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Displaying results 1 to 16 of 16.

  1. How institutions think
    between contemporary art and curatorial discourse
    Contributor: O'Neill, Paul (Herausgeber); Steeds, Lucy (Herausgeber); Wilson, Mick (Herausgeber)
    Published: [2017]
    Publisher:  LUMA Foundation and the Center for Cultural Studies, Bard College, Feldmeilen ; The MIT Press, Cambridge, Massachusetts

    Location:
    Universitäts- und Landesbibliothek Düsseldorf
    Signature:
    kunm480.o58
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der Fernuniversität
    Signature:
    KFE/LUMH
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Kunst- und Museumsbibliothek der Stadt Köln
    Signature:
    KMB/DAD 2016 J
    Inter-library loan:
    No inter-library loan
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    Content information
    Source: Union catalogues
    Contributor: O'Neill, Paul (Herausgeber); Steeds, Lucy (Herausgeber); Wilson, Mick (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9780262534321
    Subjects: Art museums; Organizational behavior; Art, Modern; Art and society; Kunstbetrieb; Kunst; Ästhetik; Politische Institutionenlehre; Institution <Soziologie>
    Scope: 248 Seiten, Illustrationen
    Notes:

    "In February 2016, the symposium 'How Institutions Think' took place at LUMA Arles / Parc des Ateliers, Arles, France." - Seite 246

    Includes bibliographical references
  2. Kuratieren als antirassistische Praxis
    Contributor: Bayer, Natalie (HerausgeberIn); Kazeem-Kamiński, Belinda (HerausgeberIn); Sternfeld, Nora (HerausgeberIn)
    Published: [2017]; © 2017
    Publisher:  de Gruyter, Berlin

    "Die Publikation reflektiert Aufgaben, Strategien und Handlungsformen von Museen und Ausstellungen aus der Perspektive der postkolonialen Museologie sowie der kritischen Migrations- und Regimeforschung. Die kritische Analyse der existierenden Ansätze... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Die Publikation reflektiert Aufgaben, Strategien und Handlungsformen von Museen und Ausstellungen aus der Perspektive der postkolonialen Museologie sowie der kritischen Migrations- und Regimeforschung. Die kritische Analyse der existierenden Ansätze soll Kuratieren als antirassistische Praxis denkbar machen. Orientiert auf Handlungsmacht und auf die Schnittstellen zwischen sozialen Konfliktfeldern und kuratorischen Praxen, nehmen die Autoren das Verhältnis von Kämpfen für und gegen die Repräsentation von spezifischen Themen in den Blick. In diesem Sinne stehen Strategien des Talking Back ebenso im Fokus wie Kontaktzonen und Ansätze der Wiederaneignung"--Publisher's website

     
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    Source: Union catalogues
    Contributor: Bayer, Natalie (HerausgeberIn); Kazeem-Kamiński, Belinda (HerausgeberIn); Sternfeld, Nora (HerausgeberIn)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3110543060; 9783110543063
    Other identifier:
    9783110543063
    RVK Categories: LH 39930 ; AK 86200 ; MS 3530 ; AK 86500
    Series: Schriftenreihe Curating. Ausstellungstheorie & Praxis ; Band 2
    Edition Angewandte
    Subjects: Art museums; Art museums; Art; Art and race; Art and society; Curatorship; Kulturelle Einrichtung; Museum; Konzeption; Kunstwerk; Ausstellung; Ziel; Grundsatzprogramm; Einrichtung; Organisation; Kunst; Funktion; Potenzial; Kulturvermittlung; Antirassismus; Eurozentrismus; Nord-Süd-Beziehungen; Theorie; Praxis; Beispiel
    Scope: 345 Seiten, Illustrationen
    Notes:

    Gerald Bast: Grusswort

    Natalie Bayer, Belinda Kazeem-Kaminski und Nora Sternfeld: Vorwort der Herausgeber*innen

    Natalie Bayer, Belinda Kazeem-Kaminski und Nora Sternfeld: Wo ist hier die Contact-Zone?! Eine Konversation

    Natalie Bayer und Mark Terkessidis: Don't get over it, if you are not over it : Handeln Statt Repräsentieren ; Über das Reparieren hinaus : eine antirassistische Praxeologie des Kuratierens

    Belinda Kazeem-Kamiński: Unearthing : in conversation

    Christopher Wessels, Marianne Niemelä und Ahmed Al-Nawas: Wir sind zwar für Promiskuität, aber wir sind hier nicht im Motel : Antirassistische kuratorische Strategien, von den Rändern zum Zentrum

    Katharina Morawek: Die ganze Welt in Zürich : Kollaborative und transformative Strategien der Verhandlung von "Stadtbürger*innenschaft"

    Jelena Vesić: Strategien der Intervention : uneingeladenes Widersprechen ; Anmerkungen zum allgemeinen Recht auf Bafflement

    Sandrine Micossé-Aikins und Bahareh Sharifi: Widerstand kuratieren : Politische Interventionen in eine elitäre, hegemoniale Kulturlandschaft

    Minna Henriksson: Valkeat

    Nuray Demir und Nanna: Anrufungen : widerständig bleiben ; Unf̕nished Conversation

    Imayna Caceres, Sunanda Mesquita und Sophie Utikal: Heidenreich im Gespräch über mögliche Strategien gegen den Exotismus in der (bildenden) Kunst, die Ordnung der Un-Dinge und eine Postidentiät, die nicht machtblind ist ; Anti*Colonial fantasies, decolonial Strategies : a conversation

    Kemi Bassene: Karthasis, Heilung und Kampf : die Sprache des antirassistischen Körpers

    Verena Melgarejo Weinandt: A(r)mando Vo(i)ces

    Thomas J. Lax: Aneignungen : trotzdem weitermachen ; How do black lives matter in der Sammlung des MoMA? Oder : Welche Bedeutung haben Schwarze Leben in der MoMA-Sammlung?

    Anmerkungen von Natalie Bayer: Silvina der-Meguerditchian made in Turkey II und Fluchtteppich, 2000-2005

    Bonaventure Soh Bejeng Ndikung: On est ensemble et Ça va waka : Einige Gedanken zur Navigation in der Xenopolis

    Nora Sternfeld: Warum überhaupt ausstellen? Eine Antwort aus dem Jahr 2030

    Naomi Rincón Gallardo: Welcome to the Formaldehyde Trip
  3. The museum of the senses
    experiencing art and collections
    Author: Classen, Constance
    Published: 2017
    Publisher:  Bloomsbury Academic, London ; Oxford ; New York ; New Delhi ; Sydney

    "Traditionally sight has been the only sense with a ticket to enter the museum. The same is true of histories of art, in which artworks are often presented as purely visual objects. The Museum of the Senses offers a sensory history of art and... more

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "Traditionally sight has been the only sense with a ticket to enter the museum. The same is true of histories of art, in which artworks are often presented as purely visual objects. The Museum of the Senses offers a sensory history of art and collections, revealing how people used to handle, smell and even taste artworks and artefacts. Topics range from the tactile power of relics to the sensuous allure of cabinets of curiosities, and from the feel of a Rembrandt to the scent of Monet's garden. The book concludes with a discussion of how contemporary museums are stimulating the senses through interactive and multimedia displays. Constance Classen, a leading authority on the cultural history of the senses, has produced a fascinating study of sensual and emotional responses to artefacts from the middle ages to the present. The Museum of the Senses is an important read for anyone interested in the history of art as well as for students and researchers in cultural studies and museum studies"...

     
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  4. The museum of the senses
    experiencing art and collections
    Author: Classen, Constance
    Published: 2017
    Publisher:  Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, London ; Oxford ; New York ; New Delhi ; Sydney

    Location:
    Universitätsbibliothek Bayreuth
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Regensburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474252454; 9781474252447; 9781474252461
    Other identifier:
    RVK Categories: AK 86000 ; LH 61045
    Series: Sensory studies series
    Subjects: Geschichte; Gesellschaft; Art museums; Material culture; Art appreciation; Sensory evaluation; ART / Museum Studies; HISTORY / Social History; SOCIAL SCIENCE / Anthropology / Cultural; SOCIAL SCIENCE / Sociology / General; Rezeptionsästhetik; Rezeption; Sinne; Kunst; Kunstmuseum
    Scope: 1 Online-Ressource (xii, 171 Seiten), Illustrationen
  5. The museum of the senses
    experiencing art and collections
    Author: Classen, Constance
    Published: 2017
    Publisher:  Bloomsbury Academic, London, [England]

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474252447
    RVK Categories: AK 86000 ; LH 61045
    Subjects: Art museums; Material culture; Art appreciation; Sensory evaluation; Sinne; Rezeption; Kunstmuseum; Kunst; Rezeptionsästhetik
    Scope: 1 online resource (172 pages), illustrations
    Notes:

    Description based on print version record
  6. The museum of the senses
    experiencing art and collections
    Author: Classen, Constance
    Published: 2017
    Publisher:  Bloomsbury Academic, New York ; Bloomsbury Publishing, London

    "Traditionally sight has been the only sense with a ticket to enter the museum. The same is true of histories of art, in which artworks are often presented as purely visual objects. The Museum of the Senses offers a sensory history of art and... more

    Access:
    Resolving-System (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)

    Location:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    Inter-library loan:
    No inter-library loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Inter-library loan:
    No inter-library loan

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Leipzig
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

     

    "Traditionally sight has been the only sense with a ticket to enter the museum. The same is true of histories of art, in which artworks are often presented as purely visual objects. The Museum of the Senses offers a sensory history of art and collections, revealing how people used to handle, smell and even taste artworks and artefacts. Topics range from the tactile power of relics to the sensuous allure of cabinets of curiosities, and from the feel of a Rembrandt to the scent of Monet's garden. The book concludes with a discussion of how contemporary museums are stimulating the senses through interactive and multimedia displays. Constance Classen, a leading authority on the cultural history of the senses, has produced a fascinating study of sensual and emotional responses to artefacts from the middle ages to the present. The Museum of the Senses is an important read for anyone interested in the history of art as well as for students and researchers in cultural studies and museum studies."-- Machine generated contents note: -- 1. The Cabinet of the Senses -- 2. The Feel of a Leonardo -- 3. The Lure of the Mummy -- 4. The Silence of the Dodo -- 5. The Scent of Monet's Garden -- 6. The Museum Retouched

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474252454; 9781474252461; 9781474252447
    Other identifier:
    RVK Categories: AK 86000 ; LH 61045
    Series: Sensory studies series
    Subjects: Sensory evaluation; Art appreciation; Art museums; Material culture; Material culture; Art appreciation; Art museums; Sensory evaluation
    Scope: 1 Online-Ressource (xii, 171 pages), Illustrationen
    Notes:

    Includes bibliographical references and index
  7. How institutions think
    between contemporary art and curatorial discourse
    Contributor: O'Neill, Paul (Herausgeber); Steeds, Lucy (Herausgeber); Wilson, Mick (Herausgeber)
    Published: [2017]
    Publisher:  LUMA Foundation and the Center for Cultural Studies, Bard College, Feldmeilen

    Location:
    Universitäts- und Landesbibliothek Düsseldorf
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der Fernuniversität
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Kunst- und Museumsbibliothek der Stadt Köln
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Contributor: O'Neill, Paul (Herausgeber); Steeds, Lucy (Herausgeber); Wilson, Mick (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780262534321
    Subjects: Art museums; Organizational behavior; Art, Modern; Art and society
    Scope: 248 Seiten, Illustrationen
    Notes:

    "In February 2016, the symposium 'How Institutions Think' took place at LUMA Arles / Parc des Ateliers, Arles, France." - Seite 246

    Includes bibliographical references
  8. How institutions think
    between contemporary art and curatorial discourse
    Contributor: O'Neill, Paul (Publisher); Steeds, Lucy (Publisher); Wilson, Mick (Publisher)
    Published: [2017]
    Publisher:  The MIT Press, Cambridge, Massachusetts

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    Content information
    Source: Union catalogues
    Contributor: O'Neill, Paul (Publisher); Steeds, Lucy (Publisher); Wilson, Mick (Publisher)
    Language: English
    Media type: Conference proceedings
    Format: Print
    ISBN: 9780262534321
    RVK Categories: LH 29960
    Corporations / Congresses: How Institutions Think (2016, Arles)
    Subjects: Art museums; Organizational behavior; Art, Modern; Art and society
    Scope: 248 Seiten, Illustrationen
  9. The museum of the senses
    experiencing art and collections
    Author: Classen, Constance
    Published: 2017
    Publisher:  Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, London ; Oxford ; New York ; New Delhi ; Sydney

    "Traditionally sight has been the only sense with a ticket to enter the museum. The same is true of histories of art, in which artworks are often presented as purely visual objects. The Museum of the Senses offers a sensory history of art and... more

    Location:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Traditionally sight has been the only sense with a ticket to enter the museum. The same is true of histories of art, in which artworks are often presented as purely visual objects. The Museum of the Senses offers a sensory history of art and collections, revealing how people used to handle, smell and even taste artworks and artefacts. Topics range from the tactile power of relics to the sensuous allure of cabinets of curiosities, and from the feel of a Rembrandt to the scent of Monet's garden. The book concludes with a discussion of how contemporary museums are stimulating the senses through interactive and multimedia displays. Constance Classen, a leading authority on the cultural history of the senses, has produced a fascinating study of sensual and emotional responses to artefacts from the middle ages to the present. The Museum of the Senses is an important read for anyone interested in the history of art as well as for students and researchers in cultural studies and museum studies"...

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474252447; 9781474252461; 9781474252454
    Other identifier:
    RVK Categories: AK 86000 ; LH 61045
    Series: Sensory studies series
    Subjects: Art museums; Material culture; Art appreciation; Sensory evaluation; ART / Museum Studies; HISTORY / Social History; SOCIAL SCIENCE / Anthropology / Cultural; SOCIAL SCIENCE / Sociology / General; Sinne; Rezeptionsästhetik; Kunst; Rezeption; Kunstmuseum
    Scope: 1 Online-Ressource (xii, 171 Seiten), Illustrationen
  10. The museum of the senses
    experiencing art and collections
    Author: Classen, Constance
    Published: 2017
    Publisher:  Bloomsbury Academic, London ; Oxford ; New York ; New Delhi ; Sydney

    "Traditionally sight has been the only sense with a ticket to enter the museum. The same is true of histories of art, in which artworks are often presented as purely visual objects. The Museum of the Senses offers a sensory history of art and... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Traditionally sight has been the only sense with a ticket to enter the museum. The same is true of histories of art, in which artworks are often presented as purely visual objects. The Museum of the Senses offers a sensory history of art and collections, revealing how people used to handle, smell and even taste artworks and artefacts. Topics range from the tactile power of relics to the sensuous allure of cabinets of curiosities, and from the feel of a Rembrandt to the scent of Monet's garden. The book concludes with a discussion of how contemporary museums are stimulating the senses through interactive and multimedia displays. Constance Classen, a leading authority on the cultural history of the senses, has produced a fascinating study of sensual and emotional responses to artefacts from the middle ages to the present. The Museum of the Senses is an important read for anyone interested in the history of art as well as for students and researchers in cultural studies and museum studies"...

     
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  11. <<The>> museum of the senses
    experiencing art and collections
    Author: Classen, Constance
    Published: 2017
    Publisher:  Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, New York

    "Traditionally sight has been the only sense with a ticket to enter the museum. The same is true of histories of art, in which artworks are often presented as purely visual objects. The Museum of the Senses offers a sensory history of art and... more

    Location:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Inter-library loan:
    No inter-library loan

     

    "Traditionally sight has been the only sense with a ticket to enter the museum. The same is true of histories of art, in which artworks are often presented as purely visual objects. The Museum of the Senses offers a sensory history of art and collections, revealing how people used to handle, smell and even taste artworks and artefacts. Topics range from the tactile power of relics to the sensuous allure of cabinets of curiosities, and from the feel of a Rembrandt to the scent of Monet's garden. The book concludes with a discussion of how contemporary museums are stimulating the senses through interactive and multimedia displays. Constance Classen, a leading authority on the cultural history of the senses, has produced a fascinating study of sensual and emotional responses to artefacts from the middle ages to the present. The Museum of the Senses is an important read for anyone interested in the history of art as well as for students and researchers in cultural studies and museum studies"..

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474252447; 9781474252461; 9781474252454
    Other identifier:
    RVK Categories: LH 61045 ; AK 86000
    Series: Sensory studies series
    Subjects: Art museums; Material culture; Art appreciation; Sensory evaluation; ART / Museum Studies; HISTORY / Social History; SOCIAL SCIENCE / Anthropology / Cultural; SOCIAL SCIENCE / Sociology / General
    Scope: 1 Online-Ressource (xii, 171 Seiten), Illustrationen
  12. The museum of the senses
    experiencing art and collections
    Author: Classen, Constance
    Published: 2017
    Publisher:  Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, London ; Oxford ; New York ; New Delhi ; Sydney

    Access:
    Resolving-System (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474252454; 9781474252447; 9781474252461
    Other identifier:
    RVK Categories: AK 86000 ; LH 61045
    Series: Sensory studies series
    Subjects: Geschichte; Gesellschaft; Art museums; Material culture; Art appreciation; Sensory evaluation; ART / Museum Studies; HISTORY / Social History; SOCIAL SCIENCE / Anthropology / Cultural; SOCIAL SCIENCE / Sociology / General; Rezeptionsästhetik; Rezeption; Sinne; Kunst; Kunstmuseum
    Scope: 1 Online-Ressource (xii, 171 Seiten), Illustrationen
  13. The museum of the senses
    experiencing art and collections
    Author: Classen, Constance
    Published: 2017
    Publisher:  Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, London, UK

    "Traditionally sight has been the only sense with a ticket to enter the museum. The same is true of histories of art, in which artworks are often presented as purely visual objects. The Museum of the Senses offers a sensory history of art and... more

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Hochschule Aalen, Bibliothek
    Signature:
    E-Book EBSCO
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Esslingen, Bibliothek
    Signature:
    E-Book Ebsco
    Inter-library loan:
    No inter-library loan

    Location:
    Saarländische Universitäts- und Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Inter-library loan:
    No inter-library loan

     

    "Traditionally sight has been the only sense with a ticket to enter the museum. The same is true of histories of art, in which artworks are often presented as purely visual objects. The Museum of the Senses offers a sensory history of art and collections, revealing how people used to handle, smell and even taste artworks and artefacts. Topics range from the tactile power of relics to the sensuous allure of cabinets of curiosities, and from the feel of a Rembrandt to the scent of Monet's garden. The book concludes with a discussion of how contemporary museums are stimulating the senses through interactive and multimedia displays. Constance Classen, a leading authority on the cultural history of the senses, has produced a fascinating study of sensual and emotional responses to artefacts from the middle ages to the present. The Museum of the Senses is an important read for anyone interested in the history of art as well as for students and researchers in cultural studies and museum studies"-- A Taste of Heaven: Relics and Rarities -- The Feel of a Rembrandt: Paintings and Sculptures -- The Lure of the Unseen: Egyptian Mummies -- Conversation Pieces: The Arundel Collection -- A Trail of Scent: The Afterlife of Collections -- The Museum Retouched: From Empire of Sight to Sensory Playground.

     
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  14. The museum of the senses
    experiencing art and collections
    Author: Classen, Constance
    Published: [2017]
    Publisher:  Bloomsbury Academic, an imprint of Bloomsbury publishing Plc, London

    "Traditionally sight has been the only sense with a ticket to enter the museum. The same is true of histories of art, in which artworks are often presented as purely visual objects. The Museum of the Senses offers a sensory history of art and... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Institut für Museumsforschung, Bibliothek
    Signature:
    C.2.Clas
    Inter-library loan:
    No inter-library loan

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2018:514:
    Inter-library loan:
    No inter-library loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 29963
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    VKK-G18/37
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2017 C 1909
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Germanisches Nationalmuseum, Bibliothek
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    "Traditionally sight has been the only sense with a ticket to enter the museum. The same is true of histories of art, in which artworks are often presented as purely visual objects. The Museum of the Senses offers a sensory history of art and collections, revealing how people used to handle, smell and even taste artworks and artefacts. Topics range from the tactile power of relics to the sensuous allure of cabinets of curiosities, and from the feel of a Rembrandt to the scent of Monet's garden. The book concludes with a discussion of how contemporary museums are stimulating the senses through interactive and multimedia displays. Constance Classen, a leading authority on the cultural history of the senses, has produced a fascinating study of sensual and emotional responses to artefacts from the middle ages to the present. The Museum of the Senses is an important read for anyone interested in the history of art as well as for students and researchers in cultural studies and museum studies"--

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781474253796; 9781474252430; 9781474252447
    RVK Categories: AK 86000 ; LH 61045
    Series: Sensory studies series
    Subjects: Art museums; Material culture; Art appreciation; Sensory evaluation
    Scope: xii, 171 Seiten, Illustrationen
    Notes:

    Includes bibliographical references
  15. Kuratieren als antirassistische Praxis
    Contributor: Bayer, Natalie (HerausgeberIn); Kazeem-Kamiński, Belinda (HerausgeberIn); Sternfeld, Nora (HerausgeberIn)
    Published: [2017]; © 2017
    Publisher:  de Gruyter, Berlin

    "Die Publikation reflektiert Aufgaben, Strategien und Handlungsformen von Museen und Ausstellungen aus der Perspektive der postkolonialen Museologie sowie der kritischen Migrations- und Regimeforschung. Die kritische Analyse der existierenden Ansätze... more

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    "Die Publikation reflektiert Aufgaben, Strategien und Handlungsformen von Museen und Ausstellungen aus der Perspektive der postkolonialen Museologie sowie der kritischen Migrations- und Regimeforschung. Die kritische Analyse der existierenden Ansätze soll Kuratieren als antirassistische Praxis denkbar machen. Orientiert auf Handlungsmacht und auf die Schnittstellen zwischen sozialen Konfliktfeldern und kuratorischen Praxen, nehmen die Autoren das Verhältnis von Kämpfen für und gegen die Repräsentation von spezifischen Themen in den Blick. In diesem Sinne stehen Strategien des Talking Back ebenso im Fokus wie Kontaktzonen und Ansätze der Wiederaneignung"--Publisher's website

     
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    Content information
    Source: Union catalogues
    Contributor: Bayer, Natalie (HerausgeberIn); Kazeem-Kamiński, Belinda (HerausgeberIn); Sternfeld, Nora (HerausgeberIn)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3110543060; 9783110543063
    Other identifier:
    9783110543063
    RVK Categories: LH 39930 ; AK 86200 ; MS 3530 ; AK 86500
    Series: Schriftenreihe Curating. Ausstellungstheorie & Praxis ; Band 2
    Edition Angewandte
    Subjects: Art museums; Art museums; Art; Art and race; Art and society; Curatorship; Kulturelle Einrichtung; Museum; Konzeption; Kunstwerk; Ausstellung; Ziel; Grundsatzprogramm; Einrichtung; Organisation; Kunst; Funktion; Potenzial; Kulturvermittlung; Antirassismus; Eurozentrismus; Nord-Süd-Beziehungen; Theorie; Praxis; Beispiel
    Scope: 345 Seiten, Illustrationen
    Notes:

    Gerald Bast: Grusswort

    Natalie Bayer, Belinda Kazeem-Kaminski und Nora Sternfeld: Vorwort der Herausgeber*innen

    Natalie Bayer, Belinda Kazeem-Kaminski und Nora Sternfeld: Wo ist hier die Contact-Zone?! Eine Konversation

    Natalie Bayer und Mark Terkessidis: Don't get over it, if you are not over it : Handeln Statt Repräsentieren ; Über das Reparieren hinaus : eine antirassistische Praxeologie des Kuratierens

    Belinda Kazeem-Kamiński: Unearthing : in conversation

    Christopher Wessels, Marianne Niemelä und Ahmed Al-Nawas: Wir sind zwar für Promiskuität, aber wir sind hier nicht im Motel : Antirassistische kuratorische Strategien, von den Rändern zum Zentrum

    Katharina Morawek: Die ganze Welt in Zürich : Kollaborative und transformative Strategien der Verhandlung von "Stadtbürger*innenschaft"

    Jelena Vesić: Strategien der Intervention : uneingeladenes Widersprechen ; Anmerkungen zum allgemeinen Recht auf Bafflement

    Sandrine Micossé-Aikins und Bahareh Sharifi: Widerstand kuratieren : Politische Interventionen in eine elitäre, hegemoniale Kulturlandschaft

    Minna Henriksson: Valkeat

    Nuray Demir und Nanna: Anrufungen : widerständig bleiben ; Unf̕nished Conversation

    Imayna Caceres, Sunanda Mesquita und Sophie Utikal: Heidenreich im Gespräch über mögliche Strategien gegen den Exotismus in der (bildenden) Kunst, die Ordnung der Un-Dinge und eine Postidentiät, die nicht machtblind ist ; Anti*Colonial fantasies, decolonial Strategies : a conversation

    Kemi Bassene: Karthasis, Heilung und Kampf : die Sprache des antirassistischen Körpers

    Verena Melgarejo Weinandt: A(r)mando Vo(i)ces

    Thomas J. Lax: Aneignungen : trotzdem weitermachen ; How do black lives matter in der Sammlung des MoMA? Oder : Welche Bedeutung haben Schwarze Leben in der MoMA-Sammlung?

    Anmerkungen von Natalie Bayer: Silvina der-Meguerditchian made in Turkey II und Fluchtteppich, 2000-2005

    Bonaventure Soh Bejeng Ndikung: On est ensemble et Ça va waka : Einige Gedanken zur Navigation in der Xenopolis

    Nora Sternfeld: Warum überhaupt ausstellen? Eine Antwort aus dem Jahr 2030

    Naomi Rincón Gallardo: Welcome to the Formaldehyde Trip
  16. Das Immaterielle ausstellen
    zur Musealisierung von Literatur und performativer Kunst
    Contributor: Hansen, Lis (HerausgeberIn); Schoene, Janneke (HerausgeberIn); Teßmann, Levke (HerausgeberIn)
    Published: [2017]; © 2017
    Publisher:  transcript, Bielefeld

    "Im Museum kommt den Dingen eine entscheidende Wirkung zu. Das erweist sich besonders dann als Herausforderung, wenn - wie im Falle der Literatur und der Performancekunst - das vermeintlich 'Eigentliche' als immateriell gilt. Die Beiträge des Bandes... more

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    "Im Museum kommt den Dingen eine entscheidende Wirkung zu. Das erweist sich besonders dann als Herausforderung, wenn - wie im Falle der Literatur und der Performancekunst - das vermeintlich 'Eigentliche' als immateriell gilt. Die Beiträge des Bandes widmen sich der Frage, inwiefern materielle Dinge als Überbleibsel, Reste oder Relikte Erinnerungsstücke und Zeugen für eine kulturhistorische Entwicklung sein können oder ob sie vielmehr ein ästhetisches Erlebnis ermöglichen. Diskutiert werden Differenzen zwischen kulturtheoretischen Ansätzen, wissenschaftlichen Ansprüchen und praktizierter Kulturvermittlung, die sich im Umgang mit Konzepten der Aura, der Authentizität und der Originalität herauskristallisieren"--Back cover

     
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    Source: Union catalogues
    Contributor: Hansen, Lis (HerausgeberIn); Schoene, Janneke (HerausgeberIn); Teßmann, Levke (HerausgeberIn)
    Language: German
    Media type: Conference proceedings
    Format: Print
    ISBN: 9783837640786; 3837640787
    Other identifier:
    9783837640786
    RVK Categories: GB 2905 ; AK 86500
    Corporations / Congresses: Das Immaterielle Ausstellen (2016, Lübeck)
    Series: Edition Museum ; Band 28
    Subjects: Museums and literature; Literary museums; Performance art; Performing arts in museums; Art museums; Arts
    Scope: 278 Seiten, Illustrationen, 22.5 cm x 14.8 cm
    Notes:

    Tagungsdaten aus dem Grußwort

    Literaturangaben