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Displaying results 1 to 8 of 8.

  1. Kuratieren als antirassistische Praxis
    Contributor: Bayer, Natalie (HerausgeberIn); Kazeem-Kamiński, Belinda (HerausgeberIn); Sternfeld, Nora (HerausgeberIn)
    Published: [2017]; © 2017
    Publisher:  de Gruyter, Berlin

    "Die Publikation reflektiert Aufgaben, Strategien und Handlungsformen von Museen und Ausstellungen aus der Perspektive der postkolonialen Museologie sowie der kritischen Migrations- und Regimeforschung. Die kritische Analyse der existierenden Ansätze... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Die Publikation reflektiert Aufgaben, Strategien und Handlungsformen von Museen und Ausstellungen aus der Perspektive der postkolonialen Museologie sowie der kritischen Migrations- und Regimeforschung. Die kritische Analyse der existierenden Ansätze soll Kuratieren als antirassistische Praxis denkbar machen. Orientiert auf Handlungsmacht und auf die Schnittstellen zwischen sozialen Konfliktfeldern und kuratorischen Praxen, nehmen die Autoren das Verhältnis von Kämpfen für und gegen die Repräsentation von spezifischen Themen in den Blick. In diesem Sinne stehen Strategien des Talking Back ebenso im Fokus wie Kontaktzonen und Ansätze der Wiederaneignung"--Publisher's website

     
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    Content information
    Source: Union catalogues
    Contributor: Bayer, Natalie (HerausgeberIn); Kazeem-Kamiński, Belinda (HerausgeberIn); Sternfeld, Nora (HerausgeberIn)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3110543060; 9783110543063
    Other identifier:
    9783110543063
    RVK Categories: LH 39930 ; AK 86200 ; MS 3530 ; AK 86500
    Series: Schriftenreihe Curating. Ausstellungstheorie & Praxis ; Band 2
    Edition Angewandte
    Subjects: Art museums; Art museums; Art; Art and race; Art and society; Curatorship; Kulturelle Einrichtung; Museum; Konzeption; Kunstwerk; Ausstellung; Ziel; Grundsatzprogramm; Einrichtung; Organisation; Kunst; Funktion; Potenzial; Kulturvermittlung; Antirassismus; Eurozentrismus; Nord-Süd-Beziehungen; Theorie; Praxis; Beispiel
    Scope: 345 Seiten, Illustrationen
    Notes:

    Gerald Bast: Grusswort

    Natalie Bayer, Belinda Kazeem-Kaminski und Nora Sternfeld: Vorwort der Herausgeber*innen

    Natalie Bayer, Belinda Kazeem-Kaminski und Nora Sternfeld: Wo ist hier die Contact-Zone?! Eine Konversation

    Natalie Bayer und Mark Terkessidis: Don't get over it, if you are not over it : Handeln Statt Repräsentieren ; Über das Reparieren hinaus : eine antirassistische Praxeologie des Kuratierens

    Belinda Kazeem-Kamiński: Unearthing : in conversation

    Christopher Wessels, Marianne Niemelä und Ahmed Al-Nawas: Wir sind zwar für Promiskuität, aber wir sind hier nicht im Motel : Antirassistische kuratorische Strategien, von den Rändern zum Zentrum

    Katharina Morawek: Die ganze Welt in Zürich : Kollaborative und transformative Strategien der Verhandlung von "Stadtbürger*innenschaft"

    Jelena Vesić: Strategien der Intervention : uneingeladenes Widersprechen ; Anmerkungen zum allgemeinen Recht auf Bafflement

    Sandrine Micossé-Aikins und Bahareh Sharifi: Widerstand kuratieren : Politische Interventionen in eine elitäre, hegemoniale Kulturlandschaft

    Minna Henriksson: Valkeat

    Nuray Demir und Nanna: Anrufungen : widerständig bleiben ; Unf̕nished Conversation

    Imayna Caceres, Sunanda Mesquita und Sophie Utikal: Heidenreich im Gespräch über mögliche Strategien gegen den Exotismus in der (bildenden) Kunst, die Ordnung der Un-Dinge und eine Postidentiät, die nicht machtblind ist ; Anti*Colonial fantasies, decolonial Strategies : a conversation

    Kemi Bassene: Karthasis, Heilung und Kampf : die Sprache des antirassistischen Körpers

    Verena Melgarejo Weinandt: A(r)mando Vo(i)ces

    Thomas J. Lax: Aneignungen : trotzdem weitermachen ; How do black lives matter in der Sammlung des MoMA? Oder : Welche Bedeutung haben Schwarze Leben in der MoMA-Sammlung?

    Anmerkungen von Natalie Bayer: Silvina der-Meguerditchian made in Turkey II und Fluchtteppich, 2000-2005

    Bonaventure Soh Bejeng Ndikung: On est ensemble et Ça va waka : Einige Gedanken zur Navigation in der Xenopolis

    Nora Sternfeld: Warum überhaupt ausstellen? Eine Antwort aus dem Jahr 2030

    Naomi Rincón Gallardo: Welcome to the Formaldehyde Trip
  2. The image of the Black in African and Asian art
    Contributor: Bindman, David (Publisher); Blier, Suzanne Preston (Publisher); Gates, Henry Louis (Publisher); Dalton, Karen C. C. (Publisher)
    Published: 2017
    Publisher:  The Belknap Press of Harvard University Press, Cambridge, Massachusetts ; London, England

    The book moves beyond the "West", that is to say Europe, the Americas and the Caribbean, to consider the art of Africa and the world to the east, to represent and place in historical context images of people of sub-Saharan African descent. The... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek Regensburg
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    The book moves beyond the "West", that is to say Europe, the Americas and the Caribbean, to consider the art of Africa and the world to the east, to represent and place in historical context images of people of sub-Saharan African descent. The question remains: what does it mean for an artist of African descent to make an image of him or herself, or another person of African descent, as opposed to an image of a Black person created by an artist who is not Black? This vexed question has been at the heart of debates about "identity politics" for a very long time. In other words, in collecting images of Black subjects created by Black artists, whether from Africa or the African diaspora, we are not making epistemological or ontological claims about a work of art's so-called "authenticity," nor of its artistic quality. We simply see these works as their own canon, as another way of organizing viewing and explicating images of the Black subject in art, one related to Euro-American traditions of representation, but simultaneously with an order and history of their own as well, in the same way that a novel, let's say, by Toni Morrison exists simultaneously in the canon of American literature and of African American literature, among other literary traditions....

     
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    Content information
    Source: Union catalogues
    Contributor: Bindman, David (Publisher); Blier, Suzanne Preston (Publisher); Gates, Henry Louis (Publisher); Dalton, Karen C. C. (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780674504394
    RVK Categories: LH 84960
    Subjects: Blacks in art; Art and race; Art, African; Art, Asian; Schwarze <Motiv>; Kunst
    Scope: x, 434 Seiten, Illustrationen, Karten
    Notes:

    Includes bibliographical references and index
  3. Productive failure
    writing queer transnational South Asian art histories
    Author: Patel, Alpesh Kantilal
    Published: 2017
    Publisher:  Manchester University Press, Manchester

    This monograph sets out to write new transnational South Asian art histories - to make visible histories of artworks that remain marginalised within the discipline of art history. However, this is done through a deliberate 'productive failure' -... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    This monograph sets out to write new transnational South Asian art histories - to make visible histories of artworks that remain marginalised within the discipline of art history. However, this is done through a deliberate 'productive failure' - specifically, by not upholding the strictly genealogical approach that is regularly assumed for South Asian art histories. For instance, one chapter explores the abstract work of Cy Twombly and Natvar Bhavsar. I also examine 'whiteness', the invisible ground upon which racialized art histories often pivot, as a fraught yet productive site for writing art history. As the book progresses, art historical 'writing' includes a range of practice-led forms, such as curating exhibitions or my affective engagement with visual culture. Overall, I suggest methods for generating art history that acknowledge the complex web of factors within which art history is produced and the different forms of knowledge-production we might count as art history

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781784992545; 1784992542
    RVK Categories: LO 87860 ; LH 60230
    Series: Rethinking art's histories
    Subjects: Geschichte; Kunst; Kunstgeschichtsschreibung; Queer-Theorie; Kunst
    Other subjects: Art / South Asia / History; Art / Historiography; Art and race; Homosexuality and art; Queer theory; Art; Art and race; Art / Historiography; Homosexuality and art; Queer theory; South Asia; History
    Scope: xxii, 250 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen, Portraits, 25 cm
  4. The image of the Black in African and Asian art
    Contributor: Bindman, David (Publisher); Blier, Suzanne Preston (Publisher); Gates, Henry Louis (Publisher); Dalton, Karen C. C. (Publisher)
    Published: 2017
    Publisher:  The Belknap Press of Harvard University Press, Cambridge, Massachusetts ; London, England

    The book moves beyond the "West", that is to say Europe, the Americas and the Caribbean, to consider the art of Africa and the world to the east, to represent and place in historical context images of people of sub-Saharan African descent. The... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität der Künste Berlin, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    The book moves beyond the "West", that is to say Europe, the Americas and the Caribbean, to consider the art of Africa and the world to the east, to represent and place in historical context images of people of sub-Saharan African descent. The question remains: what does it mean for an artist of African descent to make an image of him or herself, or another person of African descent, as opposed to an image of a Black person created by an artist who is not Black? This vexed question has been at the heart of debates about "identity politics" for a very long time. In other words, in collecting images of Black subjects created by Black artists, whether from Africa or the African diaspora, we are not making epistemological or ontological claims about a work of art's so-called "authenticity," nor of its artistic quality. We simply see these works as their own canon, as another way of organizing viewing and explicating images of the Black subject in art, one related to Euro-American traditions of representation, but simultaneously with an order and history of their own as well, in the same way that a novel, let's say, by Toni Morrison exists simultaneously in the canon of American literature and of African American literature, among other literary traditions....

     
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Bindman, David (Publisher); Blier, Suzanne Preston (Publisher); Gates, Henry Louis (Publisher); Dalton, Karen C. C. (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780674504394
    RVK Categories: LH 84960
    Subjects: Blacks in art; Art and race; Art, African; Art, Asian; Schwarze <Motiv>; Kunst
    Scope: x, 434 Seiten, Illustrationen, Karten
    Notes:

    Includes bibliographical references and index
  5. The image of the Black in African and Asian art
    Contributor: Bindman, David (HerausgeberIn); Blier, Suzanne Preston (HerausgeberIn); Gates, Henry Louis (HerausgeberIn); Dalton, Karen C. C. (HerausgeberIn)
    Published: 2017
    Publisher:  The Belknap Press of Harvard University Press, in collaboration with the Hutchins Center for African an African American Research, Harvard University, Cambridge, Massachusetts

    Introduction / David Bindman -- Part I. Africa: Images of Africans by and of themselves: historical and comparative factors / Suzanne Preston Blier -- The body in African art / Kristina Van Dyke -- Masquerade in Sub-Saharan Africa / John Picton --... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Introduction / David Bindman -- Part I. Africa: Images of Africans by and of themselves: historical and comparative factors / Suzanne Preston Blier -- The body in African art / Kristina Van Dyke -- Masquerade in Sub-Saharan Africa / John Picton -- The image of the Black in early African photography / Christraud M. Geary -- The image of the Black in modern and contemporary African art / Steven Nelson -- Part II. Asia: The image of the Black in Islamic art: the case of painting / Robert Hillenbrand -- The image of the Black in India / John McLeod and Kenneth X. Robbins -- The image of the Black in Chinese art / Don J. Wyatt -- The image of the Black in Japanese art: from the beginnings to 1850 / Timon Screech -- The image of the Black in Japanese art: nineteenth century to the present day / Alicia Volk The book moves beyond the "West", that is to say Europe, the Americas and the Caribbean, to consider the art of Africa and the world to the east, to represent and place in historical context images of people of sub-Saharan African descent. The question remains: what does it mean for an artist of African descent to make an image of him or herself, or another person of African descent, as opposed to an image of a Black person created by an artist who is not Black? This vexed question has been at the heart of debates about "identity politics" for a very long time. In other words, in collecting images of Black subjects created by Black artists, whether from Africa or the African diaspora, we are not making epistemological or ontological claims about a work of art's so-called "authenticity," nor of its artistic quality. We simply see these works as their own canon, as another way of organizing viewing and explicating images of the Black subject in art, one related to Euro-American traditions of representation, but simultaneously with an order and history of their own as well, in the same way that a novel, let's say, by Toni Morrison exists simultaneously in the canon of American literature and of African American literature, among other literary traditions.--

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Bindman, David (HerausgeberIn); Blier, Suzanne Preston (HerausgeberIn); Gates, Henry Louis (HerausgeberIn); Dalton, Karen C. C. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780674504394
    RVK Categories: LC 90330 ; LC 90465 ; LH 84960
    Edition: First printing
    Subjects: Blacks in art; Art and race; Art, African; Art, Asian; Blacks in art; Art and race; Art, African; Art, Asian; Art, African; Art and race; Art, Asian; Blacks in art; Noirs dans l'art; Art et race; Art africain; Art asiatique
    Scope: x, 434 Seiten, Illustrationen, Karten, 29 cm
    Notes:

    Includes bibliographical references and index
  6. Productive failure
    writing queer transnational South Asian art histories
    Author: Patel, Alpesh Kantilal
    Published: 2017
    Publisher:  Manchester University Press, Manchester

    This monograph sets out to write new transnational South Asian art histories - to make visible histories of artworks that remain marginalised within the discipline of art history. However, this is done through a deliberate 'productive failure' -... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität der Künste Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    This monograph sets out to write new transnational South Asian art histories - to make visible histories of artworks that remain marginalised within the discipline of art history. However, this is done through a deliberate 'productive failure' - specifically, by not upholding the strictly genealogical approach that is regularly assumed for South Asian art histories. For instance, one chapter explores the abstract work of Cy Twombly and Natvar Bhavsar. I also examine 'whiteness', the invisible ground upon which racialized art histories often pivot, as a fraught yet productive site for writing art history. As the book progresses, art historical 'writing' includes a range of practice-led forms, such as curating exhibitions or my affective engagement with visual culture. Overall, I suggest methods for generating art history that acknowledge the complex web of factors within which art history is produced and the different forms of knowledge-production we might count as art history

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781784992545; 1784992542
    RVK Categories: LO 87860 ; LH 60230
    Series: Rethinking art's histories
    Subjects: Geschichte; Kunst; Kunstgeschichtsschreibung; Queer-Theorie; Kunst
    Other subjects: Art / South Asia / History; Art / Historiography; Art and race; Homosexuality and art; Queer theory; Art; Art and race; Art / Historiography; Homosexuality and art; Queer theory; South Asia; History
    Scope: xxii, 250 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen, Portraits, 25 cm
  7. The image of the Black in African and Asian art
    Contributor: Bindman, David (HerausgeberIn); Blier, Suzanne Preston (HerausgeberIn); Gates, Henry Louis (HerausgeberIn); Dalton, Karen C. C. (HerausgeberIn)
    Published: 2017
    Publisher:  The Belknap Press of Harvard University Press, in collaboration with the Hutchins Center for African an African American Research, Harvard University, Cambridge, Massachusetts

    Introduction / David Bindman -- Part I. Africa: Images of Africans by and of themselves: historical and comparative factors / Suzanne Preston Blier -- The body in African art / Kristina Van Dyke -- Masquerade in Sub-Saharan Africa / John Picton --... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Ethnologisches Museum, Bibliothek
    Signature:
    LH 84960 2017 001
    Inter-library loan:
    No inter-library loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 B 178759
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    Location:
    Hochschule für Bildende Künste Dresden, Bibliothek
    Signature:
    2020/0705
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    Location:
    Centre for Asian and Transcultural Studies (CATS), Abteilung Ostasien
    Signature:
    N8232.I63 2017
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    Location:
    Thüringer Universitäts- und Landesbibliothek
    Signature:
    KUN:EP:3900:::2017
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    Location:
    Badische Landesbibliothek
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    Location:
    Staatliche Akademie der Bildenden Künste Karlsruhe, Bibliothek
    Signature:
    LS Ip p 185
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    Location:
    Universitätsbibliothek Leipzig
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Signature:
    Ku 242.057
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    Location:
    Universitätsbibliothek Osnabrück
    Signature:
    KBL S 2529-378 2
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    Location:
    Württembergische Landesbibliothek
    Signature:
    67a/2024
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    Introduction / David Bindman -- Part I. Africa: Images of Africans by and of themselves: historical and comparative factors / Suzanne Preston Blier -- The body in African art / Kristina Van Dyke -- Masquerade in Sub-Saharan Africa / John Picton -- The image of the Black in early African photography / Christraud M. Geary -- The image of the Black in modern and contemporary African art / Steven Nelson -- Part II. Asia: The image of the Black in Islamic art: the case of painting / Robert Hillenbrand -- The image of the Black in India / John McLeod and Kenneth X. Robbins -- The image of the Black in Chinese art / Don J. Wyatt -- The image of the Black in Japanese art: from the beginnings to 1850 / Timon Screech -- The image of the Black in Japanese art: nineteenth century to the present day / Alicia Volk The book moves beyond the "West", that is to say Europe, the Americas and the Caribbean, to consider the art of Africa and the world to the east, to represent and place in historical context images of people of sub-Saharan African descent. The question remains: what does it mean for an artist of African descent to make an image of him or herself, or another person of African descent, as opposed to an image of a Black person created by an artist who is not Black? This vexed question has been at the heart of debates about "identity politics" for a very long time. In other words, in collecting images of Black subjects created by Black artists, whether from Africa or the African diaspora, we are not making epistemological or ontological claims about a work of art's so-called "authenticity," nor of its artistic quality. We simply see these works as their own canon, as another way of organizing viewing and explicating images of the Black subject in art, one related to Euro-American traditions of representation, but simultaneously with an order and history of their own as well, in the same way that a novel, let's say, by Toni Morrison exists simultaneously in the canon of American literature and of African American literature, among other literary traditions.--

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Bindman, David (HerausgeberIn); Blier, Suzanne Preston (HerausgeberIn); Gates, Henry Louis (HerausgeberIn); Dalton, Karen C. C. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780674504394
    RVK Categories: LC 90330 ; LC 90465 ; LH 84960
    Edition: First printing
    Subjects: Blacks in art; Art and race; Art, African; Art, Asian; Blacks in art; Art and race; Art, African; Art, Asian; Art, African; Art and race; Art, Asian; Blacks in art; Noirs dans l'art; Art et race; Art africain; Art asiatique
    Scope: x, 434 Seiten, Illustrationen, Karten, 29 cm
    Notes:

    Includes bibliographical references and index
  8. Kuratieren als antirassistische Praxis
    Contributor: Bayer, Natalie (HerausgeberIn); Kazeem-Kamiński, Belinda (HerausgeberIn); Sternfeld, Nora (HerausgeberIn)
    Published: [2017]; © 2017
    Publisher:  de Gruyter, Berlin

    "Die Publikation reflektiert Aufgaben, Strategien und Handlungsformen von Museen und Ausstellungen aus der Perspektive der postkolonialen Museologie sowie der kritischen Migrations- und Regimeforschung. Die kritische Analyse der existierenden Ansätze... more

    Location:
    Berlinische Galerie - Landesmuseum für Moderne Kunst, Fotografie und Architektur, Bibliothek
    Signature:
    BK4f BG-Hb 0098/2018K
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    Location:
    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Location:
    Haus der Kulturen der Welt, HKW.Bibliothek
    Signature:
    AD 200 Bay
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    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Ethnologisches Museum, Bibliothek
    Signature:
    AK 86500 2017 003
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    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Institut für Museumsforschung, Bibliothek
    Signature:
    C.4.0.Baye
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    Location:
    Hochschule für Bildende Künste Braunschweig, Bibliothek
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    K 3.2 Kur 2
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    Location:
    Kunsthalle Bremen
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    V. Bayer 2017
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    Staats- und Universitätsbibliothek Bremen
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    02.t.3157
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    Hochschule für Bildende Künste Dresden, Bibliothek
    Signature:
    2021/0133
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    Landesamt für Archäologie Sachsen, Bibliothek
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    401 Baye 1
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Location:
    Historisches Museum, Bibliothek
    Signature:
    MK 1124
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    Location:
    Museum für Moderne Kunst, Bibliothek
    Signature:
    18/58
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    Location:
    Weltkulturen Museum, Bibliothek
    Signature:
    Mb IV 464
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    Location:
    Burg Giebichenstein Kunsthochschule Halle, Hochschulbibliothek
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    A 46273
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    Kulturstiftung Sachsen-Anhalt, Zentralbibliothek Halle (Saale)
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    Kg 1226-10
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    Kulturstiftung Sachsen-Anhalt, Zentralbibliothek Halle (Saale)
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    Kg 1226a-10
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    Location:
    HafenCity Universität Hamburg, Bibliothek
    Signature:
    AK 86500 009
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    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    KGS-Tech 1555,100
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    43 Kur/1
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    Hochschule für Bildende Künste, Bibliothek
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    D.20.2 : 30
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    Location:
    Bibliothek im Kurt-Schwitters-Forum
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    KUN 700 /128
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    Niedersächsisches Landesmuseum Hannover, Bibliothek
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    M 6 BAY
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    "Die Publikation reflektiert Aufgaben, Strategien und Handlungsformen von Museen und Ausstellungen aus der Perspektive der postkolonialen Museologie sowie der kritischen Migrations- und Regimeforschung. Die kritische Analyse der existierenden Ansätze soll Kuratieren als antirassistische Praxis denkbar machen. Orientiert auf Handlungsmacht und auf die Schnittstellen zwischen sozialen Konfliktfeldern und kuratorischen Praxen, nehmen die Autoren das Verhältnis von Kämpfen für und gegen die Repräsentation von spezifischen Themen in den Blick. In diesem Sinne stehen Strategien des Talking Back ebenso im Fokus wie Kontaktzonen und Ansätze der Wiederaneignung"--Publisher's website

     
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    Content information
    Source: Union catalogues
    Contributor: Bayer, Natalie (HerausgeberIn); Kazeem-Kamiński, Belinda (HerausgeberIn); Sternfeld, Nora (HerausgeberIn)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3110543060; 9783110543063
    Other identifier:
    9783110543063
    RVK Categories: LH 39930 ; AK 86200 ; MS 3530 ; AK 86500
    Series: Schriftenreihe Curating. Ausstellungstheorie & Praxis ; Band 2
    Edition Angewandte
    Subjects: Art museums; Art museums; Art; Art and race; Art and society; Curatorship; Kulturelle Einrichtung; Museum; Konzeption; Kunstwerk; Ausstellung; Ziel; Grundsatzprogramm; Einrichtung; Organisation; Kunst; Funktion; Potenzial; Kulturvermittlung; Antirassismus; Eurozentrismus; Nord-Süd-Beziehungen; Theorie; Praxis; Beispiel
    Scope: 345 Seiten, Illustrationen
    Notes:

    Gerald Bast: Grusswort

    Natalie Bayer, Belinda Kazeem-Kaminski und Nora Sternfeld: Vorwort der Herausgeber*innen

    Natalie Bayer, Belinda Kazeem-Kaminski und Nora Sternfeld: Wo ist hier die Contact-Zone?! Eine Konversation

    Natalie Bayer und Mark Terkessidis: Don't get over it, if you are not over it : Handeln Statt Repräsentieren ; Über das Reparieren hinaus : eine antirassistische Praxeologie des Kuratierens

    Belinda Kazeem-Kamiński: Unearthing : in conversation

    Christopher Wessels, Marianne Niemelä und Ahmed Al-Nawas: Wir sind zwar für Promiskuität, aber wir sind hier nicht im Motel : Antirassistische kuratorische Strategien, von den Rändern zum Zentrum

    Katharina Morawek: Die ganze Welt in Zürich : Kollaborative und transformative Strategien der Verhandlung von "Stadtbürger*innenschaft"

    Jelena Vesić: Strategien der Intervention : uneingeladenes Widersprechen ; Anmerkungen zum allgemeinen Recht auf Bafflement

    Sandrine Micossé-Aikins und Bahareh Sharifi: Widerstand kuratieren : Politische Interventionen in eine elitäre, hegemoniale Kulturlandschaft

    Minna Henriksson: Valkeat

    Nuray Demir und Nanna: Anrufungen : widerständig bleiben ; Unf̕nished Conversation

    Imayna Caceres, Sunanda Mesquita und Sophie Utikal: Heidenreich im Gespräch über mögliche Strategien gegen den Exotismus in der (bildenden) Kunst, die Ordnung der Un-Dinge und eine Postidentiät, die nicht machtblind ist ; Anti*Colonial fantasies, decolonial Strategies : a conversation

    Kemi Bassene: Karthasis, Heilung und Kampf : die Sprache des antirassistischen Körpers

    Verena Melgarejo Weinandt: A(r)mando Vo(i)ces

    Thomas J. Lax: Aneignungen : trotzdem weitermachen ; How do black lives matter in der Sammlung des MoMA? Oder : Welche Bedeutung haben Schwarze Leben in der MoMA-Sammlung?

    Anmerkungen von Natalie Bayer: Silvina der-Meguerditchian made in Turkey II und Fluchtteppich, 2000-2005

    Bonaventure Soh Bejeng Ndikung: On est ensemble et Ça va waka : Einige Gedanken zur Navigation in der Xenopolis

    Nora Sternfeld: Warum überhaupt ausstellen? Eine Antwort aus dem Jahr 2030

    Naomi Rincón Gallardo: Welcome to the Formaldehyde Trip