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  1. Der Chinese in der deutschen Literatur
    unter besonderer Berücksichtigung chinesischer Figuren in den Werken von Schiller, Döblin und Brecht
    Author: Tan, Yuan
    Published: 2007
    Publisher:  Cuvillier, Göttingen

    Location:
    Archiv der Akademie der Künste, Bibliothek
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    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    ISBN: 9783867271691; 3867271690
    Other identifier:
    9783867271691
    RVK Categories: GE 4912
    DDC Categories: 430; 830
    Edition: 1. Aufl.
    Subjects: Chinese in literature; German literature; German literature; German literature; Literatur; Deutsch; Chinabild
    Other subjects: Brecht, Bertolt <1898-1956>: Gute Mensch von Sezuan; Döblin, Alfred <1878-1957>: Drei Sprünge des Wang-lun; Schiller, Friedrich <1759-1805>: Turandot, Prinzessin von China; Brecht, Bertolt (1898-1956): Der gute Mensch von Sezuan; Döblin, Alfred (1878-1957): Die drei Sprünge des Wang-lun
    Scope: 268 S.
    Notes:

    Zugl.: Göttingen, Univ., Diss., 2006
  2. Sitting in darkness
    Mark Twain, Asia, and comparative racialization
    Author: Hsu, Hsuan L.
    Published: 2015
    Publisher:  New York Univ. Press, New York [u.a.]

    "Perhaps the most popular of all canonical American authors, Mark Twain is famous for creating works that satirize American formations of race and empire. While many scholars have explored Twain's work in African Americanist contexts, his writing on... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "Perhaps the most popular of all canonical American authors, Mark Twain is famous for creating works that satirize American formations of race and empire. While many scholars have explored Twain's work in African Americanist contexts, his writing on Asia and Asian Americans remains largely in the shadows. In Sitting in Darkness, Hsuan Hsu examines Twain's career-long archive of writings about United States relations with China and the Philippines. Comparing Twain's early writings about Chinese immigrants in California and Nevada with his later fictions of slavery and anti-imperialist essays, he demonstrates that Twain's ideas about race were not limited to white and black, but profoundly comparative as he carefully crafted assessments of racialization that drew connections between groups, including African Americans, Chinese immigrants, and a range of colonial populations. Drawing on recent legal scholarship, comparative ethnic studies, and transnational and American studies, Sitting in Darkness engages Twain's best-known novels such as Tom Sawyer, Huckleberry Finn, and A Connecticut Yankee in King Arthur's Court, as well as his lesser-known Chinese and trans-Pacific inflected writings, such as the allegorical tale "A Fable of the Yellow Terror" and the yellow face play Ah Sin. Sitting in Darkness reveals how within intersectional contexts of Chinese Exclusion and Jim Crow, these writings registered fluctuating connections between immigration policy, imperialist ventures, and racism"..

     
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  3. The Tao of S
    America's Chinee & the Chinese century in literature and film
    Author: Ma, Sheng-mei
    Published: [2022]
    Publisher:  The University of South Carolina Press, Columbia, South Carolina ; National Taiwan University Press, Taipei City, Taiwan

    "The Tao of S is an engaging study of American racialization of Chinese and Asians, Asian American writing, and contemporary Chinese cultural production, stretching from the nineteenth century to the present. Sheng-mei Ma examines the work of... more

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    Freie Universität Berlin, Universitätsbibliothek
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    "The Tao of S is an engaging study of American racialization of Chinese and Asians, Asian American writing, and contemporary Chinese cultural production, stretching from the nineteenth century to the present. Sheng-mei Ma examines the work of nineteenth-century "Sinophobic" American writers, such as Bret Harte, Jack London, and Frank Norris, and twentieth-century "Sinophiliac" authors, such as John Steinbeck and Philip K. Dick, as well as the movies Crazy Rich Asians and Disney's Mulan and a host of contemporary Chinese authors, to illuminate how cultural stereotypes have swung from fearmongering to an overcompensating exultation of everything Asian. Within this framework Ma employs the Taoist principle of yin and yang to illuminate how roles of the once-dominant American hegemony-the yang-and the once-declining Asian civilization-the yin-are now, in the twenty-first century, turned upside down as China rises to write its side of the story, particularly through the soft power of television and media streamed worldwide"--

     
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  4. Beyond silence
    Chinese Canadian literature in English
    Author: Chao, Lien
    Published: 1997
    Publisher:  TSAR, Toronto

    "The Chinese Buddhist monk Hoei-shin may have come to the west coast of Canada centuries before Columbus arrived in the Americas; and modern Chinese presence in Canada dates back more than a century, including the railway pioneers whose contribution... more

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    Freie Universität Berlin, Universitätsbibliothek
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    "The Chinese Buddhist monk Hoei-shin may have come to the west coast of Canada centuries before Columbus arrived in the Americas; and modern Chinese presence in Canada dates back more than a century, including the railway pioneers whose contribution was pivotal to the development of the nation from coast to coast." "This study of the literary output in English by Chinese Canadians begins with the 130-year history of the community in Canada to consider first how institutional racism and neglect contributed to its collective silence in mainstream media, history, and mythology; since the 1970s a fully developed Chinese literary consciousness and historical awareness have emerged in the country. The genres of mythology, anthology, fiction, poetry, drama and essay are considered in detail, and numerous writers, including Denise Chong, Sean Gunn, Winston Christopher Kam, Evelyn Lau, Sky Lee, Paul Yee, Fred Wah, Jim Wong-Chu and others"--Book jacket.

     
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  5. Marginal sights
    staging the Chinese in America
    Author: Moy, James S.
    Published: 1993
    Publisher:  Univ. of Iowa Press, Iowa City

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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