Results for *

Displaying results 1 to 10 of 10.

  1. Documentary aesthetics in the long 1960s in Eastern Europe and beyond
    Contributor: Günther, Clemens (Herausgeber); Schwartz, Matthias (Herausgeber)
    Published: [2024]
    Publisher:  Brill, Leiden

    "This book is the first to deal with documentary aesthetic practices of the post-war period in Eastern Europe in a comparative perspective. The contributions examine the specific forms and modes of documentary representations and the role they played... more

    Access:
    Universität Mainz, Zentralbibliothek
    No inter-library loan

     

    "This book is the first to deal with documentary aesthetic practices of the post-war period in Eastern Europe in a comparative perspective. The contributions examine the specific forms and modes of documentary representations and the role they played in the formation of new aesthetic trends during the cultural-political transition of the long 1960s. This documentary first-hand approach to the world aimed to break up unquestioned ideological structures and expose tabooed truths in order to engender much-needed social changes. New ways of writing testimony, subjective reportage or the poetics of everyday life emerged that still shape cultural debates today

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Günther, Clemens (Herausgeber); Schwartz, Matthias (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004686427
    Other identifier:
    Series: Studies in Slavic literature and poetics ; volume 67
    Subjects: Dokumentarfilm; Ästhetik
    Other subjects: Motion pictures / Europe, Eastern / History / 20th century; Documentary films / Europe, Eastern / History and criticism; Motion pictures / Aesthetics; Motion pictures / Social aspects / Europe, Eastern; Documentaires / Europe de l'Est / Histoire et critique; Cinéma / Esthétique; Cinéma / Aspect social / Europe de l'Est
    Scope: 1 Online-Ressource (XIV, 349 Seiten)
  2. Film and television in education
    an aesthetic approach to the moving image
    Published: 2003
    Publisher:  Falmer Press, London

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
  3. Documentary aesthetics in the long 1960s in Eastern Europe and beyond
    Contributor: Günther, Clemens (Publisher); Schwartz, Matthias (Publisher)
    Published: [2024]; © 2024
    Publisher:  Brill, Leiden ; Boston

    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek der LMU München
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Regensburg
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Contributor: Günther, Clemens (Publisher); Schwartz, Matthias (Publisher)
    Language: English
    Media type: Book
    ISBN: 9789004533097
    RVK Categories: KD 5120
    Series: Studies in Slavic literature and poetics ; volume 67
    Subjects: Dokumentarfilm; Ästhetik
    Other subjects: Motion pictures / Europe, Eastern / History / 20th century; Documentary films / Europe, Eastern / History and criticism; Motion pictures / Aesthetics; Motion pictures / Social aspects / Europe, Eastern; Documentaires / Europe de l'Est / Histoire et critique; Cinéma / Esthétique; Cinéma / Aspect social / Europe de l'Est
    Scope: XIV, 349 Seiten, Illustrationen
    Notes:

    Basiert auf der internationalen Konferenz "Firsthand time". Documentary aesthetics in the long 1960s, gehalten am Leibniz-Zentrum für Literatur- und Kulturforschung in Berlin, 16.-18. Januar 2020.

  4. Documentary aesthetics in the long 1960s in Eastern Europe and beyond
    Contributor: Günther, Clemens (Publisher); Schwartz, Matthias (Publisher)
    Published: [2024]
    Publisher:  Brill, Leiden ; Boston

    "This book is the first to deal with documentary aesthetic practices of the post-war period in Eastern Europe in a comparative perspective. The contributions examine the specific forms and modes of documentary representations and the role they played... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Würzburg
    Unlimited inter-library loan, copies and loan

     

    "This book is the first to deal with documentary aesthetic practices of the post-war period in Eastern Europe in a comparative perspective. The contributions examine the specific forms and modes of documentary representations and the role they played in the formation of new aesthetic trends during the cultural-political transition of the long 1960s. This documentary first-hand approach to the world aimed to break up unquestioned ideological structures and expose tabooed truths in order to engender much-needed social changes. New ways of writing testimony, subjective reportage or the poetics of everyday life emerged that still shape cultural debates today"--

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Günther, Clemens (Publisher); Schwartz, Matthias (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004686427
    Other identifier:
    RVK Categories: KD 5120
    Series: Studies in Slavic literature and poetics ; volume 67
    Subjects: Dokumentarfilm; Ästhetik
    Other subjects: Motion pictures / Europe, Eastern / History / 20th century; Documentary films / Europe, Eastern / History and criticism; Motion pictures / Aesthetics; Motion pictures / Social aspects / Europe, Eastern; Documentaires / Europe de l'Est / Histoire et critique; Cinéma / Esthétique; Cinéma / Aspect social / Europe de l'Est
    Scope: 1 Online-Ressource (XIV, 349 Seiten)
  5. Documentary aesthetics in the long 1960s in Eastern Europe and beyond
    Contributor: Günther, Clemens (Publisher); Schwartz, Matthias (Publisher)
    Published: [2024]
    Publisher:  Brill, Leiden ; Boston

    "This book is the first to deal with documentary aesthetic practices of the post-war period in Eastern Europe in a comparative perspective. The contributions examine the specific forms and modes of documentary representations and the role they played... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "This book is the first to deal with documentary aesthetic practices of the post-war period in Eastern Europe in a comparative perspective. The contributions examine the specific forms and modes of documentary representations and the role they played in the formation of new aesthetic trends during the cultural-political transition of the long 1960s. This documentary first-hand approach to the world aimed to break up unquestioned ideological structures and expose tabooed truths in order to engender much-needed social changes. New ways of depicting daily life, writing testimony or subjective reportage emerged that still shape cultural debates today."--

     

    Export to reference management software   RIS file
      BibTeX file
  6. Stan Brakhage
    films (1952-2003) : catalogue raisonné
    Published: 2016
    Publisher:  Paris Expérimental, Paris

    Artiste américain (1933-2003), Stan Brakhage a réalisé de 1952 à la date de sa disparition, plus de 300 films sous forme pellicule. Adepte d’un cinéma visionnaire qui trouve sa puissance plastique et critique dans le matériau même du cinéma, Stan... more

    Universität der Künste Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Artiste américain (1933-2003), Stan Brakhage a réalisé de 1952 à la date de sa disparition, plus de 300 films sous forme pellicule. Adepte d’un cinéma visionnaire qui trouve sa puissance plastique et critique dans le matériau même du cinéma, Stan Brakhage fait figure aujourd’hui de père spirituel pour toute une génération d’artistes. Son œuvre, féconde et multiple, se nourrit aussi bien de son univers intime et familial que de la nature et des événements politiques de son temps. Grand technicien de l’outil cinématographique ­-‑ la caméra comme les optiques ou les systèmes de tirage ‑, Brakhage invente une forme cinématographique unique dont l’importance dans l’histoire du cinéma l’a parfois fait comparer à Jackson Pollock pour la peinture. Ce catalogue raisonné définitif de l’œuvre de Brakhage, réalisé par Emilie Vergé en étroite collaboration avec Marilyn Brakhage, est accompagné d’un texte du grand critique d’art américain P. Adams Sitney, résumant la trajectoire du cinéaste.

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Contributor: Verge, Emilie (Publisher); Brakhage, Stan; Brakhage, Marilyn (Publisher); Sitney, P. Adams
    Language: English; French
    Media type: Book
    ISBN: 9782912539496
    Edition: First edition
    Series: Outils/tools
    Subjects: Motion pictures / Aesthetics; Experimental films / History and criticism; Aesthetics; Cinéma / Esthétique; Films expérimentaux / Histoire et critique; Film; Ästhetik
    Other subjects: Brakhage, Stan / Catalogues raisonnés; Brakhage, Stan / Criticism and interpretation; Brakhage, Stan / (1933-2003) / Catalogues raisonnés; Brakhage, Stan (1933-2003)
    Scope: 435 Seiten, Illustrationen, 22 cm
    Notes:

    Biografie Stan Brakhage Seite 401 - 404. - Literaturverzeichnis Seite 407-419

    500 Exemplare

  7. Documentary aesthetics in the long 1960s in Eastern Europe and beyond
    Contributor: Günther, Clemens (Publisher); Schwartz, Matthias (Publisher)
    Published: [2024]
    Publisher:  Brill, Leiden ; Boston

    "This book is the first to deal with documentary aesthetic practices of the post-war period in Eastern Europe in a comparative perspective. The contributions examine the specific forms and modes of documentary representations and the role they played... more

     

    "This book is the first to deal with documentary aesthetic practices of the post-war period in Eastern Europe in a comparative perspective. The contributions examine the specific forms and modes of documentary representations and the role they played in the formation of new aesthetic trends during the cultural-political transition of the long 1960s. This documentary first-hand approach to the world aimed to break up unquestioned ideological structures and expose tabooed truths in order to engender much-needed social changes. New ways of writing testimony, subjective reportage or the poetics of everyday life emerged that still shape cultural debates today"--

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Günther, Clemens (Publisher); Schwartz, Matthias (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789004533097
    Series: Studies in Slavic literature and poetics ; volume 67
    Subjects: Osteuropa; Dokumentarfilm; Ästhetik; Geschichte 1960-1970;
    Other subjects: Motion pictures / Europe, Eastern / History / 20th century; Documentary films / Europe, Eastern / History and criticism; Motion pictures / Aesthetics; Motion pictures / Social aspects / Europe, Eastern; Documentaires / Europe de l'Est / Histoire et critique; Cinéma / Esthétique; Cinéma / Aspect social / Europe de l'Est
    Scope: XIV, 349 Seiten, Illustrationen
    Notes:

    Enthält Literaturangaben

  8. Documentary aesthetics in the long 1960s in Eastern Europe and beyond
    Contributor: Günther, Clemens (Publisher); Schwartz, Matthias (Publisher)
    Published: [2024]; © 2024
    Publisher:  Brill, Leiden ; Boston

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Cover (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Contributor: Günther, Clemens (Publisher); Schwartz, Matthias (Publisher)
    Language: English
    Media type: Book
    ISBN: 9789004533097
    RVK Categories: KD 5120
    Series: Studies in Slavic literature and poetics ; volume 67
    Subjects: Dokumentarfilm; Ästhetik
    Other subjects: Motion pictures / Europe, Eastern / History / 20th century; Documentary films / Europe, Eastern / History and criticism; Motion pictures / Aesthetics; Motion pictures / Social aspects / Europe, Eastern; Documentaires / Europe de l'Est / Histoire et critique; Cinéma / Esthétique; Cinéma / Aspect social / Europe de l'Est
    Scope: XIV, 349 Seiten, Illustrationen
    Notes:

    Basiert auf der internationalen Konferenz "Firsthand time". Documentary aesthetics in the long 1960s, gehalten am Leibniz-Zentrum für Literatur- und Kulturforschung in Berlin, 16.-18. Januar 2020.

  9. Stan Brakhage
    films (1952-2003) : catalogue raisonné
    Published: 2016
    Publisher:  Paris Expérimental, Paris

    Artiste américain (1933-2003), Stan Brakhage a réalisé de 1952 à la date de sa disparition, plus de 300 films sous forme pellicule. Adepte d’un cinéma visionnaire qui trouve sa puissance plastique et critique dans le matériau même du cinéma, Stan... more

    Hochschule für Fernsehen und Film, Bibliothek
    No loan of volumes, only paper copies will be sent
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    Artiste américain (1933-2003), Stan Brakhage a réalisé de 1952 à la date de sa disparition, plus de 300 films sous forme pellicule. Adepte d’un cinéma visionnaire qui trouve sa puissance plastique et critique dans le matériau même du cinéma, Stan Brakhage fait figure aujourd’hui de père spirituel pour toute une génération d’artistes. Son œuvre, féconde et multiple, se nourrit aussi bien de son univers intime et familial que de la nature et des événements politiques de son temps. Grand technicien de l’outil cinématographique ­-‑ la caméra comme les optiques ou les systèmes de tirage ‑, Brakhage invente une forme cinématographique unique dont l’importance dans l’histoire du cinéma l’a parfois fait comparer à Jackson Pollock pour la peinture. Ce catalogue raisonné définitif de l’œuvre de Brakhage, réalisé par Emilie Vergé en étroite collaboration avec Marilyn Brakhage, est accompagné d’un texte du grand critique d’art américain P. Adams Sitney, résumant la trajectoire du cinéaste.

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Contributor: Verge, Emilie (Publisher); Brakhage, Stan; Brakhage, Marilyn (Publisher); Sitney, P. Adams
    Language: English; French
    Media type: Book
    ISBN: 9782912539496
    Edition: First edition
    Series: Outils/tools
    Subjects: Motion pictures / Aesthetics; Experimental films / History and criticism; Aesthetics; Cinéma / Esthétique; Films expérimentaux / Histoire et critique; Film; Ästhetik
    Other subjects: Brakhage, Stan / Catalogues raisonnés; Brakhage, Stan / Criticism and interpretation; Brakhage, Stan / (1933-2003) / Catalogues raisonnés; Brakhage, Stan (1933-2003)
    Scope: 435 Seiten, Illustrationen, 22 cm
    Notes:

    Biografie Stan Brakhage Seite 401 - 404. - Literaturverzeichnis Seite 407-419

    500 Exemplare

  10. Romanticism and film
    Franz Liszt and audio-visual explanation
    Published: 2022
    Publisher:  Bloomsbury Academic, New York ; London ; Oxford ; New Delhi ; Sydney

    Hochschule für Fernsehen und Film, Bibliothek
    No loan of volumes, only paper copies will be sent
    Export to reference management software   RIS file
      BibTeX file