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  1. Images performing history
    photography and representations of the past in European art after 1989
    Author: Ruchel-Stockmans, Katarzyna
    Published: 2015
    Publisher:  Leuven University Press, Leuven

    History is increasingly made in images, not only because its records are largely photographic but also because our ideas about the past are formed in visual terms. This book offers a discussion of contemporary art practices which question the... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2016:1880:
    Inter-library loan:
    No inter-library loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 964254
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    History is increasingly made in images, not only because its records are largely photographic but also because our ideas about the past are formed in visual terms. This book offers a discussion of contemporary art practices which question the received notions of historical representations after the pivotal changes of 1989 in Europe. These art practices reveal, in different ways, the operative role of the photographic media in making and remaking history. Not limited to a particular artistic medium, they demonstrate how history is forged through enacting or re-enacting its past forms, while, on the other hand, they indicate how copying and quoting can contribute to creating a new, operative aesthetics. By foregrounding a performative character of images, art is shown to construct an alternative knowledge of the past 1989, photography and history, representation -- The revolution as a technical disturbance -- Chaosmos : montage as spatial history -- Future pasts of a community -- Painting history photographically -- Afterword : History on an endless trial

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9789462700291
    RVK Categories: AP 95000 ; AP 94900 ; LH 61110 ; LH 65827 ; LH 65880
    Series: Lieven Gevaert series ; vol. 20
    Subjects: Art and history; Art and history; Art and photography; Art and photography
    Scope: 297 Seiten, Illustrationen
    Notes:

    Dissertation, Leuven University, 2011
  2. Images performing history
    photography and representations of the past in European art after 1989
    Author: Ruchel-Stockmans, Katarzyna
    Published: 2015
    Publisher:  Leuven University Press, Leuven

    History is increasingly made in images, not only because its records are largely photographic but also because our ideas about the past are formed in visual terms. This book offers a discussion of contemporary art practices which question the... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2016:1880:
    Inter-library loan:
    No inter-library loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 964254
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    History is increasingly made in images, not only because its records are largely photographic but also because our ideas about the past are formed in visual terms. This book offers a discussion of contemporary art practices which question the received notions of historical representations after the pivotal changes of 1989 in Europe. These art practices reveal, in different ways, the operative role of the photographic media in making and remaking history. Not limited to a particular artistic medium, they demonstrate how history is forged through enacting or re-enacting its past forms, while, on the other hand, they indicate how copying and quoting can contribute to creating a new, operative aesthetics. By foregrounding a performative character of images, art is shown to construct an alternative knowledge of the past 1989, photography and history, representation -- The revolution as a technical disturbance -- Chaosmos : montage as spatial history -- Future pasts of a community -- Painting history photographically -- Afterword : History on an endless trial

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9789462700291
    RVK Categories: AP 95000 ; AP 94900 ; LH 61110 ; LH 65827 ; LH 65880
    Series: Lieven Gevaert series ; 20
    Subjects: Art and history; Art and history; Art and photography; Art and photography
    Scope: 297 S., Ill.
    Notes:

    Teilw. zugl.: Leuven, Univ., Diss., 2011