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  1. Landscape and vision in nineteenth-century Britain and France
    Published: 2010
    Publisher:  Ashgate, Aldershot [u.a.]

    Universität der Künste Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780754656647
    RVK Categories: LH 70460 ; LH 84956
    Edition: Reprint.
    Subjects: Landscape in art; Gardens in art; Arts, British; Arts, French; Perception; Landschaft <Motiv>; Landschaftsbild; Landschaftsmalerei; Künste; Landschaftsgarten
    Scope: XVI, 186 S., Ill.
    Notes:

    Includes bibliographical references and index

  2. Rive Gauche
    Paris as a site of avant-garde art and cultural exchange in the 1920s
    Contributor: Mettinger, Elke (HerausgeberIn); Rubik, Margarete (HerausgeberIn); Türschmann, Jörg (HerausgeberIn)
    Published: 2010
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- Introduction /Elke Mettinger , Margarete Rubik and Jörg Türschmann -- Judgements of Paris and Falling Troy – The French Metropolis as a Site of Cultural Archaeology in James Joyce’s Ulysses and F. Scott Fitzgerald’s “Babylon... more

    Access:
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Preliminary Material -- Introduction /Elke Mettinger , Margarete Rubik and Jörg Türschmann -- Judgements of Paris and Falling Troy – The French Metropolis as a Site of Cultural Archaeology in James Joyce’s Ulysses and F. Scott Fitzgerald’s “Babylon Revisited” /Dieter Fuchs -- Midwives to Modernism: Three Women’s Contributions to the Making of the Avant-Garde /Elke Mettinger -- Jean Rhys’s Vision of the Left Bank /Margarete Rubik -- “La vie toute faite des morceaux”: Intermediality and Impressionism in Jean Rhys’s Quartet /Eva Müller-Zettelmann and Rudolf Weiss -- The Surrealist Artist is Strolling around with the Little Puppy-Dog Sigmund Freud at his Heels: Perceptions of Space, the Subconscious and Gender Codifications in 1920s Paris /Elke Frietsch -- Picturing the Metropolis: Paris in the Eye of the Camera /Petra Löffler -- Topography of a City of Differences: René Crevel’s La Mort difficile (1926) /Birgit Wagner -- The Pull of the Metropolis: The Années folles from a Belgian Perspective, or the Paris of Maigret /Sylvia Schreiber -- “Black Paris” in the 1920s and René Maran’s Novel Batouala /Manuel Chemineau -- Americans in Paris: Huidobro. Girondo. Tarsiwald. Vallejo /Friedrich Frosch -- The Plague in Paris or Burning Cities: Bruno Jasieński versus Paul Morand /Martina Stemberger -- Claire Goll: Eine Deutsche in Paris (Une Allemande à Paris) /Jörg Türschmann -- Studies in buitenkant – Studies in Surroundings: Edgar Du Perron and the Modernists /Herbert Van Uffelen -- “It is evil; it is beautiful; it is fascinating; it is bewildering”: Thomas Wolfe’s Paris of the 1920s /Bettina Thurner -- “At Last Lost in Paris”: A Canadian View on the Avant-Garde Paris of the 1920s /Astrid M. Fellner. From the late 19th century onwards Paris had been a congenial locus for bohemian life. By 1920 Montparnasse had superseded Montmartre as the intellectual and artistic heart of the city, inaugurating a decade of unequalled creative achievement and innovative self-performance. These were the years of the ‘Roaring Twenties’ or années folles . “Paris” – as Gertrude Stein famously remarked – “was where the twentieth century was”. The Rive Gauche offered a carnivalesque atmosphere of liberality, where the manifold experiments of the avant-garde could breathe freely. This volume attempts to do justice to the polyphony of voices and points up the synergies that existed between the creative activities of writers, painters, publishers, photographers and film-makers. The contributors adopt interdisciplinary approaches, casting new light on the rich and diverse artistic world of Paris in the twenties as presented in lesser known works by French artists, English and American expatriates, but also Belgian, Dutch, German, Polish or South American avant-gardists. The collection thus gives the reader a fascinating insight into artistic productions which have hitherto received comparatively little critical attention

     

    Export to reference management software   RIS file
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    Source: Union catalogues
    Contributor: Mettinger, Elke (HerausgeberIn); Rubik, Margarete (HerausgeberIn); Türschmann, Jörg (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789042031791
    Other identifier:
    RVK Categories: EC 2140 ; NR 8720
    Series: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 144
    Subjects: Arts, French; Arts, French; Avant-garde (Aesthetics); Intellectual life; History
    Other subjects: Book
    Scope: 1 Online-Ressource (330 Seiten), Illustrationen
    Notes:

    Includes bibliographical references

  3. Alfred, George, Victor et les autres
    une constellation d'artistes romantiques en région Centre
    Published: 2010
    Publisher:  Gourcuff Gradenigo, Montreuil

    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    225095 - A
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2353401007; 9782353401000
    Subjects: Romanticism; Authors, French; French literature; Arts, French
    Scope: 79 S, Ill, 17 x 24 cm
    Notes:

    Published on the occasion of an exposition "Alfred, George, Victor et les autres : une constellation d'artistes romantiques en région Centre" held at Expo 41, Blois, December 2010-May 2011

    Includes bibliographical references (p. 74-75)

  4. Rive Gauche
    Paris as a site of avant-garde art and cultural exchange in the 1920s
    Contributor: Mettinger, Elke (HerausgeberIn); Rubik, Margarete (HerausgeberIn); Türschmann, Jörg (HerausgeberIn)
    Published: 2010
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- Introduction /Elke Mettinger , Margarete Rubik and Jörg Türschmann -- Judgements of Paris and Falling Troy – The French Metropolis as a Site of Cultural Archaeology in James Joyce’s Ulysses and F. Scott Fitzgerald’s “Babylon... more

    Access:
    Zentrale Hochschulbibliothek Flensburg
    No inter-library loan
    Universität Potsdam, Universitätsbibliothek
    No inter-library loan

     

    Preliminary Material -- Introduction /Elke Mettinger , Margarete Rubik and Jörg Türschmann -- Judgements of Paris and Falling Troy – The French Metropolis as a Site of Cultural Archaeology in James Joyce’s Ulysses and F. Scott Fitzgerald’s “Babylon Revisited” /Dieter Fuchs -- Midwives to Modernism: Three Women’s Contributions to the Making of the Avant-Garde /Elke Mettinger -- Jean Rhys’s Vision of the Left Bank /Margarete Rubik -- “La vie toute faite des morceaux”: Intermediality and Impressionism in Jean Rhys’s Quartet /Eva Müller-Zettelmann and Rudolf Weiss -- The Surrealist Artist is Strolling around with the Little Puppy-Dog Sigmund Freud at his Heels: Perceptions of Space, the Subconscious and Gender Codifications in 1920s Paris /Elke Frietsch -- Picturing the Metropolis: Paris in the Eye of the Camera /Petra Löffler -- Topography of a City of Differences: René Crevel’s La Mort difficile (1926) /Birgit Wagner -- The Pull of the Metropolis: The Années folles from a Belgian Perspective, or the Paris of Maigret /Sylvia Schreiber -- “Black Paris” in the 1920s and René Maran’s Novel Batouala /Manuel Chemineau -- Americans in Paris: Huidobro. Girondo. Tarsiwald. Vallejo /Friedrich Frosch -- The Plague in Paris or Burning Cities: Bruno Jasieński versus Paul Morand /Martina Stemberger -- Claire Goll: Eine Deutsche in Paris (Une Allemande à Paris) /Jörg Türschmann -- Studies in buitenkant – Studies in Surroundings: Edgar Du Perron and the Modernists /Herbert Van Uffelen -- “It is evil; it is beautiful; it is fascinating; it is bewildering”: Thomas Wolfe’s Paris of the 1920s /Bettina Thurner -- “At Last Lost in Paris”: A Canadian View on the Avant-Garde Paris of the 1920s /Astrid M. Fellner. From the late 19th century onwards Paris had been a congenial locus for bohemian life. By 1920 Montparnasse had superseded Montmartre as the intellectual and artistic heart of the city, inaugurating a decade of unequalled creative achievement and innovative self-performance. These were the years of the ‘Roaring Twenties’ or années folles . “Paris” – as Gertrude Stein famously remarked – “was where the twentieth century was”. The Rive Gauche offered a carnivalesque atmosphere of liberality, where the manifold experiments of the avant-garde could breathe freely. This volume attempts to do justice to the polyphony of voices and points up the synergies that existed between the creative activities of writers, painters, publishers, photographers and film-makers. The contributors adopt interdisciplinary approaches, casting new light on the rich and diverse artistic world of Paris in the twenties as presented in lesser known works by French artists, English and American expatriates, but also Belgian, Dutch, German, Polish or South American avant-gardists. The collection thus gives the reader a fascinating insight into artistic productions which have hitherto received comparatively little critical attention

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Mettinger, Elke (HerausgeberIn); Rubik, Margarete (HerausgeberIn); Türschmann, Jörg (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789042031791
    Other identifier:
    RVK Categories: EC 2140 ; NR 8720
    Series: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 144
    Subjects: Arts, French; Arts, French; Avant-garde (Aesthetics); Intellectual life; History
    Other subjects: Book
    Scope: 1 Online-Ressource (330 Seiten), Illustrationen
    Notes:

    Includes bibliographical references