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Displaying results 51 to 75 of 159.

  1. Filmische Seitenblicke
    Cinepoetische Exkursionen ins Kino von 1968
    Published: [2018]; ©2019
    Publisher:  De Gruyter, Berlin ; Boston

    Ist 1968 gescheitert? Die Frage ist falsch gestellt. Die Ereignisse, die Bedeutung und die Auswirkungen von '68 lassen sich nicht in einem schlüssigen Narrativ fassen. Das Jahr beschreibt einen Kulminationspunkt, an dem höchst heterogene kulturelle,... more

    Universitätsbibliothek Regensburg
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    Ist 1968 gescheitert? Die Frage ist falsch gestellt. Die Ereignisse, die Bedeutung und die Auswirkungen von '68 lassen sich nicht in einem schlüssigen Narrativ fassen. Das Jahr beschreibt einen Kulminationspunkt, an dem höchst heterogene kulturelle, soziale und politische Phänomen in eine Interaktion zueinander treten, ohne ursächlich miteinander verbunden zu sein. Herzstück des Bandes ist ein Essay von Hermann Kappelhoff, der '68 aus der Analyse von Happenings, avantgardistischen Aktionen und Filmen heraus als Synonym für eine Form kultureller Gemeinschaftsbildung beschreibt; es markiert die Geburtsstunde der transnationalen Geschmacksgemeinschaft der westlichen Pop- und Jugendkultur. Dass sich der radikale kulturelle Wandel von '68 nur in seiner Heterogenität fassen lässt und die Logik des Happenings und des Widerspruchs zur poetischen Matrix des Kinos wird, zeigt ein Kaleidoskop aus Analysen von Filmen, die 1968 gezeigt wurden

     

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  2. Migration Italy
    the art of talking back in a destination culture
    Published: c2005
    Publisher:  University of Toronto Press, Toronto, Ont

    "In terms of migration, Italy is often thought of as a source country - a place from which people came rather than one to which people go. However, in the past few decades, Italy has become a destination for many people from poor or war-torn... more

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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    "In terms of migration, Italy is often thought of as a source country - a place from which people came rather than one to which people go. However, in the past few decades, Italy has become a destination for many people from poor or war-torn countries seeking a better life in a stable environment. Graziella Parati's Migration Italy examines immigration to Italy in the past twenty years and the cultural hybridization that has occurred as a result."--BOOK JACKET

     

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  3. Seeing politics otherwise
    vision in Latin American and Iberian fiction
    Published: c2011
    Publisher:  University of Toronto Press, Toronto

    When confronting twentieth-century political oppression and violence, writers and artists in Portugal and South America have often emphasized the complex relationship between freedom and tyranny. In Seeing Politics Otherwise, Patricia Vieira uses an... more

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    When confronting twentieth-century political oppression and violence, writers and artists in Portugal and South America have often emphasized the complex relationship between freedom and tyranny. In Seeing Politics Otherwise, Patricia Vieira uses an interdisciplinary approach to explore the interrelation of politics and representations of vision and blindness in Latin American and Iberian literature, film, and art.Vieira's discussion focuses on three literary works: Graciliano Ramos's Memoirs of Prison, Ariel Dorfman's Death and the Maiden, and José Saramago's Blindness, with supplemental analyses of sculpture and film by Ana Maria Pacheco, Bruno Barreto, and Marco Bechis. These artists use metaphors of blindness to denounce the totalizing gaze of dictatorial regimes. Rather than equating blindness with deprivation, Vieira argues that shadows, blindfolds, and blindness are necessary elements for re-imagining the political world and re-acquiring a political voice. Seeing Politics Otherwise offers a compelling analysis of vision and its forcible deprivation in the context of art and political protest.

     

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  4. Le don d'idiotie entre éthique et secret depuis Dostoïevski
    la responsabilité silencieuse ; essai
    Published: 2003
    Publisher:  <<L'>> Harmattan, Paris [u.a.]

    Bayerische Staatsbibliothek
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  5. Journalism in the movies
    Published: 2004
    Publisher:  Univ. of Illinois Pr., Urbana u.a.

    Bayerische Staatsbibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0252029348
    RVK Categories: AP 50300
    Series: The history of communication
    Subjects: Cinéma; Films; Journalisme; Journaliste; Journalisten; Journalistes au cinéma; Journalistiek; Presse; Thème cinématographique; Film; aJournalists in motion pictures; Film; Journalismus <Motiv>
    Scope: 191 p., ill.
    Notes:

    Includes bibliographical references and index

    Acknowledgements -- Studying Journalism through movies -- "The front page" -- Screwball comedy and Frank Capra -- "Citizen Kane" -- News in a noir world -- News and conspiracy -- Myth and Antimyth in contemporary film -- An unseen power -- Index

  6. La novellisation
    du film au roman = Novelization
    Published: 2004
    Publisher:  Leuven Univ. Press, Leuven

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English; French
    Media type: Book
    ISBN: 9058674096
    RVK Categories: EC 7970
    Series: Symbolae Facultatis Litterarum et Philosophiae Lovaniensis : Series D, Litteraria ; 17
    Subjects: Adaptation littéraire; Bewerkingen; Cinéma; Films; Novélisation - Histoire et critique; Novélisation; Romans; Film; Film novelizations; Film; Buch zum Film
    Scope: 246 S., Ill., graph. Darst.
    Notes:

    Beitr. teilw. franz., teilw. engl.

  7. Closely watched films
    an introduction to the art of narrative film technique
    Published: 2004
    Publisher:  University of California Press, Berkeley [u.a.]

    Universitätsbibliothek Augsburg
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    Hochschule für Fernsehen und Film, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0520238621; 0520238915
    RVK Categories: AP 45000 ; AP 46100
    Subjects: Cinéma; Cinéma - Esthétique; Films - Évaluation; Récit filmique; Film; Ästhetik; Motion pictures; Motion pictures; Motion pictures; Film; Filmästhetik; Filmanalyse; Erzähltechnik
    Scope: XVIII, 279 S., Ill.
    Notes:

    Includes bibliographical references and index

    The beginnings of film narrative: D. W. Griffith's The birth of a nation -- The art of montage: Sergei Eisenstein's The battleship Potemkin -- Expressionism and realism in film form: F. W. Murnau's The last laugh and Charles Chaplin's The adventurer -- The conversion to sound and the classical Hollywood film: Howard Hawks's His girl friday -- Expressive realism: Orson Welles's Citizen Kane -- Italien neorealism: Vittorio de Sica's The bicycle thief -- Auteur theory and the French new wave: Francois Truffaut's The 400 blows -- Hollywood auteur: Alfred Hitchcock's Notorious -- The european art film: Federico Fellini's 8 1/2 -- Film and postmodernism: Woody Allen's Annie Hall -- Political cinema: Spike Lee's Do the right thing -- Feminism and film form: Patricia Rozema's I've heard the mermaids singing -- Digital video and new forms of narrative in Mike Figgis's Timecode

  8. Cinema, art(s) plastique(s)
    Published: 2004
    Publisher:  L'Harmattan, Paris [u.a.]

    Universitätsbibliothek Bayreuth
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  9. Representing religion in world cinema
    filmmaking, mythmaking, culture making
    Published: 2003
    Publisher:  Palgrave Macmillan, New York [u.a.]

    The commissioned essays in this volume each provide a close reading of a cinematic text and an exploration of how 'religion' in general, or a particular tradition, is produced within the filmic idiom. more

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    The commissioned essays in this volume each provide a close reading of a cinematic text and an exploration of how 'religion' in general, or a particular tradition, is produced within the filmic idiom.

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 140396050X; 1403960518; 9781403960511
    RVK Categories: EC 2410
    Edition: 1. publ.
    Series: Religion, culture, critique series ; 2
    Subjects: Cinéma - Aspect religieux; Cinéma; Filmkunst; Godsdienst; Mythe; Religion au cinéma; Religion; Thème cinématographique; Film; Religion; Culture in motion pictures; Motion pictures; Religion in motion pictures; Religion; Film
    Scope: VI, 272 S., Ill.
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke. - Includes bibliographical references and index

  10. Du cinématographe
    Published: 2003
    Publisher:  Éd. du Rocher, Monaco

    Universitätsbibliothek Bamberg
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    Deutsches Forum für Kunstgeschichte, Bibliothek
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  11. Par humour de soi
    Published: 2004
    Publisher:  Éd. Univ. de Dijon, Dijon

    Bayerische Staatsbibliothek
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  12. Entre film et photographie
    essai sur l'empreinte
    Published: 2004
    Publisher:  Presses Univ. de Vincennes, Saint-Denis

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 2842921569
    RVK Categories: AP 94700
    Series: "Esthétiques hors cadre"
    Subjects: Cinema; Cinéma - Esthétique; Cinéma; Empreinte; Esthétique cinématographique; Fotografia cinematográfica; Fotografia; Image; Photographie (Image); Photographies au cinéma; Film; Ästhetik; Cinematography; Motion pictures; Film; Fotografie; Ästhetik
    Scope: 153 S.
    Notes:

    Includes bibliographical references and index.

  13. Neo-Baroque aesthetics and contemporary entertainment
    Published: 2004
    Publisher:  MIT Press, Cambridge, Mass. [u.a.]

    "The artists of the seventeenth-century baroque period used spectacle to delight and astonish; contemporary entertainment media, according to Angela Ndalianis, are imbued with a neo-baroque aesthetic that is similarly spectacular. In Neo-Baroque... more

    Universitätsbibliothek Bayreuth
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    "The artists of the seventeenth-century baroque period used spectacle to delight and astonish; contemporary entertainment media, according to Angela Ndalianis, are imbued with a neo-baroque aesthetic that is similarly spectacular. In Neo-Baroque Aesthetics and Contemporary Entertainment she situates today's film, computer games, comic books, and theme park attractions within an aesthetic-historical context and uses the baroque as a framework to enrich our understanding of contemporary entertainment media."--BOOK JACKET.

     

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  14. The mind of modernism
    medicine, psychology, and the cultural arts in Europe and America, 1880 - 1940
    Published: 2004
    Publisher:  Stanford University Press, Stanford, Calif.

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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  15. Seeing the bigger picture
    understanding politics through film & television
    Published: 2004
    Publisher:  Lang, New York [u.a.]

    Universität der Bundeswehr München, Universitätsbibliothek
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  16. The end of the world
    the apocalyptic imagination in film & television
    Published: 2003
    Publisher:  J. Gordon Shillingford, Winnipeg, MB

    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0920486290
    Subjects: Cinéma; Fin du monde au cinéma; Télévision; Christentum; Film; Religion; Apocalypse in motion pictures; Motion pictures; Weltuntergang <Motiv>; Film
    Scope: 267 S.
    Notes:

    Includes bibliographical references (p. [251]-255) and index

  17. Cinema and modernity
    Published: 2006
    Publisher:  Rutgers Univ. Press, New Brunswick [u.a.]

    Universitätsbibliothek Bamberg
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  18. Lire les images de cinéma
    Published: 2007
    Publisher:  Larousse, Paris

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 9782035833280
    Series: Comprendre & reconnaître
    Subjects: Cinéma; Sémiotique et cinéma; Film; Cinematography; Motion pictures; Narrativität; Film; Filmanalyse
    Scope: 239 S., Ill.
  19. Im Dickicht der Städte II
    Literatur, Kunst und Film
    Published: 2008
    Publisher:  Metzler, Stuttgart [u.a.]

    Universitätsbibliothek Bamberg
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    Source: Union catalogues
    Language: English; German
    Media type: Book
    Series: Zeitschrift für Literaturwissenschaft und Linguistik ; 149
    Subjects: Argot; Art; Cinéma; Littérature; Sociolinguistique; Villes; Kunst; Verfilmung; Stadt <Motiv>; Literatur
    Scope: 176 S., Ill.
    Notes:

    Zsfassung in engl. Sprache. - Beitr. teilw. dt., teilw. engl.

  20. Septième art, du sens pour l'esprit
    essai critique
    Author: Weyl, Daniel
    Published: 2006
    Publisher:  <<L'>> Harmattan, Paris [u.a.]

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 2296014410; 9782296014411
    Subjects: Cinéma; Esthetica; Filmkunst; Film; Ästhetik; Motion pictures; Film
    Scope: 258 S.
    Notes:

    Bibliogr. S. 255 - 256. - Notes bibliogr. - Index

  21. Poetics of cinema
    Published: 2008
    Publisher:  Routledge, New York [u.a.]

    Universitätsbibliothek Augsburg
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    Hochschule für Fernsehen und Film, Bibliothek
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    Universitätsbibliothek Passau
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0415977789; 0415977797; 9780415977784; 9780415977791
    RVK Categories: AP 45200 ; AP 45400
    Series: Film studies
    Subjects: Cinéma; Esthetica; Filmkunst; Filmtheorie; Film; Ästhetik; Motion pictures; Filmästhetik; Filmtheorie
    Scope: XII, 499 S., Ill.
  22. Theory of the image
    capitalism, contemporary film, and women
    Author: Kibbey, Ann
    Published: 2005
    Publisher:  Indiana Univ. Press, Bloomington [u.a.]

    Ann Kibbey's 'Theory of the Image' is based on a concept of the image as a dynamic relation rather than a thing. In three essays Kibbey contends that the image itself is an ideological construct. more

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    Ann Kibbey's 'Theory of the Image' is based on a concept of the image as a dynamic relation rather than a thing. In three essays Kibbey contends that the image itself is an ideological construct.

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0253344697; 0253217466
    RVK Categories: AP 50300
    Subjects: Capitalisme - Philosophie; Capitalisme; Cinéma - Philosophie; Cinéma; Femme; Femmes au cinéma; Image (Philosophie); Image; Philosophie; Thème cinématographique; aWomen in motion pictures; aImage (Philosophy); Array; Array; Frau <Motiv>; Kapitalismus; Philosophie; Film; Weltbild
    Scope: X, 240 S., Ill.
    Notes:

    Includes bibliographical references and indexes

    The capitalist theory of the image -- Liberating a woman from her image -- Relief from the production of certainties.

  23. Visions and visionaries in contemporary Austrian literature and film
    Published: 2004
    Publisher:  Lang, New York [u.a.]

    Universitätsbibliothek Augsburg
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    Source: Union catalogues
    Language: English
    Media type: Conference proceedings
    ISBN: 0820461563
    RVK Categories: AP 44920 ; GO 12510
    Corporations / Congresses: Conference on Austrian Literature and Culture (2001, Lafayette College)
    Series: Austrian culture ; 34
    Subjects: 20e siècle; Cinéma; Duits; Filmkunst; Letterkunde; Littérature autrichienne; Vie intellectuelle; Deutsch; Film; Geschichte; Literatur; Austrian literature; Motion pictures; Literatur; Film
    Scope: 259 S.
  24. Imagerie des Anderen im Weimarer Kino
    Published: [2003]; © 2003
    Publisher:  transcript, Bielefeld

    Universitätsbibliothek Bielefeld
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839401163
    Other identifier:
    Series: Film
    Subjects: Cinéma; Identité collective
    Scope: 1 Online-Resource (223 Seiten), Illustrationen
  25. Le cinéma, un art, une industrie
    Published: 1983
    Publisher:  Hatier, Paris

    Universitätsbibliothek Augsburg
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 2218063964
    RVK Categories: ID 1270
    Series: Profil ; 544.: Profil dossier.
    Subjects: Cinéma; Cinéma - Industrie; Cinéma et société; Industrie cinématographique; Motion picture industry; Film
    Scope: 79 S., Ill., graph. Darst.