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Displaying results 1 to 25 of 36.

  1. Images des corps / corps des images au cinéma
    Published: 20100101
    Publisher:  ENS Éditions

    "Ces dernières années ont vu se développer un important effort théorique et critique sur la question du corps au cinéma : comment ce dernier représente-t-il les formes du corps mais aussi ses puissances (gestes, désirs, pulsions, tendances hors... more

     

    "Ces dernières années ont vu se développer un important effort théorique et critique sur la question du corps au cinéma : comment ce dernier représente-t-il les formes du corps mais aussi ses puissances (gestes, désirs, pulsions, tendances hors cadre, hors champs, hors discours ou hors normes)? Comment rend-t-il compte des contextes cognitifs, culturels, politiques et technologiques associés à la fabrique des corps à travers l'histoire? Les films eux-mêmes ont eu recours au corps comme figure ou motif privilégié et ont pleinement participé de ce questionnement.

     

    Participant à cette réflexion en cours le présent volume s'attache à étudier la question de la représentation corporelle en la rapportant à celle des devenirs concrets du cinéma, que ce soit dans ses dispositifs propres ou ses rencontres avec d’autres régimes d’image (notamment la vidéo et la photographie).

     

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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Electronic, holographic & video art
    Other subjects: Arts; Études cinématographiques; Cinéma; Corps; Anthropologie; Esthétique
  2. Imagerie des Anderen im Weimarer Kino
    Published: [2003]; © 2003
    Publisher:  transcript Verlag, Bielefeld

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839401163
    Other identifier:
    Series: Film
    Subjects: Öffentliche Darbietungen, Film, Rundfunk; Cinéma; Identité collective; Film; Weimarer Republik; Fremdheit <Motiv>
    Scope: 1 online resource (226 pages), illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015)

    :

  3. Rousing the nation
    radical culture in Depression America
    Published: 2010
    Publisher:  University of Massachusetts Press, Amherst

    This interdisciplinary study blends textual analysis with social history to chart the intellectual and artistic ferment of Depression-era America. In Rousing the Nation, Laura Browder explores the fiction, drama, and film produced during the decade... more

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    This interdisciplinary study blends textual analysis with social history to chart the intellectual and artistic ferment of Depression-era America. In Rousing the Nation, Laura Browder explores the fiction, drama, and film produced during the decade by socially conscious intellectuals who struggled to create a uniquely American art. Browder first considers authors James T. Farrell, Josephine Herbst, and John Dos Passos, arguing that their work successfully sparked a discussion about what it meant to be American at a time when the country's very future seemed in doubt. She then examines the Living Newspaper productions of the Federal Theatre Project, which brought politically and aesthetically provocative drama to twenty-five million Americans. In a final chapter, she examines social films of the period, focusing on Paramount's 1939 production of One-Third of a Nation

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585083215; 9780585083216
    Subjects: American literature; Radicalism in literature; Literature and society; Motion pictures; Modernism (Literature); Depressions; Social problems in literature; Depressions in literature; Littérature américaine; Radicalisme dans la littérature; Littérature et société; Cinéma; Modernisme (Littérature); Crises économiques; Problèmes sociaux dans la littérature; Crises économiques; American literature; Cinéma; Crises économiques; Crises économiques; Depressions; Depressions in literature; Literature and society; Littérature américaine; Littérature et société; Modernism (Literature); Modernisme (Littérature); Motion pictures; Problèmes sociaux dans la littérature; Radicalism in literature; Radicalisme dans la littérature; Social problems in literature
    Scope: Online Ressource (viii, 217 pages), illustrations
    Notes:

    Includes bibliographical references (pages 183-205) and index. - Description based on print version record

    Description based on print version record

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Online-Ausg. [S.l.] : HathiTrust Digital Library

  4. Imagerie des Anderen im Weimarer Kino
    Published: [2003]; © 2003
    Publisher:  transcript, Bielefeld

    Universitätsbibliothek Bielefeld
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839401163
    Other identifier:
    Series: Film
    Subjects: Cinéma; Identité collective; Weimarer Republik; Film; Fremdheit <Motiv>
    Scope: 1 Online-Resource (223 Seiten), Illustrationen
  5. Inclusive screenwriting for film and television
    Author: King, Jess
    Published: 2022
    Publisher:  Routledge, Abingdon, Oxon ; O'Reilly Media Inc., New York, NY

    Breaking down the traditional structures of screenplays in an innovative and progressive way, while also investigating the ways in which screenplays have been traditionally told, this book interrogates how screenplays can be written to reflect the... more

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    Breaking down the traditional structures of screenplays in an innovative and progressive way, while also investigating the ways in which screenplays have been traditionally told, this book interrogates how screenplays can be written to reflect the diverse life experiences of real people. Author Jess King explores how existing paradigms of screenplays often exclude the very people watching films and TV today. Taking aspects such as characterization, screenplay structure, and world-building, King offers ways to ensure your screenplays are inclusive and allow for every person's story to be heard. In addition to examples ranging from Sorry to Bother You to Portrait of a Lady on Fire, four case studies on Killing Eve, Sense8, I May Destroy You, and Vida ground the theoretical work in practical application. The book highlights the ways in which screenplays can authentically represent and uplift the lived experiences of those so often left out of the narrative, such as the LGBTQIA+ community, women, and people of color. The book addresses a current demand for more inclusive and progressive representation in film and TV and equips screenwriters with the tools to ensure their screenplays tell authentic stories, oering innovative ways to reimagine current screenwriting practice towards radical equity and inclusion. This is a timely and necessary book that brings the critical lenses of gender studies, queer theory, and critical race studies to bear on the practice of screenwriting, ideal for students of screenwriting, aspiring screenwriters, and industry professionals alike.

     

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  6. The dark mirror
    German cinema between Hitler and Hollywood
    Published: c2002
    Publisher:  University of California Press, Berkeley

    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Volltext (Deutschlandweit zugänglich)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585466238; 9780585466231
    RVK Categories: AP 44910
    Series: Weimar and now ; 32
    Subjects: Motion pictures; Motion picture producers and directors; Germans; Motion pictures; Motion picture producers and directors; Germans; Cinéma; Producteurs et réalisateurs de cinéma; Allemands; Motion pictures; Motion picture producers and directors; Germans; Cinéma; Producteurs et réalisateurs de cinéma; Allemands
    Scope: XII, 322 S., Ill., 24 cm
    Notes:

    Includes bibliographical references (p. 273-307) and index

    Electronic reproduction, Boulder, Colo : NetLibrary, 2003

  7. The terministic screen
    rhetorical perspectives on film
    Published: c2003
    Publisher:  Southern Illinois University Press, Carbondale

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585499586; 9780585499581
    RVK Categories: AP 45100
    Subjects: PERFORMING ARTS / Film & Video / Reference; Cinéma; Rhétorique; Critique cinématographique; Cinéma / Philosophie; Film criticism; Motion pictures; Motion pictures / Philosophy; Rhetoric; Film; Philosophie; Motion pictures; Rhetoric; Film criticism; Motion pictures; Rhetorik; Filmtheorie
    Scope: 1 Online-Ressource (x, 312 p.)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references and index

    Mapping the other: The English patient, colonial rhetoric, and cinematic representation / Alan Nadel -- Rhetoric and the early work of Christian Metz: augmenting ideological inquiry in rhetorical film theory and criticism / Ann Chisholm -- Temptation as taboo: a psychorhetorical reading of The last temptation of Christ Martin J. Medhurst -- Hyperrhetoric and the inventive spectator: remotivating The fifth element / Byron Hawk -- Time, space, and political identity: envisioning community in Triumph of the will / Ekaterina V. Haskins -- On rhetorical bodies: Hoop dreams and constitutional discourse / James Roberts -- Looking for the public in the popular: the Hollywood blacklist and the rhetoric of collective memory / Thomas W. Benson -- Copycat, serial murder, and the (de)terministic screen narrative / Philip L. Simpson -- Opening the text: reading gender, Christianity, and American intervention in Deliverance / Davis W. Houck and Caroline J.S. Picart -- From "world conspiracy" to "cultural imperialism": the history of anti-Plutocratic rhetoric in German film / Friedemann Weidauer -- Rhetorical conditioning: The Manchurian candidate / Bruce Krajewski -- Sophistry, magic, and the vilifying rhetoric of The usual suspects / David Blakesley -- Textual trouble in River City: literacy, rhetoric, and consumerism in The music man / Harriet Malinowitz -- Screen play: Ethos and dialectics in A time to kill / Granetta L. Richardson -- Postmodern dialogics in Pulp fiction: Jules, Ezekiel, and double-voiced discourse

  8. The dark mirror
    German cinema between Hitler and Hollywood
    Published: c2002
    Publisher:  University of California Press, Berkeley

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  9. Argentine cinema and national identity (1966-1976)
    Published: 2017; ©2017
    Publisher:  Liverpool University Press, Oxford

    Argentine Cinema and National Identity covers the development of Argentine cinema since the late 1950s to the mid-1970s, a period that has been understudied. This essential cultural history delves on the dialect tradition versus modernity that was in... more

    Universitätsbibliothek Regensburg
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    Argentine Cinema and National Identity covers the development of Argentine cinema since the late 1950s to the mid-1970s, a period that has been understudied. This essential cultural history delves on the dialect tradition versus modernity that was in place during those years and also comprises an examination of the political economy of film production as well as the different laws, including that implementing censorship that regulated this cultural industry. It also pays particular attention to two historical film genres: the historical film genre per se and the gauchesque, a genre based on outlaw gauchos that was crucial for nation-building in the nineteenth century. This volume investigates the way Argentine cinema positioned itself when facing the competition of glossy American films and resorted to the historical and gauchesque to bridge the stark divisions between the Argentine left and right in the late 1960s

     

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    Volltext (kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1786944952; 1786948265; 9781786944955; 9781786948267
    Series: Liverpool Latin American Studies LUP Ser
    Subjects: Caractéristiques nationales au cinéma; Cinéma; ART; Motion pictures; National characteristics in motion pictures; PERFORMING ARTS; Motion pictures; National characteristics in motion pictures; Politik; Nationalcharakter <Motiv>; Politische Identität; Film
    Other subjects: Argentina; Electronic books; Electronic books; History
    Scope: 1 Online-Ressource (x, 250 Seiten), illustrations
    Notes:

    Political and social tensions in post-1955 Argentina -- Argentine cinema in the late 1950s and early 1960s -- Argentine cinema, 1966-1973 -- Argentine cinema, 1973-1976 -- Martín Fierro -- Don Segundo Sombra -- Santos Vega -- Juan Moreira -- Los guachos judíos -- Looking for a national hero -- Güemes, la tierra en armas -- Bajo el signo de la patria -- Juan Manuel de Rosas

  10. Filmische Seitenblicke
    Cinepoetische Exkursionen ins Kino von 1968
    Published: [2018]; ©2019
    Publisher:  De Gruyter, Berlin ; Boston

    Ist 1968 gescheitert? Die Frage ist falsch gestellt. Die Ereignisse, die Bedeutung und die Auswirkungen von '68 lassen sich nicht in einem schlüssigen Narrativ fassen. Das Jahr beschreibt einen Kulminationspunkt, an dem höchst heterogene kulturelle,... more

    Universitätsbibliothek Regensburg
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    Ist 1968 gescheitert? Die Frage ist falsch gestellt. Die Ereignisse, die Bedeutung und die Auswirkungen von '68 lassen sich nicht in einem schlüssigen Narrativ fassen. Das Jahr beschreibt einen Kulminationspunkt, an dem höchst heterogene kulturelle, soziale und politische Phänomen in eine Interaktion zueinander treten, ohne ursächlich miteinander verbunden zu sein. Herzstück des Bandes ist ein Essay von Hermann Kappelhoff, der '68 aus der Analyse von Happenings, avantgardistischen Aktionen und Filmen heraus als Synonym für eine Form kultureller Gemeinschaftsbildung beschreibt; es markiert die Geburtsstunde der transnationalen Geschmacksgemeinschaft der westlichen Pop- und Jugendkultur. Dass sich der radikale kulturelle Wandel von '68 nur in seiner Heterogenität fassen lässt und die Logik des Happenings und des Widerspruchs zur poetischen Matrix des Kinos wird, zeigt ein Kaleidoskop aus Analysen von Filmen, die 1968 gezeigt wurden

     

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  11. Migration Italy
    the art of talking back in a destination culture
    Published: c2005
    Publisher:  University of Toronto Press, Toronto, Ont

    "In terms of migration, Italy is often thought of as a source country - a place from which people came rather than one to which people go. However, in the past few decades, Italy has become a destination for many people from poor or war-torn... more

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    "In terms of migration, Italy is often thought of as a source country - a place from which people came rather than one to which people go. However, in the past few decades, Italy has become a destination for many people from poor or war-torn countries seeking a better life in a stable environment. Graziella Parati's Migration Italy examines immigration to Italy in the past twenty years and the cultural hybridization that has occurred as a result."--BOOK JACKET

     

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  12. Seeing politics otherwise
    vision in Latin American and Iberian fiction
    Published: c2011
    Publisher:  University of Toronto Press, Toronto

    When confronting twentieth-century political oppression and violence, writers and artists in Portugal and South America have often emphasized the complex relationship between freedom and tyranny. In Seeing Politics Otherwise, Patricia Vieira uses an... more

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    When confronting twentieth-century political oppression and violence, writers and artists in Portugal and South America have often emphasized the complex relationship between freedom and tyranny. In Seeing Politics Otherwise, Patricia Vieira uses an interdisciplinary approach to explore the interrelation of politics and representations of vision and blindness in Latin American and Iberian literature, film, and art.Vieira's discussion focuses on three literary works: Graciliano Ramos's Memoirs of Prison, Ariel Dorfman's Death and the Maiden, and José Saramago's Blindness, with supplemental analyses of sculpture and film by Ana Maria Pacheco, Bruno Barreto, and Marco Bechis. These artists use metaphors of blindness to denounce the totalizing gaze of dictatorial regimes. Rather than equating blindness with deprivation, Vieira argues that shadows, blindfolds, and blindness are necessary elements for re-imagining the political world and re-acquiring a political voice. Seeing Politics Otherwise offers a compelling analysis of vision and its forcible deprivation in the context of art and political protest.

     

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  13. Imagerie des Anderen im Weimarer Kino
    Published: [2003]; © 2003
    Publisher:  transcript, Bielefeld

    Universitätsbibliothek Bielefeld
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839401163
    Other identifier:
    Series: Film
    Subjects: Cinéma; Identité collective
    Scope: 1 Online-Resource (223 Seiten), Illustrationen
  14. Filmische Seitenblicke
    Cinepoetische Exkursionen ins Kino von 1968
    Published: [2018]; ©2019
    Publisher:  De Gruyter, Berlin ; Boston

    Ist 1968 gescheitert? Die Frage ist falsch gestellt. Die Ereignisse, die Bedeutung und die Auswirkungen von '68 lassen sich nicht in einem schlüssigen Narrativ fassen. Das Jahr beschreibt einen Kulminationspunkt, an dem höchst heterogene kulturelle,... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Ist 1968 gescheitert? Die Frage ist falsch gestellt. Die Ereignisse, die Bedeutung und die Auswirkungen von '68 lassen sich nicht in einem schlüssigen Narrativ fassen. Das Jahr beschreibt einen Kulminationspunkt, an dem höchst heterogene kulturelle, soziale und politische Phänomen in eine Interaktion zueinander treten, ohne ursächlich miteinander verbunden zu sein. Herzstück des Bandes ist ein Essay von Hermann Kappelhoff, der '68 aus der Analyse von Happenings, avantgardistischen Aktionen und Filmen heraus als Synonym für eine Form kultureller Gemeinschaftsbildung beschreibt; es markiert die Geburtsstunde der transnationalen Geschmacksgemeinschaft der westlichen Pop- und Jugendkultur. Dass sich der radikale kulturelle Wandel von '68 nur in seiner Heterogenität fassen lässt und die Logik des Happenings und des Widerspruchs zur poetischen Matrix des Kinos wird, zeigt ein Kaleidoskop aus Analysen von Filmen, die 1968 gezeigt wurden

     

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  15. Deathwatch
    American film, technology, and the end of life
    Published: [2014]; © 2014
    Publisher:  Columbia University Press, New York, NY

    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231538039
    Other identifier:
    RVK Categories: AP 44983
    Series: Film and culture series
    Subjects: Mort au cinéma; Öffentliche Darbietungen, Film, Rundfunk; Cinéma; Cinéma; Tod <Motiv>; Film; Sterben <Motiv>
    Scope: 1 Online-Ressource, Illustrationen
  16. The dark mirror
    German cinema between Hitler and Hollywood
    Published: c2002
    Publisher:  University of California Press, Berkeley

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  17. L’œuvre de Vladimir Nabokov au regard de la culture et de l’art allemands
    Published: 2016
    Publisher:  P.I.E.-Peter Lang S.A, Brüssel

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  18. Imagerie des Anderen im Weimarer Kino
    Published: [2003]
    Publisher:  transcript Verlag, Bielefeld

    Die Imaginationsmaschine des Kinos wird in der Moderne zu einem mächtigen Agenten der Repräsentation des Anderen. Populärkulturelle Motive mit garantiert hohem Schauwert bestimmen besonders publikumsträchtige Abenteuerfilme wie »Die Spinnen« von... more

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    Die Imaginationsmaschine des Kinos wird in der Moderne zu einem mächtigen Agenten der Repräsentation des Anderen. Populärkulturelle Motive mit garantiert hohem Schauwert bestimmen besonders publikumsträchtige Abenteuerfilme wie »Die Spinnen« von Fritz Lang oder »Das indische Grabmal« von Joe May. Als Weltgenerierungs- und Zeitmaschine erscheint das Kino als Mythendistribuent par excellence und verbreitet unter den Bedingungen einer als entzaubert apostrophierten Moderne massenwirksame Verzauberungen und Remythisierungen. Das Unbekannte, Fremde, Andere wirkt in der industriellen Moderne gleichsam an die Ränder der Welt zurückgedrängt, verschwunden ist es damit jedoch nicht. In einer kleinen Medien- und Kulturgeschichte des Anderen im Weimarer Kino wird anhand beispielhaft analysierter Filme verschiedener Genres den populären historischen Verarbeitungsmustern nachgegangen, in denen in dieser Zeit Rätselhaftes, Differentes und Heterogenes verhandelt wird

     

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839401163
    Series: Film
    Subjects: Cinéma; Identité collective
    Scope: Online-Ressource (226 p.)), illustrations
    Notes:

    Description based upon print version of record

    Frontmatter -- Inhalt -- Danksagung -- Einleitung -- Rekonstruktionen – Zur Überlieferungsgeschichte des Weimarer Kinos -- Das Kino als Agent des Eskapismus? -- Verlusterfahrungen oder Suchbilder der Ordnung -- Abenteuerliche Topographien und fantastische Wirklichkeiten -- Aufmarschplatz der Abenteurer -- ›Moderne‹ physiognomische Lesbarkeitskonzepte und visuelle Anthropologie -- Schluß: Erfundene Eilande oder Aloha Oé in Moll -- Filmographie -- Bibliographie -- Abbildungsverzeichnis -- Backmatter.

  19. Mad to be saved
    the Beats, the '50s, and film
    Published: 2010
    Publisher:  Southern Illinois University Press, Carbondale

    "Film critic David Sterritt presents an interdisciplinary exploration of the Beat Generation, its intersections with mainstream and experimental film, and the interactions of all of these with American society and the culture of the '50s. Examining... more

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    "Film critic David Sterritt presents an interdisciplinary exploration of the Beat Generation, its intersections with mainstream and experimental film, and the interactions of all of these with American society and the culture of the '50s. Examining American society in the '50s, Sterritt balances the Beat countercultural goal of rebellion through both artistic creation and everyday behavior against the mainstream values of conformity and conservatism, growing worry over cold-war hostilities, and the "rat race" toward material success." "After an introductory overview of the Beat Generation, its history, its antecedents and its influences, Sterritt shows the importance of "visual thinking" in the lives and works of major Beat authors, most notably Jack Kerouac, Allen Ginsberg, and William S. Burroughs. He turns to Mikhail Bakhtin's dialogic theory to portray the Beat writers - who were inspired by jazz and other liberating influences - as carnivalesque rebels against what they perceived as a rigid and stifling social order." "Showing the Beats as social critics, Sterritt looks at the work of '50s photographers Robert Frank and William Klein; the attack against Beat culture in the pictures and prose of Life magazine; and the counterattack in Frank's film Pull My Daisy, featuring key Beat personalities. He further explores expressions of rebelliousness in film noir, the melodramas of director Douglas Sirk, and other Hollywood films." "Finally, Sterritt shows the changing attitudes toward the Beat sensibility in Beat-related Hollywood movies like A Bucket of Blood and The Beat Generation; television programs like Route 66 and The Many Loves of Dobie Gillis, nonstudio films like John Cassavetes's improvisational Shadows and Shirley Clarke's experimental The Connection; and radically avant-garde works by such doggedly independent screen artists as Stan Brakhage, Ron Rice, Bruce Connor, and Ken Jacobs, drawing connections between their achievements and the most subversive products of their Beat contemporaries."--Jacket

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585029733; 9780585029733
    Subjects: Beat generation; Motion pictures and literature; Literature and society; American literature; Experimental films; Motion pictures; Beat generation; Cinéma et littérature; Littérature et société; Littérature américaine; Films expérimentaux; Cinéma; American literature; Beat generation; Beat generation; Cinéma; Cinéma et littérature; Experimental films; Films expérimentaux; Literature and society; Littérature américaine; Littérature et société; Motion pictures; Motion pictures and literature
    Scope: Online Ressource (xii, 258 pages)
    Notes:

    Includes bibliographical references (pages 223-249) and index. - Description based on print version record

    Description based on print version record

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Online-Ausg. [S.l.] : HathiTrust Digital Library

  20. Discursive geographies
    writing space and place in French
    Contributor: Garane, Jeanne (HerausgeberIn)
    Published: 2010
    Publisher:  Rodopi, Amsterdam [Netherlands]

    Saarländische Universitäts- und Landesbibliothek
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    Source: Union catalogues
    Contributor: Garane, Jeanne (HerausgeberIn)
    Language: English; French
    Media type: Ebook
    Format: Online
    ISBN: 1423790952; 9781423790952
    Series: Francopolyphonies ; 2
    Subjects: Geography in literature; French literature; French literature; Motion picture plays; Motion picture plays; Human geography; Géographie dans la littérature; Littérature française; Littérature française; Cinéma; Cinéma; Géographie culturelle; Cinéma; Cinéma; French literature; French literature; Geography in literature; Géographie culturelle; Géographie dans la littérature; Human geography; Littérature française; Littérature française; Motion picture plays; Motion picture plays
    Scope: Online Ressource (285 p.), ill.
    Notes:

    Includes bibliographical references and index. - In English and French. - Description based on print version record

    In English and French

    Description based on print version record

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  21. How scripts are made
    Published: c1990
    Publisher:  Southern Illinois University Press, Carbondale

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585107203; 9780585107202
    Subjects: Motion picture plays; Cinéma; Cinéma; Motion picture authorship; Motion picture plays; Motion picture plays; Motion picture authorship; Motion picture plays ; Technique; Technik; Drehbuch; PERFORMING ARTS ; Film & Video ; Screenwriting; Motion picture authorship
    Scope: Online Ressource (xi, 174 p.), ill.
    Notes:

    Includes bibliographical references (p. 161-165) and index. - Description based on print version record

  22. Women through the lens
    gender and nation in a century of Chinese cinema
    Author: Cui, Shuqin
    Published: c2003
    Publisher:  University of Hawaiʿi Press, Honolulu

    Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the... more

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    Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon

     

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    Volltext (Deutschlandweit zugänglich)
    Volltext (Deutschlandweit zugänglich)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585479143; 9780585479149
    RVK Categories: AP 59761
    Series: EBSCOhost eBook Collection
    Subjects: Motion pictures; Women in motion pictures.; Sex role in motion pictures.; Motion pictures; Cinéma; Femmes au cinéma; Rôle selon le sexe au cinéma; Women in motion pictures; Sex role in motion pictures; Motion pictures; Motion pictures; Women in motion pictures.; Sex role in motion pictures.; Cinéma; Femmes au cinéma; Motion pictures; Rôle selon le sexe au cinéma; Sex role in motion pictures; Women in motion pictures; Motion pictures; PERFORMING ARTS ; Film & Video ; Reference; History; Film; Geschlechterrolle; Nation
    Scope: XXVI, 304 S., Ill.
    Notes:

    Includes bibliographical references (p. [287]-297) and index. - Filmography: p. [249]-267

    Filmography: p. [249]-267

    Electronic reproduction, Boulder, Colo : NetLibrary, 2003

    Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon

  23. The dark mirror
    German cinema between Hitler and Hollywood
    Published: c2002
    Publisher:  University of California Press, Berkeley

    "Lutz Koepnick analyzes the complicated relationship between two cinemas--Hollywood's and Nazi Germany's--in this theoretically and politically incisive study. The Dark Mirror examines the split course of German popular film from the early 1930s... more

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    "Lutz Koepnick analyzes the complicated relationship between two cinemas--Hollywood's and Nazi Germany's--in this theoretically and politically incisive study. The Dark Mirror examines the split course of German popular film from the early 1930s until the mid 1950s, showing how Nazi filmmakers appropriated Hollywood conventions and how German film exiles reworked German cultural material in their efforts to find a working base in the Hollywood studio system. Through detailed readings of specific films, Koepnick provides a vivid sense of the give and take between German and American cinema." www.loc.gov/catdir/description/ucal042/2001007068.html Introduction: The Dark Mirror -- pt. 1. Hollywood in Berlin, 1933-1939. Ch. 1. Sounds of Silence: Nazi Cinema and the Quest for a National Culture Industry. Ch. 2. Incorporating the Underground: Curtis Bernhardt's The Tunnel. Ch. 3. Engendering Mass Culture: Zarah Leander and the Economy of Desire. Ch. 4. Siegfried Rides Again: Nazi Westerns and Modernity -- pt. 2. Berlin in Hollywood, 1939-1955. Ch. 5. Wagner at Warner's: German Sounds and Hollywood Studio Visions. Ch. 6. Berlin Noir: Robert Siodmak's Hollywood. Ch. 7. Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism. Ch. 8. Isolde Resurrected: Curtis Bernhardt's Interrupted Melody -- Epilogue: "Talking about Germany

     

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    Volltext (Deutschlandweit zugänglich)
    Volltext (Deutschlandweit zugänglich)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585466238; 9780585466231; 0520233115; 9780520233119; 9780520936355; 0520936353; 0520233107; 9780520233102
    RVK Categories: AP 44910
    Series: Weimar and now ; 32
    EBSCOhost eBook Collection
    Subjects: Motion pictures; Motion picture producers and directors; Motion pictures; Motion picture producers and directors; Germans; Cinéma; Producteurs et réalisateurs de cinéma; Allemands; Germans; Motion picture producers and directors; Motion pictures; Cinéma; Producteurs et réalisateurs de cinéma; Allemands; Motion pictures; Motion picture producers and directors; Germans; Germans; Motion picture producers and directors; Motion pictures; Motion pictures; Motion picture producers and directors; Germans; Cinéma; Producteurs et réalisateurs de cinéma; Allemands; Motion picture producers and directors; PERFORMING ARTS ; Film & Video ; Reference; Germans; Motion picture producers and directors; Motion pictures; Music, Dance, Drama & Film; Film; Biographies; History
    Scope: XII, 322 S., Ill., 24 cm
    Notes:

    Includes bibliographical references (p. 273-307) and index

    Electronic reproduction, Boulder, Colo : NetLibrary, 2003

    Introduction: The Dark Mirrorpt. 1. Hollywood in Berlin, 1933-1939. Ch. 1. Sounds of Silence: Nazi Cinema and the Quest for a National Culture Industry. Ch. 2. Incorporating the Underground: Curtis Bernhardt's The Tunnel. Ch. 3. Engendering Mass Culture: Zarah Leander and the Economy of Desire. Ch. 4. Siegfried Rides Again: Nazi Westerns and Modernity -- pt. 2. Berlin in Hollywood, 1939-1955. Ch. 5. Wagner at Warner's: German Sounds and Hollywood Studio Visions. Ch. 6. Berlin Noir: Robert Siodmak's Hollywood. Ch. 7. Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism. Ch. 8. Isolde Resurrected: Curtis Bernhardt's Interrupted Melody -- Epilogue: "Talking about Germany."

  24. The 'I' of the Camera
    essays in film criticism, history, and aesthetics
    Published: 2004
    Publisher:  Cambridge University Press, Cambridge

    This second edition of William Rothman's classic includes fourteen new essays and a new foreword. Half-title. Title. Copyright. Dedication. Contents. Foreword to the Second Edition. Preface to the First Edition. Acknowledgments. Notes on the Essays.... more

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    This second edition of William Rothman's classic includes fourteen new essays and a new foreword. Half-title. Title. Copyright. Dedication. Contents. Foreword to the Second Edition. Preface to the First Edition. Acknowledgments. Notes on the Essays. CHAPTER 1 Hollywood Reconsidered: Reflections on the Classical American Cinema. CHAPTER 2 D. W. Griffith and the Birth of the Movies. CHAPTER 3 Judith of Bethulia. CHAPTER 4 True Heart Griffith. CHAPTER 5 The Ending of City Lights. CHAPTER 6 The Goddess: Reflections on Melodrama East and West. CHAPTER 7 Red Dust: The Erotic Screen Image. CHAPTER 8 Virtue and Villainy in the Face of the Camera. CHAPTER 9 Pathos and Transfiguration in the Face of the Camera: A Reading of Stella Dallas. CHAPTER 10 Viewing the World in Black and White: Race and the Melodrama of the Unknown Woman. Now, Voyager. Stella Dallas. Blonde Venus. Show Boat. Imitation of Life. CHAPTER 11 Howard Hawks and Bringing Up Baby. CHAPTER 12 The Filmmaker in the Film: Octave and the Rules of Renoir's Game. Octave's Role. Renoir's Game. CHAPTER 13 Stagecoach and the Quest for Selfhood. The Initial Encounter. The Encounter at the Way Station. The Final Encounter. CHAPTER 14 To Have and Have Not Adapted a Film from a Novel. Neutral Traces of the Process of Adaptation. Action Lifted Bodily from Novel to Film. The Character of Harry Morgan. The Romance. Plot Design. Theme. Narrative Technique. CHAPTER 15 Hollywood and the Rise of Suburbia. CHAPTER 16 Nobody's Perfect: Billy Wilder and the Postwar American Cinema. Double Indemnity. Sunset Boulevard. Some Like It Hot. The Apartment. CHAPTER 17 The River. CHAPTER 18 Vertigo: The Unknown Woman in Hitchcock. CHAPTER 19 North by Northwest: Hitchcock's Monument to the Hitchcock Film. Cary Grant. Eve Kendall. The Villains.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511186738; 0511186738
    RVK Categories: HN 1231 ; AP 45400 ; AP 44900 ; AP 44983
    Edition: 2nd ed
    Series: Cambridge Studies in Film
    Subjects: Motion pictures; Cinéma; Esthétique cinématographique; Critique cinématographique; Motion pictures; Electronic books
    Scope: 1 Online-Ressource /425 Seiten)
  25. Imagerie des Anderen im Weimarer Kino
    Published: 2003; ©2003.
    Publisher:  transcript Verlag, Bielefeld

    Die Imaginationsmaschine des Kinos wird in der Moderne zu einem mächtigen Agenten der Repräsentation des Anderen. Populärkulturelle Motive mit garantiert hohem Schauwert bestimmen besonders publikumsträchtige Abenteuerfilme wie »Die Spinnen« von... more

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    Die Imaginationsmaschine des Kinos wird in der Moderne zu einem mächtigen Agenten der Repräsentation des Anderen. Populärkulturelle Motive mit garantiert hohem Schauwert bestimmen besonders publikumsträchtige Abenteuerfilme wie »Die Spinnen« von Fritz Lang oder »Das indische Grabmal« von Joe May. Als Weltgenerierungs- und Zeitmaschine erscheint das Kino als Mythendistribuent par excellence und verbreitet unter den Bedingungen einer als entzaubert apostrophierten Moderne massenwirksame Verzauberungen und Remythisierungen. Das Unbekannte, Fremde, Andere wirkt in der industriellen Moderne gleichsam an die Ränder der Welt zurückgedrängt, verschwunden ist es damit jedoch nicht. In einer kleinen Medien- und Kulturgeschichte des Anderen im Weimarer Kino wird anhand beispielhaft analysierter Filme verschiedener Genres den populären historischen Verarbeitungsmustern nachgegangen, in denen in dieser Zeit Rätselhaftes, Differentes und Heterogenes verhandelt wird.

     

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839401163
    Other identifier:
    Series: Film
    Subjects: Identité collective; Motion pictures; Cinéma; Identité collective; Cinéma.; Identité collective.; Öffentliche Darbietungen, Film, Rundfunk.; Film; Fremdheit; Weimarer Republik; SOCIAL SCIENCE / Media Studies
    Scope: 1 online resource(226 p.)
    Notes:

    Description based upon print version of record

    Frontmatter -- Inhalt -- Danksagung -- Einleitung -- Rekonstruktionen – Zur Überlieferungsgeschichte des Weimarer Kinos -- Das Kino als Agent des Eskapismus? -- Verlusterfahrungen oder Suchbilder der Ordnung -- Abenteuerliche Topographien und fantastische Wirklichkeiten -- Aufmarschplatz der Abenteurer -- ›Moderne‹ physiognomische Lesbarkeitskonzepte und visuelle Anthropologie -- Schluß: Erfundene Eilande oder Aloha Oé in Moll -- Filmographie -- Bibliographie -- Abbildungsverzeichnis -- Backmatter.