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  1. The pictorial mode
    space and time in the art of Bryant, Irving, and Cooper
    Published: 2010
    Publisher:  The University Press of Kentucky, Lexington

    Focusing on style as a means of thematic expression, Donald A. Ringe in this study examines in detail the affinities that exist between the paintings of the Hudson River school and the works of William Cullen Bryant, Washington Irving, and James... more

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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Focusing on style as a means of thematic expression, Donald A. Ringe in this study examines in detail the affinities that exist between the paintings of the Hudson River school and the works of William Cullen Bryant, Washington Irving, and James Fenimore Cooper

     

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  2. Germaine de Stae͏̈l, George Sand, and the Victorian woman artist
    Published: 2010
    Publisher:  University of Missouri Press, Columbia

    "By examining literary portraits of the woman as artist, Linda M. Lewis traces the matrilineal inheritance of four Victorian novelists and poets: George Eliot, Elizabeth Barrett Browning, Geraldine Jewsbury, and Mrs. Humphry Ward. She argues that... more

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    "By examining literary portraits of the woman as artist, Linda M. Lewis traces the matrilineal inheritance of four Victorian novelists and poets: George Eliot, Elizabeth Barrett Browning, Geraldine Jewsbury, and Mrs. Humphry Ward. She argues that while the male Romantic artist saw himself as god and hero, the woman of genius lacked a guiding myth until Germaine de Stael and George Sand created one. The protagonists of Stael's Corinne and Sand's Consuelo combine attributes of the goddess Athena, the Virgin Mary, Virgil's Sibyl, and Dante's Beatrice. Lewis illustrates how the resulting Corinne/Consuelo effect is exhibited in scores of English artist-as-heroine narratives, particularly in the works of these four prominent writers who most consciously and elaborately allude to the French literary matriarchs." "Exploring a connection between French and English literature and providing fresh insight, Germaine de Stael, George Sand, and the Victorian Woman Artist makes a major contribution to our understanding of nineteenth-century feminism."--Jacket

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0826264077; 9780826264077
    Subjects: English literature; Women and literature; Art and literature; English literature; English literature; Femmes artistes dans la littérature; Femmes et littérature; Art et littérature; Littérature anglaise; Littérature anglaise; Écrits de femmes anglais; Women artists in literature; Women and literature; Art and literature; English literature; English literature; English literature; Art and literature; Art et littérature; English literature; English literature; Femmes artistes dans la littérature; Femmes et littérature; Littérature anglaise; Littérature anglaise; Women and literature; Écrits de femmes anglais; English literature; Women artists in literature; LITERARY CRITICISM ; General; Art and literature; English literature; English literature ; Women authors; Women and literature; TRAVEL ; Special Interest ; Literary; Criticism, interpretation, etc; History
    Other subjects: Stae͏̈l 1766-1817; Sand, George 1804-1876; Stae͏̈l 1766-1817; Sand, George 1804-1876; Sand, George (1804-1876): Consuelo; Staël Madame de (1766-1817): Corinne; Stae͏̈l 1766-1817; Sand, George 1804-1876; Sand, George 1804-1876; Stae͏̈l 1766-1817
    Scope: Online Ressource (xii, 278 pages)
    Notes:

    Includes bibliographical references (pages 253-267) and index. - Description based on print version record

    Description based on print version record

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Online-Ausg. [S.l.] : HathiTrust Digital Library

  3. Art et littérature
    le voyage entre texte et image
    Published: 2010
    Publisher:  Rodopi, Amsterdam

    ''Les voyages relatés dans le présent volume sont en effet fortement associés aux dimensions visuelle et scripturale en ce qu'ils se fondent sur, engendrent ou passent par l'écriture et/ou la figuration, que ce soit simultanément ou consécutivement :... more

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    Universitätsbibliothek der Eberhard Karls Universität
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    ''Les voyages relatés dans le présent volume sont en effet fortement associés aux dimensions visuelle et scripturale en ce qu'ils se fondent sur, engendrent ou passent par l'écriture et/ou la figuration, que ce soit simultanément ou consécutivement : le voyage vers des contrées mystérieuses et déroutantes de Marco Polo, dans l'hypermonde, une campagne militaire..., le voyage formateur..., celui entrepris pour raisons pratiques ou intellectuelles..., pour s'adonner à une nostalgie improbable ..., au rêve d' une communauté idéale..., ou pour se confronter à l'étrangeté du lieu visité.En considérant les éc Itinéraire d'un ""viator pictor"" : le regard de Corneille Le Brun, dans son Voyage du Levant (1674 -1693) et la mise en image de Smyrne/IzmirL'oeuvre d'art dans les récits de voyage de pasteurs germanophones à la fin du XVIII[sup(e)] siècle : jeux d'images et d'influences; Entre imaginaire et réalité : l'Italie décrite et peinte chez Arnold Böcklin et Hans Von Marées; Heinrich Vogeler : A la recherche du ""paradis sur terre""; Les voyages photolittéraires de la plasticienne Sophie Calle : une cartographie plurielle; Texte et hypertexte. Du voyage à l'errance SOMMAIRE; Introduction -- Résumés; Du récit de voyage et de sa mise en image : l'exemple du manuscrit de New York (Pierpont Morgan Library M.723) du Devisement du Monde de Marco Polo; Le Voyage de Gênes : The Queen's Perspective; Le journal de voyage et les dessins de Dürer aux Pays-Bas (1520-1521) : des lectures complémentaires; Vers ""la belle et féconde Italie, riche en nobles constructions..."" : un prince et un architecte allemand en pèlerinage artistique à la fin du XVI[sup(e)] siècle; Au fil du Rhin : invitation européenne au voyage entre texte et image de 1570 à 1660

     

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    Source: Union catalogues
    Language: French; English
    Media type: Ebook
    Format: Online
    ISBN: 9781429456289; 1429456280; 9789401203272
    Series: Faux titre 0167-9392 ; 286
    Faux titre ; 286
    Subjects: Travel writing; Art et littérature; Voyage dans la littérature; Voyage dans l'art; Voyage; Littérature comparée; Art and literature; Travel writing; Art et littérature; Littérature comparée; Travel writing; Voyage; Voyage dans l'art; Voyage dans la littérature; Art and literature; LITERARY CRITICISM ; General; TRAVEL ; Special Interest ; Literary; Travel writing; Bellettrie; Kunst; Beeld; Criticism, interpretation, etc
    Scope: Online Ressource (314 p.), ill.
    Notes:

    French with 1 contribution in English; abstracts in English with 1 in French. - Description based on print version record

    Description based on print version record

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Online-Ausg. [S.l.] : HathiTrust Digital Library

  4. Modes of viewing in Hellenistic poetry and art
    Published: 2010
    Publisher:  University of Wisconsin Press, Madison

    Aims, approaches, and samples -- Full presentation of the image -- Reader or viewer supplementation -- Reader or viewer integration -- An eye for the new : poetic genres, iconographical traditions -- Viewing pleasure and pain. more

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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Aims, approaches, and samples -- Full presentation of the image -- Reader or viewer supplementation -- Reader or viewer integration -- An eye for the new : poetic genres, iconographical traditions -- Viewing pleasure and pain.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780299194536; 0299194531; 9780299194505; 0299194507; 9780299194543; 029919454X
    Series: Wisconsin studies in classics
    Subjects: Greek poetry, Hellenistic; Description (Rhetoric); Art and literature; Poésie grecque hellénistique; Perception visuelle dans la littérature; Art et littérature; Point de vue (Littérature); Discours descriptif; Rhétorique ancienne; Art hellénistique; Visual perception in literature; Point of view (Literature); Rhetoric, Ancient; Art, Hellenistic; Art and literature; Description (Rhetoric); Greek poetry, Hellenistic; Art and literature; Art et littérature; Art hellénistique; Description (Rhetoric); Discours descriptif; Greek poetry, Hellenistic; Perception visuelle dans la littérature; Point de vue (Littérature); Poésie grecque hellénistique; Rhétorique ancienne; Art, Hellenistic; Point of view (Literature); Rhetoric, Ancient; Visual perception in literature; Greek poetry, Hellenistic; Art and literature; Description (Rhetoric); Beeldende kunsten; Gedichten; Grieks; Hellenisme; LITERARY CRITICISM ; Ancient & Classical; Criticism, interpretation, etc; History
    Scope: Online Ressource (xiv, 223 p.)
    Notes:

    Includes bibliographical references (p. 201-214) and index. - Description based on print version record

    Description based on print version record

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Online-Ausg. [S.l.] : HathiTrust Digital Library

  5. Savage sight/constructed noise
    poetic adaptations of painterly techniques in the French and American avant-gardes
    Published: 2010
    Publisher:  U.N.C. Dept. of Romance Languages, Chapel Hill, N.C

    "This book examines poetic adaptations of painterly techniques in works by writers such as Guillaume Apollinaire, Pierre Reverdy, Andre Breton, Frank O'Hara, and John Ashbery - all chosen for the experimentalism of their poetry as well as for the... more

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    Universitätsbibliothek der Eberhard Karls Universität
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    "This book examines poetic adaptations of painterly techniques in works by writers such as Guillaume Apollinaire, Pierre Reverdy, Andre Breton, Frank O'Hara, and John Ashbery - all chosen for the experimentalism of their poetry as well as for the quality of their critical writings on art. Close attention is paid to essays on painters identified with Cubism, Futurism, and Dada-Surrealism in France and with Abstract Expressionism and New Realism in the United States "Selected poems are examined in light of the critical essays and are taken either as illustrations of a new plastic poetic or as novel hybrids of plastic and literary strategies. Although the parallels between modern poetry and painting go beyond avant-garde techniques, this book emphasizes such innovations as collage, chance operations, and automatism to demonstrate the shift in aesthetic attention from finished products to creative processes."--Jacket

     

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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781469638522; 1469638525
    Series: North Carolina studies in the Romance languages and literatures ; number 276
    Subjects: French poetry; Art and literature; Art and literature; Avant-garde (Aesthetics); Avant-garde (Aesthetics); Poésie française; Art et littérature; Art et littérature; Avant-garde (Art); Avant-garde (Art); Art and literature; Art and literature; Avant-garde (Aesthetics); Avant-garde (Aesthetics); French poetry; POETRY / Continental European; Art and literature; Avant-garde (Aesthetics); French poetry; Malerei; Avantgardeliteratur; Ekphrasis; Französisch; Poetik; Gedichten; Avant-garde; Schilderkunst; Art; Criticism, interpretation, etc; History
    Other subjects: Apollinaire, Guillaume 1880-1918; Reverdy, Pierre 1889-1960; Breton, André 1896-1966; O'Hara, Frank 1926-1966; Ashbery, John 1927-2017; Apollinaire, Guillaume 1880-1918; Reverdy, Pierre 1889-1960; Breton, André 1896-1966; O'Hara, Frank 1926-1966; Ashbery, John; Apollinaire, Guillaume (1880-1918); Reverdy, Pierre (1889-1960); Breton, André (1896-1966); O'Hara, Frank (1926-1966); Ashbery, John (1927-2017); Apollinaire, Guillaume; Ashbery, John; Breton, André; O'Hara, Frank; Reverdy, Pierre; Apollinaire, Guillaume; Ashbery, John; Breton, André; O'Hara, Frank; Reverdy, Pierre; Apollinaire, Guillaume; Reverdy, Pierre; Breton, André; O'Hara, Frank; Ashbery, John
    Scope: Online Ressource (318 pages), illustrations.
    Notes:

    Includes bibliographical references (pages 283-291). - Print version record