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  1. Esthetics of the Moment
    Literature and Art in the French Enlightenment
    Author: Kavanagh, Thomas M.
    Published: [2011]; © 1996
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa.

    The literature and art of the French Enlightenment is everywhere marked by an intense awareness of the moment. The parallel projects of living in, representing, and learning from the moment run through the Enlightenment's endeavors as tokens of an... more

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    The literature and art of the French Enlightenment is everywhere marked by an intense awareness of the moment. The parallel projects of living in, representing, and learning from the moment run through the Enlightenment's endeavors as tokens of an ambition and a heritage imposing its only and ultimately impossible cohesion. In this illuminating study, Thomas M. Kavanagh argues that Enlightenment culture and its tensions, contradictions, and achievements flow from a subversive attention to the present as present, freed from the weight of past and future.Examining a wide sweep of literary and artistic culture, Kavanagh argues against the traditional view of the Age of Reason as one of coherent, recognizable ideology expressed in a structured narrative form. In literature, he analyzes the moment at work in the inebriating lightness of Marivaux's repartee; the new-found freedom of Lahontan's and Rousseau's ideals of a consciousness limited to the present; Diderot's championing of Epicurean epistemology; Graffigny's portrayal of abrupt cultural displacement; and Casanova's penchant for chance's redefining moment. The moment in art theory and practice is explored in such forms as de Piles's defense of color; Du Bos's foregrounding of perception; Watteau's indulgence in a corporeal present; Chardin's dismantling of mimesis; and Boucher's and Fragonard's thematics of desire

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812202441
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    Series: Critical Authors and Issues
    Subjects: Fine Arts; Arts, French; Arts, Modern; Ut pictura poesis (Aesthetics); Aufklärung; Text; Französisch; Augenblick; Bild; Ästhetik; Literatur; Ut pictura poesis; Kunst
    Scope: 1 online resource, 51 illus
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Mar. 21, 2016)
  2. Women Together/Women Apart
    Portraits of Lesbian Paris
    Author: Latimer, Tirza True
    Published: [2005]; © 2005
    Publisher:  Rutgers University Press, New Brunswick, NJ

    What does it mean to look like a lesbian? Though it remains impossible to conjure a definitive image that captures the breadth of this highly nuanced term, today at least we are able to consider an array of visual representations that have been put... more

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    What does it mean to look like a lesbian? Though it remains impossible to conjure a definitive image that captures the breadth of this highly nuanced term, today at least we are able to consider an array of visual representations that have been put into circulation by lesbians themselves over the last six or seven decades. In the early twentieth century, though, no notion of lesbianism as a coherent social or cultural identity yet existed. In Women Together/Women Apart, Tirza True Latimer explores the revolutionary period between World War I and World War II when lesbian artists working in Paris began to shape the first visual models that gave lesbians a collective sense of identity and allowed them to recognize each other. Flocking to Paris from around the world, artists and performers such as Romaine Brooks, Claude Cahun, Marcel Moore, and Suzy Solidor used portraiture to theorize and visualize a "new breed" of feminine subject. The book focuses on problems of feminine and lesbian self-representation at a time and place where the rights of women to political, professional, economic, domestic, and sexual autonomy had yet to be acknowledged by the law. Under such circumstances, same-sex solidarity and relative independence from men held important political implications. Combining gender theory with visual, cultural, and historical analysis, Latimer draws a vivid picture of the impact of sexual politics on the cultural life of Paris during this key period. The book also illuminates the far-reaching consequences of lesbian portraiture on contemporary constructions of lesbian identity

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813541198
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    Subjects: SOCIAL SCIENCE / General; Arts, French; Lesbian artists; Lesbians; Lesbe <Motiv>; Bildnismalerei; Lesbe; Künstlerin
    Scope: 1 online resource
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Okt 2019)
  3. Futures of Surrealism
    myth, science fiction, and fantastic art in France, 1936 - 1969
    Author: Parkinson, Gavin
    Published: 2015
    Publisher:  Yale Univ. Press, New Haven, Conn. [u.a.]

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Thüringer Universitäts- und Landesbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780300209716
    RVK Categories: LH 65825 ; LM 10190
    Subjects: Surrealism; Arts, French
    Scope: IX, 282 S., Ill.
    Notes:

    Includes bibliographical references and index
  4. Aesthetic rivalries
    word and image in France, 1880 - 1926
    Author: Goddard, Linda
    Published: 2012
    Publisher:  Lang, Oxford [u.a.]

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783039118793
    RVK Categories: LH 61020 ; LM 10170
    Series: Cultural interactions : studies in the relationship between the arts ; 15
    Subjects: Arts, French; Arts, French; Art and literature; Art and literature
    Scope: XII, 275 S., [18] Bl, Ill
    Notes:

    Includes bibliographical references and index

    Introduction -- Interchange and rivalry between the arts -- Hierarchies of the senses in Symbolist criticism : birds of a feather? Gauguin's ambivalent relationship with literary symbolism -- A creative conspiracy : Gauguin's Noa Noa : a Parisian in Tahiti -- Art in theory : word and image in early Cubist criticism -- Mallarme, Picasso, and the aesthetic of the newspaper : poetic gold or paper money? -- Gide's Les faux-monnayeurs : from alchemy to forgery -- Coda. Visual and verbal simultaneity in the early twentieth century.
  5. Moved by love
    inspired artists and deviant women in eighteenth-century France
    Author: Sheriff, Mary D.
    Published: 2004
    Publisher:  University of Chicago Press, Chicago, Ill. [u.a.]

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    Universität Bonn, Kunsthistorisches Institut, Bibliothek
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    Universitätsbibliothek Duisburg-Essen
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    Kunst- und Museumsbibliothek der Stadt Köln
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    Universitätsbibliothek Trier
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0226752879
    Subjects: Arts, French; Creation (Literary, artistic, etc.); Pygmalion (Greek mythology); Liebe <Motiv>; Kunst
    Other subjects: Héloïse
    Scope: 303 S., Ill.
  6. Concentrationary art
    Jean Cayrol, the Lazarean and the everyday in post-war film, literature, music and the visual arts
    Contributor: Pollock, Griselda (Herausgeber, Verfasser); Silverman, Maxim (Herausgeber, Verfasser)
    Published: 2019
    Publisher:  Berghahn Books, New York ; Oxford

    "Largely forgotten over the years, the seminal work of French poet, novelist and camp survivor Jean Cayrol has experienced a revival in the French-speaking world since his death in 2005. His concept of a concentrationary art--the need for an urgent... more

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    "Largely forgotten over the years, the seminal work of French poet, novelist and camp survivor Jean Cayrol has experienced a revival in the French-speaking world since his death in 2005. His concept of a concentrationary art--the need for an urgent and constant aesthetic resistance to the continuing effects of the concentrationary universe--proved to be a major influence for Hannah Arendt and other writers and theorists across a number of disciplines. Concentrationary Art presents the first translation into English of Jean Cayrol's key essays on the subject, as well as the first book-length study of how we might situate and elaborate his concept of a Lazarean aesthetic in cultural theory, literature, cinema, music and contemporary art"

     
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    Source: Union catalogues
    Contributor: Pollock, Griselda (Herausgeber, Verfasser); Silverman, Maxim (Herausgeber, Verfasser)
    Language: English
    Media type: Book
    ISBN: 9781785339707
    Subjects: Concentration camps in literature; Concentration camps in art; Raising of Lazarus (Miracle) in literature; Raising of Lazarus (Miracle) in art; French literature; French literature; Arts, French; Arts, French; Film; Literatur; Kunst; Einfluss; Musik; Konzentrationslager
    Other subjects: Cayrol, Jean; Cayrol, Jean; Cayrol, Jean (1911-2005): Lazare parmi nous
    Scope: XI, 259 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index

    Introduction: Lazarus and the modern world / Max Silverman -- Lazarean dreams ; Lazarean literature / Jean Cayrol -- Lazarean writing in post-war France / Patrick ffrench -- The perpetual anxiety of Lazarus : the gaze, the tomb and the body in the shroud / Griselda Pollock -- Concentrationary art and the reading of everyday life : (in)human spaces in Chantal Akerman's Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles / Max Silverman -- Cinematic work as concentrationary art in Ressources humaines (Laurent--Cantet, 1999) / Matthew John -- After haunting : a conceptualization of the Lazarean image / Benjamin Hannavy Cousen -- Lazarean sound : the autonomy of the auditory from Hanns Eisler (Nuit et Brouillard, 1955) to Susan Philipsz (Night and fog, 2016) / Griselda Pollock -- Concluding remarks / Griselda Pollock
  7. Literature and the arts in the reign of Francis I
    essays presented to C. A. Mayer
    Contributor: Smith, Pauline M. (Publisher); Mayer, Claude Albert
    Published: 1985
    Publisher:  French Forum, Lexington, Ky.

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Source: Union catalogues
    Contributor: Smith, Pauline M. (Publisher); Mayer, Claude Albert
    Language: English
    Media type: Book
    ISBN: 0917058569
    RVK Categories: IF 1710
    Series: French Forum monographs ; 56
    Subjects: Arts, French; French literature; Französisch; Literatur
    Other subjects: Mayer, Claude Albert (1918-1998); Franz Frankreich, König (1494-1547); Marot, Clément (1496-1544)
    Scope: 264 S., Ill.
    Notes:

    Bibliogr. Mayer S. 13-16
  8. La représentation de Londres dans la littérature et les arts

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    Source: Union catalogues
    Language: French; English
    Media type: Book
    ISBN: 2858920656; 2858920729
    RVK Categories: EC 5410
    Series: Université <Bordeaux, 3> / Groupe d'Etudes et de Recherches Britanniques: Annales du GERB / N.s. ; ...
    Maison des Sciences de l'Homme d'Aquitaine <Talence>: Publications de la ... ; ...
    Subjects: Arts, English; Arts, French; Literatur; London <Motiv>
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    NT: Les représentations de Londres
  9. Jean-Jacques Rousseau's doctrine of the arts
    Author: Robinson, Philip
    Published: 1984
    Publisher:  Lang, Berne u.a.

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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  10. André Breton
    sketch for an early portrait
    Author: Matthews, John H.
    Published: 1986
    Publisher:  Benjamins, Amsterdam u.a.

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9027217327; 0915027712
    RVK Categories: IH 22081
    Series: Purdue University <Lafayette, Ind.>: Purdue University monographs in Romance languages ; 22
    Subjects: Arts - France - 20e siècle; Arts français; Surréalisme - France; Arts, French; Surrealism
    Other subjects: Breton, André <1896-1966> - Savoir et érudition; Breton, André <1896-1966>; Breton, André (1896-1966)
    Scope: XII, 176 S.
  11. The artist and the writer in France
    essays in honour of Jean Seznec
    Contributor: Seznec, Jean
    Published: 1974
    Publisher:  Clarendon Pr., Oxford

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Passau
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

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    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Contributor: Seznec, Jean
    Language: English; French
    Media type: Book
    ISBN: 0198171870
    RVK Categories: ID 1450 ; IE 1342
    Subjects: Art et littérature; Arts français; Beeldende kunsten; Letterkunde; Kunst; Literatur; Arts, French; Französisch; Literatur; Kunst
    Other subjects: Seznec, Jean <1905->; Seznec, Jean; Seznec, Jean (1905-1983)
    Scope: XII, 184 S., Ill.
  12. Eroticism and the body politic
    Published: 1991
    Publisher:  Johns Hopkins University Press, Baltimore

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    Universitätsbibliothek Augsburg
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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0801840260; 9780801840272; 0801840279
    RVK Categories: IG 1378 ; NK 5056
    Series: Parallax / Re-visions of culture and society
    Subjects: Arts - 18e siècle; Arts - 19e siècle; Arts français; Erotiek; Femmes dans l'art; Kunst; Letterkunde; Politieke aspecten; Politique dans l'art; Érotisme; Literatur; Politik; Arts, French; Erotica; Politics in art; Women in art; Erotik; Kunst
    Scope: 242 Seiten, Illustrationen
  13. Eyes of love
    the gaze in English and French culture, 1840 - 1900
    Author: Kern, Stephen
    Published: 1996
    Publisher:  NYU Press, New York

    Stephen Kern has discovered in Pre-Raphaelite and Impressionist art a recurring pattern for arranging the sexes: a profiled man gazing at a woman who looks away from him and toward the viewer, while she ponders an apparent offer. Kern draws on such... more

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    Stephen Kern has discovered in Pre-Raphaelite and Impressionist art a recurring pattern for arranging the sexes: a profiled man gazing at a woman who looks away from him and toward the viewer, while she ponders an apparent offer. Kern draws on such images to challenge the claim of some feminist critics and historians that gazing men monopolize subjectivity and turn women into sex objects. So intent are these writers on viewing women as victims of the male gaze that they ignore the lively expressions of women, who in fact reveal a commanding subjectivity. Compared with the eyes of men, women's eyes are more visible, consider more varied thoughts, and convey more profound, if not more intense, emotions. An authoritative and highly original survey of European art and literature, Eyes of Love also challenges another widely held belief. While a double standard has clearly governed how society judged the sexes, Eyes of Love convincingly demonstrates that a single moral standard governed how men and women in love judged one another and that women were more committed to it. Victorian women were thus more moral in loving, because they were more faithful, honest, and resolved to make love flourish. Kern further interprets men's highlighting the eyes of women as confessional of men's own romantic failures and celebratory of women's superior capacity for love. He supports these startling interpretations of Rossetti, Millais, Hunt, Burne-Jones, Tissot, Renoir, Manet, Degas, and Gauguin with evidence from novels by Hugo, Flaubert, Zola, Dickens, C. Bronte, Gaskell, Eliot, Hardy, and James.

     
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  14. The popularization of images
    visual culture under the July monarchy
    Published: 1994
    Publisher:  Princeton Univ. Press, Princeton, NJ

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Passau
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  15. The process of art
    essays on nineteenth century French literature, music, and painting in honour of Alan Raitt
    Contributor: Freeman, Mike (Publisher); Raitt, Alan
    Published: 1998
    Publisher:  Clarendon Press, Oxford [u.a.]

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Contributor: Freeman, Mike (Publisher); Raitt, Alan
    Language: English
    Media type: Book
    ISBN: 0198159536
    RVK Categories: ID 1450 ; IG 3900
    Edition: 1. publ.
    Subjects: Arts français - 19e siècle; Arts, French; Arts, Modern - 19th century - France; Frans; Letterkunde; Französisch; Literatur; Arts, French; Kunst; Literatur; Musik; Französisch; Bibliografie
    Other subjects: Raitt, Alan (1930-2006)
    Scope: XXXIII, 214 S., Ill.
  16. The Gamin de Paris in nineteenth-century visual culture
    Delacroix, Hugo, and the French social imaginary
    Author: Brown, Marilyn Ruth
    Published: 2017
    Publisher:  Routledge, Taylor & Francis Group, New York and London

    The revolutionary boy at the barricades was memorably envisioned in Eugene Delacroix's painting Liberty Leading the People (1830) and Victor Hugo's novel Les Miserables (1862). Over the course of the nineteenth century, images of the Paris urchin... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    The revolutionary boy at the barricades was memorably envisioned in Eugene Delacroix's painting Liberty Leading the People (1830) and Victor Hugo's novel Les Miserables (1862). Over the course of the nineteenth century, images of the Paris urchin entered the collective social imaginary as cultural and psychic sites of memory, whether in avant-garde or more conventional visual culture. Visual and literary paradigms of the mythical gamin de Paris were born of recurring political revolutions (1830, 1832, 1848, 1871) and of masculine, bourgeois identity constructions that responded to continuing struggles over visions and fantasies of nationhood. With the destabilization of traditional, patriarchal family models, the diminishing of the father's symbolic role, and the intensification of the brotherly urchin's psychosexual relationship with the allegorical motherland, what had initially been socially marginal eventually became symbolically central in classed and gendered inventions and repeated re-inventions of "fraternity," "people," and "nation." Within a fundamentally split conception of "the people," the bohemian boy insurrectionary, an embodiment of freedom, was transformed by ongoing discourses of power and reform, of victimization and agency, into a capitalist entrepreneur, schoolboy, colonizer, and budding military defender of the fatherland. A contested figure of the city became a contradictory emblem of the nation Revolutionary ancestors of the Gamin de Paris -- Child of the people and child of the Fatherland in nineteenth-century French social history -- Child of the people and child of the Fatherland in the French social imaginary -- The Gamin de Paris and the Revolution of 1830 -- The Gamin de Paris in panoramic literature and in the Revolutions of 1848 -- The Gamin de Paris, the second empire, and the commune -- The Gamin de Paris during the early Third Republic -- Epilogue

     
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  17. The Gamin de Paris in nineteenth-century visual culture
    Delacroix, Hugo, and the French social imaginary
    Author: Brown, Marilyn Ruth
    Published: 2017
    Publisher:  Routledge, Taylor & Francis Group, New York and London

    The revolutionary boy at the barricades was memorably envisioned in Eugene Delacroix's painting Liberty Leading the People (1830) and Victor Hugo's novel Les Miserables (1862). Over the course of the nineteenth century, images of the Paris urchin... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2017:3751:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 B 176945
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    The revolutionary boy at the barricades was memorably envisioned in Eugene Delacroix's painting Liberty Leading the People (1830) and Victor Hugo's novel Les Miserables (1862). Over the course of the nineteenth century, images of the Paris urchin entered the collective social imaginary as cultural and psychic sites of memory, whether in avant-garde or more conventional visual culture. Visual and literary paradigms of the mythical gamin de Paris were born of recurring political revolutions (1830, 1832, 1848, 1871) and of masculine, bourgeois identity constructions that responded to continuing struggles over visions and fantasies of nationhood. With the destabilization of traditional, patriarchal family models, the diminishing of the father's symbolic role, and the intensification of the brotherly urchin's psychosexual relationship with the allegorical motherland, what had initially been socially marginal eventually became symbolically central in classed and gendered inventions and repeated re-inventions of "fraternity," "people," and "nation." Within a fundamentally split conception of "the people," the bohemian boy insurrectionary, an embodiment of freedom, was transformed by ongoing discourses of power and reform, of victimization and agency, into a capitalist entrepreneur, schoolboy, colonizer, and budding military defender of the fatherland. A contested figure of the city became a contradictory emblem of the nation Revolutionary ancestors of the Gamin de Paris -- Child of the people and child of the Fatherland in nineteenth-century French social history -- Child of the people and child of the Fatherland in the French social imaginary -- The Gamin de Paris and the Revolution of 1830 -- The Gamin de Paris in panoramic literature and in the Revolutions of 1848 -- The Gamin de Paris, the second empire, and the commune -- The Gamin de Paris during the early Third Republic -- Epilogue

     
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  18. Landscape and vision in nineteenth-century Britain and France
    Author: Charlesworth, Michael
    Published: 2008
    Publisher:  Ashgate, Aldershot

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780754656647; 0754656640
    Other identifier:
    9780754656647
    RVK Categories: LH 84956
    Subjects: Landscapes in art; Gardens in art; Arts, British; Arts, French; Perception; Landscape in art; Gardens in art; Arts, British; Arts, French
    Scope: XVI, 186 S., Ill., 24cm
    Notes:

    Includes bibliographical references and index

    Panorama -- Ghosts and visions -- Into the abyss of time -- Reverie and imagination -- Cythera and the loss of Venus in France -- The new Cythera: Bougainville, Hodges, Gauguin in Tahiti -- Monet re-states and Mallarmé suggests the subject-matter

    Panorama -- Ghosts and visions -- Into the abyss of time -- Reverie and imagination -- Cythera and the loss of Venus in France -- The 'new Cythera' : Bougainville, Hodges, Gauguin in Tahiti -- Monet re-states and Mallarmé suggests the subject-matter
  19. Porous boundaries
    texts and images in twentieth-century French culture
    Contributor: Game, Jérôme (Hrsg.)
    Published: 2007
    Publisher:  Lang, Oxford

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Contributor: Game, Jérôme (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 303910568X; 9783039105687
    Other identifier:
    9783039105687
    RVK Categories: EC 3870 ; IH 01325 ; IH 1247
    Series: Modern French identities ; Vol. 44
    Subjects: Arts, French
    Scope: 164 S., Ill., 23 cm
  20. The invisible flâneuse
    gender, public space and visual culture in nineteenth-century Paris
    Contributor: D'Souza, Aruna (Hrsg.)
    Published: 2006
    Publisher:  Manchester Univ. Press, Manchester [u.a.]

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Union catalogues
    Contributor: D'Souza, Aruna (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0719067847
    Other identifier:
    9780719067846
    2007533305
    RVK Categories: LM 10180
    Edition: 1. publ.
    Series: Critical perspectives in art history
    Subjects: Flaneurs in art; Women in art; Arts, French; Public spaces
    Scope: XI, 185 S, Ill, 24cm
    Notes:

    Includes bibliographical references
  21. Joan of Arc in French art and culture (1700 - 1855)
    from satire to sanctity
    Author: Heimann, Nora M.
    Published: 2005
    Publisher:  Ashgate, Aldershot [u.a.]

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0754650855; 9780754650850
    Other identifier:
    2005014483
    RVK Categories: ID 1240
    Subjects: Arts, French; Arts, French
    Other subjects: Joan of Arc, Saint (1412-1431); Joan of Arc, Saint (1412-1431)
    Scope: XVI, 215 S., Ill.
    Notes:

    Includes bibliographical references and index

    Introduction : "What honor for the feminine sex?"Pornography as hagiography and the engendering of virtue : Chapelain, Voltaire, and The maid of Orléans -- The maid in an age of revolution and romantic tragedy : the provocation and legacy of Schiller's Die Jungfrau von Orleans -- "The miracle of French genius" : Napoleon and Gois's Jeanne d'Arc au combat -- Martyrdom and misfortune, history and genre : the art of Delaroche and the restoration of the monarchy -- Joan of Arc and the July monarchy : Michelet, Marie d'Orléans, and Ingres.

    "What honor for the feminine sex?" -- Pornography as hagiography and the engendering of virtue: -- Chapelain, Voltaire, and the maid of Orléans -- Maid in an age of revolution and romantic tragedy: -- Provocation and legacy of Schiller's -- Die Jungfrau von Orleans -- "The miracle of French genius": Napoleon and Gois's -- Jeanne d'Arc au combat -- Martyrdom and misfortune, history and genre: -- The art of Delaroche and the restoration of the monarchy -- Joan of arc and the July monarchy: -- Michelet, Marie d'Orléans, and Ingres
  22. Divining nature
    aesthetics of enchantment in enlightenment France
    Author: Cuillé, Tili Boon
    Published: [2021]
    Publisher:  Stanford University Press, Stanford, CA

    Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction The Spectacle Of Nature -- 1 The Marvels Of Nature In Buffon And Rameau -- 2 The Philosophy Of Nature In Diderot And Rousseau -- 3 The Harmony Of Nature In Paul Et Virginie... more

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    Universität Potsdam, Universitätsbibliothek
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    Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction The Spectacle Of Nature -- 1 The Marvels Of Nature In Buffon And Rameau -- 2 The Philosophy Of Nature In Diderot And Rousseau -- 3 The Harmony Of Nature In Paul Et Virginie -- 4 The Poetics Of Nature In Ossian And Staël -- Epilogue A Theater Of Enchantment -- Notes -- Index The Enlightenment remains widely associated with the rise of scientific progress and the loss of religious faith, a dual tendency that is thought to have contributed to the disenchantment of the world. In her wide-ranging and richly illustrated book, Tili Boon Cuillé questions the accuracy of this narrative by investigating the fate of the marvelous in the age of reason. Exploring the affinities between the natural sciences and the fine arts, Cuillé examines the representation of natural phenomena—whether harmonious or discordant—in natural history, painting, opera, and the novel from Buffon and Rameau to Ossian and Staël. She demonstrates that philosophical, artistic, and emotional responses to the "spectacle of nature" in eighteenth-century France included wonder, enthusiasm, melancholy, and the "sentiment of divinity." These "passions of the soul," traditionally associated with religion and considered antithetical to enlightenment, were linked to the faculties of reason, imagination, and memory that structured Diderot's Encyclopédie and to contemporary theorizations of the sublime. As Cuillé reveals, the marvelous was not eradicated but instead preserved through the establishment and reform of major French cultural institutions dedicated to science, art, religion, and folklore that were designed to inform, enchant, and persuade. This book has been made possible in part by the National Endowment for the Humanities: Exploring the human endeavor

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781503614178
    Other identifier:
    Subjects: Art and natural history; Arts, French; Enlightenment; Natural history literature; Nature in literature; Philosophy of nature; Science and the arts; LITERARY CRITICISM / European / French
    Scope: 1 Online-Ressource (xiii, 333 Seiten)
  23. Artistic relations
    literature and the visual arts in nineteenth-century France
    Published: 1994
    Publisher:  Yale Univ. Press, New Haven [u.a.]

    Structures of cultural production in nineteenth-century France / Michael Moriarty -- The link between literary and artistic struggles / Pierre Bourdieu -- 'A tout prix devenir quelqu'un' : the women of the Acad(c)♭mie Julian / Germaine Greer --... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Structures of cultural production in nineteenth-century France / Michael Moriarty -- The link between literary and artistic struggles / Pierre Bourdieu -- 'A tout prix devenir quelqu'un' : the women of the Acad(c)♭mie Julian / Germaine Greer -- Writing the arts : aesthetics, art criticism and literary practice / David Scott -- The problem with colour. Three theorists : Goethe, Schopenhauer, Chevreul / Bernard Howells -- Book illustration / S(c)♭gol(c)·ne Le Men -- 'Telle main veut tel pied': Balzac, Ingres and the art of portraiture / Michael Tilby -- The model's unwashed feet : French photography in the 1850s / Eric Homberger -- Manet's textual frames / Robert Lethbridge -- Newspaper and myth : migrations of the romantic image / Peter Collier -- Transpositions / David Kelley --- Stendhal's art history and the making of a novelist / Ann Jefferson -- Victor Hugo, somnambulist of the sea / Roger Cardinal -- Avatars of the artist : narrative approaches to the work of the painter / Patrick O'Donovan -- The writing on the wall : descriptions of painting in the art criticism of the French Symbolists / James Kearns -- Rimbaud : the shaping of a vision / Roger Little -- Sex and the occult in Symbolist art and literature / Timothy Mathews -- Val(c)♭ry and Rodin : Orpheus returning / Peter Collier -- Dancing with Mallarm(c)♭ and Seurat (and Loie Fuller, H(c)♭rodiade and La Goulue) / Mary Ann Caws

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0300060092
    Parent title:
    Subjects: Art and literature; Arts, French; Ut pictura poesis (Aesthetics)
    Scope: IX, 352 S, Ill., graph. Darst, 24 cm
    Notes:

    Includes bibliographical references (p. 303-337) and index

    Structures of cultural production in nineteenth-century France / Michael Moriarty -- The link between literary and artistic struggles / Pierre Bourdieu -- 'A tout prix devenir quelqu'un' : the women of the Académie Julian / Germaine Greer -- Writing the arts : aesthetics, art criticism and literary practice / David Scott -- The problem with colour. Three theorists : Goethe, Schopenhauer, Chevreul / Bernard Howells -- Book illustration / Ségolène Le Men -- 'Telle main veut tel pied': Balzac, Ingres and the art of portraiture / Michael Tilby -- The model's unwashed feet : French photography in the 1850s / Eric Homberger -- Manet's textual frames / Robert Lethbridge -- Newspaper and myth : migrations of the romantic image / Peter Collier -- Transpositions / David Kelley --- Stendhal's art history and the making of a novelist / Ann Jefferson -- Victor Hugo, somnambulist of the sea / Roger Cardinal -- Avatars of the artist : narrative approaches to the work of the painter / Patrick O'Donovan -- The writing on the wall : descriptions of painting in the art criticism of the French Symbolists / James Kearns -- Rimbaud : the shaping of a vision / Roger Little -- Sex and the occult in Symbolist art and literature / Timothy Mathews -- Valéry and Rodin : Orpheus returning / Peter Collier -- Dancing with Mallarmé and Seurat (and Loie Fuller, Hérodiade and La Goulue) / Mary Ann Caws.
  24. Futures of Surrealism
    myth, science fiction, and fantastic art in France, 1936 - 1969
    Author: Parkinson, Gavin
    Published: 2015
    Publisher:  Yale Univ. Press, New Haven, Conn. [u.a.]

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780300209716
    RVK Categories: LH 65825 ; LM 10190
    Subjects: Surrealism; Arts, French
    Scope: IX, 282 S., Ill.
    Notes:

    Includes bibliographical references and index
  25. Romancing the cathedral
    Gothic architecture in fin-de-siècle French culture
    Author: Emery, Elizabeth Nicole
    Published: 2001
    Publisher:  State Univ. of New York Press, Albany

    Location:
    Bayerische Staatsbibliothek
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    Location:
    Universitätsbibliothek der LMU München
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