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Displaying results 101 to 125 of 159.

  1. L’ œuvre de Vladimir Nabokov au regard de la culture et de l’art allemands
    survivances de l’expressionnisme
    Author: Gassin, Alexia
    Published: [2016]
    Publisher:  P.I.E. Peter Lang, Bruxelles

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  2. In My Show
    La vie rêvée de Mathieu Aleins
    Author: Aleins, Mathieu
    Published: 2023
    Publisher:  BoD – Books on Demand – Frankreich, Norderstedt

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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9782322501618; 2322501611
    Other identifier:
    9782322501618
    Edition: 1. Auflage
    Other subjects: (Produktform)Paperback / softback; Cinéma; voyage; société; politique; jeunesse; (VLB-WN)1118: Hardcover, Softcover / Belletristik/Essays, Feuilleton, Literaturkritik, Interviews
    Scope: 336 Seiten, 4 Illustrationen, 21 cm x 14.8 cm, 488 g
  3. <<The>> mind of modernism
    medicine, psychology, and the cultural arts in Europe and America, 1880 - 1940
    Published: 2004
    Publisher:  Stanford University Press, Stanford, Calif.

  4. Clarisse Deudon
    Une faucille d'or dans le champ des étoiles
    Author: Saugout-Septier, Noëlle
    Published: 2024
    Publisher:  BoD – Books on Demand – Frankreich, Norderstedt

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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9782322507511; 2322507512
    Other identifier:
    9782322507511
    Edition: 1. Auflage
    Other subjects: (Produktform)Paperback / softback; biographie; Théâtre; Cinéma; seconde guerre mondiale; Comédie-Française; (VLB-WN)1951: Hardcover, Softcover / Sachbücher/Kunst, Literatur/Biographien, Autobiographien
    Scope: 206 Seiten, 19 cm x 12 cm, 225 g
  5. Imagerie des Anderen im Weimarer Kino
    Author: Kabatek, Wolfgang
    Published: [2003]
    Publisher:  transcript Verlag, Bielefeld

    Die Imaginationsmaschine des Kinos wird in der Moderne zu einem mächtigen Agenten der Repräsentation des Anderen. Populärkulturelle Motive mit garantiert hohem Schauwert bestimmen besonders publikumsträchtige Abenteuerfilme wie »Die Spinnen« von... more

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    Die Imaginationsmaschine des Kinos wird in der Moderne zu einem mächtigen Agenten der Repräsentation des Anderen. Populärkulturelle Motive mit garantiert hohem Schauwert bestimmen besonders publikumsträchtige Abenteuerfilme wie »Die Spinnen« von Fritz Lang oder »Das indische Grabmal« von Joe May. Als Weltgenerierungs- und Zeitmaschine erscheint das Kino als Mythendistribuent par excellence und verbreitet unter den Bedingungen einer als entzaubert apostrophierten Moderne massenwirksame Verzauberungen und Remythisierungen. Das Unbekannte, Fremde, Andere wirkt in der industriellen Moderne gleichsam an die Ränder der Welt zurückgedrängt, verschwunden ist es damit jedoch nicht. In einer kleinen Medien- und Kulturgeschichte des Anderen im Weimarer Kino wird anhand beispielhaft analysierter Filme verschiedener Genres den populären historischen Verarbeitungsmustern nachgegangen, in denen in dieser Zeit Rätselhaftes, Differentes und Heterogenes verhandelt wird

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839401163
    Series: Film
    Subjects: Cinéma; Identité collective
    Scope: Online-Ressource (226 p.)), illustrations
    Notes:

    Description based upon print version of record

    Frontmatter -- Inhalt -- Danksagung -- Einleitung -- Rekonstruktionen – Zur Überlieferungsgeschichte des Weimarer Kinos -- Das Kino als Agent des Eskapismus? -- Verlusterfahrungen oder Suchbilder der Ordnung -- Abenteuerliche Topographien und fantastische Wirklichkeiten -- Aufmarschplatz der Abenteurer -- ›Moderne‹ physiognomische Lesbarkeitskonzepte und visuelle Anthropologie -- Schluß: Erfundene Eilande oder Aloha Oé in Moll -- Filmographie -- Bibliographie -- Abbildungsverzeichnis -- Backmatter.
  6. Mad to be saved
    the Beats, the '50s, and film
    Published: 2010
    Publisher:  Southern Illinois University Press, Carbondale

    "Film critic David Sterritt presents an interdisciplinary exploration of the Beat Generation, its intersections with mainstream and experimental film, and the interactions of all of these with American society and the culture of the '50s. Examining... more

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    "Film critic David Sterritt presents an interdisciplinary exploration of the Beat Generation, its intersections with mainstream and experimental film, and the interactions of all of these with American society and the culture of the '50s. Examining American society in the '50s, Sterritt balances the Beat countercultural goal of rebellion through both artistic creation and everyday behavior against the mainstream values of conformity and conservatism, growing worry over cold-war hostilities, and the "rat race" toward material success." "After an introductory overview of the Beat Generation, its history, its antecedents and its influences, Sterritt shows the importance of "visual thinking" in the lives and works of major Beat authors, most notably Jack Kerouac, Allen Ginsberg, and William S. Burroughs. He turns to Mikhail Bakhtin's dialogic theory to portray the Beat writers - who were inspired by jazz and other liberating influences - as carnivalesque rebels against what they perceived as a rigid and stifling social order." "Showing the Beats as social critics, Sterritt looks at the work of '50s photographers Robert Frank and William Klein; the attack against Beat culture in the pictures and prose of Life magazine; and the counterattack in Frank's film Pull My Daisy, featuring key Beat personalities. He further explores expressions of rebelliousness in film noir, the melodramas of director Douglas Sirk, and other Hollywood films." "Finally, Sterritt shows the changing attitudes toward the Beat sensibility in Beat-related Hollywood movies like A Bucket of Blood and The Beat Generation; television programs like Route 66 and The Many Loves of Dobie Gillis, nonstudio films like John Cassavetes's improvisational Shadows and Shirley Clarke's experimental The Connection; and radically avant-garde works by such doggedly independent screen artists as Stan Brakhage, Ron Rice, Bruce Connor, and Ken Jacobs, drawing connections between their achievements and the most subversive products of their Beat contemporaries."--Jacket

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585029733; 9780585029733
    Subjects: Beat generation; Motion pictures and literature; Literature and society; American literature; Experimental films; Motion pictures; Beat generation; Cinéma et littérature; Littérature et société; Littérature américaine; Films expérimentaux; Cinéma; American literature; Beat generation; Beat generation; Cinéma; Cinéma et littérature; Experimental films; Films expérimentaux; Literature and society; Littérature américaine; Littérature et société; Motion pictures; Motion pictures and literature
    Scope: Online Ressource (xii, 258 pages)
    Notes:

    Includes bibliographical references (pages 223-249) and index. - Description based on print version record

    Description based on print version record

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Online-Ausg. [S.l.] : HathiTrust Digital Library
  7. Discursive geographies
    writing space and place in French
    Contributor: Garane, Jeanne (HerausgeberIn)
    Published: 2010
    Publisher:  Rodopi, Amsterdam [Netherlands]

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    Source: Union catalogues
    Contributor: Garane, Jeanne (HerausgeberIn)
    Language: English; French
    Media type: Ebook
    Format: Online
    ISBN: 1423790952; 9781423790952
    Series: Francopolyphonies ; 2
    Subjects: Geography in literature; French literature; French literature; Motion picture plays; Motion picture plays; Human geography; Géographie dans la littérature; Littérature française; Littérature française; Cinéma; Cinéma; Géographie culturelle; Cinéma; Cinéma; French literature; French literature; Geography in literature; Géographie culturelle; Géographie dans la littérature; Human geography; Littérature française; Littérature française; Motion picture plays; Motion picture plays
    Scope: Online Ressource (285 p.), ill.
    Notes:

    Includes bibliographical references and index. - In English and French. - Description based on print version record

    In English and French

    Description based on print version record

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Online-Ausg. [S.l.] : HathiTrust Digital Library
  8. How scripts are made
    Published: c1990
    Publisher:  Southern Illinois University Press, Carbondale

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585107203; 9780585107202
    Subjects: Motion picture plays; Cinéma; Cinéma; Motion picture authorship; Motion picture plays; Motion picture plays; Motion picture authorship; Motion picture plays ; Technique; Technik; Drehbuch; PERFORMING ARTS ; Film & Video ; Screenwriting; Motion picture authorship
    Scope: Online Ressource (xi, 174 p.), ill.
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    Includes bibliographical references (p. 161-165) and index. - Description based on print version record
  9. Women through the lens
    gender and nation in a century of Chinese cinema
    Author: Cui, Shuqin
    Published: c2003
    Publisher:  University of Hawaiʿi Press, Honolulu

    Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the... more

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    Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon

     
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    Volltext (Deutschlandweit zugänglich)
    Volltext (Deutschlandweit zugänglich)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585479143; 9780585479149
    RVK Categories: AP 59761
    Series: EBSCOhost eBook Collection
    Subjects: Motion pictures; Women in motion pictures.; Sex role in motion pictures.; Motion pictures; Cinéma; Femmes au cinéma; Rôle selon le sexe au cinéma; Women in motion pictures; Sex role in motion pictures; Motion pictures; Motion pictures; Women in motion pictures.; Sex role in motion pictures.; Cinéma; Femmes au cinéma; Motion pictures; Rôle selon le sexe au cinéma; Sex role in motion pictures; Women in motion pictures; Motion pictures; PERFORMING ARTS ; Film & Video ; Reference; History; Film; Geschlechterrolle; Nation
    Scope: XXVI, 304 S., Ill.
    Notes:

    Includes bibliographical references (p. [287]-297) and index. - Filmography: p. [249]-267

    Filmography: p. [249]-267

    Electronic reproduction, Boulder, Colo : NetLibrary, 2003

    Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon
  10. The dark mirror
    German cinema between Hitler and Hollywood
    Author: Koepnick, Lutz P.
    Published: c2002
    Publisher:  University of California Press, Berkeley

    "Lutz Koepnick analyzes the complicated relationship between two cinemas--Hollywood's and Nazi Germany's--in this theoretically and politically incisive study. The Dark Mirror examines the split course of German popular film from the early 1930s... more

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    "Lutz Koepnick analyzes the complicated relationship between two cinemas--Hollywood's and Nazi Germany's--in this theoretically and politically incisive study. The Dark Mirror examines the split course of German popular film from the early 1930s until the mid 1950s, showing how Nazi filmmakers appropriated Hollywood conventions and how German film exiles reworked German cultural material in their efforts to find a working base in the Hollywood studio system. Through detailed readings of specific films, Koepnick provides a vivid sense of the give and take between German and American cinema." www.loc.gov/catdir/description/ucal042/2001007068.html Introduction: The Dark Mirror -- pt. 1. Hollywood in Berlin, 1933-1939. Ch. 1. Sounds of Silence: Nazi Cinema and the Quest for a National Culture Industry. Ch. 2. Incorporating the Underground: Curtis Bernhardt's The Tunnel. Ch. 3. Engendering Mass Culture: Zarah Leander and the Economy of Desire. Ch. 4. Siegfried Rides Again: Nazi Westerns and Modernity -- pt. 2. Berlin in Hollywood, 1939-1955. Ch. 5. Wagner at Warner's: German Sounds and Hollywood Studio Visions. Ch. 6. Berlin Noir: Robert Siodmak's Hollywood. Ch. 7. Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism. Ch. 8. Isolde Resurrected: Curtis Bernhardt's Interrupted Melody -- Epilogue: "Talking about Germany

     
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    Content information
    Volltext (Deutschlandweit zugänglich)
    Volltext (Deutschlandweit zugänglich)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585466238; 9780585466231; 0520233115; 9780520233119; 9780520936355; 0520936353; 0520233107; 9780520233102
    RVK Categories: AP 44910
    Series: Weimar and now ; 32
    EBSCOhost eBook Collection
    Subjects: Motion pictures; Motion picture producers and directors; Motion pictures; Motion picture producers and directors; Germans; Cinéma; Producteurs et réalisateurs de cinéma; Allemands; Germans; Motion picture producers and directors; Motion pictures; Cinéma; Producteurs et réalisateurs de cinéma; Allemands; Motion pictures; Motion picture producers and directors; Germans; Germans; Motion picture producers and directors; Motion pictures; Motion pictures; Motion picture producers and directors; Germans; Cinéma; Producteurs et réalisateurs de cinéma; Allemands; Motion picture producers and directors; PERFORMING ARTS ; Film & Video ; Reference; Germans; Motion picture producers and directors; Motion pictures; Music, Dance, Drama & Film; Film; Biographies; History
    Scope: XII, 322 S., Ill., 24 cm
    Notes:

    Includes bibliographical references (p. 273-307) and index

    Electronic reproduction, Boulder, Colo : NetLibrary, 2003

    Introduction: The Dark Mirrorpt. 1. Hollywood in Berlin, 1933-1939. Ch. 1. Sounds of Silence: Nazi Cinema and the Quest for a National Culture Industry. Ch. 2. Incorporating the Underground: Curtis Bernhardt's The Tunnel. Ch. 3. Engendering Mass Culture: Zarah Leander and the Economy of Desire. Ch. 4. Siegfried Rides Again: Nazi Westerns and Modernity -- pt. 2. Berlin in Hollywood, 1939-1955. Ch. 5. Wagner at Warner's: German Sounds and Hollywood Studio Visions. Ch. 6. Berlin Noir: Robert Siodmak's Hollywood. Ch. 7. Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism. Ch. 8. Isolde Resurrected: Curtis Bernhardt's Interrupted Melody -- Epilogue: "Talking about Germany."
  11. Encyclopédie de la guerre au cinéma et à la télévision
    Author: Andrevon, Jean-Pierre
    Published: [2018]
    Publisher:  Vendémiaire, Paris

    Résumé éditeur : "Des milliers de flèches s'élançant vers le ciel, des glaives qui s 'entrechoquent, le galop sourd d'une charge de cavalerie, le chaos des tranchées, des mitraillettes qui crépitent, les bons et les méchants, le souffle de l'épopée... more

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    Résumé éditeur : "Des milliers de flèches s'élançant vers le ciel, des glaives qui s 'entrechoquent, le galop sourd d'une charge de cavalerie, le chaos des tranchées, des mitraillettes qui crépitent, les bons et les méchants, le souffle de l'épopée et les aspects les plus sordides de la vie quotidienne, la terreur et l'exaltation... La guerre est, aussi, un formidable spectacle. Le cinéma ne s'y est pas trompé : l'une des premières réalisations de Georges Méliès, en 1897, n'a-t-elle pas pour titre Le Bombardement d'une maison ? Et d'Autant en emporte le vent à La 317e Section, de Spartacus à Il faut sauver le soldat Ryan, de Lawrence d'Arabie à Falstaff, on ne compte plus les chefs-d'œuvre qu'elle a inspirés. En débutant par la guerre de Troie pour finir par les conflits les plus contemporains, en passant par les croisades, l'aventure napoléonienne, les guerres mondiales et celles de la décolonisation, et en s'attachant aussi aux œuvres à part entière qui ont été produites pour la télévision, Jean-Pierre Andrevon retrace, en un immense panorama, les formes et les métamorphoses d'un genre inépuisable, qui a puissamment contribué à l'évolution du récit cinématographique"

     
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    Source: Staatsbibliothek zu Berlin
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2363583043; 9782363583048
    RVK Categories: AP 52700
    Subjects: Guerre; Guerre; Cinéma; Films de guerre; Cinéma; Films de guerre; Guerre; Guerre
    Scope: 572 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen, 22 cm
    Notes:

    Notes bibliogr
  12. Goya en las literaturas
    Author: Romero Tobar, Leonardo
    Published: 2016
    Publisher:  Marcial Pons Historia, Madrid

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    Source: Staatsbibliothek zu Berlin
    Language: Spanish
    Media type: Book
    Format: Print
    ISBN: 9788415963806
    Series: Estudios
    Subjects: Littérature; Cinéma
    Other subjects: Goya, Francisco (1746-1828); Goya, Francisco (1746-1828)
    Scope: 383 Seiten, Illustrationen, 22 cm
    Notes:

    Bibliogr. p. [335]-340. Index
  13. Le pouvoir de l'oubliée
    la perception au cinéma : un essai à caractère philosophique
    Author: Roy, Lucie
    Published: [2015]
    Publisher:  L'Harmattan, Paris

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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9782343056555; 2343056552
    Other identifier:
    9782343056555
    9782343056555
    RVK Categories: AP 45400
    Series: Esthétiques
    Subjects: Philosophie et cinéma; Perception; Cinéma; Cinéma; Perception au cinéma; Cinéma
    Scope: 234 Seiten, Illustrationen, 22 cm
    Notes:

    Bibliogr., 7 p

    Hier auch später erschienene, unveränderte Nachdrucke
  14. L' adolescente et le cinéma
    de "Lolita" à "Twilight"
    Published: 2013
    Publisher:  Érès, Toulouse

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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9782749236674
    Other identifier:
    9782749236674
    RVK Categories: AP 50300
    Series: Collection "La vie de l'enfant"
    Subjects: Filles; Adolescentes; Cinéma
    Scope: 357 S., Ill.
  15. The visible wall
    Jews and other ethnic outsiders in Swedish film
    Author: Wright, Rochelle
    Published: 1998
    Publisher:  Southern Illinois Univ. Press, Carbondale, Ill. ; Uppsala Univ. Libr. [distrib.], Uppsala

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9155442544
    RVK Categories: AP 44926
    Series: Array ; 11
    Subjects: Juifs au cinéma; Minorités au cinéma; Cinéma
    Scope: XVI, 453 S., Ill.
    Notes:

    Filmography: p. 399-401 - Includes bibliographical references (p. 435-441) and index
  16. Les visiteurs du soir
    Pariser Projektionen
    Published: 2007
    Publisher:  Ch. Merian, Basel

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    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
    Signature:
    8.4.PAR
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    7 GROBE SIEHA 2007
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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783856163228; 3856163220
    RVK Categories: AP 95900 ; AP 94100
    Subjects: cinéma (bâtiment); Cinémas; Cinéma
    Scope: [154] S., Ill., 17 x 22 cm
  17. The 'I' of the Camera
    essays in film criticism, history, and aesthetics
    Author: Rothman, William
    Published: 2004
    Publisher:  Cambridge University Press, Cambridge

    This second edition of William Rothman's classic includes fourteen new essays and a new foreword. Half-title. Title. Copyright. Dedication. Contents. Foreword to the Second Edition. Preface to the First Edition. Acknowledgments. Notes on the Essays.... more

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    This second edition of William Rothman's classic includes fourteen new essays and a new foreword. Half-title. Title. Copyright. Dedication. Contents. Foreword to the Second Edition. Preface to the First Edition. Acknowledgments. Notes on the Essays. CHAPTER 1 Hollywood Reconsidered: Reflections on the Classical American Cinema. CHAPTER 2 D. W. Griffith and the Birth of the Movies. CHAPTER 3 Judith of Bethulia. CHAPTER 4 True Heart Griffith. CHAPTER 5 The Ending of City Lights. CHAPTER 6 The Goddess: Reflections on Melodrama East and West. CHAPTER 7 Red Dust: The Erotic Screen Image. CHAPTER 8 Virtue and Villainy in the Face of the Camera. CHAPTER 9 Pathos and Transfiguration in the Face of the Camera: A Reading of Stella Dallas. CHAPTER 10 Viewing the World in Black and White: Race and the Melodrama of the Unknown Woman. Now, Voyager. Stella Dallas. Blonde Venus. Show Boat. Imitation of Life. CHAPTER 11 Howard Hawks and Bringing Up Baby. CHAPTER 12 The Filmmaker in the Film: Octave and the Rules of Renoir's Game. Octave's Role. Renoir's Game. CHAPTER 13 Stagecoach and the Quest for Selfhood. The Initial Encounter. The Encounter at the Way Station. The Final Encounter. CHAPTER 14 To Have and Have Not Adapted a Film from a Novel. Neutral Traces of the Process of Adaptation. Action Lifted Bodily from Novel to Film. The Character of Harry Morgan. The Romance. Plot Design. Theme. Narrative Technique. CHAPTER 15 Hollywood and the Rise of Suburbia. CHAPTER 16 Nobody's Perfect: Billy Wilder and the Postwar American Cinema. Double Indemnity. Sunset Boulevard. Some Like It Hot. The Apartment. CHAPTER 17 The River. CHAPTER 18 Vertigo: The Unknown Woman in Hitchcock. CHAPTER 19 North by Northwest: Hitchcock's Monument to the Hitchcock Film. Cary Grant. Eve Kendall. The Villains.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511186738; 0511186738
    RVK Categories: HN 1231 ; AP 45400 ; AP 44900 ; AP 44983
    Edition: 2nd ed
    Series: Cambridge Studies in Film
    Subjects: Motion pictures; Cinéma; Esthétique cinématographique; Critique cinématographique; Motion pictures; Electronic books
    Scope: 1 Online-Ressource /425 Seiten)
  18. Imagerie des Anderen im Weimarer Kino
    Author: Kabatek, Wolfgang
    Published: 2003; ©2003.
    Publisher:  transcript Verlag, Bielefeld

    Die Imaginationsmaschine des Kinos wird in der Moderne zu einem mächtigen Agenten der Repräsentation des Anderen. Populärkulturelle Motive mit garantiert hohem Schauwert bestimmen besonders publikumsträchtige Abenteuerfilme wie »Die Spinnen« von... more

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    Die Imaginationsmaschine des Kinos wird in der Moderne zu einem mächtigen Agenten der Repräsentation des Anderen. Populärkulturelle Motive mit garantiert hohem Schauwert bestimmen besonders publikumsträchtige Abenteuerfilme wie »Die Spinnen« von Fritz Lang oder »Das indische Grabmal« von Joe May. Als Weltgenerierungs- und Zeitmaschine erscheint das Kino als Mythendistribuent par excellence und verbreitet unter den Bedingungen einer als entzaubert apostrophierten Moderne massenwirksame Verzauberungen und Remythisierungen. Das Unbekannte, Fremde, Andere wirkt in der industriellen Moderne gleichsam an die Ränder der Welt zurückgedrängt, verschwunden ist es damit jedoch nicht. In einer kleinen Medien- und Kulturgeschichte des Anderen im Weimarer Kino wird anhand beispielhaft analysierter Filme verschiedener Genres den populären historischen Verarbeitungsmustern nachgegangen, in denen in dieser Zeit Rätselhaftes, Differentes und Heterogenes verhandelt wird.

     
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839401163
    Other identifier:
    Series: Film
    Subjects: Identité collective; Motion pictures; Cinéma; Identité collective; Cinéma.; Identité collective.; Öffentliche Darbietungen, Film, Rundfunk.; Film; Fremdheit; Weimarer Republik; SOCIAL SCIENCE / Media Studies
    Scope: 1 online resource(226 p.)
    Notes:

    Description based upon print version of record

    Frontmatter -- Inhalt -- Danksagung -- Einleitung -- Rekonstruktionen – Zur Überlieferungsgeschichte des Weimarer Kinos -- Das Kino als Agent des Eskapismus? -- Verlusterfahrungen oder Suchbilder der Ordnung -- Abenteuerliche Topographien und fantastische Wirklichkeiten -- Aufmarschplatz der Abenteurer -- ›Moderne‹ physiognomische Lesbarkeitskonzepte und visuelle Anthropologie -- Schluß: Erfundene Eilande oder Aloha Oé in Moll -- Filmographie -- Bibliographie -- Abbildungsverzeichnis -- Backmatter.
  19. Une littérature d'après
    "cinéma" de Tanguy Viel
    Author: Colard, Jean-Max
    Published: c 2015
    Publisher:  Les Presses du Réel, [Dijon]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2840667169; 9782840667162
    Other identifier:
    9782840667162
    RVK Categories: IH 91900
    Series: Collection L' espace littéraire
    Subjects: Viel, Tanguy;
    Other subjects: Viel, Tanguy: Cinéma; Viel, Tanguy
    Scope: 115 S., Ill., 21 cm
    Notes:

    Includes bibliographical references (p. 109-114)
  20. Charms of the Cynical Reason :
    Tricksters in Soviet and Post-Soviet Culture.
    Author: Lipovetsky, Mark.
    Published: 2010.
    Publisher:  Academic Studies Press,

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    Hochschule der Polizei des Landes Brandenburg, Hochschulbibliothek
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  21. Collections en regard
    les bibliothèques à l'écran
    Contributor: Pichon, Alban (HerausgeberIn)
    Published: 2017
    Publisher:  Presses universitaires de Bordeaux, Pessac

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Contributor: Pichon, Alban (HerausgeberIn)
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9791030001402
    Series: Collection Lecteurs, bibliothèques, usages nouveaux
    Subjects: Bibliothèques; Cinéma
    Scope: 292 pages, illustrations, 22 cm
    Notes:

    Includes bibliographical references
  22. Deathwatch
    American film, technology, and the end of life
    Author: Combs, C. Scott
    Published: [2014]; © 2014
    Publisher:  Columbia University Press, New York, NY

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231538039
    Other identifier:
    RVK Categories: AP 44983
    Series: Film and culture series
    Subjects: Mort au cinéma; Öffentliche Darbietungen, Film, Rundfunk; Cinéma; Cinéma; Tod <Motiv>; Film; Sterben <Motiv>
    Scope: 1 Online-Ressource, Illustrationen
  23. The silvering screen
    old age and disability in cinema
    Author: Chivers, Sally
    Published: [2011]; © 2011
    Publisher:  University of Toronto Press, Toronto, Ontario

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1442611049; 1442640790; 1442661984; 1442686049; 9781442611047; 9781442640795; 9781442661981; 9781442686045
    Subjects: Vieillissement au cinéma; Handicapés au cinéma; Cinéma; Alter (Motiv); Alter; Film; Schauspieler; Aging; Motion pictures; People with disabilities; PERFORMING ARTS / Reference; Aged / psychology; Disabled Persons / psychology; Motion Pictures as Topic; Film; Aging in motion pictures; People with disabilities in motion pictures; Motion pictures; Alter; Alter <Motiv>; Schauspieler; Film
    Scope: 1 online resource (xxii, 213 pages), illustrations, portraits
    Notes:

    Description based on print version record

    The silvering screen -- Same difference? : gerontology and disability studies join hands -- Baby Jane grew up: the horror of aging in mid-twentieth-century Hollywood -- Grey matters: dementia, cognitive difference, and the 'guilty demographic' on screen -- 'Sounds like a regular marriage' : monogamy and the fidelity of care -- Yes, we still can: Paul Newman, Clint Eastwood, aging masculinity, and the American dream -- As old as Jack gets: Nicholson, masculinity, and the Hollywood system -- Final films, the silvering screen comes of age

    Popular films have always included elderly characters, but until recently, old age only played a supporting role on screen. Now, as the Baby Boomer population hits retirement, there has been an explosion of films, including Away From Her, The Straight Story, The Barbarian Invasions, and About Schmidt, where aging is a central theme. This book is a sustained discussion of old age in cinema. It brings together theories from disability studies, critical gerontology, and cultural studies, to examine how the film industry has linked old age with physical and mental disability. The author further examines Hollywood's mixed messages, the applauding of actors who portray the debilitating side of aging, while promoting a culture of youth, as well as the gendering of old age on film. The book makes an attempt to counter the fear of aging implicit in these readings by proposing alternate ways to value getting older
  24. Imagerie des Anderen im Weimarer Kino
    Author: Kabatek, Wolfgang
    Published: [2003]; © 2003
    Publisher:  transcript Verlag, Bielefeld

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839401163
    Other identifier:
    Series: Film
    Subjects: Öffentliche Darbietungen, Film, Rundfunk; Cinéma; Identité collective; Film; Weimarer Republik; Fremdheit <Motiv>
    Scope: 1 online resource (226 pages), illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015)

    Die Imaginationsmaschine des Kinos wird in der Moderne zu einem mächtigen Agenten der Repräsentation des Anderen. Populärkulturelle Motive mit garantiert hohem Schauwert bestimmen besonders publikumsträchtige Abenteuerfilme wie »Die Spinnen« von Fritz Lang oder »Das indische Grabmal« von Joe May. Als Weltgenerierungs- und Zeitmaschine erscheint das Kino als Mythendistribuent par excellence und verbreitet unter den Bedingungen einer als entzaubert apostrophierten Moderne massenwirksame Verzauberungen und Remythisierungen. Das Unbekannte, Fremde, Andere wirkt in der industriellen Moderne gleichsam an die Ränder der Welt zurückgedrängt, verschwunden ist es damit jedoch nicht. In einer kleinen Medien- und Kulturgeschichte des Anderen im Weimarer Kino wird anhand beispielhaft analysierter Filme verschiedener Genres den populären historischen Verarbeitungsmustern nachgegangen, in denen in dieser Zeit Rätselhaftes, Differentes und Heterogenes verhandelt wird
  25. Encyclopédie de la guerre au cinéma et à la télévision
    Author: Andrevon, Jean-Pierre
    Published: [2018]
    Publisher:  Vendémiaire, Paris

    Résumé éditeur : "Des milliers de flèches s'élançant vers le ciel, des glaives qui s 'entrechoquent, le galop sourd d'une charge de cavalerie, le chaos des tranchées, des mitraillettes qui crépitent, les bons et les méchants, le souffle de l'épopée... more

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    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Résumé éditeur : "Des milliers de flèches s'élançant vers le ciel, des glaives qui s 'entrechoquent, le galop sourd d'une charge de cavalerie, le chaos des tranchées, des mitraillettes qui crépitent, les bons et les méchants, le souffle de l'épopée et les aspects les plus sordides de la vie quotidienne, la terreur et l'exaltation... La guerre est, aussi, un formidable spectacle. Le cinéma ne s'y est pas trompé : l'une des premières réalisations de Georges Méliès, en 1897, n'a-t-elle pas pour titre Le Bombardement d'une maison ? Et d'Autant en emporte le vent à La 317e Section, de Spartacus à Il faut sauver le soldat Ryan, de Lawrence d'Arabie à Falstaff, on ne compte plus les chefs-d'œuvre qu'elle a inspirés. En débutant par la guerre de Troie pour finir par les conflits les plus contemporains, en passant par les croisades, l'aventure napoléonienne, les guerres mondiales et celles de la décolonisation, et en s'attachant aussi aux œuvres à part entière qui ont été produites pour la télévision, Jean-Pierre Andrevon retrace, en un immense panorama, les formes et les métamorphoses d'un genre inépuisable, qui a puissamment contribué à l'évolution du récit cinématographique"

     
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    Source: Staatsbibliothek zu Berlin
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2363583043; 9782363583048
    RVK Categories: AP 52700
    Subjects: Guerre; Guerre; Cinéma; Films de guerre; Cinéma; Films de guerre; Guerre; Guerre
    Scope: 572 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen, 22 cm
    Notes:

    Notes bibliogr