role in motion pictures; Space in motion pictures; Frau <Motiv>; Geschlechterrolle; Filmkomödie
    Scope: 1 Online-Ressource (x, 260 pages), illustrations
    Notes:

    Introduction: Gender, Space and Comedy, Italian Style ... Contexts. Cinema, Space, Gender ... Comedy, Italian Style ... Spaces. Bodies, Bikinis and Bras: Beaches and Nightclubs in Comedy, Italian Style ... Masculinity at Work: Offices in Comedy, Italian Style ... Driving Passions: Cars in Comedy, Italian Style ... Recipe for Change: Kitchens in Comedy, Italian Style Conclusion. - Includes bibliographical references (pages 233-249) and index. - Includes filmography

  2. Cinema, gender, and everyday space
    comedy, Italian style
    Published: 2015
    Publisher:  Palgrave Macmillan, New York, NY

    Universitätsbibliothek Regensburg
    Unlimited inter-library loan, copies and loan
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781137403568
    RVK Categories: AP 52400 ; AP 59439
    Edition: First published
    Series: Screening Spaces
    Subjects: Film; Geschichte; Comedy films; Motion pictures; Sex role in motion pictures; Space in motion pictures; Geschlechterrolle; Frau <Motiv>; Filmkomödie
    Scope: x, 260 pages, illustrations, 23 cm
    Notes:

    Introduction: Gender, Space and Comedy, Italian Style ... Contexts. Cinema, Space, Gender ... Comedy, Italian Style ... Spaces. Bodies, Bikinis and Bras: Beaches and Nightclubs in Comedy, Italian Style ... Masculinity at Work: Offices in Comedy, Italian Style ... Driving Passions: Cars in Comedy, Italian Style ... Recipe for Change: Kitchens in Comedy, Italian Style Conclusion. - Includes bibliographical references (pages 233-249) and index. - Includes filmography

  3. La comedia y el melodrama en el audiovisual iberoamericano [contemporáneo]
    [4. Coloquio International Cine Iberoamericano: Géneros Cinematográficos (2): La Comedia y el Melodrama]
    Contributor: Smith, Paul Julian (Hrsg.)
    Published: 2015
    Publisher:  Iberoamericana, Madrid ; Vervuert, Frankfurt am Main

    Pt. I. La comedia en España. Identidad y encrucijadas en la comedia cinematográfica española : una panorámica / Jordi Revert ; De la necesidad de la comedia : humor y política en El orador de Ramón Gómez de la Serra / Alberto Medina ; Hibridaciones... more

    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    Unlimited inter-library loan, copies and loan

     

    Pt. I. La comedia en España. Identidad y encrucijadas en la comedia cinematográfica española : una panorámica / Jordi Revert ; De la necesidad de la comedia : humor y política en El orador de Ramón Gómez de la Serra / Alberto Medina ; Hibridaciones entre el turismo y la comedia en el tardofranquismo : a propósito de Manolo, la nuit (Mariano Ozores, 1973) y Tres suecas para tres Rodríguez (Pedro Lazaga, 1975) / Jorge Nieto Ferrando ; La muerte de Franco en clave de comedia : ¡Buen viaje, Excelencia! (Albert Boadella, 2003), "paliar una frustración" / Nancy Berthier ; La niña de tus ojos (1998) de Fernando Trueba : de la tradición hollywoodiense a la comedia española / Marianne Bloch-Robin ; 800 balas de Álex de la Iglesia, una comedia turística con sabor intenso / Antonia del Rey Reguillo ; La nueva comedia juvenil española : entre la cine, la televisión e Internet / Rubén Higueras Flores ; Nuevas formas de la comedia en España : Carlos Vermut / Sonia García López -- pt. II. El melodrama en América Latina. El canon de la comedia y el melodrama en el cine iberoamericano / Lauro Zavala ; Dispositivos del melodrama latinoamericano : "Mancha," nostalgia y flashback / Álvaro A. Fernández ; Nostalgia del melodrama : El Salón México de José Luis García Agraz (1995) versus el de Emilio (El Indio) Fernández (1948) / Julia Tuñón ; Cuna de lobos : moda y apariencias en las telenovelas / Tanya Meléndez Escalante ; El universo dramático de Sebastián Cordero : realismo, exclusión y emoción / Paulina Sánchez

     

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    Source: Union catalogues
    Contributor: Smith, Paul Julian (Hrsg.)
    Language: Spanish
    Media type: Book
    Format: Print
    ISBN: 9783954874095; 9788484898504
    RVK Categories: IQ 00252 ; IP 16950 ; IP 2387 ; IP 16900 ; AP 59485 ; AP 44985
    Series: Array ; 77
    Subjects: Comedy films; Television comedies; Motion pictures; Motion pictures; Melodrama in motion pictures; Television programs; Melodrama on television
    Scope: 213 S., Ill., 22 cm
    Notes:

    Joint ed

    Includes bibliographical references

    Cuarto Coloquio Internacional de Cine Iberoamericano, Graduate Center de la City University of New York, 12 y 13 de junio de 2013

  4. Writing the comedy movie
    Author: Blake, Marc
    Published: 2015
    Publisher:  Bloomsbury Academic, New York ; Bloomsbury Publishing, London

    "It is often suggested that there are 'secrets' to comedy or that it is 'lightning in a bottle', but the craft of comedy writing can be taught. While comedic tastes change, over time and from person to person, the core underpinning still depends on... more

    Access:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "It is often suggested that there are 'secrets' to comedy or that it is 'lightning in a bottle', but the craft of comedy writing can be taught. While comedic tastes change, over time and from person to person, the core underpinning still depends on the comedic geniuses that have paved the way. Great comedy is built upon a strong foundation. In Writing the Comedy Movie, Marc Blake lays out - in an entertainingly readable style - the nuts and bolts of comedy screenwriting. His objective is to clarify the 'rules' of comedy: to contextualize comedy staples such as the double act, slapstick, gross-out, rom com, screwball, satire and parody and to introduce new ones such as the bromance or stoner comedy. He explains the underlying principles of comedy and comedy writing for the screen, along with providing analysis of leading examples of each subgenre."-- "A practical guide to creating the comedy movie, referencing its subgenres, history, and tropes, along with exclusive interviews with craft practitioners"-- Machine generated contents note: -- Introduction - Why Laugh? -- 1. It's all Greek to me: Comedy History from Aristophanes to Juvenal Establishing the Basic Tropes and Forms -- 2. Swiftian Satire and Shakespearean clowns: How the Elizabethans Attacked the Great and the Good with Parody and Lampoon -- 3. Wildean Wit: How Comedy Plays Became the Basis for the Comedy Movie -- 4. Silent Slapstick: How Chaplin, Keaton and Lloyd Exploited Visual Comedy -- 5. Dumb and Dumber: How Laurel and Hardy Created the Perfect Double Act Template -- 6. It Happened one Night: How Zingy Screwball Comedy led to the Rom Com -- 7. Sullivan's Travels to Team America: Social Satire from the 1940s to the Present Day -- 8. Auteurs from Woody Allen to Sasha Baron-Cohen: One Man, One Vision -- 9. Here come the Girls: Women in Comedy from Kooky Girl to Leading Actress -- 10. The Subgenres: Fish out of Water and the Coming of Age Comedy -- 11. Road and Buddy Movies, Frat Boy Frolics and Gross Out -- 12. Sports, Military and Ensemble Comedy -- 13. Farce and Black Comedy -- 14. Crime, Caper and Heist -- 15. Satire, Parody and Mockumentary -- Appendices -- - Interviews with Directors, writers and Producers -- - Writing Exercises -- Filmography -- Bibliography -- Index

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501304927; 9781628925937; 9781628925920
    Other identifier:
    RVK Categories: AP 52400
    Subjects: Comedy films; Screenwriters; Screenwriters; Comedy films
    Scope: 1 Online-Ressource (vi, 262 pages)
    Notes:

    Includes bibliographical references and index

  5. Writing the comedy movie
    Author: Blake, Marc
    Published: 2015
    Publisher:  Bloomsbury Academic, New York ; Bloomsbury Publishing, London

    "It is often suggested that there are 'secrets' to comedy or that it is 'lightning in a bottle', but the craft of comedy writing can be taught. While comedic tastes change, over time and from person to person, the core underpinning still depends on... more

    Access:
    Resolving-System (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    No inter-library loan
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    No inter-library loan
    Universität Potsdam, Universitätsbibliothek
    No inter-library loan

     

    "It is often suggested that there are 'secrets' to comedy or that it is 'lightning in a bottle', but the craft of comedy writing can be taught. While comedic tastes change, over time and from person to person, the core underpinning still depends on the comedic geniuses that have paved the way. Great comedy is built upon a strong foundation. In Writing the Comedy Movie, Marc Blake lays out - in an entertainingly readable style - the nuts and bolts of comedy screenwriting. His objective is to clarify the 'rules' of comedy: to contextualize comedy staples such as the double act, slapstick, gross-out, rom com, screwball, satire and parody and to introduce new ones such as the bromance or stoner comedy. He explains the underlying principles of comedy and comedy writing for the screen, along with providing analysis of leading examples of each subgenre."-- "A practical guide to creating the comedy movie, referencing its subgenres, history, and tropes, along with exclusive interviews with craft practitioners"-- Machine generated contents note: -- Introduction - Why Laugh? -- 1. It's all Greek to me: Comedy History from Aristophanes to Juvenal Establishing the Basic Tropes and Forms -- 2. Swiftian Satire and Shakespearean clowns: How the Elizabethans Attacked the Great and the Good with Parody and Lampoon -- 3. Wildean Wit: How Comedy Plays Became the Basis for the Comedy Movie -- 4. Silent Slapstick: How Chaplin, Keaton and Lloyd Exploited Visual Comedy -- 5. Dumb and Dumber: How Laurel and Hardy Created the Perfect Double Act Template -- 6. It Happened one Night: How Zingy Screwball Comedy led to the Rom Com -- 7. Sullivan's Travels to Team America: Social Satire from the 1940s to the Present Day -- 8. Auteurs from Woody Allen to Sasha Baron-Cohen: One Man, One Vision -- 9. Here come the Girls: Women in Comedy from Kooky Girl to Leading Actress -- 10. The Subgenres: Fish out of Water and the Coming of Age Comedy -- 11. Road and Buddy Movies, Frat Boy Frolics and Gross Out -- 12. Sports, Military and Ensemble Comedy -- 13. Farce and Black Comedy -- 14. Crime, Caper and Heist -- 15. Satire, Parody and Mockumentary -- Appendices -- - Interviews with Directors, writers and Producers -- - Writing Exercises -- Filmography -- Bibliography -- Index

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501304927; 9781628925937; 9781628925920
    Other identifier:
    RVK Categories: AP 52400
    Subjects: Comedy films; Screenwriters; Screenwriters; Comedy films
    Scope: 1 Online-Ressource (vi, 262 pages)
    Notes:

    Includes bibliographical references and index

  6. Love's labour's lost
    Contributor: Luscombe, Christopher (BühnenregisseurIn); Lough, Robin (FilmregisseurIn); Wyver, John (FilmproduzentIn); Fenwick, Oliver (LichtgestalterIn); Dunn, Jeremy (TongestalterIn); Arnold, Jenny (ChoreografIn); McCurdy, Kevin (ChoreografIn); Alexander, Sam (SchauspielerIn); Bennett, Edward (SchauspielerIn); Whitaker, Leah (SchauspielerIn); Terry, Michelle (SchauspielerIn); Horovitch, David (SchauspielerIn); Haverson, Nick (SchauspielerIn); Manton, Emma (SchauspielerIn); Belchambers, William (SchauspielerIn); Kasim, Tunji (SchauspielerIn); Hodgkinson, John (SchauspielerIn); Basham, Peter (SchauspielerIn); Wheatley, Thomas (SchauspielerIn); Levy, Sophie Khan (SchauspielerIn); Lynes, Oliver (SchauspielerIn); McCalphy, Chris (SchauspielerIn); McGovern, Peter (SchauspielerIn); McNamee, Frances (SchauspielerIn); Nayak, Chris (SchauspielerIn); Newall, Jamie (SchauspielerIn); Smith, Rod (SchauspielerIn); Longhurst-Spencer, Flora (SchauspielerIn); Waller, Harry (SchauspielerIn)
    Published: 2015
    Publisher:  Opus Arte, [London, England]

    Summer 1914. In order to dedicate themselves to a life of study, the King and his friends take an oath to avoid the company of women for three years. No sooner have they made their pledge than the Princess of France and her ladies-in-waiting arrive,... more

     

    Summer 1914. In order to dedicate themselves to a life of study, the King and his friends take an oath to avoid the company of women for three years. No sooner have they made their pledge than the Princess of France and her ladies-in-waiting arrive, presenting the men with a severe test of their high-minded resolve

     

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    Source: Union catalogues
    Contributor: Luscombe, Christopher (BühnenregisseurIn); Lough, Robin (FilmregisseurIn); Wyver, John (FilmproduzentIn); Fenwick, Oliver (LichtgestalterIn); Dunn, Jeremy (TongestalterIn); Arnold, Jenny (ChoreografIn); McCurdy, Kevin (ChoreografIn); Alexander, Sam (SchauspielerIn); Bennett, Edward (SchauspielerIn); Whitaker, Leah (SchauspielerIn); Terry, Michelle (SchauspielerIn); Horovitch, David (SchauspielerIn); Haverson, Nick (SchauspielerIn); Manton, Emma (SchauspielerIn); Belchambers, William (SchauspielerIn); Kasim, Tunji (SchauspielerIn); Hodgkinson, John (SchauspielerIn); Basham, Peter (SchauspielerIn); Wheatley, Thomas (SchauspielerIn); Levy, Sophie Khan (SchauspielerIn); Lynes, Oliver (SchauspielerIn); McCalphy, Chris (SchauspielerIn); McGovern, Peter (SchauspielerIn); McNamee, Frances (SchauspielerIn); Nayak, Chris (SchauspielerIn); Newall, Jamie (SchauspielerIn); Smith, Rod (SchauspielerIn); Longhurst-Spencer, Flora (SchauspielerIn); Waller, Harry (SchauspielerIn)
    Language: English
    Media type: Book
    Other identifier:
    809478011859
    809478011934
    809478011934 (set)
    Edition: Special edition
    Series: Live from Stratford-upon Avon
    Subjects: Courts and courtiers; Princesses; Chastity; Chastity; Courts and courtiers; Princesses; Comedy films; Drama; Feature films; Fiction films; Film adaptations; Filmed performances; Comedy films; Filmed performances; Feature films; Fiction films; Drama; Film adaptations; Films comiques; Spectacles filmés; Films de fiction; Théâtre
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William - 1564-1616
    Scope: 1 videodisc (approximately 140 min.), sound, color, 4 3/4 in
    Notes:

    Originally produced for live broadcast in theaters in 2015

    Issued as part of a 2-DVD set: Love's labour's lost & Love's labour's won

    "Supported using funding by Arts Council England'--Ending credits

    Special features: Edwardian photo gallery ; cast photo gallery ; featurette on the language of the play ; interview with set designer Simon Higlett ; director's commentary

  7. La Prude
    Comédie
    Author: Voltaire
    Published: 2015; ©2015
    Publisher:  Primento Digital Publishing, Cork

    Extrait : ""ADINE, habillée en turc : Ah! mon cher oncle! ah! quel cruel voyage! Que de dangers! quel étrange équipage! Il faut encor cacher sous un turban, Il faut encor cacher sous un turban, Mon nom, mon cœur, mon sexe, et mon tourment. DARMIN :... more

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    No inter-library loan
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    Bibliothek LIV HN Sontheim
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    Online-Ressource
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
    No loan of volumes, only paper copies will be sent

     

    Extrait : ""ADINE, habillée en turc : Ah! mon cher oncle! ah! quel cruel voyage! Que de dangers! quel étrange équipage! Il faut encor cacher sous un turban, Il faut encor cacher sous un turban, Mon nom, mon cœur, mon sexe, et mon tourment. DARMIN : Nous arrivons : je te plains ; mais, ma nièce, Lorsque ton père est mort consul en Grèce, Quand nous étions tous deux après sa mort, Privés d'amis, de biens, et de support, Que ta beauté, tes grâces, ton jeune âge ... ""À PROPOS DES ÉDITIONS LIGARANLes éditions LIGARAN proposent des versions numériques de qualité de grands livres de la littérat Extrait : ""ADINE, habillée en turc : Ah ! mon cher oncle ! ah ! quel cruel voyage ! Que de dangers ! quel étrange équipage ! Il faut encor cacher sous un turban, Il faut encor cacher sous un turban, Mon nom, mon cœur, mon sexe, et mon tourment. DARMIN : Nous arrivons : je te plains ; mais, ma nièce, Lorsque ton père est mort consul en Grèce, Quand nous étions tous deux après sa mort, Privés d'amis, de biens, et de support, Que ta beauté, tes grâces, ton jeune âge...""À PROPOS DES ÉDITIONS LIGARANLes éditions LIGARAN proposent des versions numériques de qualité de grands livres de la littérat

     

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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: French
    Media type: Ebook
    Format: Online
    ISBN: 9782335067347
    Subjects: Comedy films; Comedy films; French drama; French literature; Electronic books
    Scope: Online-Ressource (184 p)
    Notes:

    Description based upon print version of record

    Couverture; Page de Copyright; Page de titre; Avertissement de Beuchot.; Avertissement de l'auteur; Prologue; Personnages; Acte premier; Scène I; Scène II; Scène III; Scène IV; Scène V; Acte deuxième; Scène I; Scène II; Scène III; Scène IV; Scène V; Scène VI; Scène VII; Scène VIII; Scène IX; Acte troisième; Scène I; Scène II; Scène III; Scène IV; Scène V; Scène VI; Scène VII; Scène VIII; Scène IX; Scène X; Acte quatrième; Scène I; Scène II; Scène III; Scène IV; Scène V; Scène VI; Scène VII; Scène VIII; Scène IX; Acte cinquième; Scène I; Scène II; Scène III; Scène IV; Scène V; Scène VI

    Scène VIIScène VIII

  8. La comedia y el melodrama en el audiovisual iberoamericano [contemporáneo]
    [4. Coloquio International Cine Iberoamericano: Géneros Cinematográficos (2): La Comedia y el Melodrama]
    Contributor: Smith, Paul Julian (Hrsg.)
    Published: 2015
    Publisher:  Iberoamericana, Madrid ; Vervuert, Frankfurt am Main

    Pt. I. La comedia en España. Identidad y encrucijadas en la comedia cinematográfica española : una panorámica / Jordi Revert ; De la necesidad de la comedia : humor y política en El orador de Ramón Gómez de la Serra / Alberto Medina ; Hibridaciones... more

    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    A 15 / 7539
    Unlimited inter-library loan, copies and loan
    Staats- und Universitätsbibliothek Bremen
    a tea 509.2 3qa/884
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    Zentrale Hochschulbibliothek Flensburg
    IP 2387 S656
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    A hVII 7/4
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    A/670496
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    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    VG/240/77
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    Thüringer Universitäts- und Landesbibliothek
    ROM:PB:443:::2015
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    Bw 6029
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    Universitätsbibliothek Mannheim
    500 AP 44985 S656
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    Universitätsbibliothek Rostock
    IP 2387 S656
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    Universität des Saarlandes, Fachrichtung Romanistik, Bibliothek
    Ez 36.6 SMI 2
    No loan of volumes, only paper copies will be sent

     

    Pt. I. La comedia en España. Identidad y encrucijadas en la comedia cinematográfica española : una panorámica / Jordi Revert ; De la necesidad de la comedia : humor y política en El orador de Ramón Gómez de la Serra / Alberto Medina ; Hibridaciones entre el turismo y la comedia en el tardofranquismo : a propósito de Manolo, la nuit (Mariano Ozores, 1973) y Tres suecas para tres Rodríguez (Pedro Lazaga, 1975) / Jorge Nieto Ferrando ; La muerte de Franco en clave de comedia : ¡Buen viaje, Excelencia! (Albert Boadella, 2003), "paliar una frustración" / Nancy Berthier ; La niña de tus ojos (1998) de Fernando Trueba : de la tradición hollywoodiense a la comedia española / Marianne Bloch-Robin ; 800 balas de Álex de la Iglesia, una comedia turística con sabor intenso / Antonia del Rey Reguillo ; La nueva comedia juvenil española : entre la cine, la televisión e Internet / Rubén Higueras Flores ; Nuevas formas de la comedia en España : Carlos Vermut / Sonia García López -- pt. II. El melodrama en América Latina. El canon de la comedia y el melodrama en el cine iberoamericano / Lauro Zavala ; Dispositivos del melodrama latinoamericano : "Mancha," nostalgia y flashback / Álvaro A. Fernández ; Nostalgia del melodrama : El Salón México de José Luis García Agraz (1995) versus el de Emilio (El Indio) Fernández (1948) / Julia Tuñón ; Cuna de lobos : moda y apariencias en las telenovelas / Tanya Meléndez Escalante ; El universo dramático de Sebastián Cordero : realismo, exclusión y emoción / Paulina Sánchez

     

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    Content information
    Source: Union catalogues
    Contributor: Smith, Paul Julian (Hrsg.)
    Language: Spanish
    Media type: Book
    Format: Print
    ISBN: 9783954874095; 9788484898504
    RVK Categories: IQ 00252 ; IP 16950 ; IP 2387 ; IP 16900 ; AP 59485 ; AP 44985
    Series: Array ; 77
    Subjects: Comedy films; Television comedies; Motion pictures; Motion pictures; Melodrama in motion pictures; Television programs; Melodrama on television
    Scope: 213 S., Ill., 22 cm
    Notes:

    Joint ed

    Includes bibliographical references

    Cuarto Coloquio Internacional de Cine Iberoamericano, Graduate Center de la City University of New York, 12 y 13 de junio de 2013

  9. Writing the comedy movie
    Author: Blake, Marc
    Published: 2015
    Publisher:  Bloomsbury Academic, New York

    "It is often suggested that there are 'secrets' to comedy or that it is 'lightning in a bottle', but the craft of comedy writing can be taught. While comedic tastes change, over time and from person to person, the core underpinning still depends on... more

    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    "It is often suggested that there are 'secrets' to comedy or that it is 'lightning in a bottle', but the craft of comedy writing can be taught. While comedic tastes change, over time and from person to person, the core underpinning still depends on the comedic geniuses that have paved the way. Great comedy is built upon a strong foundation. In Writing the Comedy Movie, Marc Blake lays out - in an entertainingly readable style - the nuts and bolts of comedy screenwriting. His objective is to clarify the 'rules' of comedy: to contextualize comedy staples such as the double act, slapstick, gross-out, rom com, screwball, satire and parody and to introduce new ones such as the bromance or stoner comedy. He explains the underlying principles of comedy and comedy writing for the screen, along with providing analysis of leading examples of each subgenre"-- "A practical guide to creating the comedy movie, referencing its subgenres, history, and tropes, along with exclusive interviews with craft practitioners"--

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Subjects: Screenwriters; Comedy films
    Scope: Online-Ressource
    Notes:

    Includes bibliographical references and index

    Machine generated contents note:Introduction -- Why Laugh? -- 1. It's all Greek to me: Comedy History from Aristophanes to Juvenal Establishing the Basic Tropes and Forms -- 2. Swiftian Satire and Shakespearean clowns: How the Elizabethans Attacked the Great and the Good with Parody and Lampoon -- 3. Wildean Wit: How Comedy Plays Became the Basis for the Comedy Movie -- 4. Silent Slapstick: How Chaplin, Keaton and Lloyd Exploited Visual Comedy -- 5. Dumb and Dumber: How Laurel and Hardy Created the Perfect Double Act Template -- 6. It Happened one Night: How Zingy Screwball Comedy led to the Rom Com -- 7. Sullivan's Travels to Team America: Social Satire from the 1940s to the Present Day -- 8. Auteurs from Woody Allen to Sasha Baron-Cohen: One Man, One Vision -- 9. Here come the Girls: Women in Comedy from Kooky Girl to Leading Actress -- 10. The Subgenres: Fish out of Water and the Coming of Age Comedy -- 11. Road and Buddy Movies, Frat Boy Frolics and Gross Out -- 12. Sports, Military and Ensemble Comedy -- 13. Farce and Black Comedy -- 14. Crime, Caper and Heist -- 15. Satire, Parody and Mockumentary -- Appendices -- -- Interviews with Directors, writers and Producers -- -- Writing Exercises -- Filmography -- Bibliography -- Index.