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Displaying results 1 to 4 of 4.

  1. Gente no MON - Dico Kremer
    Contributor: Kremer, Dico; Bini, Fernando (Publisher)
    Published: 2020
    Publisher:  Museu Oscar Niemeyer, Curitiba|Paraná|Brasil

    For more than 50 years, Dico Kremer has photographed people. His attentive and always sensitive eye on the record of spontaneous reactions captured thousands of images of anonymous visitors to the Oscar Niemeyer Museum between March 2016 and November... more

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    For more than 50 years, Dico Kremer has photographed people. His attentive and always sensitive eye on the record of spontaneous reactions captured thousands of images of anonymous visitors to the Oscar Niemeyer Museum between March 2016 and November 2019. Many striking moments of special and unique moments, such as the impression of someone appreciating a certain work of art, were immortalized by his camera.Curated by Professor Fernando Bini, 84 photos were selected from more than 5,000 records and were transformed into the exhibition Gente no MONʺ (People at MON), a realization of the Museumu. Dico can be considered a natural observer of people. Always attentive to the arts, in the many years he lived in Europe, being a frequent visitor to the main museums in several countries, he felt interest in the reaction of visitors to the works. There began the conception of the exhibition that was carried out at MON. Mário Frederico Medeiros Kremer, also known as Dico Kremer, is a professional photographer specialized in commercial and marketing pictures that demand an elevated technical quality therewith and therefore, he traveled a lot and worked in several countries besides Brazil. He lives in Portugal.

     
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    Source: Union catalogues
    Contributor: Kremer, Dico; Bini, Fernando (Publisher)
    Language: Portuguese; English
    Media type: Book
    ISBN: 9786599083228; 6599083226
    Edition: 1a edição
    Subjects: Museum; Publikum <Motiv>; Fotografie
    Other subjects: Kremer, Dico (1947-); Kremer, Dico / Exhibitions; Museu Oscar Niemeyer / Pictorial works / Exhibitions; Art museums / Brazil / Curitiba / Pictorial works / Exhibitions; Art museum visitors / Brazil / Curitiba / Pictorial works / Exhibitions; Photography, Artistic / Exhibitions; Museu Oscar Niemeyer; Art museum visitors; Art museums; Photography, Artistic; Themes, motives; Brazil / Curitiba; Exhibition catalogs; Exhibition, pictorial works
    Scope: 157 Seiten, 22 cm
    Notes:

    Apresentação / Juliana Velloso Almeida Vosnika -- Esse est percipi / Dico Kremer -- Gente no MON / Fernando A. F. Bini -- Obras = Artworks -- Os desfocados = Infocused -- As pessoas = People -- Os reflexos = Reflexes -- Exposição = Exhibition
  2. A gust of photo-philia
    photography in the art museum
    Author: Moschovi, Alexandra
    Published: [2020]; ©2020
    Publisher:  Leuven University Press, Leuven

    Photography was long regarded as a "middlebrow" art by the art institution. Yet, at the turn of the millennium it became the hot, global art of our time. In this book - part institutional history, part account of shifting photographic theories and... more

    Location:
    Universitätsbibliothek Freiburg
    Inter-library loan:
    No inter-library loan

    Location:
    Kompetenzzentrum für Lizenzierung
    Inter-library loan:
    No inter-library loan

    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    Photography was long regarded as a "middlebrow" art by the art institution. Yet, at the turn of the millennium it became the hot, global art of our time. In this book - part institutional history, part account of shifting photographic theories and practices - Alexandra Moschovi tells the story of photography?s accommodation in and as contemporary art in the art museum. Archival research of key exhibitions and the contrasting collecting policies of MoMA, Tate, the Guggenheim, the V&A, and the Centre Pompidou offer new insights into how art as photography and photography as art have been collected and exhibited since the 1930s. Moschovi argues that this accommodation not only changed photography?s status in art, culture, and society, but also played a significant role in the rebranding of the art museum as a cultural and social site

     
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  3. A gust of photo-philia
    photography in the art museum
    Author: Moschovi, Alexandra
    Published: [2020]
    Publisher:  Leuven University Press, [Leuven

    Photography was long regarded as a "middlebrow" art by the art institution. Yet, at the turn of the millennium it became the hot, global art of our time. In this book - part institutional history, part account of shifting photographic theories and... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Photography was long regarded as a "middlebrow" art by the art institution. Yet, at the turn of the millennium it became the hot, global art of our time. In this book - part institutional history, part account of shifting photographic theories and practices - Alexandra Moschovi tells the story of photography?s accommodation in and as contemporary art in the art museum. Archival research of key exhibitions and the contrasting collecting policies of MoMA, Tate, the Guggenheim, the V&A, and the Centre Pompidou offer new insights into how art as photography and photography as art have been collected and exhibited since the 1930s. Moschovi argues that this accommodation not only changed photography?s status in art, culture, and society, but also played a significant role in the rebranding of the art museum as a cultural and social site

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 946270242X; 9789462702424
    RVK Categories: AP 92100
    Series: Lieven Gevaert series ; 29
    Subjects: Photography; Art museums; Art museums; Photography; Exhibition catalogs
    Scope: 329 Seiten, Illustrationen, 23 cm
  4. A gust of photo-philia
    photography in the art museum
    Author: Moschovi, Alexandra
    Published: [2020]
    Publisher:  Leuven University Press, [Leuven

    Photography was long regarded as a "middlebrow" art by the art institution. Yet, at the turn of the millennium it became the hot, global art of our time. In this book - part institutional history, part account of shifting photographic theories and... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2021:1621:
    Inter-library loan:
    No inter-library loan

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Photography was long regarded as a "middlebrow" art by the art institution. Yet, at the turn of the millennium it became the hot, global art of our time. In this book - part institutional history, part account of shifting photographic theories and practices - Alexandra Moschovi tells the story of photography?s accommodation in and as contemporary art in the art museum. Archival research of key exhibitions and the contrasting collecting policies of MoMA, Tate, the Guggenheim, the V&A, and the Centre Pompidou offer new insights into how art as photography and photography as art have been collected and exhibited since the 1930s. Moschovi argues that this accommodation not only changed photography?s status in art, culture, and society, but also played a significant role in the rebranding of the art museum as a cultural and social site

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 946270242X; 9789462702424
    RVK Categories: AP 92100
    Series: Lieven Gevaert series ; 29
    Subjects: Photography; Art museums; Art museums; Photography; Exhibition catalogs
    Scope: 329 Seiten, Illustrationen, 23 cm