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  1. Strategies of political theatre
    post-War British playwrights
    Author: Patterson, Michael
    Published: 2003
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511065272 (Sekundärausgabe); 9780511065279 (Sekundärausgabe)
    RVK Categories: HN 1220 ; HN 1261 ; HN 1231
    DDC Categories: 820
    Series: Cambridge studies in modern theatre
    Subjects: Englisch; Politisches Theater; Dramatiker
    Other subjects: Bond, Edward (1934-): Lear; Barker, Howard (1946-); Brenton, Howard (1942-); Churchill, Caryl (1938-): Cloud nine; Griffiths, Trevor (1935-): Comedians; Wesker, Arnold (1932-2016): Roots; Hare, David (1947-); McGrath, John (1935-2002); Arden, John (1930-2012): Serjeant Musgrave's dance
    Scope: XVIII, 232 S.
    Notes:

    Strategies of political theatre : a theoretical overview. - 'Reflectionist' strategy : 'kitchen sink' realism in Arnold Wesker's Roots (1959). - 'Interventionist' strategy : poetic politics in John Arden's Serjeant Musgrave's Dance (1959). - Dialectics of comedgy : Trevor Griffith's Comedians (1975). - Appropriating middle-class comedy : Howard Barker's Stripwell. - Staging the future : Howard Breton's The Churchill Play (1974). - Agit-prop revisited : John McGrath's The Cheviot, the Stag, and the Black, Black Oil (1973). - Brecht revisited : David Hare's Fanshen (1975) Rewriting Shakespeare : Edward Bond's Lear (1971). - Stragegy of play : Caryl Churchill's Cloud Nine (1979)

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