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  1. »Schrift [...] fällt beim Lesen nicht ab wie Schlacke« :
    Die buchmediale Visualität von Walter Benjamins Ursprung des deutschen Trauerspiels.
    Author: Schöpf, Sven,
    Published: 2022.
    Publisher:  transcript,, Bielefeld :

    Benjamin research is often committed to the goal of obtaining the "whole Benjamin" or his "thinking in nuce". In contrast, Sven Schöpf discusses the 'entire book of tragedies'. The focus here is on the typographic design of the first edition of... more

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    Hochschule der Polizei des Landes Brandenburg, Hochschulbibliothek
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    Benjamin research is often committed to the goal of obtaining the "whole Benjamin" or his "thinking in nuce". In contrast, Sven Schöpf discusses the 'entire book of tragedies'. The focus here is on the typographic design of the first edition of Walter Benjamin's legendary baroque book, published in 1928. In order to demonstrate its hermeneutic potential, the study reconstructs the history of printed text and the semantics of typography. In addition, against the background of the book art movement and the 'crisis of historicism', a groundbreaking look is taken at the style of literary-historical publications with an intellectual-historical provenance.

     
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    Source: Union catalogues
    Media type: Ebook
    Format: Online
    ISBN: 9783839459942; 383945994X
    Series: Literatur - Medien - Ästhetik
    Subjects: Book design; Graphic design (Typography); Deutsches Trauerspiel.; Druckschrift.; Germanistik.; Hermeneutik.; Historismus.; Kultur.; Kulturwissenschaft.; Literatur.; Literaturwissenschaft.; Material Turn.; Medien.; Medienästhetik.; Typographie.; Wissenschaftsgeschichte.; Arts graphiques; LITERARY CRITICISM / European / German.; Book design; Graphic design (Typography)
    Other subjects: Benjamin, Walter, (1892-1940.): Ursprung des deutschen Trauerspiels.; Benjamin, Walter, (1892-1940); Benjamin, Walter, (1892-1940); Cultural Studies.; Culture.; German Literature.; German Tragedy.; Hermeneutics.; Historism.; History of Science.; Literary Studies.; Literature.; Material Turn.; Media Aesthetics.; Media.; Print.; Typography.
    Scope: 1 online resource (276 pages).
    Notes:

    Front Matter (Pp. 1-4)Table Of Contents (Pp. 5-8)Einleitung (Pp. 9-28)I. Editionsgeschichte Des Trauerspielbuchs (Pp. 29-50)Ii. Wissenschaftsgeschichte, Benjaminphilologie Und Barockforschung (Pp. 51-68)Iii. Die Semantik Der Typographie (Pp. 69-122)Iv. Die Neuausrichtung Der Germanistik Und Die Buchmediale Visualität Wissenschaftlicher Werke (Pp. 123-196)V. Benjamins Trauerspielbuch Und Das Literaturbarock (Pp. 197-234)Vi. Nachklapp: Schutzumschlag (Pp. 235-240)Dank (Pp. 241-242)Literaturverzeichnis (Pp. 243-270)Abbildungsverzeichnis (Pp. 271-274)Back Matter (Pp. 275-276)
  2. Der Engel in der Moderne :
    eine Figur zwischen Exilgegenwart und Zukunftsvision /
    Author: Zschunke, Lena,
    Published: [2022]; ©2022
    Publisher:  De Gruyter,, Berlin :

    "Die anhaltende Präsenz von Engeln in der Moderne wurde oft auf ein gesteigertes Trostbedürfnis zurückgeführt. Die Engelsfigur ist aber nicht bloß statisches Überbleibsel einer verlorenen Glaubensgewissheit. Vielmehr steht sie in einer produktiven... more

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    Hochschule der Polizei des Landes Brandenburg, Hochschulbibliothek
    Inter-library loan:
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    "Die anhaltende Präsenz von Engeln in der Moderne wurde oft auf ein gesteigertes Trostbedürfnis zurückgeführt. Die Engelsfigur ist aber nicht bloß statisches Überbleibsel einer verlorenen Glaubensgewissheit. Vielmehr steht sie in einer produktiven Beziehung zu zentralen geschichtsphilosophischen, politischen und medienästhetischen Fragen der Zeit. Die vorliegende Studie geht den Zusammenhängen zwischen Engelsfigur und Moderne-Diskurs entlang eines Spannungsbogens nach, der von Reflexionen eines metaphysischen Exils Anfang des 20. Jahrhunderts über die Zuspitzung existentieller Bedrohung im Ersten und Zweiten Weltkrieg bis zum Undarstellbarkeitstopos des Holocaust verläuft. Dabei wird deutlich, dass der Engel auf vielfache Weise als Verursacher und gleichzeitig als zukunftsgerichteter Überwinder moderner Formen des Exils auftritt als Figur, die geschichtsphilosophische Brüche herbeiführt und individualbiographische Traumata sichtbar macht; die die moderne Deformation des Menschen illustriert und wahlweise zu heilen oder voranzutreiben versucht" -- publisher's website.

     
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    Source: Union catalogues
    Media type: Ebook
    Format: Online
    ISBN: 9783110729856; 3110729857
    Series: Studien zur deutschen Literatur ; ; 227
    Subjects: German literature; Literature, Modern; Angels in literature.; Littérature allemande; Anges dans la littérature.; LITERARY CRITICISM / European / German.; Angels in literature.; German literature.; Literature, Modern.
    Other subjects: Rilke, Rainer Maria, (1875-1926); Benjamin, Walter, (1892-1940); Mann, Klaus, (1906-1949); Aichinger, Ilse
    Scope: 1 online resource (viii, 428 pages)
    Notes:

    Includes bibliographical references (pages 397-426) and index.
  3. Mnemographie
    Poetiken der Erinnerung und Destruktion nach Walter Benjamin
    Author: Pethes, Nicolas
    Published: 1999
    Publisher:  Max Niemeyer Verlag, Tübingen

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110936322
    Other identifier:
    Series: Communicatio ; Band 21
    Subjects: Memory in literature.; 18. Jh. (inkl. Goethe-Zeit).; German Literature.; Literary Studies.
    Other subjects: Benjamin, Walter, (1892-1940)
    Scope: VIII, 462 Seiten
  4. Perception and experience in modernity
    Contributor: Geyer-Ryan, Helga (Publisher); Koopman, Paul (Publisher); Yntema, Klaus (Publisher)
    Published: 2002
    Publisher:  Rodopi, Amsterdam

    The first volume of Benjamin Studies publishes the keynote lectures of the first Congress of the International Walter Benjamin Association, which took place in Amsterdam, July 1997. Its title bears witness to the most central concepts of Benjamin’s... more

     

    The first volume of Benjamin Studies publishes the keynote lectures of the first Congress of the International Walter Benjamin Association, which took place in Amsterdam, July 1997. Its title bears witness to the most central concepts of Benjamin’s philosophy of culture. Strongly influenced as he was by Kant, Benjamin never lost his inclination to analyse the components of reality as fashioned by ourselves. Because he was also a materialist, for him the modes of fashioning were shaped in turn by the times and places we occupy in history. As a consequence, Benjamin’s theory assigns a pivotal role in the interaction between the world and its inhabitants to the media: language with its plethora of discourses, the arts, and the whole technology of reproduction. The historical and social development of the media is, translated, according to him, into our instruments of perception, and this perception constructs the elements of the world, the knowledge of this construction and the knowledge of the constructor. The self-knowledge of the constructor is what we call ‘experience’. Within this broad epistemological framework, the diversity and complexity of Benjamin’s project acquires a fundamental coherence and is therefore able to accommodate the temporal volatility of the phenomena of our world. It’s not surprising, therefore, that Perception andamp; Experience offers the most stimulating variety of topics, and that the keynote lectures reflect merely an intensification of interest in certain areas within a much larger field of investigation. The texts presented here pinpoint the central preoccupations of today’s debates amongst Benjamin scholars, preoccupations which are themselves responses to our own historical imperatives.

     
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    Source: Union catalogues
    Contributor: Geyer-Ryan, Helga (Publisher); Koopman, Paul (Publisher); Yntema, Klaus (Publisher)
    Language: English; German
    Media type: Ebook
    Format: Online
    ISBN: 9789004334168
    Other identifier:
    Series: Benjamin Studien = Benjamin studies ; 1
    Subjects: Cultuurfilosofie
    Other subjects: Benjamin, Walter <1892-1940>; Benjamin, Walter, (1892-1940); Benjamin, Walter, (1892-1940)
    Scope: 225 Seiten
    Notes:

    The first volume of Benjamin Studies publishes the keynote lectures of the first Congress of the International Walter Benjamin Association, which took place in Amsterdam, July 1997

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