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Displaying results 1 to 9 of 9.

  1. Contamination and purity in early modern art and architecture
    Contributor: Jacobi, Lauren (Herausgeber); Zolli, Daniel M. (Herausgeber)
    Published: 2021
    Publisher:  Amsterdam University Press, Amsterdam ; Cambridge University Press, Cambridge, UK

    The concepts of purity and contamination preoccupied early modern Europeans fundamentally, structuring virtually every aspect of their lives, not least how they created and experienced works of art and the built environment. In an era that saw a... more

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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Universität Frankfurt, Elektronische Ressourcen
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    /
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    Universitätsbibliothek Gießen
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    The concepts of purity and contamination preoccupied early modern Europeans fundamentally, structuring virtually every aspect of their lives, not least how they created and experienced works of art and the built environment. In an era that saw a great number of objects and people in motion, the meteoric rise of new artistic and building technologies, and religious upheaval exert new pressures on art and its institutions, anxieties about the pure and the contaminated - distinctions between the clean and unclean, sameness and difference, self and other, organization and its absence - took on heightened importance. In this series of geographically and methodologically wide-ranging essays, thirteen leading historians of art and architecture grapple with the complex ways that early modern actors negotiated these concerns, covering topics as diverse as Michelangelo's unfinished sculptures, Venetian plague hospitals, Spanish-Muslim tapestries, and emergency currency. The resulting volume offers surprising new insights into the period and into the modern disciplinary routines of art and architectural history.

     
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    Source: Union catalogues
    Contributor: Jacobi, Lauren (Herausgeber); Zolli, Daniel M. (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048541003
    Series: Visual and material culture, 1300-1700
    Subjects: Kunst; Luxusgut; Fernhandel; Kunsthandwerk; Alltagskultur; Kulturelle Identität; Kleidung <Motiv>; Mode <Motiv>; Malerei; Arbeiten auf Papier; Religiöse Identität; Sachkultur; Glas; Vogelfeder; Farbmittel; Schleier; Art, European; Art, Renaissance; Architecture, European; Architecture, Renaissance; Purity (Philosophy); Contamination (Psychology)
    Scope: 1 Online-Ressource (366 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 28 May 2021)
  2. Enlightened animals in eighteenth-century art
    sensation, matter, and knowledge
    Author: Cohen, Sarah R.
    Published: 2021
    Publisher:  Bloomsbury Visual Arts, London

    "How do our senses help us to understand the world? This question, which preoccupied Enlightenment thinkers, also emerged as a key theme in depictions of animals in eighteenth-century art. This book examines the ways in which painters such as... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    "How do our senses help us to understand the world? This question, which preoccupied Enlightenment thinkers, also emerged as a key theme in depictions of animals in eighteenth-century art. This book examines the ways in which painters such as Chardin, as well as sculptors, porcelain modelers, and other decorative designers portrayed animals as sensing subjects who physically confirmed the value of material experience. The sensual style known today as the Rococo encouraged the proliferation of animals as exemplars of empirical inquiry, ranging from the popular subject of the monkey artist to the alchemical wonders of the life-sized porcelain animals created for the Saxon court. Examining writings on sensory knowledge by La Mettre, Condillac, Diderot and other philosophers side by side with depictions of the animal in art, Cohen argues that artists promoted the animal as a sensory subject while also validating the material basis of their own professional practice"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781350203624; 9781350203587
    Edition: This paperback edition published 2023
    Series: Material culture of art and design
    Subjects: Animals in art; Senses and sensation in art; Animals; Art, European; Animals in art; Animals ; Symbolic aspects; Art, European ; Themes, motives; Senses and sensation in art
    Scope: xviii, 243 Seiten, 8 ungezählte Seiten Bildtafeln, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index
  3. This is the Night mail
    Ida Ekblad selects from the Christen Sveaas Art Foundation
    Contributor: Ekblad, Ida (ZusammenstellendeR, VeranstalterIn); Blazwick, Iwona (HerausgeberIn)
    Published: 2021
    Publisher:  Whitechapel Gallery, London

    The first of four publications chronicling a display of artist selections from Oslo?s Christen Sveaas Art Foundation at Whitechapel Gallery, Norwegian artist Ida Ekblad selects extraordinary works on the theme of the night. 00Inspired by the 1936... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    The first of four publications chronicling a display of artist selections from Oslo?s Christen Sveaas Art Foundation at Whitechapel Gallery, Norwegian artist Ida Ekblad selects extraordinary works on the theme of the night. 00Inspired by the 1936 documentary film Night Mail with contributions by W H Auden and Benjamin Britten about the night train delivering Britain?s post, Ekblad takes us on a journey through great masterpieces of 19th & 20th century Norwegian and international art, including work by Nikolai Astrup, Lynda Benglis, Louise Bourgeois, Theaster Gates, Thorvald Hellesen, Howard Hodgkin, Ilya Kabokov, Edvard Munch, Ed Ruscha and Rosemarie Trockel.00This accompanying catalogue includes a written response by Ida Ekblad to Auden's poem 'Night Mail', plus a new interview with Ekblad, full-colour plates of all selected works and installation photography of the display.00Exhibition: Whitechapel Art Gallery, London, UK (28.08.2021 ? 02.01.2022)

     
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    Source: Union catalogues
    Contributor: Ekblad, Ida (ZusammenstellendeR, VeranstalterIn); Blazwick, Iwona (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0854882936; 9780854882939
    Subjects: Art, European; Art, European; Art ; Private collections; Exhibition catalogs
    Other subjects: Sveaas, Christen
    Scope: 128 Seiten, 23 cm
    Notes:

    Seite 128: Published on the occasion of the exhibition at the Whitechapel Gallery: Christen Sveaas Art Foundation: "This is the Night Mail", selected by Ida Ekblad, 27 August 2021-2 January 2022

    Includes bibliographical references
  4. Granicy normy
    transformacija gumanizma v russkoj i evropejskoj kulʹture novogo i novejšego vremeni : [sbornik statej]
    Contributor: Bobrinskaja, Ekaterina Aleksandrovna (Publisher); Korndorf, Anna Sergeevna (Publisher); Loseva, Anastasija S. (Publisher); Zubov, Aleksandr Aleksandrovič; Miskarjan, Kara G.
    Published: 2021
    Publisher:  Gosudarstvennyj institut iskusstvoznanija, Moskva

    Location:
    Bayerische Staatsbibliothek
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    Volltext (kostenfrei)
    Source: Union catalogues
    Contributor: Bobrinskaja, Ekaterina Aleksandrovna (Publisher); Korndorf, Anna Sergeevna (Publisher); Loseva, Anastasija S. (Publisher); Zubov, Aleksandr Aleksandrovič; Miskarjan, Kara G.
    Language: Russian
    Media type: Conference proceedings
    ISBN: 9785982871671; 5982871672
    Corporations / Congresses: Meždunarodnyj kongress istorikov iskusstva im. D.V. Sarabʹjanova, 3. (2018, Moskau)
    Subjects: Art / Philosophy; Aesthetics, Modern; Art and philosophy; Arts / History / 20th century; Arts / History / 21st century; Anthropology and the arts; Art, European / History; Art, Russian / History; Art / Philosophie; Art et philosophie; Arts / 20e siècle / Histoire; Arts / 21e siècle / Histoire; Art européen / Histoire; Art russe / Histoire; Aesthetics, Modern; Anthropology and the arts; Art and philosophy; Art, European; Art / Philosophy; Art, Russian; Arts; Anthropologie; Kunst; Aufklärung; Grenzüberschreitung; Humanismus; Sittengesetz
    Scope: 519 pages, illustrations, 25 cm
    Notes:

    Papers of the Third International Congress named after D.V. Sabaryanova. - At head of title: Gosudarstvennyĭ institut iskusstvoznanii͡a. - "Nauchnoe izdanie"--Colophon
  5. Mécanique moderne
    Franciska Clausen, Fernand Léger & Gösta Adrian-Nilsson
    Contributor: Clausen, Franciska; Léger, Fernand; Adrian-Nilsson, Gösta; Oxholm Zigler, Marie (Publisher)
    Published: [2021]
    Publisher:  Gl. Holtegaard, Holte ; Strandberg Publishing, [København]

    De tre kunstnere danske Franciska Clausen (1899-1986), svenske Gösta Adrian-Nilsson (1884-1965), også kaldet GAN, og franske Fernand Léger (1881-1955) krydsede spor i 1920'ernes avantgardemiljø i Paris. . "Mécanique Moderne" illustrerer, hvordan... more

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    Bayerische Staatsbibliothek
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    De tre kunstnere danske Franciska Clausen (1899-1986), svenske Gösta Adrian-Nilsson (1884-1965), også kaldet GAN, og franske Fernand Léger (1881-1955) krydsede spor i 1920'ernes avantgardemiljø i Paris. . "Mécanique Moderne" illustrerer, hvordan dyrkelsen af maskiner i samspil med geometri og kroppe skabte et inciterende billedsprog for alle tre kunstnere. Bogen er udgivet i forbindelse med udstillingen af samme navn på Gl. Holtegaard (august 2021 til januar 2022), og både udstilling og bog bringer på ny de tre kunstnere i selskab med hinanden. De tre kunstneres avantgardistiske værker bliver præsenteret af kunsthistorikerne Inge Lise Mogensen Bech, Maria Kjær Themsen og Anders Gaardboe Jensen, og bogen dokumenterer også det markante udstillingsdesign, som er skabt af den danske samtidskunstner Maiken Bent (f. 1980).

     
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    Source: Union catalogues
    Contributor: Clausen, Franciska; Léger, Fernand; Adrian-Nilsson, Gösta; Oxholm Zigler, Marie (Publisher)
    Language: Danish
    Media type: Book
    ISBN: 9788794102155; 9788788499575
    Edition: 1. udgave
    Subjects: Maschine <Motiv>
    Other subjects: Léger, Fernand (1881-1955); Adrian-Nilsson, Gösta (1884-1965); Clausen, Franciska (1899-1986); Clausen, Franciska / 1899-1986 / Exhibitions; Léger, Fernand / 1881-1955 / Exhibitions; Adrian-Nilsson, Gösta / 1884-1965 / Exhibitions; Adrian-Nilsson, Gösta; Clausen, Franciska; Léger, Fernand; Machinery in art / Exhibitions; Avant-garde (Aesthetics) / Exhibitions; Art, European / 20th century / Exhibitions; Art, European; Avant-garde (Aesthetics); Machinery in art; Exhibition catalogs
    Scope: 159 Seiten, 28 cm
    Notes:

    Impressum: "Udgivet i forbindelse med udstillingen MÉCANIQUE MODERNE: Franciska Clausen, Fernand Léger & Gösta-Adrian-Nilsson, Gl. Holtegaard, 27. august 2021-9. januar 2022"

    Includes bibliographical references

    ISBN 978-87-88499-57-5 doppelt vergeben, ISBN 978-87-94102-15-5 auf der Verlagshomepage ermittelt
  6. Mécanique moderne
    Franciska Clausen, Fernand Léger & Gösta Adrian-Nilsson
    Contributor: Clausen, Franciska (KünstlerIn); Léger, Fernand (KünstlerIn); Adrian-Nilsson, Gösta (KünstlerIn); Oxholm Zigler, Marie (HerausgeberIn)
    Published: [2021]
    Publisher:  Gl. Holtegaard, Holte ; Strandberg Publishing, [København]

    De tre kunstnere danske Franciska Clausen (1899-1986), svenske Gösta Adrian-Nilsson (1884-1965), også kaldet GAN, og franske Fernand Léger (1881-1955) krydsede spor i 1920'ernes avantgardemiljø i Paris. . "Mécanique Moderne" illustrerer, hvordan... more

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2022 D 850
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    De tre kunstnere danske Franciska Clausen (1899-1986), svenske Gösta Adrian-Nilsson (1884-1965), også kaldet GAN, og franske Fernand Léger (1881-1955) krydsede spor i 1920'ernes avantgardemiljø i Paris. . "Mécanique Moderne" illustrerer, hvordan dyrkelsen af maskiner i samspil med geometri og kroppe skabte et inciterende billedsprog for alle tre kunstnere. Bogen er udgivet i forbindelse med udstillingen af samme navn på Gl. Holtegaard (august 2021 til januar 2022), og både udstilling og bog bringer på ny de tre kunstnere i selskab med hinanden. De tre kunstneres avantgardistiske værker bliver præsenteret af kunsthistorikerne Inge Lise Mogensen Bech, Maria Kjær Themsen og Anders Gaardboe Jensen, og bogen dokumenterer også det markante udstillingsdesign, som er skabt af den danske samtidskunstner Maiken Bent (f. 1980). Exhibition: Gammel Holtegaard, Holte, Denmark (27.08.2021 - 09.01.2022)

     
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    Source: Union catalogues
    Contributor: Clausen, Franciska (KünstlerIn); Léger, Fernand (KünstlerIn); Adrian-Nilsson, Gösta (KünstlerIn); Oxholm Zigler, Marie (HerausgeberIn)
    Language: Danish
    Media type: Book
    Format: Print
    ISBN: 9788794102155; 9788788499575
    Edition: 1. udgave, 1. oplag
    Subjects: Machinery in art; Avant-garde (Aesthetics); Art, European; Art, European; Avant-garde (Aesthetics); Machinery in art; Exhibition catalogs
    Other subjects: Clausen, Franciska (1899-1986); Léger, Fernand (1881-1955); Adrian-Nilsson, Gösta (1884-1965); Adrian-Nilsson, Gösta; Clausen, Franciska; Léger, Fernand
    Scope: 159 Seiten, 28 cm
    Notes:

    Impressum: "Udgivet i forbindelse med udstillingen MÉCANIQUE MODERNE: Franciska Clausen, Fernand Léger & Gösta-Adrian-Nilsson, Gl. Holtegaard, 27. august 2021-9. januar 2022"

    Includes bibliographical references

    ISBN 978-87-88499-57-5 doppelt vergeben, ISBN 978-87-94102-15-5 von der Verlagshomepage ermittelt
  7. This is the Night mail
    Ida Ekblad selects from the Christen Sveaas Art Foundation
    Contributor: Ekblad, Ida (ZusammenstellendeR, VeranstalterIn); Blazwick, Iwona (HerausgeberIn)
    Published: 2021
    Publisher:  Whitechapel Gallery, London

    The first of four publications chronicling a display of artist selections from Oslo?s Christen Sveaas Art Foundation at Whitechapel Gallery, Norwegian artist Ida Ekblad selects extraordinary works on the theme of the night. 00Inspired by the 1936... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2022:2378:
    Inter-library loan:
    No inter-library loan

     

    The first of four publications chronicling a display of artist selections from Oslo?s Christen Sveaas Art Foundation at Whitechapel Gallery, Norwegian artist Ida Ekblad selects extraordinary works on the theme of the night. 00Inspired by the 1936 documentary film Night Mail with contributions by W H Auden and Benjamin Britten about the night train delivering Britain?s post, Ekblad takes us on a journey through great masterpieces of 19th & 20th century Norwegian and international art, including work by Nikolai Astrup, Lynda Benglis, Louise Bourgeois, Theaster Gates, Thorvald Hellesen, Howard Hodgkin, Ilya Kabokov, Edvard Munch, Ed Ruscha and Rosemarie Trockel.00This accompanying catalogue includes a written response by Ida Ekblad to Auden's poem 'Night Mail', plus a new interview with Ekblad, full-colour plates of all selected works and installation photography of the display.00Exhibition: Whitechapel Art Gallery, London, UK (28.08.2021 ? 02.01.2022)

     
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    Source: Union catalogues
    Contributor: Ekblad, Ida (ZusammenstellendeR, VeranstalterIn); Blazwick, Iwona (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0854882936; 9780854882939
    Subjects: Art, European; Art, European; Art ; Private collections; Exhibition catalogs
    Other subjects: Sveaas, Christen
    Scope: 128 Seiten, 23 cm
    Notes:

    Seite 128: Published on the occasion of the exhibition at the Whitechapel Gallery: Christen Sveaas Art Foundation: "This is the Night Mail", selected by Ida Ekblad, 27 August 2021-2 January 2022

    Includes bibliographical references
  8. On the philosophy of Central European art
    the history of an institution and its global competitors
    Author: Ryynänen, Max
    Published: [2021]; © 2021
    Publisher:  Lexington Books, Lanham

    "This book is an introduction to the history of art as an institution, from its development in Central Europe to its global expansion through colonialism and diaspora. It considers how the class, gender, and race of artists function to challenge... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2021:501:
    Inter-library loan:
    No inter-library loan

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Signature:
    2021/3518
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2020 C 3657
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Germanisches Nationalmuseum, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    "This book is an introduction to the history of art as an institution, from its development in Central Europe to its global expansion through colonialism and diaspora. It considers how the class, gender, and race of artists function to challenge highbrow notions of art and develops the concept of nobrow as a way to democratize art in the future"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781793634177
    Other identifier:
    9781793634177
    RVK Categories: LH 62040 ; LH 61040
    Series: Array
    Subjects: Art, Central European; Art, European; Art, Ancient
    Scope: xiii, 139 Seiten
  9. Enlightened animals in eighteenth-century art
    sensation, matter, and knowledge
    Author: Cohen, Sarah R.
    Published: 2021
    Publisher:  Bloomsbury Visual Arts, London

    "How do our senses help us to understand the world? This question, which preoccupied Enlightenment thinkers, also emerged as a key theme in depictions of animals in eighteenth-century art. This book examines the ways in which painters such as... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2021:3054:
    Inter-library loan:
    No inter-library loan

    Location:
    Staatliche Kunstsammlungen Dresden, Kunstbibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    2021 A 7750
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2021 C 1798
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Germanisches Nationalmuseum, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek Osnabrück
    Signature:
    KCU 6271-840 8
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    Unlimited inter-library loan, copies and loan

    Location:
    Herzog August Bibliothek Wolfenbüttel
    Signature:
    72.2289
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "How do our senses help us to understand the world? This question, which preoccupied Enlightenment thinkers, also emerged as a key theme in depictions of animals in eighteenth-century art. This book examines the ways in which painters such as Chardin, as well as sculptors, porcelain modelers, and other decorative designers portrayed animals as sensing subjects who physically confirmed the value of material experience. The sensual style known today as the Rococo encouraged the proliferation of animals as exemplars of empirical inquiry, ranging from the popular subject of the monkey artist to the alchemical wonders of the life-sized porcelain animals created for the Saxon court. Examining writings on sensory knowledge by La Mettre, Condillac, Diderot and other philosophers side by side with depictions of the animal in art, Cohen argues that artists promoted the animal as a sensory subject while also validating the material basis of their own professional practice"--

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781350203624; 9781350203587
    Edition: This paperback edition published 2023
    Series: Material culture of art and design
    Subjects: Animals in art; Senses and sensation in art; Animals; Art, European; Animals in art; Animals ; Symbolic aspects; Art, European ; Themes, motives; Senses and sensation in art
    Scope: xviii, 243 Seiten, 8 ungezählte Seiten Bildtafeln, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index