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  1. Poemes en ondes hertzianes de Joan Salvat-Papasseit
    Una lectura iniciática
    Published: [2020]
    Publisher:  Vervuert Verlagsgesellschaft, Frankfurt am Main

    Este estudio monográfico sobre la poesía cubo-futurista de Poemes en ondes hertzianes (1919) de Joan Salvat-Papasseit dilucida por primera vez, a cien años de su publicación, el sentido intencional de los escritos más herméticos del poeta catalán. La... more

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    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Este estudio monográfico sobre la poesía cubo-futurista de Poemes en ondes hertzianes (1919) de Joan Salvat-Papasseit dilucida por primera vez, a cien años de su publicación, el sentido intencional de los escritos más herméticos del poeta catalán. La revelación de sentido procede de la interpretación detallada y exhaustiva de su lenguaje cubista. Hasta ahora la lógica oculta de ese lenguaje hermético no había sido descifrada; por ello, tampoco había sido percibido el sentido profundamente cordial y social de esta poesía. De la intuición clara y distinta de ese sentido se extrae una valoración humanista del futurismo poético de Salvat y de la visión pneumo-materialista que lo alienta. En suma, se reivindica la seriedad, elevación y sofisticación imaginativa de los movimientos de vanguardia de comienzos del siglo XX, así como del cubo-futurismo del propio Salvat-Papasseit Frontmatter -- Índice -- Prefacio -- Introducción -- Capítulo 1. “Bodegom” -- Capítulo 2. “Passeig” -- Capítulo 3. “Drama en el port” -- Capítulo 4. “Linòleum” -- Capítulo 5. “Interior” -- Conclusión -- Obras citadas

     

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    Content information
    Source: Union catalogues
    Language: Spanish
    Media type: Ebook
    Format: Online
    ISBN: 9783964569639
    Other identifier:
    Subjects: Catalan poetry; Cubo-futurism (Art); Futurism (Literary movement); LITERARY CRITICISM / Poetry
    Scope: 1 Online-Ressource (382 p)
  2. Poemes en Ondes Hertzianes de Joan Salvat-Papasseit
    una Lectura Iniciatica
    Published: [2020]; ©2020
    Publisher:  Iberoamericana Editorial Vervuert, Madrid

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: Spanish
    Media type: Ebook
    Format: Online
    ISBN: 9783964569639
    RVK Categories: IL 9886
    Subjects: Catalan poetry
    Other subjects: Salvat-Papasseit, Joan (1894-1924): Poemes en ondes hertzianes
    Scope: 1 Online-Ressource (381 pages)
    Notes:

    Description based on print version record

  3. Poemes en ondes hertzianes de Joan Salvat-Papasseit
    Una lectura iniciática
    Published: [2020]
    Publisher:  Vervuert Verlagsgesellschaft, Frankfurt am Main

    Este estudio monográfico sobre la poesía cubo-futurista de Poemes en ondes hertzianes (1919) de Joan Salvat-Papasseit dilucida por primera vez, a cien años de su publicación, el sentido intencional de los escritos más herméticos del poeta catalán. La... more

    Access:
    Verlag (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Este estudio monográfico sobre la poesía cubo-futurista de Poemes en ondes hertzianes (1919) de Joan Salvat-Papasseit dilucida por primera vez, a cien años de su publicación, el sentido intencional de los escritos más herméticos del poeta catalán. La revelación de sentido procede de la interpretación detallada y exhaustiva de su lenguaje cubista. Hasta ahora la lógica oculta de ese lenguaje hermético no había sido descifrada; por ello, tampoco había sido percibido el sentido profundamente cordial y social de esta poesía. De la intuición clara y distinta de ese sentido se extrae una valoración humanista del futurismo poético de Salvat y de la visión pneumo-materialista que lo alienta. En suma, se reivindica la seriedad, elevación y sofisticación imaginativa de los movimientos de vanguardia de comienzos del siglo XX, así como del cubo-futurismo del propio Salvat-Papasseit Frontmatter -- Índice -- Prefacio -- Introducción -- Capítulo 1. “Bodegom” -- Capítulo 2. “Passeig” -- Capítulo 3. “Drama en el port” -- Capítulo 4. “Linòleum” -- Capítulo 5. “Interior” -- Conclusión -- Obras citadas

     

    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: Spanish
    Media type: Ebook
    Format: Online
    ISBN: 9783964569639
    Other identifier:
    Subjects: Catalan poetry; Cubo-futurism (Art); Futurism (Literary movement); LITERARY CRITICISM / Poetry
    Scope: 1 Online-Ressource (382 p)
  4. From misa to mise en scène
    Fra Francesc Moner's prototype of the Spanish sacramental theater of the fifteenth century
    Published: 2020
    Publisher:  Arizona Center for Medieval & Renaissance Studies, Tempe, Arizona

    The Cancionero Background -- A Spectacle on Display -- The Gestation of Dramatic Modes -- The Dramatization of the Monologue -- The Sermon in Dramatic Effects -- Parody as Desacralization -- Dramatization on the Way to Performance -- Embryonic and... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    The Cancionero Background -- A Spectacle on Display -- The Gestation of Dramatic Modes -- The Dramatization of the Monologue -- The Sermon in Dramatic Effects -- Parody as Desacralization -- Dramatization on the Way to Performance -- Embryonic and Full-Fledged Theatricality -- Stage-Worthy Action: Extrinsic and Intrinsic Dimensions -- Visualizing the Stage -- Configuring the Actual Stage: The Pragmatics of the Mise en Scène -- A Religious Theater Newly Fashioned: Semiotic Functions. As both layman and Franciscan friar, the Catalan writer known as Francesc Moner (ca 1463-1495) is one of the leading exponents of the bilingual (Catalan-Castilian) culture that flourished in Barcelona in the late 1400s. In his approach to Sepultura d'amor (Burial of Love), Moner's longest poem, Peter Cocozzella focuses on the author's ingenious version of a kind of parody that desacralizes but does not desecrate the celebration of the funeral Mass. Cocozzella discovers the aspects of Moner's unconventional idea of a theater based on the dramatics of the monologue and on the transformation of the divine ritual into a human analogue of transubstantiation. This allegorical pattern validates the profile of the masterpiece in question as one of the earliest manifestations of the auto sacramental, the distinctive theatrical genre scripted in the language of Castile. The book includes the text of Sepultura and its translation. -Publisher description

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0866986405; 9780866986403
    Series: Medieval and Renaissance texts and studies ; volume 566
    Subjects: Catalan poetry; Religious satire, Catalan; Theater; Catalan poetry; Religious satire, Catalan; Theater; Criticism, interpretation, etc; History
    Other subjects: Moner, Francisco (1463-1492): Sepultura d'amor
    Scope: xlvi, 250 pages, illustrations, 23 cm
    Notes:

    Includes bibliographical resources and index

  5. From misa to mise en scène
    Fra Francesc Moner's prototype of the Spanish sacramental theater of the fifteenth century
    Published: 2020
    Publisher:  Arizona Center for Medieval & Renaissance Studies, Tempe, Arizona

    The Cancionero Background -- A Spectacle on Display -- The Gestation of Dramatic Modes -- The Dramatization of the Monologue -- The Sermon in Dramatic Effects -- Parody as Desacralization -- Dramatization on the Way to Performance -- Embryonic and... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 118350
    Unlimited inter-library loan, copies and loan

     

    The Cancionero Background -- A Spectacle on Display -- The Gestation of Dramatic Modes -- The Dramatization of the Monologue -- The Sermon in Dramatic Effects -- Parody as Desacralization -- Dramatization on the Way to Performance -- Embryonic and Full-Fledged Theatricality -- Stage-Worthy Action: Extrinsic and Intrinsic Dimensions -- Visualizing the Stage -- Configuring the Actual Stage: The Pragmatics of the Mise en Scène -- A Religious Theater Newly Fashioned: Semiotic Functions. As both layman and Franciscan friar, the Catalan writer known as Francesc Moner (ca 1463-1495) is one of the leading exponents of the bilingual (Catalan-Castilian) culture that flourished in Barcelona in the late 1400s. In his approach to Sepultura d'amor (Burial of Love), Moner's longest poem, Peter Cocozzella focuses on the author's ingenious version of a kind of parody that desacralizes but does not desecrate the celebration of the funeral Mass. Cocozzella discovers the aspects of Moner's unconventional idea of a theater based on the dramatics of the monologue and on the transformation of the divine ritual into a human analogue of transubstantiation. This allegorical pattern validates the profile of the masterpiece in question as one of the earliest manifestations of the auto sacramental, the distinctive theatrical genre scripted in the language of Castile. The book includes the text of Sepultura and its translation. -Publisher description

     

    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0866986405; 9780866986403
    Series: Medieval and Renaissance texts and studies ; volume 566
    Subjects: Catalan poetry; Religious satire, Catalan; Theater; Catalan poetry; Religious satire, Catalan; Theater; Criticism, interpretation, etc; History
    Other subjects: Moner, Francisco (1463-1492): Sepultura d'amor
    Scope: xlvi, 250 pages, illustrations, 23 cm
    Notes:

    Includes bibliographical resources and index